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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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November 3, 2022: An Evening With Martin Atkins... (w/ Interview!!!)
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time | |||
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"MARTIN ATKINS IS THE DEFINITION OF ENTREPRENEURIAL ACTIVITY IN CULTURAL ARTS ENDEAVORS. His three decades in the music business spans across genres, borders and industries. Having experience in nearly every aspect of record production and promotion has given Martin a unique perspective not only on where the music industry is currently, but where it is going in the future. After playing drums in a variety of English bands, Martin auditioned for and subsequently joined Johnny Rotten’s Public Image Limited in 1979. His first contribution to the band was cowriting and performing on the song “Bad Baby” for the revered Metal Box LP. After touring the world with P.i.L and contributing to several more studio albums Martin left the group in 1985. Over the next five years, he played with and managed Killing Joke and toured with Ministry. In 1990, while on tour with Ministry, he formed his own band, Pigface. He also worked with Nine Inch Nails, performing on the Grammy award winning “Wish” and appearing in the “Head like a Hole” video. Martin began working on the business side of music in 1988 when he formed Invisible Records and then Mattress Factory Studios in 1996. Over two decades Invisible has released over 350 albums and has had placements spanning from the original Miami Vice to Showtime’s Queer as Folk to Robert Altman’s The Company. Atkins wrote his book Tour:Smart in 2007 and has since spoken around the world at major industry conferences, recognized universities, and nonprofit organizations. His distinguished speaking resume includes: SXSW, Warped Tour, CMJ, New Music Seminar, Unconvention, NAMM, By:Larm, Dfest, USC, Drexel, Virginia Commonwealth University, Full Sail, Weiden + Kennedy, Chicago Cultural Center and many more. Atkins currently teaches at Millikin University in Decatur, IL and acts as the Music Business Program Coordinator, leading courses on Touring, Advanced Entrepreneurship, Artist and Event Management, and Online Marketing. When he’s not teaching, you can find him on the road, promoting with his third book, Band:Smart, consulting with artists and organizations, or working on his next book, Memories: My Time In and Out of Public Image Ltd. He is a father of four boys and lives with his wife, Katrina, in Chicago." | ||||||||||
Music behind DJ: Sounds Of The Ocean |
Beach Sounds |
Ocean Sounds |
Sounds Of The Ocean |
2016 |
0:00:00 (Pop-up) |
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Public Image Limited | Where Are You | This Is What You Want... This Is What You Get | Columbia | 1984 | This song is about a vacuous socialite, according to Keith Levene it’s about his former girlfriend and former ‘non-musical’ band member Jeannette Lee: Lee has been called the ‘visual assistent’ and apparently brought a multimedia dimension to the band, including using video as an aspect of live performances. This would lead to the ‘riot’ at the Ritz when the band elected to play behind a giant video screen. She also appeared on the cover of 1981’s PiL record The Flowers of Romance. John Lydon was quoted as saying "Jeannette actually never did anything, but she was chucked in there just… for one reason or another. Well she did look after the businessy side of things, and made sure things went out on time. She’s now a director of Rough Trade, so she obviously learnt something." | 0:01:20 (Pop-up) | ||||
Music behind DJ: Public Image Limited |
Lou Reed Pt I |
Commercial Zone |
PiL Records Inc. |
1984 |
"In May 1981 PiL moved from London to New York City, but in October 1981 their American record contract with Warner Brothers expired and was not renewed. In January 1982 the British music press reported that PiL had tried to record a new album in New York with producers Adam Kidron and Ken Lockie, but split instead – this was promptly denied by the band in a press release the following week. In May 1982 drummer Martin Atkins rejoined the band and PiL started recording their new studio album for Virgin Records at Park South Studios in Manhattan, with sound engineer Bob Miller co-producing. On 29 August 1982 new bassist Pete Jones joined the band in the studio, the new line-up played its debut concert four weeks later (28 September 1982 in New York City). During the second half of 1982 the band planned to form their own record label (Public Enterprise Productions) and license its releases to Stiff Records USA for the American market, but these plans never materialised. In early November 1982 PiL announced the imminent release of a new single "Blue Water" and a six-track mini album You Are Now Entering a Commercial Zone on their new label. This did not happen, with the band instead continuing to record a full-length album at Park South Studios. By March 1983 a new track "This Is Not a Love Song" was earmarked as a new single by the band, but PiL broke up when first Pete Jones and then Keith Levene left the band. The single "This Is Not a Love Song" (with "Blue Water" as a 12" single B-side, both from the Park South sessions) was released in Japan by Nippon Columbia in June 1983. Virgin Records released it in the UK in September 1983, where it went to no.5 in the UK single charts. The remaining members, John Lydon and drummer Martin Atkins hired session musicians to fulfill touring commitments and carried on under the PiL name. In mid-1983, in PiL's absence, Keith Levene took the unfinished album tapes and did his own mix. He then flew over to London and presented them to Richard Branson as the finished new PiL album for Virgin Records, but John Lydon decided to completely abandon the tapes and re-record the whole album from scratch with session musicians. This new version of "Commercial Zone" became "This Is What You Want... This Is What You Get" in 1984. Levene decided to release the album himself on the American market and on 30 January 1984 registered the label PIL Records Inc. for this one-off release. The first limited pressing of 10,000 copies for which Levene paid $8,500 out of his own pocket was self-distributed to record shops around New York City and heavily imported to the UK and European market. A second pressing (with the track listing changed around and a shorter mix of "Bad Night") followed in August 1984 in an edition of 30,000 copies, to compete directly with the official re-recorded album This Is What You Want... This Is What You Get. Virgin Records promptly took legal actions and stopped the distribution and any further re-pressings of Commercial Zone. In 2014 Levene announced plans to revisit Commercial Zone and finally finish it. The 2014 release is called Commercial Zone 2014. In the spring of 2014, Levene went to Prague to record Commercial Zone 2014, which was backed via a crowdsourcing campaign website at Indiegogo." |
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Public Image Limited | Lou Reed Pt II (Where Are You?) | Commercial Zone | PiL Records Inc. | 1984 | Original release date has been suggested in some instances as 11/83 and Martin Atkins and Pete Jones are credited on drums and bass respectively. "Track by track commentary by the band for "Lou Reed Part 1 & 2"/"Where Are You?": John Lydon (1999): “'Where Are You?' is about departed PIL members. Say no more.” /// Keith Levene (1983/2001): “I don't know what happened between [Jeannette Lee] and John when he went to Italy with her to make that movie, but she left after that.” “[John Lydon had] been back from making his movie, which Jeannette had opted to go off and join him on this glamorous trip. So John came back and Jeannette was officially not in the band any more. We made this tune 'Where Are You?' and it was totally about Jeannette.” /// Pete Jones (2000): “We re-recorded 'Lou Reed Part 2', but that version isn't on 'Commercial Zone'." | 0:09:36 (Pop-up) | ||||
Martin Atkins China Dub Soundsystem | Radio China | Made in China | Invisible China | 2007 | From the liner notes, by Martin Atkins: "I went to an old market with Bo looking for deals on long forgotten audio equipment, fantasizing that I would stumble across a vintage Neve Console for $10. Instead I left with a partially working (when we hit it on the back) radio. We took it into the studio on a Saturday night and started to radio scratch and the singer from PK14 did a vocal not used here and then I came up with the idea of a broadcast from radio China. Amazing guitar from Li Qing from Carsick Cars and vocals from everyone. Tookoo, and kang Mao from Subs. These songs are like the best diary entries ever. I just have to strap on the iPod and I'm back there. It might be flag-waving or celebratory or fuck-knows-what to be in China making music with 30 or 40 of the coolest people on the planet and have a song be about that, but so what." This was all new and strange and exciting and all of my senses were up and fences down. So there. " Li Qing - Guitar // Li Wei Si - Bass // Yang Hai Sung - PK14 Vocal // Tookoo - Gang Vocals // Kang Mao - Vocals // Xi Chen - Megaphone // + Martin Atkins -- / Produced Mixed and arranged by Martin Atkins at Mattress Factory Chicago / Engineers - Tom VX & Miguel Torres /// All songs published by Mattress Factory Music. // This song written by Atkins/Si/Qing. | 0:12:26 (Pop-up) | ||||
Brian Brain | Fun People | Culture | Secret Records | 1980 | Atkins formed Brian Brain with Pete Jones (who also played with Public Image Ltd in 1982 and 1983) on bass (in 1983 replaced by original Go-Gos' bassist Margot Olavarria) and Bobby Surgeoner on guitar (later replaced by Olavarria's husband, Geoff Smyth). Named after the Worcestershire and Gloucestershire seam bowler Brian Brain, the band released six singles and one LP (Unexpected Noises) on Secret Records,[3] and continued to release singles and LPs on Atkins' own Plaid Records throughout the 1980s. The band had a minor indie chart hit in 1980 with "They've Got Me in the Bottle" (#39),[4] and club hits with the singles "Jive Jive" (1981) and "Funky Zoo" (1982)."On the first releases of his band Brian Brain (1980-82), Martin Atkins used the name Brian Brain as an Alias for himself, too." | 0:16:22 (Pop-up) | ||||
Pigface | Suck | Gub | Invisible Records | 1993 | "Gub is the debut studio album by American rock band Pigface. It is notable for featuring contributions from Trent Reznor of Nine Inch Nails, with Reznor later re-recording the song "Suck" for the Nine Inch Nails EP, Broken, released in 1992." Martin Atkins - Drums / William Rieflin - Drums and Guitar / Paul Barker - Bass / Trent Reznor - Vocals / Kurt Moore - Camera | 0:18:49 (Pop-up) | ||||
Music behind DJ: Pigface |
Symphony For Taps |
Gub |
Invisible Records |
1993 |
Atkins - Howard Johnsons // Written-By – Atkins |
0:22:30 (Pop-up) |
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Music behind DJ: Pigface |
The Greenhouse |
Gub |
Invisible Records |
1993 |
Atkins - Bodhrán, Doritos Bag / Rieflin - Drums & Cases / Albini - Oscillators // Written-By – Atkins, Rieflin |
0:23:56 (Pop-up) |
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Martin Atkins | Martin Atkins Interview Pt. 1 2022 w/ Transmissions From Echo Beach on WFMU | Transmissions From Echo Beach / WFMU / Martin Atkins Interview | WFMU | 2022 | * | 0:31:27 (Pop-up) | ||||
Pigface | Mind Your Own Business | Easy Listening... | Underground, Inc., Invisible, Caroline Distribution | 2003 | Cover of the excellent Delta 5 song (originally from 1979). "Mind Your Own Business" has remained the band's most enduring song, having been covered by Chicks on Speed, Le Shok, R. Stevie Moore, Dum Dum Girls...and of course, Pigface. Pigface is Martin Atkins' own supergroup. Invisible Records is his own label. | 0:56:28 (Pop-up) | ||||
Public Image Ltd. | Bad Baby | Second Edition / Metal Box | Island / Virgin Records | 1979 | "After a short succession of drummers Atkins finally joined PiL in September 1979; in order to complete sessions for 'Metal Box' (he was their 6th drummer in 18 months). His audition for the band is the studio recording of 'Bad Baby' as included on 'Metal Box'. Atkins twice previously tried to join PiL: “I tried to join when John first left the Pistols. I came down from Durham for the auditions, but I had to go back early and so I fluffed that one. I tried again when Richard Dudanski joined. Then when he left, I called Keith who said come along. It was just me pestering them really…" Atkins is probably PiL's best known drummer, and also regarded by many as their best. He had three separate stints with the band 1979-85 and contributed to 'Flowers of Romance', 'Commercial Zone' and 'This is What You Want...'. His live debut was the 'Paris Au Printemps' live album in 1980. He also toured 1982/3 and 1984/5 before leaving in June 1985. Atkins later claimed Lydon wrote 'FFF' directly about his departure: "Farewell my fairweather friend…"" | 0:59:53 (Pop-up) | ||||
Brian Brain | At Home He's A Tourist | Culture | Secret Records | 1980 | Martin Atkin's band covering Gang Of Four's 1979 classic song... A year later! Gang Of Four singer Jon King recalled this hard rock number about domestic alienation and the unconscious oppression of consumer fun and culture to Clash Magazine: "Sometimes, you get lucky and a line comes that makes everything easy. Suddenly getting the answer to a question when you turn off and think about something else. Thrown-ness - if that's a word at all – was something we puzzled over. Why, if everything like it is, do so many things seem ersatz, phoney. But it's not phoney if you know it's phoney, as Truman Capote said of Holly Golightly "she's not a phoney because she's a real phoney." So, with this present from nowhere, (guitarist Andy) Gill was inspired and created the perfect existential squawl," | 1:04:23 (Pop-up) | ||||
Public Image Ltd. | Chant (BBC Session) | Plastic Box | Virgin Records | 1979 / 1999 / 2009 | PiL's only John Peel Session! Recorded on 10 December 1979 by Public Image Ltd for the John Peel show on BBC Radio 1 and broadcast on the 17th of that month. | 1:08:10 (Pop-up) | ||||
Music behind DJ: Opium Jukebox |
God Save The Queen |
Never Mind The Bhangra: A Tribute To The Sex Pistols |
Caroline Records |
2002 |
"Opium Jukebox is a side project of Martin Atkins (of Pigface). Instrumental cover tunes done in a smoked out South Asian downtempo style." |
1:13:25 (Pop-up) |
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Martin Atkins | Martin Atkins Interview Pt. 2 2022 w/ Transmissions From Echo Beach on WFMU | Transmissions From Echo Beach / WFMU / Martin Atkins Interview | WFMU | 2022 | * | 1:20:35 (Pop-up) | ||||
The Damage Manual | South Pole Fighters | Limited Edition | Invisible Records | 2005 | Originally stemming from discussions between Atkins and Wobble, Damage Manual was born! After writing and arranging material through exchanging recordings from their own respective studios, the trio, with the addition of Geordie Walker, had put together a batch of instrumental ideas in need of a vocalist. It has been said that they originally approached John Lydon (Public Image Ltd, Sex Pistols) for an amicable resurgence (both Atkins and Wobble did notable work in PiL) but he declined the opportunity. Drums, Effects [Low End Tweaks And Blips] – Martin Atkins Engineer – Steven Seibold* Guitar, Bass Guitar – Steven Seibold* Lead Vocals, E-Bow – Chris Connelly Lyrics By – Chris Connelly Guitar – Chris Connelly Programmed By [Additional] – Lee Fraser | 1:31:54 (Pop-up) | ||||
Music behind DJ: The Damage Manual |
Expand (Remix By CAN) |
Limited Edition |
Invisible Records |
2005 |
Remixed by Irmin Schmidt, of CAN. In 1968, Schmidt founded the experimental krautrock band Can with Holger Czukay, Michael Karoli, and Jaki Liebezeit. Schmidt served as Can's keyboardist until the group's disbandment in 1979. He participated in both reunions of Can, in 1986 and 1991. This (original) lineup of The Damage Manual was composed of Bass – Jah Wobble / Drums, Loops – Martin Atkins / Guitar – Geordie Walker / Vocals – Chris Connelly / Synths & Drum Programming - Lee Fraser //// A band of Martin Atkins. On a label of Martin Atkins. Recorded in Martin Atkins' studio. Produced by Martin Atkins. |
1:35:13 (Pop-up) |
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Martin Atkins | Martin Atkins Interview Pt. 3 2022 w/ Transmissions From Echo Beach on WFMU | Transmissions From Echo Beach / WFMU / Martin Atkins Interview | WFMU | 2022 | * | 1:44:32 (Pop-up) | ||||
Link to Martin's Post Punk and Industrial Music Museum: PPIM Museum Chicago | ||||||||||
Martin Atkins Facebook: Martin Clive Atkins - Facebook | ||||||||||
Invisible Records, a label founded by Martin Atkins, 300+ records released (and counting) Invisible Records FB | ||||||||||
Martin Atkins Twitter: https://twitter.com/marteeeen | ||||||||||
Pete Jones' Brian Brain photos: Brian Brain Photos! | ||||||||||
Martin Atkins website: Investigate all things Martin Atkins here! -- https://martinatkins.bigcartel.com/about | ||||||||||
Music behind DJ: Your DJs Speak |
Your DJs Speak, a short transition... |
1:50:25 (Pop-up) |
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Martin Atkins | Museum of PPIM Preview (Youtube Museum walk-through: Mar 17, 2022) | Museum of PPIM Preview | InvisibleTelevision | 2022 | Mar 17, 2022: A preview of items in the Museum of Post Punk and Industrial Music Chicago presented by Martin Atkins... Take the visual tour on Youtube here: Museum of PPIM Preview | 1:52:58 (Pop-up) | ||||
Martin Atkins | Museum of PPIM Catalogue Package Preview (Oct 29, 2022) | Museum of PPIM Preview | InvisibleTelevision | 2022 | Oct 29, 2022: A preview of The first edition of the Catalog for the Museum of Post Punk and Industrial Music Chicago presented by Martin Atkins. Take a look at the video & catalogue here: Museum of PPIM Catalog Package Preview | * | 1:58:37 (Pop-up) | |||
Music behind DJ: Your hosts announce |
Your hosts announce |
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Killing Joke | Money Is Not Our God | Killing Joke: The Singles Collection 1979-2012 | Spinefarm Records | 1990 / 2013 | Originally from "Extremities, Dirt and Various Repressed Emotions", the eighth studio album by English post-punk band Killing Joke, released in November 1990 by Noise Records. "After the commercial failure of their previous album Outside the Gate in 1988, singer Jaz Coleman and guitarist Geordie Walker were the last remaining members of the group. In December 1988, they recruited new musicians to perform a one-off concert in Porchester and premiered new songs, including early versions of "Extremities" and "The Beautiful Dead". The band didn't have any support of a record company anymore: Virgin had fired them and their label E.G. sued them. Coleman stated that it was a very stressful period of time for him and Walker. The new material was more intense, the band performed it live during a US tour in 1989. Extremities, Dirt and Various Repressed Emotions was recorded in 1990 for a German independent label: bassist Paul Raven was called back before entering into the studio. Drummer Martin Atkins, formerly of Public Image Ltd and Ministry, had joined the band in 1988 and co-composed the songs with Coleman and Walker. "Money Is Not Our God" was the leading single of the album. The new line-up toured extensively to support the album in 1991." | 2:02:51 (Pop-up) | ||||
Nine Inch Nails | Wish (Remixed by J.G. Thirwell) | Fixed | Nothing / TVT Interscope | 1992 | A fantastically Atkins-forward remix of the much-celebrated NiN song. "Thirlwell was born in Melbourne, Australia. He briefly studied Fine Art at Melbourne State College (now part of the University of Melbourne) before moving to London, England in 1978, where he played with the post-punk band prag VEC and formed the first of his numerous musical projects, Foetus. In the 1980s, under the pseudonyms Clint Ruin and Frank Want, he contributed to various releases by Nurse With Wound, Marc Almond, The The and Nick Cave and the Bad Seeds. He co-wrote "Wings Off Flies" on From Her to Eternity, the first Bad Seeds album. Longtime Nick Cave associate Mick Harvey would later report that Thirlwell's time in the band was cut short, in part, by a clash between Thirlwell's highly structured studio routine as contrasted with Cave's at-the-time habit of "shambling through it" while recording. Thirlwell released his first 7-inch single, OKFM/Spite Your Face, in 1981, on his own Self-Immolation record label in his first incarnation as Foetus. Over the next few years, he would release two more singles, a 12" EP, and four full-length albums, Deaf, Ache, Hole and Nail (Some Bizzare Records) . After visiting the United States during a live stint with the Immaculate Consumptive (Lydia Lunch, Nick Cave and Marc Almond) Thirlwell settled in New York City, where he is still based. Since his move he has released several singles, fourteen EPs (including Stinkfist, with fellow New York artist Lydia Lunch and Thurston Moore), and seventeen full-length albums. In addition to being a prolific artist in his own right, Thirlwell has remixed and produced numerous pieces for artists including Faith No More, Nine Inch Nails, Pantera, Jon Spencer Blues Explosion, The The, Zola Jesus, Front 242, and Swans. He has also done voice-over work for MTV and other entities. Since 2000, Thirlwell has become more active as a composer, having written commissions for Bang on a Can, League of Electronic Musical Urban Robots, and the Kronos Quartet, and scoring cartoons The Venture Bros. for Adult Swim and Archer for FX. His most recent project was scoring the John Hodgman and David Rees cartoon detective show Dicktown. He also revived his primary instrumental project, Steroid Maximus, and initiated a more experimental instrumental project in Manorexia. He continues to write and perform regularly as a solo artist and with various ensembles. He is also a member of the freq_out sound art collective, and has created solo sound installations in Kaliningrad, Santarcangelo and Vienna." | 2:09:16 (Pop-up) | ||||
Ministry | Stigmata - Live | In Case You Didn't Feel Like Showing Up | Sire / WEA | 1990 | Ministry live for "The Cage Tour" w/ Martin Atkins drumming. | |||||
Pigface | The Horse You Rode In On | Easy Listening... | Underground, Inc., Invisible, Caroline Distribution | 2003 | Does this feature Penn Jillette on vocals? Yes, it most certainly does... ...Also... Charles Levi: Bass // Julian Beeston: Programming, korgs, etc. // Fallon Bowman: Guitars // Martin Atkins: Drums and Scratch // Curse Mackey: Chorus voices... Fucks by you, Cliff & Kara Livingston, Steven Marceau, H. Walters and Jason Smirchich. Penn Jillette's voice recorded at Living Dead Studios. Engineered by Ezekiel Kazem. Words by Martin Atkins, Penn Jillette, and you! Watch out for VER. 2.1 with Jared Louche. |
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Listener comments!
DJ Babs:
Scott67:
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Kristine:
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Scott67:
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Wendy McDonald:
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Mr Fab:
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WR:
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Alli B:
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Svenna:
shellioh:
Tome:
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Derek Westerholm:
Derek Westerholm:
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shellioh:
Robm:
Tome:
Scott67:
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Kat in Chicago:
ultradamno:
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ultradamno:
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WR:
Robm:
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Kristine:
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ultradamno:
DJ Blush:
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Mr Fab:
ultradamno:
ultradamno:
DJ Blush:
Mr Fab:
Cp304:
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Svenna:
Derek Westerholm:
Mr Fab:
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Derek Westerholm:
ultradamno:
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Scott67:
I'm scoffing a hotdog with a can of beer mate!
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Scott67:
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Kat in Chicago:
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Personality that is, not lov..... nevermind!
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DJ Babs:
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Cp304:
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Krys O.:
TroyD8:
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Mr Fab:
Scott67:
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ultradamno:
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Scott67:
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DJ Babs:
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Kat in Chicago:
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Alli B:
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Mr Fab:
DJ Blush:
Scott67:
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WR:
Thank you! Great episode!
DJ Babs:
Krys O.:
Derek Westerholm:
ultradamno:
Scott67:
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Derek Westerholm:
Scott67:
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Mr Fab:
Derek Westerholm:
ultradamno:
Derek Westerholm:
Derek Westerholm:
Mr Fab:
Steroid Maximus is great, too. Did Mr Foetus ever actually release anything in Australia-only before moving overseas?
DJ Babs:
DJ Babs:
ultradamno:
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Scott67:
Scott67:
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ultradamno:
Mr Fab:
This I can't wait to hear!
DJ Babs:
Derek Westerholm:
Derek Westerholm:
Mr Fab:
Scott67:
Derek Westerholm:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
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ultradamno:
WR:
ultradamno: