Transmissions from Echo Beach with Derek Westerholm and DJ Babs:
Playlist
from September 19, 2024
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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
Thursday
8 - 10pm
(EST)
|
On
WFMU's
Sheena's Jungle Room
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| Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
|---|---|---|---|---|---|---|---|
Music behind DJ: Ocean Waves for Sleep |
Ocean Waves for Sleep
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Ocean Waves |
Ocean and Air |
2010 |
0:00:00 (Pop-up) |
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| Broadcast |
Come Back To Me [Demo]
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Distant Call - Collected Demos 2000 - 2006 | Warp Records | 2024 | "Distant Call is a collection of early demos of songs that would subsequently appear as finished productions on the albums Haha Sound, Tender Buttons and The Future Crayon. The album also includes two songs discovered by James after Trish’s passing: “Come Back To Me” and “Please Call To Book”. These were her response to Broadcast’s 2006 ‘Let’s Write A Song’ project, where fans were asked to submit lyrics on a postcard which would then be worked into a finished song. Distant Call is a closing of the door on Broadcast and will be the last release from the band. Distant Call - Collected Demos 2000-2006 will be released via Warp Records on September 28th." | * | 0:02:35 (Pop-up) |
| The Soundcarriers |
Feel The Way
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Through Other Reflections | Phosphonic | 2024 | Released Aug 2024. The Soundcarriers are a quartet from Nottingham, UK. "It is undeniable that The Soundcarriers carry distinct 1960s elements to their sound. To adapt the title of Jon Savage’s excellent book about the period, they reflect the time the decade exploded. ‘Through Other Reflections’ is a cosmopolitan collection brimming with sublime chamber pop melodies twinned with multiple esoteric influences such as Tropicalia, Middle Eastern psychedelic Jazz/Funk and French Library sounds. They represents how psychedelia should sound, thoroughly mind-expanding and without a hint of the turgid riffs and drawn-out guitar solos of some exponents of the genre. //// From the opening bars of ‘City Was’, there is a comforting sense that everything is in place: expanding organs, buzzing guitars, Adam Cann’s economic drums and the hyper-cool melodies of chanteuses Leonore Wheatley and Dorian Conway. It suggests a continuity with its 2022 predecessor, ‘Wilds’. However, over the following ten tracks, the album stretches in a variety of directions..." https://the-soundcarriers.bandcamp.com/ | * | 0:05:39 (Pop-up) |
| Dame Area |
Si No Eres Nada Puedes Ser Todo
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Toda La Verdad Sobre Dame Area | Humo Internacional | 2024 | Humo Internacional is a label from Oviedo, Dame Area is Silvia Kostance and Viktor L. Crux from Barcelona, Spain. This track title is purported to translate to "If you're nothing you can be everything". -------- "Steeped in the local scene, Barcelona-based experimental duo Dame Area balances an ever-evolving live show with relentless creativity. “We like to change the setlist every show, so it depends a bit when you see us,” smiles Dame Área vocalist Silvia Kostance from across a grainy Zoom call. “Sometimes we don't even play any songs off the last record, sometimes we play more, it really depends." //// Completing the duo is Viktor L. Crux, who takes on percussion and electronics when they play live. “The last record we did, I think we only played three songs live of the eight it has because we see it more as a record to listen at home,” he says. [This record is] "very based on what we’re like live. We try to never repeat a set list, ever.”" ---- You can find them here: https://damearea.bandcamp.com/ | * | 0:09:56 (Pop-up) |
| Still House Plants |
Pant
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If I don't make it, I love u | Bison Records | 2024 | Playing in Toronto on THURSDAY, SEPTEMBER 26TH @ Standard Time (165 Geary Ave, Unit A, 2nd Floor) / 8pm, $20 Adv / $25 Door, All Ages. -------- UK angular weird punk trio of Jessica Hickie-Kallenbach (voice), Finlay Clark (guitar), and David Kennedy (drums) return to Toronto behind their new album "If I don't make it, I love u". Guitar jabs break apart into forlorn melodies barely held together, as raw vocals drip over them. Languid drum beats speed and slow as if running through mud and finally slipping free. Minimalistic guitar patterns hold a dub energy as they circle back on themselves. Straight up bare bones punk energy swells in these chopped song structures that feel fastened together with twine and fumes of wayward adrenaline. Still House Plants finds beauty & soul in fractured forms, seamlessly understated vocal reach and their herky jerky flourishes. Believe the hype! -------- STILL HOUSE PLANTS (bandcamp) | * | 0:12:30 (Pop-up) |
| Bile Sister |
Have You Seen Your Eyes Lately
|
Living on the Edge | We Are Time | 2023 | Playing in Toronto on THURSDAY, SEPTEMBER 26TH @ Standard Time (165 Geary Ave, Unit A, 2nd Floor) / 8pm, $20 Adv / $25 Door, All Ages. -------- Toronto artist "Julie Reich's avant pop / synth punk vehicle Bile Sister pulsates with funk and dub inspired rhythms. They move from high energy no wave-esque jams that bite at your heels to dreamy synthscapes full of wobbling bass lines and affected vocals. Reich's playful lyrics bounce over circular synth patterns. Airy electronic tones mix with elastic beats in what sounds like the inside of some haunted computer. If Lydia Deetz formed a band after her experience with Beetlejuice it might sound like this! " ---------- BILE SISTER (bandcamp) | 0:15:02 (Pop-up) | |
| Only God Forgives |
Green Sand
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Power & Prowess | Self Released (Bandcamp) | 2020 | Playing in Toronto on THURSDAY, SEPTEMBER 26TH @ Standard Time (165 Geary Ave, Unit A, 2nd Floor) / 8pm, $20 Adv / $25 Door, All Ages. -------- Duo, now expanded to a quartet; from Toronto: stephen shelby erica laura ogf.the.band@gmail.com ------------ "Toronto herky jerky punk crew Only God Forgives thrives on distorted grooves and riffs that jangle. Bass lines bounce and roll forward under rhythmic guitar fuzz. Sentimental guitar jams merge into vibrant punk rippers that are full of playful energy. Never a moment lost as the band switches gears. Careful placed guitar notes find their way through whatever the band is up to, accenting the speeding rhythms or meandering melodies. Check the vibe!" -------- ONLY GOD FORGIVES (bandcamp) | 0:17:52 (Pop-up) | |
| Tripper Gore |
Equilibrium
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Equilibrium | Self Released (Bandcamp) | 2024 | Released July 27, 2024 //// Composed by Sabrina Malik and Alex Fox [From Toronto] "😝😈Two friends making noisy jams spanning surf, punk, shoegaze, and math" //// First Track off of EP, 'DARK DAZE' //// "POV: You drop your band's debut EP into an ocean of AI music releases, amidst the sinking ship that is the music industry." "The Death of the Music Industry and How to Keep 'Equilibrium' | DARK DAZE EP -------- Find them here: https://trippergoremusic.bandcamp.com/ | * | 0:20:01 (Pop-up) |
| Talking Heads |
Psycho Killer (Acoustic Version) (2024 Remaster) [ft. Arthur Russell]
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Talking Heads: Talking Heads: 77 (Super Deluxe Edition) (2024 Remaster) | Rhino Records | 2024 | Pitchfork, September 17, 2024: "Talking Heads Announce Debut Album Reissue, Share Acoustic “Psycho Killer” Featuring Arthur Russell //// On November 8, Talking Heads will reissue their debut album, Talking Heads: 77, with an unreleased live album from CBGB and 12 other rarities. Today, they’ve shared a rarity from the [4 LP] Rhino box set: “Psycho Killer (Acoustic Version),” featuring Arthur Russell. //////// In a press release, David Byrne said of the collaboration: "We knew cellist and singer/songwriter Arthur Russell from the downtown world. He died early from AIDS, and during his life, he released very disparate records—spacey tunes on the album World of Echo and disco club tunes under the name Dinosaur L. He left a huge legacy of recordings, which are still filtering out 40 years after his passing. I remember seeing him play Philip Glass music for a Mabou Mines production of a Beckett play. I think Beckett’s folks hated it, as they didn’t want there to be music in his plays. So it wasn’t a huge stretch that we’d invite Arthur to arrange and play on an alternate version of “Psycho Killer.” Somewhat perversely, I always saw the song as being a slightly more intimate folk rock thing rather than the rock song that folks seemed to love. So I had a special attachment to this version." ///////// As well as the live album, which is exclusive to the vinyl release, two unreleased tracks feature on the rarities disc: “Pulled Up (Alternate Pop Version)” and another alternate version of “Psycho Killer.” The box set comes with an 80-page hardcover book with photos, fliers, artwork, and liner notes by each band member and recording engineer Ed Stasium" | * | 0:22:53 (Pop-up) |
Music behind DJ: The Messthetics And James Brandon Lewis |
Fourth Wall
|
The Messthetics And James Brandon Lewis |
Impulse! |
2024 |
The Messthetics are from Washington, D.C. ////The Messthetics are an instrumental trio featuring Brendan Canty (drums), Joe Lally (bass), and Anthony Pirog (guitar). ------------ From Stereogum: "When our upstanding jazz columnist Phil Freeman recommended Devotion, Grossman’s December LP, it caught my attention because it was released through Jack White’s Third Man Records, which has been on fire lately on the indie-rock front with releases by the likes of Hotline TNT, Snööper, and Sheer Mag. Hearing Grossmann’s Coltrane-style wailing, alongside an organist, guitarist, and drummer who were cooking with exploratory gusto, was enough to leave me jazz-pilled. It was like somebody flipped a switch. I’ve mainly been going back to all the classic bop records like some classic-rocking teenager discovering Dark Side Of The Moon for the first time, but my ear is perked for new stuff too. And thanks to the aforementioned projects plus incendiary talents like guitarist Mary Halvorson, there’s no shortage of great jazz artists straddling the gap between styles, ready to become a gateway into the genre for curious rock fans." //////// "The saxophonist James Brandon Lewis is one of the most formidable talents at that intersection, playing brightly and boldly, with a richness of melody that makes even his more discordant skronks and flutters hit like hooks. Like Grossmann and Halvorson, Lewis is affiliated with a record label better known for rock and folk; ANTI- released Eye Of I, the more fractured and experimental of his two 2023 albums. On Eye Of I, Lewis’ tenor sax was backed by live drums and an often distorted cello, which made “Someday We’ll All Be Free” creep forward like post-rock and “Middle Ground” hit like a warehouse noise set. On closing track “Fear Not,” Lewis teamed with the Messthetics, the trio of guitarist Anthony Pirog, bassist Joe Lally, and drummer Brendan Canty. /////// Lally and Canty are, famously, the rhythm section from Fugazi. In the Messthetics, you can hear that old chemistry loud and clear, even when they venture away from their post-hardcore background and into jazz fusion territory. Nowadays, instead of the dual-threat Ian MacKaye-Guy Picciotto vocal attack, their rumbling foundation is topped off by Pirog’s jazz-rock shredding. Over the course of two albums for Dischord in 2018 and 2019, the Messthetics established themselves as a unique force of nature, bringing punk grit to Joe Satriani-style flights of fancy. It’s an approach that I definitely would have rejected as corny and masturbatory if not for Lally and Canty’s Fugazi cred, but the Messthetics make me remember why I once enjoyed trips to Sam Ash." //////// " Messthetics and Lewis follow[ed] up their “Fear Not” collaboration with a whole album together. (It’s already Lewis’ second LP of 2024 following last month’s fantastic Transfiguration.) The Messthetics And James Brandon Lewis is coming out through the legendary jazz label Impulse!, the cover art screams jazz, and the music itself often operates within a jazz tradition. But just as often the players lock into rock mode, keeping a swing in their step but racing ahead with a hard-hitting crunch. It’s like if the Smile stopped worrying so much about mood and texture and gave themselves over to becoming a crowd-pleasing jam band — or maybe I just say that because closer “Fourth Wall” sounds so much like Radiohead’s “Jigsaw Falling Into Place.”" |
0:27:05 (Pop-up) |
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| The Royal Thieves feat. Nailsbymei |
I Love Red, It's Like Blood
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I Love Red, It's Like Blood/Kyoto 3am Single | The Royal Thieves | 2020 | The Royal Thieves is a band from Uruguay/Brazil. Their bio states "This is a story about sorting obstacles." There is not much info, but we love their spacey/krautrocky/garagey vibes... | 0:35:19 (Pop-up) | |
| Juniore |
Monumental
|
Trois, Deux, Un | Le Phonographe | 2024 | Not a dud to be found on this new Juniore album, and that's why we are playing the fuck out of it. Juniore’s cinematic yet understated psychedelia provides much-needed opportunity for escapism in these turbulent times, and allows us to dip our toes into a world where all that matters are happenin’ hooks and rad riffs. | * | 0:37:08 (Pop-up) |
| Fleur |
Tu M'as Mise A Genoux
|
Nous Continuerons á Marcher Ensemble - Single | Soundflat Records | 2024 | Here's Fleur! Yé-Yé girl avant la lettre. She's has the looks, the moves and a voice that sounds like a cool breeze on a hot summer day. Yé-Yé!!! Go-Go!!! It’s kitsch, quirky, and sunny. If I close my eyes I am strolling through Paris with Alain Delon on a pleasant sunny day... | * | 0:40:22 (Pop-up) |
| Micaela Gustaffson |
Banka banka
|
Småpunk | Micaela Gustaffson | 2020 | The album Småpunk contains the music from Trotspodden Barnradion, SR and is a punk record for children by Micaela Gustafsson. Listen, for example, on Spotify Småpunk won the award for Children's Music of the Year at the Manifest Gala in 2021 and was also nominated for a Grammy the same year. The title translates as "small punk" and I freaking love this. For all our inner children. | 0:42:10 (Pop-up) | |
| Kit Sebastian |
Bul Bul Bul
|
Bul Bul Bul single | Brainfeeder | 2024 | And the award for "hook of the week" goes to Kit Sebastian with another forthcoming track from their new album. Those bells be SO satisfying. The groove is...the grooviest of groovy cool. Production..impeccable as always...at this point, Kit Sebastian have surpassed Altin Gun IMHO. This is the final single before the full album release and we cannot wait! | * | 0:43:56 (Pop-up) |
| Iguana Death Cult |
Tiny Tears
|
Tiny Tears single | Innovative Leisure | 2024 | A band from the Netherlands, I'm also excited for the next single...tantalizing titled "Pacino In Heat"...but let's get back to current thoughts. This tune slaps, both musicially and lyrically. Delivering a bold and playfully snarky brand of rock & roll that draws from both current and vintage garage rock, surf guitar, old school punk, and indie rock, Iguana Death Cult are a band from Rotterdam who are making a name for themselves among adventurous rock fans both at home and abroad. Possessing genuine wit without seeming goofy, Iguana Death Cult mixed tough songs with expressive twang and growl. American friends, they are headed to your town...do not miss this band! Oct 10 Alex's Bar Long Beach, CA Oct 12 AltaSea San Pedro, CA Oct 15 Hi-Dive Denver, CO Oct 16 Black Sheep Colorado Springs, CO Oct 18 Thalia Hall Chicago, IL Oct 19 Thalia Hall Chicago, IL Oct 21 Spirit - Pittsburgh Pittsburgh, PA Oct 24 Mercury Lounge New York (NYC), NY Oct 30 The Earl East Atlanta, GA Nov 6 Shrine Basement Boise, ID Nov 11 Kilowatt San Francisco, CA | * | 0:47:17 (Pop-up) |
| Love and Rockets |
No New Tale to Tell
|
Earth Sun Moon | Beggars Banquet | 1987 | Love and Rockets are an English rock band formed in 1985 by former Bauhaus members Daniel Ash (vocals, guitar and saxophone), David J (bass guitar and vocals) and Kevin Haskins (drums and synthesisers) after that group split in 1983. Ash and Haskins had recorded and performed in another band, Tones on Tail, between 1982 and 1984. They recorded several albums in very short succession, each one gaining more popularity as they continually moved towards a more radio friendly sound. A fire in their studio in 1995 nearly wiped out the band financially and they lost most of their gear. The band finally broke up after playing their last gig in 1999...in Toronto. They don't have much luck here it seems! | 0:51:35 (Pop-up) | |
Music behind DJ: Los Bitchos |
Hi!
|
Talkie Talkie |
City Slang |
2024 |
Los Bitchos are back with a grand new album full of funky/groovy latino sounds and sparse but impactful vocalizations. |
* |
0:55:08 (Pop-up) |
| Alien Nosejob |
Annoying Riffs
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Turns the Colour of Bad Shit | Anti-Fade / Drunken Sailor /Total Punk Records | 2024 | Released, uh, now.... an Australian Sep 20 here in our EST Sep 19... Already streaming on their Bandcamp... The newest Alien Nosejob. -------- "“Turns the Colour of Bad Shit” will be Jake Robertson’s seventh solo record under the extremely vast and evolving umbrella that is Alien Nosejob. On September 20 Anti Fade Records (AU), Total Punk (US) & DrunkenSailor (UK) join forces to split the shit pie into three different shades ofBad Shit and feed the 5000 hungry fans across the globe. //////// Taking musical inspiration from the late 70’s punk sounds of J.T. IV, Elton Motello, X-Ray Spex, ‘Bad Shit' came to life in April 2023 when Jake occupied friends’ Mikey and Raven’s home studio for a weekend and took to the controls on his own." ---------- Turns the Colour of Bad Shit by ALIEN NOSEJOB | * | 1:03:53 (Pop-up) |
| DEADLETTER |
Hysterical Strength
|
Credit To Treason | SO Recordings | 2024 | Released Sep 13, 2024 ---- From Narc: "ALBUM REVIEW: Deadletter – Hysterical Strength / Robert Nichols enjoys a monstrously good debut album from Deadletter / By Robert Nichols: "A monstrously good debut album from a band going places as quickly as their autobahn speed rhythm and rhyme. Angular guitars with sax appeal, art punk with top trumps tunes. Braced by a baritone delivering double barrel gothic poetry, subject matters do not omit vomiting florists, meteor collisions, daggered devils, or decapitated saints in dislocated town centres. //////// Burning the candle at both ends with a vital urgency and energy, Hysterical Strength is cleverly produced but each song has a real immediacy, with twelve stand-out musical moments. From Treason to Auntie Christ, the whole warped world view on one album. From North Yorkshire a gilded gift to the universe. A redirection to your listening. Deadletter – just what this place needs. A massive statement of intent." | * | 1:06:22 (Pop-up) |
| Sex Swing |
Boten, Route 13
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Golden Triangle | God Unknown Records | 2024 | Released Aug 15, 2024 //// From Side-Line: "Sex Swing deliver new single... ...from their forthcoming album inspired by the region between Myanmar, Thailand and Laos: “Boten, Route 13”. The single is out now via God Unknown Records together with a video." //////// "This is the latest single from their third studio album, “Golden Triangle”, set for release on 4 October 2024 via God Unknown Records. The collective of revered UK underground musicians (comprising members of Earth, Mugstar, The Keep and Jaaw) have also detailed new UK tour dates that start on 5 October with a performance at the God Unknown 10th Anniversary show in London. //////// Sex Swing frontman Dan Chandler explains that “Boten, Route 13” is about illegal logging with Boten, Route 13 being a road near the Laos Chinese border, a route the smugglers take. “It really is an endless seam of activity,” Chandler explains of the region between Myanmar, Thailand and Laos that inspired the title of their new album. //////// The album line-up for this release was completed by bassist Jason Stoll, drummer Stuart Bell, guitarist Jodie Cox, synthesist/guitarist Oli Knowles and saxophonist Colin Webster. //////// “Golden Triangle” began as a project of creating beats and recording tracks remotely during the pandemic. The ideas were later developed during focused writing sessions at a quiet farm in Oxfordshire. The album was recorded by Stanley Gravett at Holy Mountain Studios in Hackney, mixed by Wayne Adams at Bear Bites Horse, and mastered by James Plotkin. The band also continued their collaboration with artist Alex Bunn, who designed the album cover. //////// The band will perform on Saturday 5 October at a very special show celebrating 10 years of the label on a lineup that includes Duke Garwood, Rainbow Grave, Sneers, Cassels and more – all taking place at Walthamstow Trades Hall – before embarking on further UK dates in December." | * | 1:11:26 (Pop-up) |
| Bonnie Trash |
Red Right Hand
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My Love Remains the Same | Hand Drawn Dracula | 2024 | This cover of the Nick Cave and The Bad Seeds song was released on a three-song EP this Sep 13 by Toronto's Bonnie Trash on Toronto label Hand Drawn Dracula. //////// "Bonnie Trash emerges from the shadows to declare love from beyond the grave, with an expanded lineup and a brand-new EP, My Love Remains the Same. //////// Bonnie Trash is the darkened shoegaze/post-punk drone project by twin sisters Emmalia and Sarafina Bortolon-Vettor. The recent addition of longtime friends Emma Howarth-Withers (bass) and Dana Bellamy (drums) gives the group a new lavish and layered sound." https://handdrawndracula.bandcamp.com/album/my-love-remains-the-same | * | 1:17:37 (Pop-up) |
Music behind DJ: CAN |
Keele 77 Eins
|
LIVE IN KEELE 1977 |
Mute |
2024 |
From The Quietus: "Mute’s Can Live Series to Continue With ‘Live In Keele 1977’ //// The label says it's the release that has been most requested by fans since the archival series began" //////// Mute and Future Days’ series of Can live albums is set to continue with the November release of Live In Keele 1977. //////// Capturing late-period Can, the live album features the core lineup of Irmin Schmidt, Jaki Liebezeit, Holger Czukay and Michael Karoli, as well as bass from Rosko Gee. The latter taking on that role meant that Czukay relinquished bass duties for the featured set to perform “wave radio and spec. sounds”, a press release said. //////// Live In Keele 1977 is the final album planned for release in the live series for now, and it has been the most requested by fans since the archival run of records began. As with past entries in the series, it was pieced together from Can’s own archives, as well as from fan recordings, then assembled by founding member Schmidt together with producer and engineer René Tinner. //////// This is the third Can live release of this year, following on from February’s Live In Paris 1973 and May’s Live In Aston 1977.. //////// Mute / Future Days will release Live In Keele 1977 on November 22, 2024. -------- https://canofficial.bandcamp.com/ |
* |
1:21:45 (Pop-up) |
| Artificial Go |
Aphrodesiac
|
Hopscotch Fever | Feel It | 2024 | Economical groovy New wave where not a note is wasted, but every note is essential, that also adds many other ingredients to this magical recipe, that we are not able to describe, but we are sure that if a time machine would have been able to match Scott Joplin with the New York mid 70s Talking Heads, giving them the push to become as oblique as Lithics, the result would have been similar to this...Artificial Go is a new four piece hailing from the DIY post-punk scene of Cincinnati, Ohio. Local labels Feel It and Future Shock have teamed up to co-release Artificial Go's debut album, Hopscotch Fever. Consisting of eight tight tracks, this debut is just that: an introduction. A little bit mercurial, a little bit iconic. Artificial Go is operating out of their own genre - not quite post-punk, not quite pop. Hopscotch Fever seems to have been recorded just outside of the collective-genre-periphery to form some sort of extraterrestrial kind of music. With angular guitar breaks, bouncing rhythms, and jolting vocals, Artificial Go is truly here on their own terms. -Jacob Mouser | * | 1:28:51 (Pop-up) |
| Good News |
Green Eyes
|
Small Forms | Bingo Records | 2024 | The long awaited Good News full length is here! Treated bass and eczema-dry percussion carry the music, rhythm first, delivering taut missives accented by discordant clarinet and guitar. Good News epitomise the concept of making a point and not sticking around too long. Recorded in a studio built in the band’s attic with in-house Bingo Records producer Zac Barfoot, Small Forms follows their 2023 debut EP Same As That, which earned the band a live session with Marc Riley & Gideon Coe (BBC 6 Music). Since then, their feisty clarinet, bass, and cowbell-propelled rhythms have bounced around the North & London supporting The Bug Club, Kid Congo & The Pink Monkeybirds, Wesley Gonzalez & Wild Garlic and Acid Klaus. | * | 1:30:47 (Pop-up) |
| Clickbait |
Cut Snake
|
At Your Leisure | Bric-A-Brac | 2024 | Released in July, this almost qualifies as a new, if not recent release. Post-punk band Clickbait has garnered a loyal fan base since its inception several years ago. The band is known for energetic live performances, stylish and outlandish outfits, and its diversity. Singer Sandra Yau says "“Our fan base is more diverse. There’s more women, there’s more queer people, there’s more people of color taking up more space and I think that’s something that’s important to us, and so that’s why we’re so proud of our fan base,” bassist Jen Lemasters said. “There’s something about being at a show (where) you can possibly see yourself in these situations. I’m also proud to be someone who’s taking up space (as a woman of color).” | 1:34:04 (Pop-up) | |
| World In Motion |
Sonntag
|
Somewhere Outside Compilation | Karma Music | 1986 | The project began in 1979 as an experimental side project to Sparkplugz, initiated by Mogens Jacobsen and Niels Fabæk. Later they employed vocalist Pia Kofoed and shifted their style more towards german cabaret music. The band disbanded in 1980 when Mogens and Pia moved from Aalborg to Copenhagen, while Niels stayed. However they re-united for a studio session for the 1983 compilation Somewhere Outside - Etellerandetstedudenfor after being invited by the label. | 1:38:52 (Pop-up) | |
| cumgirl8 |
ahhhh!hhhh! (I don't wanna go)
|
ahhhh!hhhh! (I don't wanna go) | 4AD | 2024 | Likely the last single we'll see before the Oct 4th release of the full length on 4AD..highly anticipated due to the general AWESOMENESS of this band. The band’s latest track finds them taking on a bleary electroclash sheen, carried by bubbling retro synth textures, seductive basslines, and scratchy guitar tones. The track retains the band’s digital outré aesthetics, but it also proves hypnotizing and danceable, pulling the listener in. Along with the single, the band have also shared an accompanying video, directed by Leah Hennessey. Hennessey says of the video, “We shot the video at 93 Canal, this experimental live streaming studio in Chinatown, which is carrying on the tradition of public access/pirate broadcasting downtown. The fictional show ‘Feminist or Feminot’ is hosted by the AI Hologram of The Collective Unconscious Perception of Second Wave Feminist Philosopher Susan Sontag (played by me and actress Roberta Colindrez), who is grilling the band about their particular brand of surrealist sex positive feminism. | * | 1:40:55 (Pop-up) |
| Miss Rayon |
Every Man Has a Woman Who Loves Him
|
Eclipse | Xray Records | 2018 | Portland, Oregon’s Miss Rayon was started by Detroit/Flint Michigan-area native, Eric Sabatino, after years playing with numerous Portland bands (Appendixes, Cat Hoch Band, Vexations, and Bryson Cone, to name a few) left him craving a project where he could follow his personal influences. Residing somewhere on the spectrum between New York no wave and Manchester post-punk, one can hear influences as broad as Sonic Youth, Yoko Ono, ESG and Magazine. This is a fabulous...fabulous, fabulous record. | 1:44:11 (Pop-up) | |
Music behind DJ: Kosmischer Läufer |
Flug 164
|
Track Club EP |
unknown capability recordings |
2024 |
Kosmischer Läufer returns with new music! |
* |
1:48:39 (Pop-up) |
| Crying High |
Hold Your Terror Close
|
16th Notes | Arbutus Records | 2019 | Crying High is vapornoir from Canada. 80s Disco and dead pop slowed down beyond danceable utility played as careening vocal soundscapes scream-crooning pleas at shadows. Tremendously cathartic exorcismal dancing accompanies in the Crying High live act. An artist not to be missed! | 1:56:57 (Pop-up) |
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Listener comments!
ultradamno:
You guys probably already know about this, but I'm excited to hear from it here in the future
thequietus.com...
Derek Westerholm:
ultradamno:
prof.fuzz:
( 👁️)
/>🐚>
dinner time and almost beach time!
Derek Westerholm:
DJ Babs:
Derek Westerholm:
ultradamno:
prof.fuzz:
ultradamno:
DJ Babs:
Tom in Brooklyn:
DJ Babs:
Scott_Oz:
20 days in & it still doesn't feel like Spring down here with an Antarctic blast keeping it cold & windy.
🌏🌞🍻😎🤙💨🍺🍺🌊⛱️🌴🛺
Tom in Brooklyn:
prof.fuzz:
Alli B:
Tome:
DJ Babs:
DJ Babs:
DJ Babs:
Derek Westerholm:
DJ Babs:
?:
prof.fuzz:
( 👁️)
/>🍕🍺>
your breakfast is served, mate!
gsdoubleu:
Derek Westerholm:
DJ Babs:
Tyler:
Derek Westerholm:
ultradamno:
Tyler:
gsdoubleu:
Tom in Brooklyn:
ultradamno:
DJ Babs:
laurapanic:
Derek Westerholm:
Chandra:
laurapanic:
Derek Westerholm:
DJ Babs:
prof.fuzz:
Chandra:
ultradamno:
DJ Babs:
Derek Westerholm:
laurapanic:
Derek Westerholm:
DJ Babs:
DJ Babs:
Chandra:
Actually, Bile Sister is playing in Toronto very soon, then a quick trip to Switzerland and Austria (and...I'm gonna get to see them play there!)
laurapanic:
prof.fuzz:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
ultradamno:
I also previewed a vid where a guy listed Talking Heads 77 among the worst album covers of all time...
Tom in Brooklyn:
Chandra:
Derek Westerholm:
prof.fuzz:
ultradamno:
Derek Westerholm:
DJ Babs:
laurapanic:
DJ Babs:
Chandra:
DJ Babs:
ultradamno:
prof.fuzz:
DJ Babs:
DJ Blush:
laurapanic:
DJ Babs:
prof.fuzz:
ultradamno:
laurapanic:
DJ Blush:
DJ Babs:
Derek Westerholm:
DJ Blush:
Andrew Waterloo:
DJ Babs:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
Derek Westerholm:
v-dawg:
Derek Westerholm:
DJ Babs:
Andrew Waterloo:
Derek Westerholm:
Andrew Waterloo:
DJ Babs:
DJ Babs:
laurapanic:
Kristine:
Derek Westerholm:
Derek Westerholm:
prof.fuzz:
DJ Babs:
DJ Babs:
DJ Babs:
Feldy:
Kristine:
Derek Westerholm:
DJ Babs:
prof.fuzz:
DJ Babs:
Derek Westerholm:
ultradamno:
Andrew Waterloo:
Derek Westerholm:
DJ Babs:
gsdoubleu:
ultradamno:
Derek Westerholm:
prof.fuzz:
DJ Babs:
DJ Blush:
v-dawg:
Kristine:
Juli P:
Andrew Waterloo:
Derek Westerholm:
Derek Westerholm:
Kristine:
ultradamno:
ultradamno:
ultradamno:
DJ Babs:
DJ Babs:
Rich in Washington:
DJ Babs:
Andrew Waterloo:
Derek Westerholm:
ultradamno:
Scott_Oz:
🌏⛅🩴🩴🍻😎🤙
Scott_Oz:
Rich in Washington:
Things are ducky! This is my Friday.
Rich in Washington:
v-dawg:
Rich in Washington:
Derek Westerholm:
Feldy:
Derek Westerholm:
DJ Babs:
DJ Babs:
Derek Westerholm:
Scott_Oz:
DJ Babs:
Scott_Oz:
🍻😎🤙💨🍸🍹🥩
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Scott_Oz:
🍻😎🤙💨🍺🌮🌮🌮
Rich in Washington:
prof.fuzz:
Will thee SG OCNY:
Scott_Oz:
🍻😎🤙💨🍺
ultradamno:
Kristine:
Derek Westerholm:
Scott_Oz:
Derek Westerholm:
Andrew Waterloo:
Derek Westerholm:
Will thee SG OCNY:
I believe it was the sounds of screams.... Rock n roll screams
Kristine:
gsdoubleu:
Scott_Oz:
Kristine:
Scott_Oz:
Scott_Oz:
Scott_Oz:
DJ Babs:
DJ Babs:
DJ Babs:
ultradamno:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
DJ Babs:
?:
Kristine:
DJ Babs:
coelacanth∅:
Kristine:
Scott_Oz:
Derek Westerholm:
Kristine:
Kristine:
Derek Westerholm:
gsdoubleu:
v-dawg:
2 Qs about Australia:
1. On the news, they talked about South Australia/Adelaide. Apperently, Adelaide is the festival city. Is it fun to visit?
2. There are camels in Australia. What is up with that?
Kristine:
v-dawg:
laurapanic:
DJ Babs:
DJ Babs:
DJ Babs:
laurapanic:
Derek Westerholm:
ultradamno:
gsdoubleu:
prof.fuzz:
inquiring minds want to know!
Derek Westerholm:
ultradamno:
v-dawg:
I just found this out today.
Btw, i should have directed this to all aussies.
Derek Westerholm:
prof.fuzz:
ultradamno:
James Le Gros and Adrian Pasdar are in it too, Pasdar is kind of playing native american. There is also a glowing ball that talks to them.
Derek Westerholm:
coelacanth∅:
...rumplestiltskin?
Kristine:
DJ Babs:
ultradamno:
The ball 2.bp.blogspot.com...
Derek Westerholm:
Kristine:
DJ Babs:
Scott_Oz:
2- Camels were imported & driven by Afgan Cameliers for building the trans Oz telegraph & similar. But when superceeded by trucks they were mostly just relesased. Australia now har the largest wild Dromedary Camel pop in the world.
🍻😎🤙💨🍺🐪
Kristine:
ultradamno:
coelacanth∅:
laurapanic:
laurapanic:
prof.fuzz:
i once paid a small amount of money to ride a two-humped bactrian camel at dunhuang, and even more for a photo of the experience. yeehaw!
Scott_Oz:
laurapanic:
prof.fuzz:
Kristine:
v-dawg:
en.wikipedia.org...
Kangaroo...Wombat, i assume...Camel‽
Scott_Oz:
coelacanth∅:
Bob Barth:
Scott_Oz:
🍻😎🤙💨☕🌻
Tom in Brooklyn:
laurapanic:
northguineahills:
Alli B:
Kristine:
Rich in Washington:
See you on the radio!
prof.fuzz:
laurapanic:
Bob Barth:
Scott_Oz:
northguineahills:
prof.fuzz:
northguineahills:
Kristine:
gsdoubleu:
Scott_Oz:
Derek Westerholm:
DJ Babs:
v-dawg:
northguineahills:
coelacanth∅:
laurapanic:
Kristine:
Derek Westerholm:
Scott_Oz:
🍻😎🤙💨🍺🐪
northguineahills:
DJ Babs:
coelacanth∅:
northguineahills:
DJ Babs:
Scott_Oz:
Will thee SG OCNY:
northguineahills: