View Scott Williams's profile |
" I can't tell when you're telling me the truth."
- I'm not.
"How do I know anything you've told me is..."
- You don't.
<-- Previous playlist | Back to Scott Williams playlists | Next playlist -->
Artist | Track | Album | Label | Year | Comments | New | Approx. start time | |||
---|---|---|---|---|---|---|---|---|---|---|
Don Ellis | Main Title | sdtk, "The French Connection" | Film Score Monthly | 1971 | ||||||
Egisto Macchi | L'Eco Delle Gole | sdtk, "Il Deserto" | Anya / Cinedelic | 1974 | 0:02:04 (Pop-up) | |||||
Steve Flato | Realistic Binaural Haircut | Simulation of Another Thing | Tape Drift | * | 0:04:25 (Pop-up) | |||||
Evolution Control Committee | Breakfast | Plagiarhythm Nation | Seeland | 2003 | 0:14:23 (Pop-up) | |||||
Glass Sun | Silence of the Morning | V/a, Brown Acid: The Second Trip | Riding Easy | 1971 | 0:15:16 (Pop-up) | |||||
Sonny Terry | Corn Bread, Meat & Molasses | S/t | Archive of Folk Music | 0:20:28 (Pop-up) | ||||||
Evolution Control Committee | Lunch | Plagiarhythm Nation | Seeland | 2003 | 0:22:43 (Pop-up) | |||||
Jimmy Riddle | Yakety Eeeph | V/a, Lotsa Glottis | Dan Bodah'sa 2016 WFMU Marathon premium | 0:23:30 (Pop-up) | ||||||
Synthetic Id | Replacement Parts | Impulses | Castle Face | * | 0:25:56 (Pop-up) | |||||
Marc Kate | Sister Hyde | Despairer | Failing Forms | * | 0:27:17 (Pop-up) | |||||
Don Ellis | Copstail | sdtk, "The French Connection" | Film Score Monthly | 1971 | 0:33:21 (Pop-up) | |||||
Evolution Control Committee | Dinner | Plagiarhythm Nation | 0:37:27 (Pop-up) | |||||||
Peder Mannerfelt | Omande | The Swedish Congo Record | Archives Intérieures | * | 0:47:37 (Pop-up) | |||||
Cloud Becomes Your Hand | Made of Teak | Rest in Fleas | Northern-Spy | * | 0:51:48 (Pop-up) | |||||
Doug Seidel & Todd Tuttle | Dutchman's Pipe and Daffodils | The Boy in the Barley Bag | 0:55:15 (Pop-up) | |||||||
Sand | Golemanation | North Atlantic Raven | Rotorelief | 1973 | 0:59:55 (Pop-up) | |||||
Heavy Birds | Crimes | Drag | Moon | * | 1:18:49 (Pop-up) | |||||
Amy Gassner | Call Me | Brown Sugar 7" postcard | Summersteps | 1982 | 1:35:03 (Pop-up) | |||||
Osmar Milito e Quarteto Forma | Amèrica Latina | Split 7" with Azimuth | Mr. Bongo | 1:38:12 (Pop-up) | ||||||
The Third Wave | Once there Was A Time | Here and Now | Crippled Dick Hot Wax! | 1970 | 1:40:42 (Pop-up) | |||||
Elyssian Fields | Parachute | Bleed Your Cedar | Radioactive | 1996 | 1:44:01 (Pop-up) | |||||
Science Fiction | ...city of god | Terrible Lizards | Stimulus Progression | 1980 | 1:49:43 (Pop-up) | |||||
Harry Taussig / Kid Millions | Rando by the Tracks | Beyond the Confession: Kid Millions Reworks Harry Taussig | Tompkins Square | * | 2:01:18 (Pop-up) | |||||
Robert Ashley | (exc) | In Sara, Mencken, Christ and Beethoven There Were Men and Women | Cramps | 1972 | 2:06:28 (Pop-up) | |||||
John Carpenter | Music, Sound Effects And Dialogue Excerpts Part 2 | sdtk, "Dark Star" | We Release Whatever the Fuck We Want | 1974 | 2:09:40 (Pop-up) | |||||
Unknown | 1st Saved Message | my WFMU voicemail | 2:15:38 (Pop-up) | |||||||
Servovalve | Naked Tank | V/a, Coilectif: In Memory Ov John Balance and Hommage to Coil | Rotorelief | 2:18:41 (Pop-up) | ||||||
The Independents | I Just Want To Be There | Just As Long: The Complete Wand Recordings 1972-74 | Kent Soul | 1972 | 2:22:25 (Pop-up) | |||||
Mountains and Rainbows | am 580 | Particles | Castle Face | * | 2:31:48 (Pop-up) | |||||
Red Square | Nakamichi #5 | Rare and Lost 70s Recordings | Guerssen / Galactic Archive | 1978 | 2:35:27 (Pop-up) | |||||
The Family of Apostolic | Bubbling Brook | The Family of Apostolic | Future Days / Vanguard | 1968 | 2:41:34 (Pop-up) | |||||
Jenks Miller & Rose Cross NC | From Nothing to WHAT | Blues From WHAT | Three Lobed | * | 2:44:55 (Pop-up) | |||||
Civil Union | Death Clings To Your Clothes | Seasick Lovedrunk | Mic | * | 2:54:05 (Pop-up) |
<-- Previous playlist | Back to Scott Williams playlists | Next playlist -->
RSS feeds for Scott Williams's show: Playlists feed | MP3 archives feed
| E-mail Scott Williams | Other WFMU Playlists | All artists played by Scott Williams |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for WFMU: Pop-up | 128k AAC | 128k MP3 | 32k MP3 (More streams: [+])
Listener comments!
fred:
V Priceless:
common:
geezerette:
Cliff:
fred:
Scott Williams:
βrian:
Cliff:
Michael 98145:
steve:
βrian:
Cliff:
βrian:
fred:
fred:
βrian:
Michael 98145:
steve:
fred:
Michael 98145:
Cliff:
fred:
John Mcgreivey:
Cliff:
khd:
https://f4.bcbits.com/img/a0029027399_16.jpg
Scott Williams:
Michael 98145:
Sem Chumbo:
Cliff:
V Priceless:
John Mcgreivey:
fred:
Cliff:
MattZ:
βrian:
Anonymous Coward:
rw:
Ajax:
βrian:
βrian:
rw:
Cliff:
Scott Williams:
John McGreivey:
geezerette:
fred:
βrian:
Cliff:
fred:
Carmichael:
Bas NL:
Cliff:
fred:
Dean:
Today's a semicentennial.
Bas NL:
geezerette:
geezerette:
geezerette:
geezerette:
fred:
steve:
SueAdynamo:
Brian St Cyr:
Matt from Springfield:
Good 7"s here!
Scott Williams:
geezerette:
Matt from Springfield:
fred:
Revolution Rabbit Nov63:
βrian:
Mary Claire McGreivey:
geezerette:
Ike:
John McGreivey:
Matt from Springfield:
Revolution Rabbit Nov63:
βrian:
Mary Claire McGreivey:
Revolution Rabbit Nov63:
Cliff:
geezerette:
βrian:
Michael 98145:
Cliff:
geezerette:
Bas NL:
geezerette:
geezerette:
Matt from Springfield:
chris:
Carmichael:
josh:
Cliff:
fred:
Matt from Springfield:
Ah, thanks josh!
Sir Loin:
Matt from Springfield:
@fred: On the bright side, you get an alternate stereo mix every time.
Revolution Rabbit Nov63:
identification at the New School for Social Research.
Actually, it’s five field trips, not really a class
at all. However, when I proposed it to Dean Clara
Mayer, though she was delighted with the idea, she
said, “I’ll have to let you know later whether or not
we’ll give it.” So she spoke to the president who
couldn’t see why there should be a class in mushrooms
at the New School. Next she spoke to Professor MacIvor
who lives in Piermont. She said, “What do you think
about our having a mushroom class at the New School?”
He said, “Fine idea. Nothing more than mushroom
identification develops the powers of observation.”
This remark was relayed both to the president and to
me. It served to get the class into the catalogue and
to verbalize for me my present attitude towards
music: it isn’t useful, music isn’t, unless it
develops our powers of audition. But most musicians
can’t hear a single sound, they listen only to the
relationship between two or more sounds. Music for
them has nothing to do with their powers of audition,
but only to do with their powers of observing
relationships. In order to do this, they have to
ignore all the crying babies, fire engines, telephone
bells, coughs, that happen to occur during their
auditions. Actually, if you run into people who are
really interested in hearing sounds, you’re apt to
find them fascinated by the quiet ones. “Did you hear
that?” they will say.
andrew:
steve:
Scott Williams:
fred:
chris:
Matt from Springfield:
Revolution Rabbit Nov63:
Cliff:
Revolution Rabbit Nov63:
fred:
Matt from Springfield:
@fred: A triumph, nonetheless.
V Priceless:
fred:
Cliff:
Matt from Springfield:
fred:
Kat in Chicago:
Matt from Springfield:
Matt from Springfield:
Revolution Rabbit Nov63:
Matt from Springfield:
Guava Bite:
Carmichael:
TDK60:
Michael 98145:
geezerette:
Guava Bite:
Cliff:
Guava Bite:
Scott Williams:
Matt from Springfield:
Cliff:
Revolution Rabbit Nov63:
TY SW Sir.
Bas NL: