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Familiar & forgotten gems from 50-plus years of music on the darker side, shoegaze, synthpop, goth, psychedelia, darkwave, with unapologetic detours into 70s pop. In a dark night of the soul, it's always 3 o'clock in the morning.
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April 1, 2024: Return of the Hip Death Goddess -- Fill in for Big Planet Noise
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|---|
Shocking Blue | Send Me A Postcard | At Home | Pink Elephant | 1970 | single from 1968 | 0:00:00 (Pop-up) | |
Q65 | I Despise You | Revival | Decca | 1997 | single from 1966 | 0:03:51 (Pop-up) | |
Glass Prism | The Conqueror Worm | Poe Through The Glass Prism | RCA Victor | 1969 | 0:06:40 (Pop-up) | ||
Simon & Garfunkel | Hazy Shade of Winter | Bookends | Columbia | 1968 | single from 1966 | 0:09:48 (Pop-up) | |
The Velvet Underground | Run Run Run | The Velvet Underground & Nico | Verve Records | 1966 | 0:12:06 (Pop-up) | ||
France Gall | Nefertiti | 1968 | Philips | 1968 | 0:16:24 (Pop-up) | ||
Tim Buckley | Song of the Magician | Tim Buckley | Elektra | 1966 | 0:19:02 (Pop-up) | ||
Pink Floyd | Apples and Oranges | The Early Singles | Columbia | 1992 | 0:21:52 (Pop-up) | ||
The Kinks | Animal Farm (Mono) | The Kinks Are the Village Green Preservation Society (deluxe box set) | Sanctuary Records | 2011 | from 1969 | 0:24:49 (Pop-up) | |
The Insect Trust | Fun City | The Insect Trust | Capitol Records | 1968 | 0:27:48 (Pop-up) | ||
Diana Ross & The Supremes | Reflections | Reflections | Motown | 1968 | 0:32:54 (Pop-up) | ||
Music behind DJ: The Backing Tracks |
Substitute (instrumental) |
0:35:32 (Pop-up) |
|||||
The Who | The Real Me | Quadrophenia | Track Record | 1973 | 0:41:17 (Pop-up) | ||
Joe Byrd and The Field Hippies | You Can't Ever Come Down | The American Metaphysical Circus | Columbia Masterworks | 1969 | 0:44:42 (Pop-up) | ||
The Human Beast | Appearance Is Everything, Style Is A Way Of Living | Volume One | Decca | 1970 | 0:47:50 (Pop-up) | ||
Donovan | Tangier | The Hurdy Gurdy Man | Epic | 1968 | 0:52:11 (Pop-up) | ||
The Beatles | Love You To | Revolver | Parlophone | 1966 | 0:56:35 (Pop-up) | ||
The Fool | No One Will Ever Know | The Fool | Mercury | 1968 | 0:59:13 (Pop-up) | ||
Laura Nyro | Poverty Train | Eli And The Thirteenth Confession | Columbia | 1968 | 1:01:58 (Pop-up) | ||
6 Feet Under | What Would You Do? | In Retrospect 1969-1970 | Arf Arf | 1998 | 1:06:00 (Pop-up) | ||
Music behind DJ: The Beatles |
Within You Without You (instrumental) |
1:09:48 (Pop-up) |
|||||
Elton John | The Cage (demo version) | Elton John (Deluxe) | The Rocket Record Company | 2008 | 1:16:05 (Pop-up) | ||
The Beach Boys | That's Not Me | Pet Sounds | Capitol Records | 1966 | 1:19:14 (Pop-up) | ||
The Yardbirds | Only The Black Rose | Little Games | Epic | 1967 | 1:22:06 (Pop-up) | ||
Rotary Connection | Tales Of Brave Ulysses | Songs | Cadet Concept | 1969 | 1:24:32 (Pop-up) | ||
The Moody Blues | Dr. Livingstone, I Presume | Live at the BBC 1967-1970 | Deram | 2007 | 1:29:01 (Pop-up) | ||
Elmer Gantry's Velvet Opera | Air | Elmer Gantry's Velvet Opera | Epic | 1968 | 1:32:01 (Pop-up) | ||
Rick Springfield | What Would The Children Think? | Beginnings | Capitol Records | 1972 | 1:35:07 (Pop-up) | ||
Jefferson Airplane | Long John Silver | Long John Silver | Grunt | 1972 | 1:38:35 (Pop-up) | ||
Circus 2000 | Try To Live | Circus 2000 | Rifi | 1970 | 1:43:22 (Pop-up) | ||
Music behind DJ: The Moody Blues |
Visions of Paradise (Instrumental version) |
1:46:33 (Pop-up) |
|||||
Paul Messis & Jessica Winter | Sunflower | Sunflower b/w As Nightmares Turn To Dreams | State Records | 2012 | 1:52:37 (Pop-up) | ||
Tyrannosaurus Rex | She Was Born To Be My Unicorn | Unicorn | Regal Zonophone | 1969 | 1:56:35 (Pop-up) | ||
Young Flowers | Down Along The Cove Stk. 5 | Blomsterpistolen | Sonet | 1968 | 1:59:09 (Pop-up) | ||
The Doors | Jazzy Maggie McGill | Backstage And Dangerous: The Private Rehearsal | Bright Midnight Records | 2002 | 2:03:10 (Pop-up) | ||
Sage and Seer | I've Cried | Sage and Seer | Stylist | 1969 | 2:07:47 (Pop-up) | ||
Peggy Lipton | I Just Wasn't Made for These Times | The Complete Ode Recordings | Real Gone Music | 2014 | 2:09:44 (Pop-up) | ||
Ray Brown | Tuesday Afternoon | Just Ray Brown | Capitol Records | 1969 | 2:13:33 (Pop-up) | ||
Ultimate Spinach | (Ballad of) The Hip Death Goddess | Ultimate Spinach | MGM Records | 1968 | 2:16:55 (Pop-up) | ||
Music behind DJ: London Symphony Orchestra |
She's A Rainbow (instrumental) |
2:24:35 (Pop-up) |
|||||
Picadilly Line | No One Else Can See | The Huge World Of Emily Small (reissue) | Grapefruit Records | 2009 | from 1967 | 2:29:15 (Pop-up) | |
Nico | These Days | Chelsea Girl | Verve Records | 1967 | 2:31:56 (Pop-up) | ||
Nick Drake | Day Is Done | Five Leaves Left | Island Records | 1969 | 2:35:21 (Pop-up) | ||
Heaven & Earth | Refuge | Refuge | Ovation Records | 1973 | 2:37:45 (Pop-up) | ||
Silver Apples | Water | Contact | Kapp Records | 1969 | 2:40:19 (Pop-up) | ||
Barbara Keith | All Along The Watchtower | Barbara Keith | Reprise Records | 1973 | 2:44:32 (Pop-up) | ||
The Open Mind | My Mind Cries | The Open Mind | Philips | 1969 | 2:47:35 (Pop-up) | ||
Marsha Hunt | Desdemona | Woman Child | Track Record | 1971 | single from 1969, Bolan cover | 2:50:43 (Pop-up) | |
Markley | Next Plane To The Sun | Markley, A Group | Forward Records | 1969 | last album by The West Coast Pop Art Experimental Band | 2:53:48 (Pop-up) | |
Can | Tango Whiskeyman | Soundtracks | Liberty | 1970 | 2:55:56 (Pop-up) | ||
Music behind DJ: Syd Barrett |
Gigolo Aunt (loop) |
3:02:54 (Pop-up) |
|||||
David Bowie | Love You Till Tuesday (Mono) | David Bowie (Deluxe) | Deram | 2010 | from 1967 | 3:02:39 (Pop-up) |
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Listener comments!
djnogoodnick:
Julie:
Blissland:
Alex from Media:
Julie:
Yvang:
Blissland:
Dan S:
Roberto:
Julie:
Julie:
Julie:
Blissland:
MFO:
hunterfelt:
Julie:
pot8o:
Julie:
Dan S:
Summer and Michael and Sylvia:
Julie:
Midge:
Dan S:
Julie:
Julie P.:
Julie:
Alex from Media:
Black Dog:
Julie:
Midge:
bleubombersune:
Blissland:
Beantown Doug:
Blissland:
Gaylord Fields:
Julie:
hunterfelt:
Dan S:
Black Dog:
Alex from Media:
Midge:
Blissland:
Julie:
Blissland:
Alex from Media:
hunterfelt:
Julie:
Dean:
Roberto:
Julie:
Discotech Underground:
hunterfelt:
Julie:
Black Dog:
Blissland:
Beantown Doug:
Alex from Media:
Gaylord Fields:
Roberto:
Gaylord Fields:
hunterfelt:
Alex from Media:
Beantown Doug:
Hunterian:
Julie:
Blissland:
Dean:
Discotech Underground:
Dean:
Blissland:
Dean:
Roberto:
Discotech Underground:
Dan S:
Beantown Doug:
bobob plasticland:
bobobob plasticland:
Julie:
Blissland:
Alex from Media:
bobobobob fabtriplasticlanddrummr:
Dean:
Blissland:
Discotech Underground:
Alex from Media:
Dean:
Discotech Underground:
Blissland:
Blissland:
Dean:
Thank you, Julie, for urging me to pick up the Donovan box of early albums. Whew. A doozy.
Dean:
Ken From Hyde Park:
Bobobob:
Beantown Doug:
Julie:
Blissland:
Dean:
bobob:
Blissland:
Julie P.:
Julie:
Julie P.:
Roberto:
Blissland:
bobob:
Beantown Doug:
Blissland:
Beantown Doug:
Alex from Media:
Julie:
Beantown Doug:
Julie:
Blissland:
Yvang:
Discotech Underground:
Scobot:
Julie:
Hunterian:
Julie:
bobob:
Julie:
Blissland:
Erik abides VT:
Julie:
Blissland:
Black Dog:
pot8o:
Blissland:
Blissland:
hunterfelt:
bobob:
Alex from Media:
Beantown Doug:
Julie:
Julie:
Beantown Doug:
Blissland:
Blissland:
Erik abides VT:
(¿didn’t the film have its own different soundtrack?). I love & or appreciate most of The Who catalog up to say 1975 - beyond that it gets trickier. Imo, listening to the entire Quadrophenia on remastered 2xCDs was a revelation. It’s my fave, followed closely but “Sell-Out” (1967)
Beantown Doug:
hunterfelt:
Beantown Doug:
Blissland:
Julie:
Blissland:
Julie:
hunterfelt:
Blissland:
Beantown Doug:
Midge:
northguineahills:
Julie:
Hunterian:
Blissland:
northguineahills:
northguineahills:
hunterfelt:
Blissland:
Blissland:
Julie:
Blissland:
Julie P.:
Black Dog:
asheville jon:
Birds!
Dean:
northguineahills:
Blissland:
Julie:
egould:
Blissland:
Julie:
Julie:
Blissland:
Dean:
hunterfelt:
Julie:
Dean:
northguineahills:
Blissland:
Blissland:
David Shortell:
Julie:
Dean:
Beantown Doug:
hunterfelt:
Julie:
David Shortell:
Julie:
northguineahills:
Julie:
Gaylord Fields:
Blissland:
still b/p:
Called Nefretiri in The Ten Commandments, 1956.
Roberto:
Julie:
Blissland:
Julie:
Dean:
WLSClark:
still b/p:
WLSClark:
David Shortell:
The same goes with the post-Holly Crickets albums, the post-Morrison Doors albums, the post-Garvey Buzzcocks albums and the post-Shatter Flipper albums.
Blissland:
Dean:
Midge:
Julie:
northguineahills:
Blissland:
Blissland:
northguineahills:
northguineahills:
Blissland:
Blissland:
David Shortell:
Blissland:
Gaylord Fields:
northguineahills:
Frank Talk About Humans:
Blissland:
David Shortell:
Julie:
Blissland:
David Shortell:
Beantown Doug:
Dean:
Midge:
Gaylord Fields:
Dean:
Julie:
hunterfelt:
Julie:
Dean:
Gaylord Fields:
David Shortell:
wfmu.org...
northguineahills:
northguineahills:
egould:
northguineahills:
northguineahills:
Blissland:
Julie:
Blissland:
Blissland:
Beantown Doug:
hunterfelt:
Blissland:
Julie:
hunterfelt:
Julie:
Dean:
For me, the 'net has entailed an enormous expense of my time and energy not worth the benefit. The Zimbabwe example is an exception.
Roberto:
Beantown Doug:
Black Dog:
Julie:
Beantown Doug:
Dean:
still b/p:
Julie:
Gaylord Fields:
David Shortell:
Then in the 90's, I saw a newspaper picture of her and Mick Jagger attending their daughter's graduation from Yale.
hunterfelt:
Julie:
Julie P.:
Julie:
Blissland:
bobob plasticland:
Julie P.:
Julie:
Blissland:
asheville jon:
PMD:
bleubombersune:
bobob:
Roberto:
pot8o:
Yvang:
Hunterian:
Ken From Hyde Park:
Blissland:
Dean:
Ken From Hyde Park:
Yvang:
Julie:
Julie:
Blissland:
Yvang: