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I play music that is old and that is new. Some of it is digital while some is analog. It is from many different countries; sometimes it is loud and at other times it is quiet.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
Klatentwiz | Kloink Street | Musikmekanik Cirkus & Cartoon | Serendip Lab | 2008 | 0:00:00 (Pop-up) | |||||
Stereo Total | Schön Von Hinten | Schön Von Hinten | Bungalow | 1997 | 0:03:59 (Pop-up) | |||||
Groenland Orchester | Fanfaren Der Herzen | Nurobic | Staubgold | 2001 | 0:08:29 (Pop-up) | |||||
Foodman 食品まつり | Kishimen | Moriyama | Palto Flats | 2018 | 0:12:14 (Pop-up) | |||||
Takahiro Mukai | B3.#241 | The Ideal Ruins | Hylé Tapes | 2015 | 0:15:29 (Pop-up) | |||||
Appleton & Treu | Eight Pounds Of Muscles | Wunderbra! | Crippled Dick Hot Wax! | 2003 | 0:20:12 (Pop-up) | |||||
Orchestral Manoeuvres In The Dark | Radio Waves | Dazzle Ships | Virgin | 1983 | 0:23:50 (Pop-up) | |||||
Giorgio Moroder | I Wanna Rock You | E=MC² | Casablanca | 1979 | 0:27:33 (Pop-up) | |||||
Flaunt Edwards | Desilu | The Name Is Flaunt | Leaving | 2018 | 0:33:52 (Pop-up) | |||||
Mendo, Danny Serrano | Bella (Original Mix) | Bella EP | Sola | 2018 | 0:38:26 (Pop-up) | |||||
Dennis Cruz | El Sueño (feat Martina Camargo) | Moon Harbour Recordings | 2018 | 0:45:01 (Pop-up) | ||||||
Cities Aviv | Age | Raised For A Better View | Total Works | 2018 | 1:03:57 (Pop-up) | |||||
Jan St. Werner | Foggy Esor Pt. 2 | Felder | Thrill Jockey | 2016 | 1:06:35 (Pop-up) | |||||
Rrose | Pecking Order | Beware of Shells | Eaux | 2018 | 1:08:58 (Pop-up) | |||||
NHK yx koyxen | Early Mellow Darkness | Self Split EP | Diagonal | 2018 | 1:16:50 (Pop-up) | |||||
Rhyw | Karhide | Cave Walls (Part Two) | Avian | 2018 | 1:23:08 (Pop-up) | |||||
Dan Snazelle | Broken Saucer | Exposure to a Steady Stream | Jacktone | 2018 | 1:26:00 (Pop-up) | |||||
Shonky | Papi Chulo | Shonky ep | Third Ear Recordings | 2018 | 1:32:46 (Pop-up) | |||||
Egbert | Get The Funk (Original Mix) | Get The Funk EP | Gem | 2013 | 1:39:19 (Pop-up) | |||||
Penya | Cham Bomb (Photay Remix) | Super Liminal Remixed | On The Corner | 2018 | 1:45:38 (Pop-up) | |||||
Lena Willikens | Beginning (Lena Willikens Remix) | Beginning | EM | 2018 | 1:50:21 (Pop-up) | |||||
New Order | Dreams Never End | Movement | 2:04:24 (Pop-up) |
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Listener comments!
fred:
Although noise music has only recently become an object of interest for academic research, it still represents a form of art emblematic of the underground music scene. It is characterized by a radical approach which implies using noise as work material, playing with form and development, and hybridizing its stylistic territories. This approach is reflected by playing practices in which the emphasis is no longer laid on the supremacy of instruments and composition, but rather on playful and makeshift experimentation. Musical quality is not assessed on the artist’s technical skills anymore, while the listening conditions call for a specific implication of both body and environment. The practices of production, organization, and diffusion of music, borrowing from the éthos of DIY, place autonomy, versatility, and amateurism at the heart of this art world. This PhD research, based on musical analyses, press archives, field surveys, topographies, and an ethnographic study of the Parisian scene, proposes an interdisciplinary approach marked by musicology, aesthetics, and social sciences. Its aim is to question the way noise music and its specific social practices challenge the manner in which we conventionally apprehend what we consider as music, and even “good” music, the image of the musician, the artistic intermediaries or the stage, in light of what seems to constitute a new contemporary paradigm of experimentation.
Mayuko:
listener james from westwood:
Mayuko:
listener james from westwood:
fred:
@Mayuko: not at all. There were a bunch of noise scene regulars in attendance, which just jelled with what she said about the focus on community in that scene
JakeGould:
Mayuko:
Mayuko:
Mayuko:
rw:
Dropof Goldensun:
Brian in UK:
@fred like the use of the word 'playful'. Essential.
Mayuko:
Mayuko:
Ken From Hyde Park:
Mayuko:
Mayuko:
rw:
Dropof Goldensun:
rw:
Dropof Goldensun:
JakeGould:
Ken From Hyde Park:
rw:
Sem:
fred:
JakeGould:
Mayuko:
Dropof Goldensun:
rw:
JakeGould:
JakeGould:
Mayuko:
Brian in UK:
Mayuko:
Sem:
fred:
Dropof Goldensun:
Mayuko:
Brian in UK:
rw:
Joe B:
Brian in UK:
Sem:
rw:
Mayuko:
Mayuko:
Webhamster Henry:
rw:
JakeGould:
Mayuko:
Brian in UK:
Mayuko:
Jose B:
Brian in UK:
Mayuko:
rw:
And I need to check out now. ¡Gracias Mayuko para la musica feliz! ¡Hasta la vista Jose y los listenerds!
ike:
Webhamster Henry:
Yo hablo Español que Miguel Bloombito. twitter.com...
Mayuko:
Mayuko:
listener james from westwood:
Mayuko:
Dropof Goldensun:
fred:
Mayuko:
paul b:
ike:
Brian in UK:
listener james from westwood:
Dropof Goldensun:
fred:
listener james from westwood:
Dropof Goldensun:
ike:
Webhamster Henry:
JakeGould:
Mi favorite jugador de biesball es Fernando Venezuela.
That is what I remember from junior high school Spanish class.
Dropof Goldensun:
Mayuko:
Mayuko:
Sem:
Frankly, i think you'd be well-served to drop that phrase into your everyday encounters, especially with those who understand German
I took German lessons for about a month and wound up w/ a Bavarian accent but no understanding whatever of the language.
Mayuko:
JakeGould:
Mayuko:
Ken From Hyde Park:
fred:
Mayuko:
Dropof Goldensun:
Doug Schulkind:
david_:
Mayuko:
Mayuko:
Mayuko:
fred:
Dropof Goldensun:
paul b:
Dropof Goldensun:
ike:
Mayuko:
rbrt:
fred:
ike:
Mayuko:
fred:
Mayuko:
Brian in UK:
Mayuko:
fred:
rbrt:
ike:
rbrt:
rbrt:
ike:
Webhamster Henry:
fred:
rbrt:
Jose B:
Brian in UK:
rbrt:
Dropof Goldensun:
Sem:
fred:
NHK is a very nice guy from all I've heard
Ken From Hyde Park:
listener james from westwood:
Webhamster Henry:
Dropof Goldensun:
Have a great week everyone!
rbrt:
Brian in UK:
Jose B:
Brian in UK:
fred:
Brian in UK:
Mayuko:
Mayuko:
Dropof Goldensun:
Mayuko: