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Artist | Track | Album | Year | Approx. start time | ||||||
---|---|---|---|---|---|---|---|---|---|---|
Heron Oblivion | Your Hollows | Heron Oblivion | 2016 | 0:00:00 (Pop-up) | ||||||
Lush | Rosebud | Blind Spot | 2016 | 0:05:19 (Pop-up) | ||||||
Jan St. Werner | Foggy Esor Pt. 1 | Felder | 2016 | 0:09:08 (Pop-up) | ||||||
PJ Harvey | Near The Memorials To Vietnam And Lincoln | The Hope Six Demolition Project | 2016 | 0:11:31 (Pop-up) | ||||||
Teho Teardo & Blixa Bargeld | The Empty Boat | Nerissimo | 2016 | 0:14:27 (Pop-up) | ||||||
The Soul Sensations | When I Had You, Baby | California Soul (Funk & Soul From The Golden State 1967-1976) | 2016 | 0:17:52 (Pop-up) | ||||||
Lussuria | To Sleep With Crones & To Accept Their Jealousy | A Bird's Eye View Into A Machiavellian World Of Secrecy | 2016 | 0:21:38 (Pop-up) | ||||||
Arovane | Modul 3 | Modul | 2016 | 0:25:55 (Pop-up) | ||||||
Blonde Redhead | Where Is John | Peel Sessions | 2016 | 0:31:43 (Pop-up) | ||||||
Ofu The Black Company | Beautiful Daddy | Wake Up You! The Rise And Fall of Nigerian Rock 1972-1977 Vol. 1 | 2016 | 0:36:23 (Pop-up) | ||||||
Fela Ransome Kuti & His Koola Lobitos | I Know Your Feeling | Highlife-Jazz & Afro-Soul (1963-69) | 2016 | 0:40:00 (Pop-up) | ||||||
Lyn Collins | Think (About It) | Get Down With James Brown: Live At The Apollo Volume IV | 2016 | 0:44:03 (Pop-up) | ||||||
Sir Douglas Quintet | If She'd Only Come To Me | Together After Five | 1970 | 1:02:20 (Pop-up) | ||||||
Mulatu Astatke | The Radcliffe | Timeless: Mulatu Astatke | 2016 | 1:08:53 (Pop-up) | ||||||
Sole Inspiration | Life | The 1900 Sampler | 2016 | 1:17:17 (Pop-up) | ||||||
Socrates Drank The Conium | A Trip In The Sky | Taste Of Conium | 1972 | 1:19:42 (Pop-up) | ||||||
Shide & Acorn | Under The Tree | Under The Tree | 1971 | 1:23:06 (Pop-up) | ||||||
Elyse Weinberg | Houses | The 1900 Sampler | 2016 | 1:27:34 (Pop-up) | ||||||
Mats Gustafsson | This Is From The Mouth | This Is From The Mouth | 2016 | 1:31:12 (Pop-up) | ||||||
Michael Gira | Song For A Warrior (Demo) | I Am Not This | 2016 | 1:49:10 (Pop-up) | ||||||
Rasheeda | Got That Good (My Bubble Gum) | 1:58:14 (Pop-up) | ||||||||
The Limiñanas | Garden Of Love (feat. Peter Hook) | Malamore | 2016 | 2:01:26 (Pop-up) | ||||||
Mark Pritchard | Badman Sound | A Badman Sound/Heath Town/Inf Inf Inf Inf | 2016 | 2:05:22 (Pop-up) | ||||||
J:Kenzo | Ruffhouse (Om Unit Remix) | Ruffhouse / Blindman (Om Unit Remixes) | 2016 | 2:09:35 (Pop-up) | ||||||
Dälek | 6dB | Asphalt For Eden | 2016 | 2:14:07 (Pop-up) | ||||||
Teen Angels | Rawhead | Daddy | 1996 | 2:20:07 (Pop-up) | ||||||
Sourvein | Urchins | Aquatic Occult | 2016 | 2:22:29 (Pop-up) | ||||||
Inverloch | Cataclysm Of Lacuna | Distance | Collapsed | 2016 | 2:25:02 (Pop-up) | ||||||
Oren Ambarchi, Stefano Pilia, Massimo Pupillo | Shine | Aithein | 2016 | 2:31:02 (Pop-up) | ||||||
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Listener comments!
Dave in Vermont:
Ken From Hyde Park:
Polyus:
MD:
Cheri Pi:
sphere:
kevlicki:
coelacanth:
fede_kida:
Chris M.:
coelacanth:
coelacanth:
Cliff:
Brendan:
Chris M.:
Cliff:
dc pat:
mauri:
Marcia Marcia Marcia:
Cliff:
Brendan:
dc pat:
sphere:
MD:
Brendan:
Stevel:
dc pat:
Chris M.:
dc pat:
SeanG:
sphere:
www.washingtonpost.com...
Ĩkє:
Cecile:
She could have sustained some kind of injury from back in that day and who knows what happened.
Sem Chumbo:
dc pat:
Polyus:
Chris M.:
mink:
Cecile:
I'd like someone to show Minneapolis warts and all besides the First 48.
JP from KC:
bill:
mink:
Ernst:
Cecile:
Chris M.:
coelacanth:
Greg from ZONE 5:
βrian:
common:
Dean:
Polyus:
?:
https://www.google.com/search?q=kenilworth+water+gardens&biw=1600&bih=1122&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjQo-GU_J_MAhWBpB4KHSv3DsoQ_AUIBygC#imgrc=RL14w8v9m3pt-M%3A . I go there to escape the city sometimes.
coelacanth:
Ike:
Brendan:
Cecile:
Mats Gustafsson is a great improviser. If you can hone into him even a little, he'll take you the rest of the way.
BarbR:
Brendan:
βrian:
dc pat:
sphere:
Dean:
dc pat:
Dean:
herb.nyc:
coelacanth:
βrian:
coelacanth:
Thanks Chris!
ciao people.
Dean:
blee:
Cecile:
Cecile:
Chris M.:
βrian:
dc pat:
Dean:
mark r:
Cecile:
dc pat:
Brendan:
markreichard:
Alfredo Garcia:
markreichard:
Cecile:
Mark R:
Cecile:
dc pat:
dc pat:
mark r:
βrian:
Dean:
Ike:
common:
mark r:
βrian:
Dean:
Dean:
1. The purpose and character of the use
2. The nature of the work
3. The amount and substantiality of the portion taken
4. The effect of the use upon the potential market.
It's the last one that'll get you. There's a healthy market you're circumventing when you copy Onan.
Chris M.:
Carmichael:
Stevel:
Chris M.:
@Carmichael: i haven't died
βrian:
Matt:
Michael 98145:
βrian:
Uncle Michael:
Uncle Michael:
Cecile:
Brendan:
fred:
Sem Chumbo:
sphere:
bill:
Stevel:
josh:
βrian:
Mr. Charlie on the Drummer Stream
wfmu.org...
Ken From Hyde Park:
JP from KC:
cory:
JP from KC:
bill:
Stevel:
Brendan:
Wilson K: