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A live, improvised sound collage experiment, going back 28 years, weaving mesmerizing new soundscapes from found and collected materials right in the present moment.
Pop music, speeches, live phone calls and spontaneous monologues become ambient loopy layered threads riding the liminal spaces between waking and dreaming. [On hiatus.]
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Also available as an MP3 podcast. More info at our Podcast Central page.
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December 11, 2013: (Show #490) Waiting to be the last to leave
A call, some introspection, some sound happenings. Resurrected from 4/18/13, now with live playlist comments.
Listen to this show:
MP3 - 192K | Pop-up player!
Visit Ken's Last Ever site for schedule, and to hear lots more shows.
Artist | Track | Album | Year | Format | Comments | Approx. start time | ||||
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Antony & The Johnsons | Kiss My Name | The Crying Light | 2008 | 0:00:00 (MP3 | Pop-up) | ||||||
Matthew Broderick, Ally Sheedy | I'm changing your biology grade | WarGames | 1983 | 0:00:39 (MP3 | Pop-up) | ||||||
Arvo Pärt | Spiegel im Spiegel | 0:00:50 (MP3 | Pop-up) | ||||||||
Björk, David Morse | Going blind | Dancer in the Dark | 2000 | 0:04:25 (MP3 | Pop-up) | ||||||
Ken's Last Ever Radio Extravaganza | Various moments, many samples within | Show #453, 3/28/13 | 2013 | 0:04:53 (MP3 | Pop-up) | ||||||
Roxy Music | India | Avalon | 1982 | 0:06:58 (MP3 | Pop-up) | ||||||
Kate Bush | Hounds of Love (Alternative) | This Woman's Work, Vol. 2 | 0:08:18 (MP3 | Pop-up) | |||||||
Camper Van Beethoven | Sweethearts | Key Lime Pie | 1989 | 0:09:09 (MP3 | Pop-up) | ||||||
Live phone call (breakfast on the brink) | if everybody is dreaming at the same time | 3/28/13 | 2013 | I wouldn't know about dreams if I didn't not have them sometimes | 0:10:53 (MP3 | Pop-up) | |||||
Macaulay Library | Dawn Chorus | Bird sounds | 0:13:05 (MP3 | Pop-up) | |||||||
Music behind DJ: Camper Van Beethoven |
Sweethearts |
Key Lime Pie |
1989 |
0:14:35 (MP3 | Pop-up) |
||||||
Camper Van Beethoven | Sweethearts | Key Lime Pie | 1989 | 0:16:38 (MP3 | Pop-up) | ||||||
Live phone call (John Rogers) | Having sore throat with my nose | 2013 | 0:17:34 (MP3 | Pop-up) | |||||||
Bob Dylan | Series of Dreams | 1989 | 0:18:13 (MP3 | Pop-up) | |||||||
Guy Pearce, Carrie-Anne Moss | I should've explained, I have this condition | Memento | 2000 | 0:18:29 (MP3 | Pop-up) | ||||||
Bob Dylan | Series of Dreams | 1989 | 0:19:56 (MP3 | Pop-up) | |||||||
Al Bowlly | Guilty | 1931 | Music: Richard A. Whiting, Harry Akst; lyrics: Gus Kahn | 0:20:37 (MP3 | Pop-up) | ||||||
Four Tet | First Thing | Rounds | 2003 | 0:21:31 (MP3 | Pop-up) | ||||||
Live phone call (breakfast on the brink) | I can hear things but not until later | 3/28/13 | 2013 | 0:23:06 (MP3 | Pop-up) | ||||||
Kohn | Dahndilion | (K-RAA-K)3 Labelsampler | 0:30:09 (MP3 | Pop-up) | |||||||
Björk | New World | Selmasongs (Dancer In The Dark Soundtrack) | 2000 | 0:30:42 (MP3 | Pop-up) | ||||||
Beach Boys | Good Vibrations | 0:31:06 (MP3 | Pop-up) | ||||||||
CocoRosie | By Your Side | La maison de mon rêve | 2004 | 0:32:11 (MP3 | Pop-up) | ||||||
Four Tet | First Thing | Rounds | 2003 | 0:35:00 (MP3 | Pop-up) | ||||||
Late night phone call |
||||||||||
Live phone call (breakfast on the brink) | You're aloud. Let your palms get sweaty, I think you're almost ready | 4/18/13 | 2013 | 0:36:07 (MP3 | Pop-up) | ||||||
Lou Reed | Street Hassle | Street Hassle | 1978 | 0:39:10 (MP3 | Pop-up) | ||||||
Roxy Music | India | Avalon | 1982 | 0:44:54 (MP3 | Pop-up) | ||||||
Lou Reed | Street Hassle | Street Hassle | 1978 | 0:45:39 (MP3 | Pop-up) | ||||||
Call ended |
||||||||||
Lou Reed | Street Hassle | Street Hassle | 1978 | 0:58:09 (MP3 | Pop-up) | ||||||
Music behind DJ: |
Until I get out myself I have no perspective. I need to stop making anything. The reveal is at every party. There may be an exit in the back. I learn to release. |
0:59:51 (MP3 | Pop-up) |
||||||||
James Newton-Howard | Charades | Lady In The Water soundtrack | 2006 | 1:06:13 (MP3 | Pop-up) | ||||||
Ida | My Fair, My Dark | My Fair My Dark | 2008 | 1:06:30 (MP3 | Pop-up) | ||||||
Tangerine Dream | Love On A Real Train (Risky Business) | 1983 | 1:12:53 (MP3 | Pop-up) | |||||||
Tangerine Dream | Love On A Real Train (Risky Business) (reversed) | 1983 | 1:13:54 (MP3 | Pop-up) | |||||||
Kathryn Beaumont | Pay Attention/In a World of My Own | Alice In Wonderland | 1951 | 1:16:17 (MP3 | Pop-up) | ||||||
Bob Dylan | Series of Dreams | 1989 | 1:16:43 (MP3 | Pop-up) | |||||||
Tom Petty & The Heartbreakers | Southern Accents | Southern Accents | 1985 | 1:17:42 (MP3 | Pop-up) | ||||||
Music behind DJ: |
I appreciate your staying |
1:19:01 (MP3 | Pop-up) |
||||||||
Tom Petty & The Heartbreakers | Southern Accents | Southern Accents | 1985 | 1:21:19 (MP3 | Pop-up) | ||||||
something slow and ambient and unknown | 2013 | CD | 1:22:34 (MP3 | Pop-up) | |||||||
some unknown things on CD | 2013 | CD | Get on the dance floor? | 1:25:45 (MP3 | Pop-up) | ||||||
another unknown thing on CD | 2013 | CD | 1:28:12 (MP3 | Pop-up) | |||||||
more unknown CD's are mixed | 2013 | CD | 1:30:23 (MP3 | Pop-up) | |||||||
Music behind DJ: |
Talking about it changes everything. I don't think I'll be releasing this. |
2013 |
1:31:56 (MP3 | Pop-up) |
|||||||
more unknown new CD's layered | 2013 | CD | 1:36:09 (MP3 | Pop-up) | |||||||
Antony & The Johnsons | Kiss My Name | The Crying Light | 2008 | 1:37:38 (MP3 | Pop-up) | ||||||
John Lennon | genius Interview | 1970 | "Fuck 'em" | 1:39:25 (MP3 | Pop-up) | ||||||
Roxy Music | India | Avalon | 1982 | 1:40:00 (MP3 | Pop-up) | ||||||
Peter Pan | You Can Fly! You Can Fly! | The Music Of Disney - A Legacy In Song 1 | All it takes is trust! | 1:41:43 (MP3 | Pop-up) | ||||||
Trembling Blue Stars | Nobody But You | Her Handwriting | 1996 | 1:42:11 (MP3 | Pop-up) | ||||||
Disney | Ballroom Organ - Alternate Take | The Haunted Mansion Unauthorized 34th Anniversary - Disc 1 | 2003 | 1:42:50 (MP3 | Pop-up) | ||||||
Disneyland | America the Beautiful | 1967 | 1:42:44 (MP3 | Pop-up) | |||||||
Sound effects | Three Screams (Female) | BBC SFX: Essential Death & Horror Sound Effects: Vol 2 | 2003 | 1:43:36 (MP3 | Pop-up) | ||||||
Sound effects | Two Screams (Female) | BBC SFX: Essential Death & Horror Sound Effects: Vol 2 | 2003 | 1:43:47 (MP3 | Pop-up) | ||||||
Sound effects | One Long Scream (Female) | BBC SFX: Essential Death & Horror Sound Effects: Vol 2 | 2003 | 1:43:58 (MP3 | Pop-up) | ||||||
Matthew Broderick, Ally Sheedy | You're really into computers, huh? | WarGames | 1983 | 1:46:17 (MP3 | Pop-up) | ||||||
Roxy Music | India | Avalon | 1982 | 1:47:34 (MP3 | Pop-up) | ||||||
Roxy Music | India (reversed) | Avalon | 1982 | 1:51:13 (MP3 | Pop-up) | ||||||
Music behind DJ: |
I'm almost here. You're almost there. It's amazing that you've stayed. |
1:51:33 (MP3 | Pop-up) |
||||||||
Roxy Music | India | Avalon | 1982 | Future loops | 1:53:54 (MP3 | Pop-up) | |||||
Matthew Broderick, Ally Sheedy | I don't think I deserved an F | 1:54:18 (MP3 | Pop-up) | ||||||||
Think of all the joy you'll find when you leave the world behind! | 1:54:26 (MP3 | Pop-up) |
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Listener comments!
Kenzo (Ken's Last Ever):
possibilitywaves:
Kenzo (Ken's Last Ever):
possibilitywaves:
Bliss:
Anybody got advice?
listener james from westwood:
kat330:
Kenzo (Ken's Last Ever):
possibilitywaves:
kat330:
Bliss:
Haha, thanks Kenzo.
kat330:
Kenzo (Ken's Last Ever):
possibilitywaves:
Kenzo (Ken's Last Ever):
kat330:
Kenzo (Ken's Last Ever):
kat330:
possibilitywaves:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
kat330:
Ah, well, OK then.
@PW: Quilting B or not 2 B?
duke:
possibilitywaves:
Kenzo (Ken's Last Ever):
kat330:
This time of year, pistachio nuts and clementines are also some of my favorite things.
Bliss:
kat330:
kat330:
Kenzo (Ken's Last Ever):
duke:
Kenzo (Ken's Last Ever):
duke:
Bliss:
Kenzo (Ken's Last Ever):
Bliss:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Bliss:
kat330:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
kat330:
Bliss:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
kat330:
Kenzo (Ken's Last Ever):
kat330:
Kenzo (Ken's Last Ever):
(Silicon Valley must be stopped, or creativity will be destroyed)
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
kat330:
"It's OK to make a little mess out of your life." I like the permission.
kat330:
"Come and party with your spirit guide." I'm there!
Kenzo (Ken's Last Ever):
kat330:
Bliss:
kat330:
Kenzo (Ken's Last Ever):
kat330:
"Just one rose that knows your name."
Kenzo (Ken's Last Ever):
kat330:
kat330:
kat330:
kat330:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
kat330:
Kenzo (Ken's Last Ever):
northguineahills:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Bliss:
I hope the show goes on for years, unless you just aren't into doing it anymore.
I never thought I'd be unemployed again.
What a great pile of shows (archives) you have created and amassed.
Kenzo (Ken's Last Ever):
Bliss:
I quit and was denied.
The grocery store won't hire me back and they are not telling people anything positive about me.
Looks bad, to be honest.
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Bliss:
I missed your question until now.
I was a NYC delivery driver/walker.
I am very open as to what I will do, but I blasted my old employer with critiques after I left and am not getting a good recommendation when people call.
Tough shit.
No complaints.
Antony has a great voice.
northguineahills:
Rich in Washington:
Genius is pain!!
Bliss:
Kenzo, is there a place online to find that Lennon interview?
Kenzo (Ken's Last Ever):
Rich in Washington:
Bliss:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Bliss:
I like that one.
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Thanks thanks to all and none
Bliss:
F#*# Disney.
northguineahills:
Kenzo (Ken's Last Ever):
Rich in Washington:
Bliss:
Good job, Kenzo.
Bye everyone.
Kenzo (Ken's Last Ever):