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Obscure musical gems, avant experimentation, and classics worth rehearing. A conurbation of Leslie speakers, timbales, plungers, arch-tops, tablas, and squeaky reeds. Black ties, pork pies, Cuban boots, Nudie suits, bobbysocks, turtlenecks, and high-heeled sneakers. Jazz is the north star but it’s a wide universe, so says The Laughing Clock.
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Artist | Track | Album | Label | Year | Comments | Images | New | Approx. start time | ||
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Count Basie | M Squad Theme (excerpt) | Basic Basie | MPS | 1969 | Eric Dixon (fl) Freddie Green (g) Norman Keenan (b) Harold Jones (d) Chico O'Farrill (arr), et al. | 0:00:00 (Pop-up) | ||||
Music behind DJ: Red Garland |
M Squad Theme |
Red In Bluesville |
Prestige |
1969 |
4/17/1959: Red Garland (p) Sam Jones (b) Art Taylor (d) |
0:00:31 (Pop-up) |
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William Parker / Cooper-Moore / Hamid Drake | Processional | Heart Trio | AUM Fidelity | 2024 | 5/1/2021: William Parker (doson ngoni,shakuhachi,bass-dudek,fl,ney) Cooper-Moore (ashimba,hoe-handle harp) Hamid Drake (d,frame-d) | * | 0:03:41 (Pop-up) | |||
Kavita Shah | Angola | Cape Verdean Blues | Folkalist Records | 2023 | rec. July 2018 & October 2018, additional recording 2019-2022. Kavita Shah (voice,vcl-perc) Bau (g,cavaquinho,ukulele) Miroca Paris (perc) Maalem Haasan Benjaafar (guembri,quaqeb,voice) Fantcha (voice) | * | 0:12:53 (Pop-up) | |||
Barbican Quartet | The Ear of Grain (2022, Dobrinka Tabakova) | Manifesto on Love | GENUIN classics | 2024 | May & November 2023. Amarins Wierdsma, Violin. Kate Maloney, Violin. Christoph Slenczka, Viola. Yoanna Prodanova, Cello | * | 0:17:55 (Pop-up) | |||
William Parker & Ellen Christi | Sonny | Cereal Music | AUM Fidelity | 2024 | William Parker: texts, recitation, bass, flutes. Ellen Christi: sound design, production, vocals | * | 0:25:17 (Pop-up) | |||
Music behind DJ: Don Pullen |
Big Alice (alternate take) |
Richard's Tune |
Sackville |
2014 CD reissue of "Solo Piano Album" with two bonus tracks. Recorded 1975. |
0:31:05 (Pop-up) |
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Matthieu Bordenave | Compassion | The Blue Land | ECM | 2024 | October 2022: Matthieu Bordenave (ts,sop) Florian Weber (p) Patrice Moret (b) James Maddren (d) | * | 0:35:45 (Pop-up) | |||
Nduduzo Makhathini | Uxolo | uNomkhubulwane | Blue Note | 2024 | Nduduzo Makhathini: piano, vocals. Zwelakhe-Duma Bell le Pere: bass, background vocals. Francisco Mela: drums, background vocals | * | 0:41:12 (Pop-up) | |||
Arve Henriksen & Harmen Fraanje | The Dark Light | Touch of Time | ECM | 2024 | January 2023: Arve Henriksen (tp,electronics) Harmen Fraanje (p) | * | 0:45:42 (Pop-up) | |||
Shelly Manne & His Men | Secret Love | Live From The Pacific Northwest | Reel To Real | 2024 | 9/7/1966: Conte Candoli (trumpet), Frank Strozier (alto sax, flute), Hampton Hawes (piano), Monty Budwig (bass), Shelly Manne (drums) | * | 0:49:29 (Pop-up) | |||
Music behind DJ: Mary Lou Williams |
Medi I |
Zoning |
Smithsonian Folkways |
1/17/1974, with Bob Cranshaw (bass guitar). DJP edit. |
1:00:50 (Pop-up) |
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Radio Rerun: The Dutch Jazz Scene (1969) |
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Michiel de Ruyter & Radio Nederland/Dutch World Broadcasting System | Programme 8: Jave Coop Quintet, Nedly Elstak Trio, Carl Schulze Trio, and Hans Dulfer’s Heavy Soul, Inc. | The Dutch Jazz Scene | Radio Nederland | 1:04:18 (Pop-up) | ||||||
Jave Coop Quintet | 48 Boulevard de Sebastopol | The Dutch Jazz Scene | Joop Cave (as) Erik Kromhout (vln) Peter Voogd, Wim Essed (b) Ralph de Jongh (d) | 1:05:00 (Pop-up) | ||||||
Nedly Elstak Trio | The Star | The Dutch Jazz Scene | Nedly Elstak (tp) Maarten Altena (b) Martin van Duynhoven (d) | 1:08:24 (Pop-up) | ||||||
Carl Schulze Trio | Heart's Desire '68 | The Dutch Jazz Scene | Carl Schulze (vib) Maarten Altena (b) Martin van Duynhoven (d) | 1:10:50 (Pop-up) | ||||||
Hans Dulfer's Heavy Soul, Inc. | Seventy-Eight | The Dutch Jazz Scene | Willem van Manen (tb) Hans Dulfer (ts) Maarten Altena (b) Han Bennink (d) Steve Boston (cga) | 1:14:00 (Pop-up) | ||||||
Raz Mesinai | Three Scenes from The Trial: Lawyer, Leni, The Uncle | Before the Law | Tzadik | 2001 | Mesinai (piano), Mark Feldman (violin), An de Villiers (voice) | 1:19:04 (Pop-up) | ||||
Marc Cary | Minor League | Trillium | Jazzateria | 2000 | Marc Cary (p) Tarus Mateen (b) Nasheet Waits (d) | 1:21:27 (Pop-up) | ||||
Sonny Clark | Minor Meeting | The Complete Sonny Clark Blue Note Sessions | Mosaic Records | 2023 | 12/8/1957: Clifford Jordan (ts) Sonny Clark (p) Kenny Burrell (g) Paul Chambers (b) Pete La Roca (d). First issued by Blue Note (Japan) on "Sonny Clark Quintet" (1976): "Jazz Right Now" series (!!) | * | 1:28:38 (Pop-up) | |||
Music behind DJ: Susie Ibarra Trio |
Dreams (Alternate Take) |
Radiance |
Hopscotch |
1999 |
7/18/1999: Cooper-Moore (p,harp,diddley-bo) Charles Burnham (vln) Susie Ibarra (d,perc) |
1:35:31 (Pop-up) |
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Patrick Moraz & Charles Turner | Three Dances for Two Prepared Pianos, Dance #1 | A Chance Operation: The John Cage Tribute | Koch International Classics | 1993 | pianos also sampled? | 1:37:56 (Pop-up) | ||||
Eyvind Kang | Enter the Garden | The Yelm Sessions | Tzadik | 2007 | Jessika Kenney (voice), Degenerate Art Orchestra conducted by Joshua Kohl, Madeleine Sosin (quijara de burro), Kang (bird ambience) | 1:43:02 (Pop-up) | ||||
Phalanx | Look and See | In Touch | DIW | 1988 | February 1988: George Adams (ts,sop,fl) James "Blood" Ulmer (g,fl) Sirone (b) Rashied Ali (d) | 1:47:32 (Pop-up) | ||||
Benny Moré Y Su Banda Gigante | Dolor y perdón | Grabaciones Completas 1953-1960 | Tumbao Cuban Classics | 2004 | 1957. | 1:54:34 (Pop-up) | ||||
Music behind DJ: Joe Chambers Moving Picture Orchestra |
M Squad Theme |
Live at Dizzy's Club Coca-Cola |
Savant |
2012 |
September 2011. Craig Handy (tenor sax), David Weiss (trumpet), Xavier Davis (piano), Dwayne Burno (bass), Joe Chambers (drums, vibes, arranger), Steve Berrios (percussion), et al. |
1:57:17 (Pop-up) |
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Listener comments!
WR:
Listener Gregory:
Listener Gregory:
DJ Peter:
Fortunately we (my dad and I) said goodbye to that clock within the hour.
doctorjazz:
WR:
WR:
DJ Peter:
Steven J (AUM) is a class act!
Listener Gregory:
DJ Peter:
WR:
doctorjazz:
Listener Gregory:
Actually, it's quite good (in my untutored opinion).
WR:
WR:
Listener Gregory:
DJ Peter:
WR:
WR:
That actually reliably works?
WR:
DJ Peter:
Listener Gregory:
coelacanth∅:
doctorjazz:
DJ Peter:
Listener Gregory:
doctorjazz:
WR:
WR:
coelacanth∅:
WR:
coelacanth∅:
-i can get the track titles if need be
doctorjazz:
doctorjazz:
doctorjazz:
tom tom the pipers son:
doctorjazz:
tom tom the pipers son:
Listener Gregory:
DJ Peter:
coelacanth∅:
coelacanth∅:
tom tom the pipers son:
coelacanth∅:
tom tom the pipers son:
Dean:
https://direct.mit.edu/books/book/2796/The-Intellectual-Foundation-of-Information
DJ Peter:
Dean:
DJ Peter:
tom tom the pipers son:
Listener Gregory:
Listener Gregory:
tom tom the pipers son:
DJ Peter:
coelacanth∅:
trusting you engaged with the Beautiful day as well?
tom tom the pipers son:
Dean:
DJ Peter:
tom tom the pipers son:
Listener Gregory:
coelacanth∅:
...one of the few good things about the subsisting situation i'm in now is <1 minute walk from my bed to a shady, relatively comfortable chair on a beautiful patio, with good, not *too* overpriced americanos
Dean:
tom tom the pipers son:
Listener Gregory:
tom tom the pipers son:
DJ Peter:
tom tom the pipers son:
DJ Peter:
Listener Gregory:
DJ Peter:
tom tom the pipers son:
WR:
DJ Peter:
WR:
Listener Gregory:
DJ Peter:
tom tom the pipers son:
www.youtube.com...
DJ Peter:
WR:
tom tom the pipers son:
www.youtube.com...
tom tom the pipers son:
Listener Gregory:
WR:
WR:
Laters folks.
Listener Gregory:
Peter, thanks a lot for an excellent show.
coelacanth∅:
tchau
doctorjazz:
I figure you have it, but I'm ripping the Elvin Jones Mosaic Blue Note box, can send if you don't (sending to a few folks). Let me know if you do want it.