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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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Artist | Track | Album | Comments | Images | Approx. start time |
---|---|---|---|---|---|
Pauline Oliveros and James Ilgenfritz | Trio For Trumpet, Accordion, and String Bass I | Altamirage | James Ilgenfritz - contrabass; Stephanie Richards - trumpet; Nathan Koci - accordion ; Pauline Oliveros - MIDI accordion; Recorded at Seizure’s Palace by Jason LaFarge - -released October 21, 2022 | ||
Pauline Oliveros and James Ilgenfritz | Trio For Trumpet, Accordion, and String Bass V | Altamirage | 0:02:17 (Pop-up) | ||
Susan Alcorn, Joe McPhee, & Ken Vandermark | The Eyes Of Memory | Invitation To A Dream | Susan Alcorn -- Pedal Steel Guitar ; Joe McPhee -- Soprano Saxophone & Pocket Trumpet ; Ken Vandermark -- Tenor Saxophone & Clarinet - - Recorded by Ian Rundell September 13th, 2017 in Austin, TX. | 0:03:47 (Pop-up) | |
Jan Garbarek Quartet | Skarabee | Afric Pepperbird | Jan Garbarek – tenor saxophone, bass saxophone, clarinet, flute, percussion • Terje Rypdal – guitar, bugle • Arild Andersen – bass, thumb piano, xylophone • Jon Christensen – percussion • Recorded • 22–23 September 1970 • at • Bendiksen Studio, Oslo | 0:13:08 (Pop-up) | |
Carla Diratz & The Archers Of Sorrow | I Am with You | The Scale | Carla Diratz - vocal; Martin Archer - saxophones, keyboards, electronics; Nick Robinson - guitars; Dave Sturt - bass guitar; Adam Fairclough - drums; Charlotte Keeffe - trumpet; Jan Todd - backing vocals; Julie Archer - backing vocals; - -2021 | 0:19:23 (Pop-up) | |
Time Trout | Louise | Stuck Like Jane Austen | Viv Corringham / voice - Marcus Cummins / soprano and alto saxophones, ocarina, bells, shruti box - Dave Mandl / bass guitar - Stephen Moses / drums, percussion -- Recorded by George Taylor at Collect Pond Studio, New York | 0:24:06 (Pop-up) | |
Aqsak Maboul | Bo Diddley / Modern Lesson | Un Peu De L'Ame Des Bandits | bassoon, oboe, choir – Michel Berckmans; cello [violoncellos] – Denis Van Hecke; drums [part I], performer [flipper], recorder, choir – Frank Wuyts; drums [part II] – Chris Cutler; electric guitar, acoustic guitar, violin, viola, bass – Fred Frith; organ, piano, clarinet [Bb], bass clarinet, saxophone – Marc Hollander; voice, performer [flipper] – Catherine Jauniaux - - written-by – Hollander | 0:29:22 (Pop-up) | |
The Space Lady | All Shook Up | Recorded Live In San Francisco | 0:34:16 (Pop-up) | ||
Andy Giorbino | Junge Rebellen | Anmut Und Wurde 12" EP | 0:37:42 (Pop-up) | ||
Daniel Johnston | Museum of Love | Yip/Jump Music | 0:39:29 (Pop-up) | ||
DJ Jay Jay | 0:43:47 (Pop-up) | ||||
J.J. Johnson Sextet | Mohawk | J.J. Inc. | J. J. Johnson – trombone • Freddie Hubbard – trumpet • Clifford Jordan – tenor saxophone • Cedar Walton – piano • Arthur Harper – double bass • Albert Heath – drums • Recorded August 1 & 3, 1960 | 0:54:24 (Pop-up) | |
Dizzy Gillespie | The Champ Parts 1 & 2 | On Savoy: Dizzy Gillespie | Bass – Percy Heath; Drums – Art Blakey; Tenor Saxophone – Budd Johnson; Trombone – J.J. Johnson; Trumpet, Written-By – Dizzy Gillespie; Vibraphone – Milt Jackson - - 1951 | 1:03:45 (Pop-up) | |
J. J. Johnson | Cry Me A River | First Place | J. J. Johnson – trombone; • Tommy Flanagan – piano; • Paul Chambers – bass; • Max Roach – drums - - 1957 | 1:09:24 (Pop-up) | |
Miles Davis All-Stars | Blue 'n' Boogie | Walkin' | Alto Saxophone – Davey Schildkraut (tracks: 3, 5) Bass – Percy Heath; Drums – Kenny Clarke; Piano – Horace Silver; Tenor Saxophone – Lucky Thompson; Trombone – J.J. Johnson - - recorded April 29, 1954 | 1:15:16 (Pop-up) | |
Dexter Gordon | Lion Roars | Long Tall Dexter | Baritone Saxophone – Leo Parker; Bass – Curley Russell; Drums – Shadow Wilson; Piano – Hank Jones; Tenor Saxophone – Dexter Gordon; Trombone – J.J. Johnson; Trumpet – Joe Newman; Written-By – Parker - - recorded in New York, December 13, 1947 | 1:23:32 (Pop-up) | |
Billie Holiday | Glad to be Unhappy | Lady in Satin | Billie Holiday – lead vocals • Ray Ellis – conductor • Claus Ogerman – arranger • George Ockner – violin and concertmaster • Emmanual Green - violin • Harry Hoffman - violin • Harry Katzmann - violin • Leo Kruczek - violin • Milton Lomask - violin • Harry Meinikoff - violin • David Newman - violin • Samuel Rand - violin • David Sarcer - violin • Sid Brecher - viola • Richard Dichler - viola • David Soyer - cello • Maurice Brown - cello • Janet Putman - harp • Danny Bank - flute • Phil Bodner - flute • Romeo Penque - flute • Tom Parshley - flute • Mel Davis - trumpet • Billy Butterfield - trumpet • Jimmy Ochner - trumpet • Bernie Glow - trumpet • J.J. Johnson - trombone • Urbie Green - trombone • Jack Green - trombone • Tommy Mitchell - bass trombone • Mal Waldron - piano • Barry Galbraith - guitar • Milt Hinton - double bass • Osie Johnson - drums • Elise Bretton - backing vocals • Miriam Workman - backing vocals • Recorded • September 29, 1957 • Chicago Opera House, Chicago | 1:26:28 (Pop-up) | |
J. J. Johnson | Gigi | A Touch of Satin | Bass – Sam Jones; Drums – Lou Hayes; Piano – Victor Feldman; Producer – Teo Macero; Trombone, – J.J. Johnson - - 1961 | 1:30:33 (Pop-up) | |
Chico O'Farrill | Manzanilla | Nine Flags | Chico O'Farrill - arranger, conductor • Clark Terry - trumpet, flugelhorn • Art Farmer - trumpet • J. J. Johnson trombone • Julius Watkins - french horn • Joe Firrantello - woodwinds • Seldon Powell - tenor saxophone • Larry Coryell - guitar • Pat Rebillot - piano • George Duvivier - bass • Mel Lewis- drums • Carl Hard - percussion - -Recorded in New York City on November 10, 1966 | 1:33:51 (Pop-up) | |
Lalo Schifrin | The wig | The Dissection and reconstruction of music from the past as performed by the inmates of Lalo Schifrin's demented ensemble as a tribute to the memory of the Marquis de Sade | Lalo Schifrin – arranger, conductor, harpsichord, piano • Jerome Richardson – alto flute, bass flute, tenor saxophone • Romeo Penque – alto flute, tenor saxophone • Jimmy Maxwell, Ernie Royal, Clark Terry, Snooky Young – trumpet • Ray Alonge, Richard Berg, James Buffington – French horn • Urbie Green, J.J. Johnson, Kai Winding – trombone • Tommy Mitchell – bass trombone • Don Butterfield – tuba • Gene Bertoncini – classical guitar, electric guitar • Gloria Agostini – harp • Harry Lookofsky, Gene Orloff, Christopher Williams- violin • Alfred Brown – viola, violin • George Ricci – cello • Richard Davis – double bass • Grady Tate – drums • Rose Marie Jun – vocals • Recorded April 27 and 28, 1966 | 1:38:13 (Pop-up) | |
J.J. Johnson Quintet | Barbados | Dial J.J. 5 | J. J. Johnson – trombone • Bobby Jaspar – tenor saxophone, flute • Tommy Flanagan – piano • Wilbur Little – bass • Elvin Jones – drums - January 31, 1957 | 1:40:51 (Pop-up) | |
Horace Silver | Nutville | The Cape Verdean Blues | Horace Silver – piano • Woody Shaw – trumpet • Joe Henderson – tenor sax • J. J. Johnson – trombone (tracks 4–6) • Bob Cranshaw – bass • Roger Humphries – drums - - 1965 | 1:45:24 (Pop-up) | |
J.J. Johnson | It Could Happen To You | The Eminent Jay Jay Johnson, Vol. 1 | • J.J. Johnson – trombone • Clifford Brown – trumpet (except "It Could Happen To You") • Jimmy Heath – tenor saxophone, baritone saxophone (except "It Could Happen To You") • John Lewis – piano • Percy Heath – bass • Kenny Clarke – drums - -June 22, 1953 | 1:52:37 (Pop-up) | |
J. J. Johnson | Blue Trombone | Blue Trombone | J.J. Johnson - trombone • Tommy Flanagan - piano • Paul Chambers - bass • Max Roach - drums • Recorded - April 26, 1957 | 1:57:22 (Pop-up) | |
DJ 3J | 2:06:39 (Pop-up) | ||||
J.J. Johnson Quintet | Tumbling Tumbleweeds | J Is For Jazz | Bass – Wilbur Little ; Drums – Elvin Jones; Piano – Hank Jones; Tenor Saxophone – Bobby Jaspar; Trombone, Arranged By – J.J. Johnson —— Recorded in New York on July 24th, 25th and 27th 1956 | 2:12:47 (Pop-up) | |
Sonny Rollins | You Stepped Out of a Dream | Vol.2 | Bass – Paul Chambers ; Drums – Art Blakey; Piano – Horace Silver Tenor Saxophone – Sonny Rollins; Trombone – J.J. Johnson; Recorded at on April 14, 1957 at Van Gelder Studios, Hackensack, New Jersey | 2:17:00 (Pop-up) | |
King Pleasure | You're Crying | King Pleasure Sings/Annie Ross Sings | Baritone Saxophone – Danny Bank; Bass – Paul Chambers; Drums – Kenny Clarke; Piano – Jimmy Jones; Tenor Saxophone – Lucky Thompson; Trombone – J.J. Johnson, Kai Winding - -Recorded in New York, New York between 1952-54. | 2:23:21 (Pop-up) | |
J. J. Johnson | Bloozineff (Organ Version) | Who's Who In The Swinging Sixties (VA) | 2:26:33 (Pop-up) | ||
Donald Byrd | Pearly Gates | I'm Tryin' To Get Home | Donald Byrd - trumpet, flugelhorn • Joe Ferrante, Jimmy Owens, Ernie Royal, Clark Terry, Snooky Young - trumpet • Jimmy Cleveland, Henry Coker, J.J. Johnson, Benny Powell - trombone • Jim Buffington, Bob Northern - french horn • Don Butterfield - tuba • Stanley Turrentine - tenor saxophone • Herbie Hancock - piano • Freddie Roach - organ • Grant Green - guitar • Bob Cranshaw - bass • Grady Tate - drums • Duke Pearson - arranger • Coleridge Perkinson - director, conductor • Unidentified musicians - percussion • Unidentified chorus - vocals Recorded December 17–18, 1964 Studio Van Gelder Studio, Englewood Cliffs, NJ | 2:30:28 (Pop-up) | |
Coleman Hawkins | Half Step Down Please | Body And Soul | Fats Navarro - trompete; J.J. Johnson - trombone; Budd Johnson - sax alto; Marion DeVeta - sax barítono; Hank Jones - piano; Chuck Wayne - guitarra; Jack Lesberg - baixo; Max Roach - bateria - - December 11, 1947 | 2:32:56 (Pop-up) | |
Martha Reeves & The Sweet Things | Willie D | Willie Dynamite (Music From The Original Motion Picture Soundtrack) | Producer, Conductor, Composed By, Written-By – J.J. Johnson Vocals – Martha Reeves - -1973 | 2:35:59 (Pop-up) | |
Kenny Dorham | Basheer's Dream | Afro-Cuban | Kenny Dorham (trumpet) Hank Mobley (tenor saxophone) Cecil Payne (baritone saxophone) Jay Jay Johnson (trombone) Horace Silver (piano) Oscar Pettiford, Percy Heath (bass) Art Blakey (drums) Carlos "Patato" Valdes (congas) - - Recorded at the Van Gelder Studio, Hackensack, New Jersey on January 30 and March 29, 1955 | 2:40:09 (Pop-up) | |
J. J. Johnson | Misterioso | J. J. In Person! | J. J. Johnson – trombone • Nat Adderley – cornet (tracks 1-5 & 7) • Tommy Flanagan – piano • Wilbur Little – bass • Albert Heath – drums • Recorded • February 19, 1958 • Columbia 30th Street Studios, NYC | 2:45:09 (Pop-up) | |
Quincy Jones | End Title | The Pawnbroker OST | Orchestra arranged and conducted by Quincy Jones featuring: ◦ Freddie Hubbard, Bill Berry, trumpets ◦ J.J. Johnson, trombone ◦ Anthony Ortega, soprano sax; Oliver Nelson, alto sax, tenor sax; Jerry Dodgion, alto sax ◦ Toots Thielemans, harmonica ◦ Don Elliott, vibraphone ◦ Dave Grusin, piano ◦ Dennis Budimir, guitar ◦ Carol Kaye, electric bass ◦ Tony Williams, Bob Cranshaw, Art Davis, acoustic double bass ◦ Elvin Jones, drums ◦ Ed Shaughnessy, percussion - - 1964-ish | 2:51:34 (Pop-up) | |
Abbey Lincoln | Evalina Coffey (The Legend Of) | Devil's Got Your Tongue | Trombone – J.J. Johnson; Viola – Maxine Roach; Written-By – Abbey Lincoln - - 1992 | 2:54:45 (Pop-up) | |
J.J. Johnson | Lover Man | The Eminent Jay Jay Johnson, Vol. 1 | 3:01:47 (Pop-up) | ||
Dizzie Gillespie and His Orchestra with Lalo Schifrin | Toccata | Studio And 'Live' Collaborations 1960-62 | 3:05:38 (Pop-up) | ||
Stan Getz & J.J. Johnson | My Funny Valentine | At The Opera House | Stan Getz – tenor saxophone (except "Yesterdays") • J.J. Johnson – trombone (except "It Never Entered My Mind") • Oscar Peterson – piano • Herb Ellis – guitar • Ray Brown – double bass • Connie Kay – drums • Recorded • September 29 and October 7, 1957 • at Chicago, IL and Los Angeles, CA | 3:17:37 (Pop-up) | |
DJ At Your Disservice | 3:26:04 (Pop-up) | ||||
Sam Cooke and Muhammad Ali | The Gang's All Here accapela | Kim Sorise Marathon 21 - Muhammed Ali - I Shook Up the World | THANK YOU, KIM!! | 3:34:12 (Pop-up) | |
Sam Cooke | Long, Long Ago | Swing Low | 3:35:30 (Pop-up) | ||
Sam Cooke | Solitude | Tribute To The Lady | 3:38:26 (Pop-up) | ||
Sam Cooke | Soul Twist/Introduction | One Night Stand At the Harlem Square Club | 3:40:46 (Pop-up) | ||
Sam Cooke | Feel It (Don't Fight It) | One Night Stand At the Harlem Square Club | 3:42:04 (Pop-up) | ||
Sam Cooke | You Gotta Move | Night Beat | 3:44:57 (Pop-up) | ||
Sam Cooke | This Little Light Of Mine | Sam Cooke At The Copa - Live | 3:47:32 (Pop-up) | ||
Sam Cooke | I'm Just A Country Boy | Swing Low | 3:51:08 (Pop-up) | ||
Sam Cooke | Get Yourself Another Fool | Night Beat | 3:55:14 (Pop-up) | ||
Sam Cooke | You Send Me | Sam Cooke At The Copa - Live | 3:59:17 (Pop-up) | ||
Sam Cooke | Twistin' The Night Away | One Night Stand At the Harlem Square Club | 4:04:14 (Pop-up) | ||
Sam Cooke | Somebody Have Mercy | One Night Stand At the Harlem Square Club | 4:09:29 (Pop-up) | ||
Sam Cooke | Bring It On Home To Me | One Night Stand At the Harlem Square Club | 4:15:46 (Pop-up) | ||
Sam Cooke | Nothing Can Change This Love | One Night Stand At the Harlem Square Club | 4:19:10 (Pop-up) | ||
Sam Cooke | Having a Party | One Night Stand At the Harlem Square Club | 4:22:36 (Pop-up) | ||
DJ Kwitzz | 4:27:33 (Pop-up) |
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Listener comments!
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www.wfmu.org...
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Listener Gregory:
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Sem:
*Not a product endorsement. Your experience may vary. Does not contain jazzbo inclinations-suppressant or subliminal suggestions. Really. REALLY.*
Stork:
rw:
Stork:
rw:
Revolution Rabbit Nov63:
☆ All Blessing & Great Fortune in Year of the Water 🐇Hare ☆
wfmu.org...
Jeff Golick:
Stork:
Stork:
Michael 98145:
Jeff Golick:
spodiodi:
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adamdoesit:
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Michael 98145:
doctorjazz:
Sem:
Revolution Rabbit Nov63:
Year of Water 🐖Boar (before Chinese New Year in 1924)
' J.J. Johnson (January 22, 1924 – February 4, 2001), born James Louis Johnson and also known as Jay Jay Johnson, was an American jazz trombonist, composer and arranger.
...While the trombone was featured prominently in dixieland and swing music, it fell out of favor among bebop musicians, largely because instruments with valves and keys (trumpet, saxophone) were believed to be more suited to bebop's often rapid tempos and demand for technical mastery. In 1946, bebop co-inventor Dizzy Gillespie encouraged the young trombonist's development: "I've always known that the trombone could be played different, that somebody'd catch on one of these days. Man, you're elected." '...
Michael 98145:
Stork:
doctorjazz:
Stork:
doctorjazz:
listener james from westwood:
doctorjazz:
Stork:
Revolution Rabbit Nov63:
Sem:
doctorjazz:
rw:
Stork:
Stork:
Sem:
Andrew in Toronto:
doctorjazz:
Stork:
Stork:
adamdoesit:
Stork:
Stork:
Revolution Rabbit Nov63:
David (in London):
Evening Stork and assembled Club-going groovemongers.
Revolution Rabbit Nov63:
David (in London):
Stork:
Revolution Rabbit Nov63:
David (in London):
Revolution Rabbit Nov63:
Stork:
Revolution Rabbit Nov63:
Andrew in Toronto:
chresti:
David (in London):
adamdoesit:
Revolution Rabbit Nov63:
...too late to be discreet then ...a round of GlennP & this too shall mean nothing...
David (in London):
Mxter Baba:
David (in London):
adamdoesit:
Mxter Baba:
WR:
Stork:
Stork:
doctorjazz:
Love this Silver!
David (in London):
Stork:
Andrew in Toronto:
Andrew in Toronto:
doctorjazz:
doctorjazz:
doctorjazz:
Stork:
Stork:
Revolution Rabbit Nov63:
...& yes but what about his Two Sheds...
Revolution Rabbit Nov63:
...& yes but what about his Two Sheds...
Revolution Rabbit Nov63:
Stork:
doctorjazz:
I've done that double post as we'll...
Stork:
Revolution Rabbit Nov63:
Stork:
doctorjazz:
David (in London):
headcleaner:
Stork:
Revolution Rabbit Nov63:
Elvin in 1956 - is that early ? Already sounds like Elvin...
Stork:
Revolution Rabbit Nov63:
en.wikipedia.org...
Revolution Rabbit Nov63:
David (in London):
headcleaner:
Stork:
Michael 98145:
Revolution Rabbit Nov63:
& them together.
Stork:
Stork:
Andrew in Toronto:
Thanks Stork!
Revolution Rabbit Nov63:
David (in London):
Whyioughtta....
Stork:
Stork:
Michael 98145:
adamdoesit:
Michael 98145:
Revolution Rabbit Nov63:
Stork:
adamdoesit:
Stork:
Stork:
WR:
Michael 98145:
Stork:
David (in London):
Michael 98145:
Michael 98145:
coelacanth∅:
adamdoesit:
Wee Dot (aka Slide Oil)
3oz London dry gin
0oz dry vermouth
8oz lemonade
2oz Glen Passaic
This, a classic of the Stork Club Sober January mocktail menu, is actually several drinks in one, and is generally made in sequence. First, without even glancing at the vermouth, stir the gin over ice, strain into a coupe, and garnish with a twist, for a severely dry martini a la Dorothy Parker (or two, at the most). Then, remind one's self that this is Sober January, no monkeying around, and a lemonade as plain as might be enjoyed by that other Dorothy in Kansas is what's wanted. Pour same, and sulk lightly. Finally, with a gesture like a trombonist bending a note, hook that shot of Glen Passaic that's been set down before the adjacent patron, and down it before anybody sees. Do this two or three times, and you'll no longer care who composed what.
WR:
Michael 98145:
David (in London):
Revolution Rabbit Nov63:
Stork:
WR:
Stork:
Stork:
Stork:
Michael 98145:
Stork:
Jeff Moore:
Some things should be kept private.
Stork:
adamdoesit:
Andrew in Toronto:
Stork:
adamdoesit:
adamdoesit:
coelacanth∅:
...something.
Andrew in Toronto:
βrian:
coelacanth∅:
Stork:
David (in London):
David (in London):
adamdoesit:
Later, DiL!
coelacanth∅:
coelacanth∅:
adamdoesit:
coelacanth∅:
coelacanth∅:
i can understand that.
spodiodi:
Stork:
Doug Schulkind:
Stork:
Jeff Golick:
Stork:
adamdoesit:
But to herr DJ Barkeep of the Indefinite Overtime, I don't say goodbye, I say auf wiedersehen und danke für alles baby!
Stork:
Stork:
Jeff Moore:
Stork:
Stork:
Stork:
Mike Cooper:
Stork:
Mike Cooper:
A Bump in Burbank:
Lovely afternoon here in beautiful Downtown Burbank.
Stork:
Revolution Rabbit Nov63:
~ TY Always DJ Stork ~
spodiodi:
Jeff Golick:
Doug Schulkind:
coelacanth∅:
chresti:
Doug Schulkind:
Stork:
Andrew in Toronto:
WR:
doctorjazz: