Transmissions from Echo Beach with Derek Westerholm and DJ Babs:
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from April 12, 2024
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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
Thursday
8 - 10pm
(EST)
|
On
WFMU's
Sheena's Jungle Room
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| Artist | Track | Album | Label | Year | Comments | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: Nature Sounds Natural |
Large Pub Ambient Noise
|
Coffee Shop Sounds |
Nature Sounds |
2024 |
0:00:00 (Pop-up) |
|
| Symarip (The Pyramids) |
Soul Crash
|
Soul Crash 7" | JJ Records | 1969 | Consisting of members of West Indian descent, Simaryp is widely marked as one of the first skinhead reggae bands, being one of the first to target skinheads as an audience. They moved to Germany in 1971, performing reggae and Afro-rock under the name Zubaba. In 1980, the single "Skinhead Moonstomp" was re-issued in the wake of the 2 Tone craze, hitting No. 54 on the UK Singles Chart. | 0:01:52 (Pop-up) |
| The Delta 72 |
The Champ
|
The Doctor Is In/The Champ 7" | Touch and Go | 2000 | The Delta 72 were an American alternative music band formed in Washington, DC in the summer of 1994, later relocated to Philadelphia, Pennsylvania. They created a frenetic and honest style channeling post-punk sensibilities with 1960s British Invasion R&B | 0:04:42 (Pop-up) |
| The British Walkers |
Shake
|
Shake/That Was Yesterday 7" | Cameo | 1967 | The British Walkers weren't actually British. They were an American band whose sound was influenced by The Rolling Stones, The Who, and The Kinks. Forming in 1964, The British Walkers lasted only four years, breaking up in 1968. | 0:08:22 (Pop-up) |
| The Strangeloves |
Cara-Lin
|
Cara-Lin 7" | Bang Records | 1965 | The Strangeloves were a band created in 1964 by the New York-based American songwriting and production team of Bob Feldman, Jerry Goldstein, and Richard Gottehrer. They initially pretended to be from Australia. The Strangeloves' most successful singles were "I Want Candy," "Cara-Lin", and "Night Time". | 0:10:41 (Pop-up) |
| Fadoul |
Sid Redad
|
Sid Redad/Tayeh 7" | DDA | unknown | The late Fadoul and his accompanying three piece band played energetic & aggressive funk songs in 1970s Casablanca. After a stint in Paris spent soaking up the music of James Brown (as evidenced by the heavy borrowing if not downright covering of Papa's Got a Brand New Bag) and other American funk groups, Fadoul returned to Morocco to release records under Fadaul et les Privileges and other monikers. | 0:13:33 (Pop-up) |
| The Pioneers |
Don't You Know
|
Don't You Know / Me Naw Go A Believe 7" | Pressure Beat | 1968 | The Pioneers were formed in 1962 by brothers Sydney and Derrick Crooks, and their friend Winston Hewitt. Their early recordings "Good Nanny" and "I'll Never Come Running Back to You" were self-produced at the Treasure Isle studio in Kingston, Jamaica, using money lent to the Crooks brothers by their mother. The band was popular in the United Kingdom. "Long Shot Kick de Bucket" was a big hit in 1969, and led to a tour of the UK, during which they resolved to relocate there. | 0:16:28 (Pop-up) |
Music behind DJ: King Tubby |
Take Five
|
Dub Reggae |
Dela X-5 |
2011 |
The King of Dub takes on the King of 5/4 Jazz. |
0:18:28 (Pop-up) |
| Platform Six |
Girl Down Town
|
Money Will Not Mean A Thing / Girl Down Town 7" | Picadilly (UK) | 1965 | Super rare and hard to find mod/freakbeat band from the UK...great instrumentation here between the organ and brass section, with some flute thrown in for extra sass! | 0:22:09 (Pop-up) |
| The Shangri-Las |
Give Him a Great Big Kiss
|
Give Him A Great Big Kiss | Red Bird | 1964 | The Shangri-Las were an American girl group of the 1960s, consisting of Mary Weiss, Elizabeth "Betty" Weiss, Marguerite "Marge" Ganser, and Mary Ann Ganser. The Shangri-Las' "tough girl" persona set them apart from other girl groups. From a blue collar area of Queens, they were less demure than their contemporaries. Rumors about supposed escapades have since become legend; for example, the story that Mary Weiss attracted the attention of the FBI for transporting a firearm across state lines. | 0:24:04 (Pop-up) |
| The Tammys |
Egyptian Shumba
|
Egyptian Shumba / What's so Sweet About Sweet Sixteen 7" | United Artists | 1964 | Where the Shangri-La's were the bad girls, the Tammys were arguably the cute sweet girls next door.... | 0:26:18 (Pop-up) |
| Olivia Molina |
Juego De Palabras
|
Juego De Palabras Con Olivia Molina | Fabrica De Discos Peerless, S.A. | 1965 | Born in Copenhagen, Olivia Molina grew up in Mexico. Her mother was a German dancer, born in Flensburg, her father a musician and bandleader, born in San Cristobal, Chiapas, Mexico. Olivia Molina started her career as a singer in Acapulco, Mexico, at the age of fourteen. When still in school, she scored her earliest success in hits by Paul Anka, Ricky Nelson and Brenda Lee. Olivia Molina sang in clubs and hotels, and was awarded her first recording contract by the Peerless record company in Mexico City when still a teenager. | 0:28:36 (Pop-up) |
| Tammy St. John |
Boys
|
Hey Hey Hey Hey / Boys 7" | Pye | 1964 | Born Judith Coster in Hornchurch, Essex, Tammy St. John recorded several singles for Pye Records during the 1960s, most notably a version of Fangette Willett's 'Dark Shadows and Empty Hallways' which went on to inspire artists as diverse as Saint Etienne and NON and was released when she was just 14 years old. | 0:31:24 (Pop-up) |
| Katty Line |
Ne Fais Pas La Tête
|
Ne Fais Pas La Tête 7" | Disc'Az | 1966 | Katty Line was born on March 13, 1947 in Sucy-en-Brie, France. She is an actress, known for Ho! (1968) and Anne, jour après jour (1976). Her singing career launched in 1965, and she had a steady string of hits until the 70's.... | 0:34:02 (Pop-up) |
Music behind DJ: Giuliano Sorgini |
Echoes From Canyon
|
Under Pompelmo |
Pirames |
1971 |
Italian composer and keyboardist, best known for his original soundtracks for The Living Dead At The Manchester Morgue, Zoo Folle, and Gli Animali "Che Simpatia". |
0:36:24 (Pop-up) |
| Just Brothers |
Sliced Tomatoes
|
Sliced Tomatoes 7" | Music Merchant | 1972 | Just Brothers was the American musical duo of the brothers Jimmy and Frank Bryant and several session musicians. In 1969, with new member Willie Kendrick, the Just Brothers negotiated a deal at Johnny Nash's Jomada label. They recorded one unreleased track before being dropped by the label. Terry helped out the group again organizing the re-release of "Sliced Tomatoes" on the Music Merchant label in 1972. "Sliced Tomatoes" became a Northern soul staple. The song was later sampled in Fatboy Slim's 1998 single "The Rockafeller Skank". | 0:41:43 (Pop-up) |
| Jr. Walker & The All-Stars |
Shake and Fingerpop
|
Soul | 1965 | Put on your wig, woman...is there a better call to the dancefloor? NO. Is this very much a self plagarization of "Shotgun" VERY MUCH SO. | 0:44:09 (Pop-up) | |
| Brand New Faces |
Brand New Faces
|
I Don't Wanna Cry 7" | LuJuna Records | unknown | Another rare Northern Soul groover...not much info on this group sadly, with only this single as a representation of their total recorded output.... | 0:46:55 (Pop-up) |
| Lester Tipton |
This Won't Change
|
This Won't Change | Rite Records | 1966 | Lester Tipton was originally from Detroit, USA, gained popularity in his youth with his twin sister Leslie as dancers on "Swinging Time," a local variety television show. He passed away at the young age of 33 in Los Angeles. | 0:49:33 (Pop-up) |
| Javier Batiz and His Famous Finks |
C'mon and Swim
|
Javier Batiz And The Famous Finks | Eco | 1964 | Javier Bátiz, an iconic personality of Tijuana. He started playing music at 12 years old and eventually had a student named Carlos Santana. Javier’s pure and simple rock and roll with rhythm and blues changed the music scene forever. At 79 years old, Javier’s passion for music remains strong. | 0:51:55 (Pop-up) |
| Don Gardner |
My Baby Likes To Boogaloo
|
My Baby Likes to Boogaloo Single | Tru-Glo-Town | 1966 | Don Gardner was an American rhythm and blues singer, songwriter, and drummer. His records included the 1962 hit "I Need Your Lovin'", with Dee Dee Ford. | 0:55:06 (Pop-up) |
Music behind DJ: Lou Donaldson |
Nice n' Greasy
|
The Natural Soul |
Blue Note |
1963 |
Lou Donaldson (born November 1, 1926) is an American retired jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker. |
0:58:03 (Pop-up) |
| Jacques Dutronc |
Les Gens Sont Fous, Les Temps Sont Flous
|
Et Moi, Et Moi, Et Moi - EP | Discques Vogues | 1966 | Dutronc played guitar in the rock group El Toro et les Cyclones. He wrote successful songs for singer Françoise Hardy in the 1960s before moving on to pursue a successful solo career. His music incorporated traditional French pop and French rock as well as styles such as psychedelic and garage rock. He was also very important in the Yéyé music movement and has been a longtime songwriting collaborator with Jacques Lanzmann. | 1:03:33 (Pop-up) |
| The Shag |
Stop and Listen
|
Stop and Listen 7" | Capitol Records | 1967 | Released as a single by Capitol Records in September 1967—just over three months after the Beatles released Sgt. Pepper’s Lonely Hearts Club Band, and on the heels of the Summer of Love—”Stop and Listen” by The Shag features vocalist Ray McCall | 1:06:37 (Pop-up) |
| Papy |
Toi Le Shazam
|
Toi Le Shazam 7" | Discques Vogues | 1967 | rFançois Papy from Paris, France is the brain behind this slice of psych. This record is about as hard to find as it is finding information on this artist...period. | 1:09:07 (Pop-up) |
| Jan Panter |
Scratch My Back
|
Scratch My Back 7" | Pye | 1966 | This saucy little slice of garage-fuzz swing comes from Jan Panter, a local resident of the burgeouning swinging London...She had a short lived career, lasting from 1965-1969, and releasing only 4 singles. | 1:11:40 (Pop-up) |
| Sharhabil Ahmed |
Argos Farfish
|
The King Of Sudanese Jazz | Habibi Funk | 2020 | Sharhabil Ahmed, sometimes also Sharhabeel Ahmed, is a Sudanese popular musician, known for his distinctive style of singing, compositions, oud and guitar playing. Inspired by Western dance music like rock music and adding brass instruments to his electric lead guitar, he has been called "The King of Sudanese Jazz". | 1:14:12 (Pop-up) |
| The Brymers |
Under My Thumb
|
Sacrifice Compilation | 60sgaragebands.com | 2020 | The Brymers were an American garage rock band from San Joaquin Valley, California, who were active in the 1960s. They had a regional hit with the song "Sacrifice", which also received distribution overseas and managed to garnish airplay in parts of Europe, New Zealand, and Australia. | 1:18:58 (Pop-up) |
Music behind DJ: Evergreen |
Food For Soul
|
Sugar Lumps Compilation |
Acid Jazz |
2005 |
More slightly modern takes on classic fuzz and psych. This came out on Eddie Piller's Acid Jazz records. By the way, Eddie has a new book out called "Clean Living Under Difficult Circumstances" and it is EXCELLENT. |
1:21:24 (Pop-up) |
| Ultimate Spinach |
Ego Trip
|
Ultimate Spinach (Mono Mix) | MGM Records | 1968 | Bruce-Douglas says that he named the band based on experiences in an acid trip: "One day, in 1967, I was in my room, tripping on some really pure LSD. I started looking at myself in the mirror and my face was doing funny things. I had a bunch of colored markers I used to draw with. I grabbed a green one and started drawing all these psychedelic designs on my face. When I was done, I looked at myself and said 'Whoa! I am ultimate spinach. Ultimate spinach is me!'"[ | 1:25:25 (Pop-up) |
| Soul Hooligan |
Space Travel
|
Sugar Lumps Compilation | Hard Soul | 2005 | Soul Hooligan began in 1997, as a solo project for veteran hardcore producer Austin Reynolds (who had been Surburban Base's in-house engineer between 1991-1993). Under this moniker he released the first single 'Sweet Pea'. They are an interesting post-Britpop early 2000's take on psychedelia. Out of step with everything, this tune is as authentic as they come... | 1:28:31 (Pop-up) |
| The Galaxies IV |
Don't Lose Your Mind
|
Don't Lose Your Mind 7" | RCA | 1967 | The Galaxies IV formed at Catholic school in Trenton in 1962. Members were T.J. Tindall on guitar, Chris Holmes on guitar and vocals, Charles Brodowicz keyboards, Len Demski bass, and Alan Fowler on drums. | 1:31:38 (Pop-up) |
| The Hallmarks |
Soul Shakin' Psychedelic Sally
|
Soul Shakin' Psychedelic Sally / Girl Of My Dreams 7" | Smash Records | 1967 | Need more psychedelic reverb and space echo...this garage-y stomper has it all. For Oceanport group The Hallmarks “Soul Shakin’ Psychedelic Sally” would be their only release and it’s become a highly collectable favourite 45 on the psych scene of today... | 1:34:38 (Pop-up) |
| Dr. Spec's Optical Illusion |
She's The One
|
Tryin' To Mess My Mind/She's The One 7" | Flambeau | 1967 | Dr. Spec's Optical Illusion was an American garage rock band formed in New Orleans, Louisiana, in 1965. n early performances, the Illusions' set list was typically dominated by cover versions of other artists' material ranging from British Invasion songs to R&B standards by artists such as James Brown and Curley Moore. In addition, the band was notorious for their ear-shattering performances, with the local speech and hearing director measuring their cacophony at 140 decibels. | 1:37:19 (Pop-up) |
| The Noel Gilpin Emporium |
Will You Miss Me When I'm Dead?
|
Sugar Lumps Compilation | Acid Jazz Records | 2005 | Another great track from Eddie Piller's 2005 Acid Jazz comp. People suspect whether they ever existed...because there is little to nothing to know about them. And they could be dead...but who knows? | 1:39:31 (Pop-up) |
| Plastic Penny |
Strawberry Fields Forever
|
Two Sides of a Penny | Page One | 1968 | How absolutely cheeky of this band to cover one of the greatest songs ever written a scant year after its release. Even though the critics hated this band, calling them "derivative and forgettable"....there's something about this particular organ driven cover with a base sound that later would become JJ Burnel of the Stranglers signature tone. I absolutely love it. | 1:42:49 (Pop-up) |
| Pink Floyd |
Summer of '68
|
Atom Heart Mother | Harvest | 1968 | To me, one of Floyd's finest...gentle, pastoral psychedelia...it's impossible to have a bad trip listening to this record. Heavy, elegant, regal, gentle, hits you squarely in the third eye with gentle caresses...it is a masterpiece. | 1:47:14 (Pop-up) |
Music behind DJ: Booker T & The MG's |
Let's Go Get Stoned
|
Doin' Our Thing |
Atlantic Records |
1968 |
Doin' Our Thing is the sixth studio album by R&B band Booker T. & the M.G.'s, released in April 1968. The album was their first self-produced effort and charted at number 176 on the Billboard Top 200 Chart. |
1:52:45 (Pop-up) |
| The Association |
Never My Love
|
Never My Love/Requiem For The Masses 7" | Warner Brothers | 1967 |
AllMusic's Stewart Mason wrote of the "laid-back and dreamy" single with a "sleek and sophisticated" tune that "the dual lead vocals, by Terry Kirkman and Larry Ramos, are supported by wordless harmonies as effortlessly airy as whipped cream." Never My Love" is a pop standard written by American siblings Don and Dick Addrisi..and the Association's version still holds as the most successful of this oft covered tune. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S..and rightly so, it is |
1:57:04 (Pop-up) |
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ultradamno:
ultradamno:
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MHLee:
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doctorjazz:
Bri The Beatnik:
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Bri The Beatnik:
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Bri The Beatnik:
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Domenic:
DJ Guin:
coelacanth∅:
Bri The Beatnik:
DJ Babs:
MHLee:
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Paper Kosmonaut:
coelacanth∅:
i personally think it's a terrible beatles song! but the first time i heard the shirelles version i realised it's a good song.
DJ Babs:
coelacanth∅:
coelacanth∅:
coelacanth∅:
Paper Kosmonaut:
DJ Babs:
DJ Babs:
Derek Westerholm:
DJ Babs:
DJ Babs:
Paper Kosmonaut:
i.ytimg.com...
Paper Kosmonaut:
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Derek Westerholm:
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Paper Kosmonaut:
coelacanth∅:
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Domenic:
DJ Babs:
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coelacanth∅:
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coelacanth∅:
DJ Babs:
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doctorjazz:
coelacanth∅:
DJ Babs:
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Paper Kosmonaut:
doctorjazz:
Derek Westerholm:
doctorjazz:
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coelacanth∅:
it's a great song, but not because of the lyrics!
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Mr Fab:
Paper Kosmonaut:
jaimyskitchen.nl...
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DJ Babs:
DJ Babs:
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coelacanth∅:
Thanks Babs!
tchau
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Take a bite, Adam. (-;
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Feldy:
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doctorjazz:
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Don-O:
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Love this!
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Domenic:
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