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Three hours of adventurous jazz drawing on the Destination: Out archives and other planes of there.
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time | |||
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The Roscoe Mitchell Art Ensemble | Tatas-Matoes | Congliptious | Nessa | 1968 | 0:00:00 (Pop-up) | |||||
Music behind DJ: Sun Ra |
The Perfect Man |
My Brother The Wind, Vol. I |
Saturn Research |
1970 |
0:02:41 (Pop-up) |
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HBD, Marion Brown. |
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Harold Budd | Sweet Earth Flying | Luxa | All Saints Records | 1996 | 0:07:03 (Pop-up) | |||||
Amina Claudine Myers | Sunday Comedown | Poems for Piano: The Piano Music of Marion Brown | Sweet Earth Records | 1979 | 0:09:53 (Pop-up) | |||||
His Name Is Alive | November Cotton Flower | Sweet Earth Flower: A Tribute to Marion Brown | High Two | 2007 | 0:18:32 (Pop-up) | |||||
Ahmed Abdullah - Alex Harding - Masa Kamaguchi - Jimmy Weinstein | Serenade for Marion Brown | Actual Proof | CIMP | 1999 | 0:23:11 (Pop-up) | |||||
Gunter Hampel All Stars | Waltz for 9 Universes in a Corridor (No. 57) | Jubilation | Birth Records | 1983 | 0:32:08 (Pop-up) | |||||
Mal Waldron & Marion Brown | To the Golden Lady in Her Graham Cracker Window | Songs of Love and Regret | Free Lance | 1987 | 0:44:55 (Pop-up) | |||||
Music behind DJ: Booker T. & The MGs |
Melting Pot |
0:49:57 (Pop-up) |
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The Group | La Placita | Live | NoBusiness Records | 1986/2012 | 0:55:40 (Pop-up) | |||||
Marion Brown | Sonnymoon for Two | "La Placita" - Live in Willisau | Timeless | 1978 | 1:13:53 (Pop-up) | |||||
Marion Brown | Sweet Earth Flying | November Cotton Flower | Baystate | 1979 | 1:19:48 (Pop-up) | |||||
Marion Brown & Dave Burrell | My Little Brown Book | Live at the Black Musicians' Conference 1981 | NoBusiness Records | 1981/2018 | 1:28:25 (Pop-up) | |||||
Marion Brown | Angel Eyes | Recollections: Ballads and Blues for Alto Saxophone | Creative Works Records | 1985 | 1:35:37 (Pop-up) | |||||
Marion Brown & Jazz Cussion | Prelude to a Kiss | Echoes of Blue | Double Moon | 1992/2000 | 1:41:42 (Pop-up) | |||||
Marion Brown | In Memory of John Coltrane | International Holy Hill Jazz Meeting 1969 | MENO Liechtenstein | 1969 | 1:44:34 (Pop-up) | |||||
Music behind DJ: Jackie Mittoo |
More than Yesterday |
1:47:04 (Pop-up) |
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Ilyas Ahmed | Love Will Tear Us Apart | Ilyas Ahmed | 2024 | recorded for Aquarium Drunkard's Lagniappe Sessions March 2020 / for Gena Rowlands | 1:53:12 (Pop-up) | |||||
Joachim Badenhorst & Dan Peck | Broken Stop | The Salt of Deformation | Tubapede/KLEIN | 2016 | 1:57:49 (Pop-up) | |||||
Samuel Blaser / Consort in Motion | Color | A Mirror to Machaut | Songlines | 2013 | 2:05:00 (Pop-up) | |||||
Piiptsjilling with Joachim Badenhorst, Sylvain Chauveau and Annelies Monseré | Peaoffer | FEAN | Moving Furniture Records | 2018 | 2:11:06 (Pop-up) | |||||
Nala Sinephro | Continuum 1 | Endlessness | Warp Records | 2024 | 2:21:04 (Pop-up) | |||||
ensemble 0 | Poc a poc | Always the Same, Never the Same | farpoint recordings | 2024 | 2:28:09 (Pop-up) | |||||
ensemble 0 | Open Symmetry: Section 4 | Tristan Perich: Open Symmetry | Erased Tapes | 2024 | 2:33:56 (Pop-up) | |||||
Entjar Tjarmedi, Enip Sukanda, et al | Berber Lajar | Gamelan Degung Parahiangan (West Java) | Mata Hari Records | 1972 | 2:39:50 (Pop-up) | |||||
Bobby Naughton | But Beautiful | Solo Vibraphone | Otic Records | 1979 | 2:45:25 (Pop-up) | |||||
San Francisco Contemporary Music Players | Hourglass | Brian Baumbusch: Polytempo Music | Other Minds Records | 2024 | 2:50:17 (Pop-up) | |||||
Music behind DJ: Dudu Pukwana & Spear |
Flute Music |
Flute Music |
Caroline |
1975 |
2:56:07 (Pop-up) |
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Listener comments!
WR:
Jeff Golick:
hyde:
Andrew in Toronto:
Andrew in Toronto:
hyde:
Andrew in Toronto:
That`s how cold it is.
Jeff Golick:
tom tom the pipers son:
Jeff Golick:
Yvang:
Jeff Golick:
chresti:
duke:
Jeff Golick:
Jeff Golick:
DJ Peter:
Andrew in Toronto:
tom tom the pipers son:
Andrew in Toronto:
Andrew in Toronto:
Doug Schulkind:
tom tom the pipers son:
Listener Gregory:
Jeff Golick:
Doug Schulkind! Happy your dad's birthday to you.
tom tom the pipers son:
hyde:
JtotheK:
Listener Gregory:
doctorjazz:
Hi Jeff and Outlanders!
Jeff Golick:
Alas, I am no Fonzie, hyde.
Good greets, JtotheK!
Doug Schulkind:
doctorjazz:
Hi Andrew!
Andrew in Toronto:
Nice.
tom tom the pipers son:
Yvang:
doctorjazz:
Jeff Golick:
Yvang:
doctorjazz:
chresti:
Morning Anrew in TOkins!
Stork:
chresti:
tom tom the pipers son:
Jeff Golick:
NotARealDoctor in Norfolk VA:
Jeff Golick:
doctorjazz:
StringOFperils:
Jeff Golick:
NotARealDoctor in Norfolk VA:
Stork:
doctorjazz:
Jeff Golick:
Alto Saxophone – Marion Brown
Alto Saxophone, Flute – Thomas Keyserling
Bass – Barre Phillips
Clarinet – Perry Robinson
Drums – Steve McCall
Trombone – Albert Mangelsdorff
Trumpet – Manfred Schoof
Vibraphone, Bass Clarinet, Baritone Saxophone, Composed By, Arranged By, Cover Painting, Photography By – Gunter Hampel
Voice – Jeanne Lee
holland oats:
StringOFperils:
Doug Schulkind:
Jeff Golick:
doctorjazz:
Jeff Golick:
Listener Gregory:
chresti:
tom tom the pipers son:
doctorjazz:
hyde:
Jeff Golick:
doctorjazz:
Jeff Golick:
StringOFperils:
Jeff Golick:
hyde:
Jeff Golick:
hyde:
Listener Gregory:
alanr:
Jeff Golick:
doctorjazz:
NotARealDoctor in Norfolk VA:
hyde:
Jeff Golick:
Jeff Golick:
Ahmed Abdullah - trumpet, flugelhorn
Marion Brown - alto saxophone
Billy Bang - violin
Sirone - bass
Fred Hopkins - bass
Andrew Cyrille - drums
Mxter Baba:
hyde:
Mxter Baba:
Jeff Golick:
doctorjazz:
Mxter Baba:
Mxter Baba:
alanr:
Mxter Baba:
Jeff Golick:
chresti:
The only music classes I attended (besides choir) was an introduction to oriental music at LACC (1976, when they still said "oriental") and beginning woodwinds years later @ Valley College
Listener Gregory:
Stork:
hyde:
Mxter Baba:
doctorjazz:
hyde:
Listener Gregory:
doctorjazz:
Jeff Golick:
doctorjazz:
Dean:
And good morning!
Jeff Golick:
doctorjazz:
Doug Schulkind:
Dean:
doctorjazz:
doctorjazz:
Dean:
Dean:
Dean:
“One night in 1949 or so,” he added, “a friend of mine and our dates wound up closing Jimmy Ryan’s; the clubs were all open until 3 or 4 in the morning then." The great New Orleans clarinetist and soprano saxophonist Sidney Bechet was leading a quartet that night, he recalled, “and at one point Sidney sat down, pulled up a chair and put his feet up so he could stretch his legs. He closed his eyes and played a slow blues for about 15 minutes. It was so marvelous.”
Listener Gregory:
luka:
Jeff Golick:
WM:
Jeff Golick:
doctorjazz:
Thanks Jeff!
Listener Gregory:
Jeff Golick:
Listener Gregory:
Dean:
"A term used to describe someone addicted to nicotine or vaping others may use it to describe people who go to West Scranton high School"
Just as I suspected.
Jeff Golick:
The FEAN project gets its inspiration from the ecological decay of peatland in the Dutch province Friesland and in other parts of Europe. Agriculture and peat extraction are threatening the landscape severely and with long term consequences. This forms the underlying thought for the improvised recording sessions, which were overseen by Jan Switters."
Dean:
tom tom the pipers son:
there once was a man named curtis
that said love would divert us
but when he started to sing
he just did this thing
that looked like he intended to hurt us
Jeff Golick:
WM:
Listener Gregory:
Jeff Golick:
Jeff Golick:
Listener Gregory:
Jeff Golick:
Dean:
Jeff Golick:
Dean:
Listener Gregory:
Jeff Golick:
Dean:
https://www.discogs.com/release/8090862-Various-Regarding-Starlight
A sample from the opening track:
https://www.peterhatch.ca/lagtime
Dean:
Andrew in Toronto:
Thanks, Jeff!
Dean:
Jeff Golick:
Jeff Golick:
Stork:
hyde:
Listener Gregory:
Thanks, Jeff!
Stork:
Stork:
Dean:
"Love Will Tear Us Another Part"?
Doug Schulkind:
Yvang:
chresti:
WR:
Jeff Golick:
tom tom the pipers son:
Revolution Rabbit Nov63: