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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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Artist | Track | Album | Label | Year | Comments | Approx. start time |
---|---|---|---|---|---|---|
David Bowie | David Bowie on David Bowie | 0:00:00 (Pop-up) | ||||
Music behind DJ: The Moog Cookbook |
Ziggy Stardust |
Ye Olde Space Bande Plays The Classic Rock Hits |
Restless Records |
1996 |
||
The Wedding Present | Chant of the Ever Circling Skeletal Family | Loveslave/Chant of the Ever Circling Skeletal Family 7" | RCA | 1992 | "Diamond Dogs is arguably [Bowie's] most significant album, a pivotal work and the most 'solo' album he has ever made...his best-sounding, most complex record to date, and it still pulls you into its romantic and doomed world decades on..." hant of the Ever Circling Skeletal Family" predated Talking Heads' exploration of African rhythms and experimentation in the late 1970s...something that the band "Foxtrot" explore deeply in their cover...but here...the Wedding Present's version becomes a grinding, intimidating dance indeed! | 0:03:12 (Pop-up) |
Tearist | Repetition | We Were So Turned On: A Tribute To David Bowie | Centaurus Entertainment | 2010 | "I decided to write something on the deeply disturbing subject of wife abuse in the manner of a short-form drama. I had known more instances of this behaviour than I would have preferred to have been made aware of and could not for the life of me imagine how someone could hit a woman, not only once but many, many times." Released in 1979, it is penultimate song on David Bowie’s Lodger album. Hearing this song handled by a female front lead creates even more urgency and Tearist create a soundscape even more bleak and urgent on their amazing take on this song. Tearist is an American electronic and industrial band formed in 2009 by Yasmine Kittles (vocals, percussion, synthesizer) and William Strangeland (synthesizer, programming) in Los Angeles, California. The members of Tearist have stated that they were intending to create a movement more than a band, accepting all influences and dissecting them to allow for a new and instinctual musical product to emerge... | 0:05:38 (Pop-up) |
The Associates | Boys Keep Swinging | Boys Keep Swinging 7" | RCA | 1979 | "Boys Keep Swinging" is a song by English musician David Bowie, released on 27 April 1979 by RCA Records in the United Kingdom as the lead single from his 1979 album Lodger. It was written by Bowie and Brian Eno and recorded in Montreux and New York City in September 1978 and March 1979. The recording utilized techniques from Eno's Oblique Strategies cards, which resulted in the musicians swapping instruments. In October 1979, Scottish new wave band the Associates released a cover of the song as a way to infringe copyright and get themselves noticed. Their version, which reached number 15 in Record Mirror's Scottish chart and gained them airplay on John Peel's Radio One show, earned the band their first record contract.Band member Billy Mackenzie later said that the band recorded the song "to prove the point. It was a strange way of proving it, but it worked. People said, 'That is awful. How dare they!'" | 0:08:45 (Pop-up) |
Duran Duran | Fame | Careless Memories 12" | EMI | 1981 | One of the first of many songs covered by Duran Duran, and one of the most effective! A collaboration between David Bowie and John Lennon, ‘Fame’ became Bowie’s first US number one single. It was a late addition to the Young Americans album, along with a cover version of the Beatles’ ‘Across The Universe’. There was a degree of malice. I’d had very upsetting management problems and a lot of that was built into the song. I’ve left all that behind me, now … I think fame itself is not a rewarding thing. The most you can say is that it gets you a seat in restaurants. Other than that, there’s very little about it that anybody would covet. It’s really not much of a deal. I still have my favourite times when I’m not recognised, or at least left to my own devices. | 0:12:30 (Pop-up) |
Easy Star All Stars feat Mortimer | Soul Love | Ziggy Stardub | Easy Star Records | 2023 | Easy Star All-Stars return with their first new tribute album in over a decade! ZIGGY STARDUB, a reggae re-imagining of David Bowie's entire The Rise and Fall of Ziggy Stardust and the Spiders from Mars album. Blending musical versatility, instrumental prowess, beautiful vocal harmonies and a premier rhythm section, Easy Star All-Stars have established themselves as one of the top international reggae acts on the scene today. “Soul Love” sounds as though it had been written for a reggae framework. It has the strut and skank of classic reggae, yet Bowie had something much different in mind when he and the Spiders from Mars recorded it 51 years ago...but it works...oh so, so well! | 0:15:47 (Pop-up) |
Music behind DJ: The Wee Trio |
Queen Bitch |
Ashes To Ashes: A David Bowie Introspective |
Bionic Records |
2012 |
I love this. |
0:19:41 (Pop-up) |
Music behind DJ: Meridian String Quartet |
Young Americans |
String Bowie Quartet: New Classical String Arrangements |
Meridian String Quartet |
2014 |
0:25:45 (Pop-up) |
|
Laid Back Country Picker | David Bowie | Laid Back Country Picker | Self-Released | 2017 | Real Name: David Prince. Did not know about him until this week. His latest release is a cover of Bauhaus' Bela Lugosi's Dead. He has a handful of shows coming up in 2024... Starting this Saturday... //////// JAN 20 SAT The Southgate House Revival @ 8:00pm -- Shelby Lore (MUSIC) -- Newport, KY, United States -- Tickets RSVP //////// JAN 27 SAT Court Street Grill @ 9:00pm -- Luna and the Mountain Jets Pomeroy, OH, United States --Tickets RSVP //////// FEB 4 SUN Outlaw Country Cruise 2024 @ 7:00pm -- Steve EarleLucinda WilliamsBlackberry Smoke49 WinchesterRay Wylie HubbardDrivin' N' Cryin'Dale WatsonElizabeth CookDash Rip RockRoger Alan WadeMojo NixonWarner E. HodgesJason Ringenberg -- Andover, FL, United States Tickets RSVP//////// FEB 17 SAT Duke’s Indy @ 8:00pm -- Luna and the Mountain Jets -- Indianapolis, IN, United States Tickets RSVP //////// AUG 17 SAT Folsom Field @ 7:00pm -- Tyler ChildersShakey Graves -- Boulder, CO, United States | 0:29:55 (Pop-up) |
David Bowie | Seven (Beck Mix #2) | Hours... [Expanded Version] | ISO Records | 1999 / 2004 | Beck, in some of his reflections about one of his musical heroes, David Bowie: "I first saw David Bowie play live in ’83 on the Let’s Dance tour. At that point, he was in his mid-thirties, but he already had the weight of a legend. It was at the US Festival in San Bernardino, and there were maybe 100,000 people. He really stood out to me even as a child because there was this gravitas and weight that really set him apart; it was like seeing Sinatra or Elvis. //// The way he anchored a stage was striking. He could do so much with so little, he could just be there to hold the audience. I don’t hear this mentioned a lot — maybe there’s a hint of it in that clip of him with Bing Crosby — but I always thought of Bowie as kind of a bridge from the era of the crooner to the rock frontman. He somehow straddled those two worlds in a way that nobody else did, bringing that effortless worldliness and marry it with the rock frontman. When I heard Elvis’ song “Black Star,” that reference made Bowie’s “Blackstar” resonate deeper than I could imagine. I can imagine somebody growing up in the Fifties, and that song capturing the sort of Elvis-by-way-of-Hollywood version of an Old West mythic figure, that sort of lone rider on the plains, with mortality hanging above them. Those are some of the most difficult things to express in art." | 0:34:26 (Pop-up) |
David Bowie | The Hearts Filthy Lesson (Good Karma Mix By Tim Simenon) | 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) [Expanded Version] | ISO Records | 1995 / 2015 | The remix by Tim Simenon. "Simenon, an Englishman of Malaysian origin, born in London in 1968 and currently living in Prague. Simenon was a Dj at the Wag club when he decided to attend a studio-engineering course. His first record "Beat Dis" was the product of the studio trickery he learnt during the course and samples from a bag full of records. The timing was perfect with the general public getting customed to the flavour of "homemade" dance records like M/A/R/R/S - "Pump Up The Volume". The Thunderbirds sampling "Beat Dis" reached number 2 in the UK charts in February 1988. Tim Simenon has since produced tracks for artists like Neneh Cherry (Buffalo Stance), Adamski (Killer), Seal (Crazy), and also worked closely with Depeche Mode, Björk and Naomi Campbell amongst others. //// Aliases: DJ Loops, Flow Creator //// In Groups: Bomb The Bass, Ghost Capsules, Interference, Nation 12, Slant" | 0:39:36 (Pop-up) |
David Bowie | I'm Afraid Of Americans (NIN V.1 Mix) | Earthling (Expanded Edition) | Sony / ISO | 1997 / 2015 | Lyrics By – David Bowie // Music By – Brian Eno, David Bowie // Performer [Additional] – Nine Inch Nails // Producer – Nine Inch Nails // Mixed By – Dave "Rave" Ogilvie --- Trent Reznor had actually already remixed The Hearts Filthy Lesson (Alt. Mix) a couple of years earlier in 1995. This song, though, offered him not only the opportunity for a few more remixes; but also a key role in the video as the American (stalker) of whom Bowie seems to be most afraid. Wouldn't have seen that coming prior to 1997. I'm Afraid of Americans (Official Music Video) [4K Upgrade] | 0:44:36 (Pop-up) |
David Bowie | A Better Future (Remix By AIR) | Heathen (Deluxe Edition) | Columbia / ISO Records | 2002 | Remix – AIR / Written-By – David Bowie "Air is a French electronic / rock duo composed by Jean-Benoît Dunckel and Nicolas Godin, active since 1995. // The band has given conflicting statements about whether "AIR" is an acronym (for Amour, Imagination, Rêve, meaning Love, Imagination, Dream)." | 0:50:09 (Pop-up) |
Music behind DJ: David Bowie |
Pallas Athena (Don't Stop Praying Remix #2) |
Pallas Athena (12" Promo / Digital Single) |
Arista / EMI / Parlophone / Jones/Tintoretto Entertainment Company LCC |
1993 |
Remix (#2) by Meat Beat Manifesto, who are the "Industrial, Electronic, Experimental music act started by John Stephen Corrigan aka Jack Dangers and Jonny Stephens in 1987, Swindon, United Kingdom. Jack Dangers has led the group and been the only permanent member, collaborating with other members along the way. Meat Beat Manifesto worked with Consolidated and The Disposable Heroes Of Hiphoprisy to pioneer the early '90s "industrial hip-hop" sound. Meat Beat Manifesto's earlier work is widely credited with influencing trip hop, drum & bass and big beat." -- "The "Don't Stop Praying Mix #2" later appeared on the limited edition 2CD+DVD issuances of "Black Tie White Noise" |
0:55:07 (Pop-up) |
Music behind DJ: David Bowie |
Pallas Athena (Don't Stop Praying Remix #1) |
Pallas Athena (12" Promo / Digital Single) |
Arista / EMI / Parlophone / Jones/Tintoretto Entertainment Company LCC |
1993 |
"Don't Stop Praying Mix #1" later appeared on the "Jump They Say" single, as "Don't Stop Praying Remix". |
1:02:31 (Pop-up) |
Midge Ure | The Man Who Sold The World | The Man Who Sold The World 7" | A & M | 1982 |
Nirvana often gets the credit for best cover of this song...but no...oh no no no...This cover by Midge Ure captures not only the best of Ultravox...but also retains the sadness and longing of the original song. It's absolutely gorgeous, from top to bottom. The keyboard work and choice of sounds on this is simply |
1:08:09 (Pop-up) |
Book of Love | Sound + Vision | Lovebubble | Sire | 1993 | I could not imagine a better fit for this song than Book of Love. With their signature tubular bell chimes and vocals...it's an obvious choice for them to rock. This cover appeared on their fourth and final album "Lovebubble" Lovebubble did not chart, and was released to little fanfare amidst the changing musical tides of the early nineties with grunge dominating the alternative landscape. The album's cover sleeve, a tic tac toe square of nine different images, was designed by Talking Heads' frontman David Byrne. Sound and Vision was the lead single from David Bowie’s 1977 album Low, ‘Sound And Vision’ was a top ten hit in the UK, Belgium, Germany, the Netherlands, and New Zealand. A very sad song for me is ‘Sound And Vision’. I was trying very hard to drag myself out of an awful period of my life. I was locked in a room in Berlin telling myself I was going to straighten up and not do drugs anymore. I was never going to drink again. Only some of it proved to be the case. It was the first time I knew I was killing myself and time to do something about my physical condition. I had a few scares and thought, ‘Well, I got through that by the skin of my teeth.’ Serious haemorrhaging from the nose, passing out… awful stuff." | 1:13:30 (Pop-up) |
Kelley Polar | Dance Magic Dance | Life Beyond Mars: Bowie Covered | Rapster Records | 2008 | Only David Bowie could have played the role of Jareth, the Goblin King in the 1986 movie Labrynth. Since then, his characterization...and his codpiece and tights have become part of pop culture history. His performance is campy, joyful, strange and....truly Bowie. Backing singer Diva Gray’s baby was unable to gurgle on the microphone during the studio recording, so the noises were taped by Bowie instead. ‘Dance Magic’ gave me a bit of a problem. It’s a song for the Goblin King and the baby. In the recording studio the baby I picked – one of the backing singers, Diva, had this cute little baby, and couldn’t put two gurgles together! [laughs] And it wouldn’t work for me. I mean it just wouldn’t go; I kicked it, I did everything to make it scream, and it really buttoned its lip. So I ended up doing the gurgles, so I’m the baby on that track as well. I thought, ‘What the hell, I’ve done ‘Laughing Gnome’, I might as well go all the way.’ I never thought in twenty years I’d come back to working with gnomes." This version is particularly wonderful. Kelley Polar, born Michael Kelley, is an American musician, alternative dance vocalist and music producer. He is based in Sullivan, New Hampshire. What I love most about his take on the song is that it harkens back to another beloved band...Sparks. Seriously...this could be a Sparks song! | 1:17:14 (Pop-up) |
Stereo Total | Heroes | Heroes 7" | Disko B | 2013 | Stereo Total was a Berlin-based multilingual, French-German duo which comprised Françoise Cactus (born Françoise van Hove and formerly co-leader of the West Berlin band Les Lolitas) and Brezel ('pretzel') Göring (aka Friedrich von Finsterwalde, born Friedrich Ziegler, ex-Haunted Henschel, Sigmund Freud Experience). Mainstays of the electroclash and synthpop movement of the early 2000's their career gave us many delightful nu-disco synthy pop gems that were always playful and tongue in cheek. Their version of Heroes stands apart from others in that it does not attempt the "serious" retelling of that fateful original story behind the song...and keeps it light and playful..true to their style! Says Tony Visconti of the sessions for the original..."They use “Heroes” for every heroic event, although it’s a song about alcoholics. We did it on twenty-four tracks in Hansa Studios in Berlin. With all of the backing vocals and instruments on it, we only had one track left for the vocal. So Bowie would do a take and listen to it and he’d say: ‘I think I’ve got one better.’ And I’d say, ‘Well, you know we can’t keep that take.’ This was before digital recording. So he’d pull his socks up, take a deep breath, and go and do a better take than the one he did before. And that was it, it was gone, the previous vocal was gone. We kept doing that. Having experience in the studio, you have to know when to say, ‘I think we’ve got the take.’ There’s no way of going back to take five or take two; they were gone, evaporated. I did a lot of records that way. That’s when you work as a team, as a producer, coach, singer, artist. Everybody’s on the same page and everyone is just hyped up with adrenaline." | 1:22:33 (Pop-up) |
Jahrukus feat. Bunny Rugs | Ashes To Ashes | Ashes To Ashes/Island Girl Single | Soul Messin' Records | 2021 | Who knew that Reggae and Bowie would go just so well together! This version of Ashes to Ashes is by Jahrukus and Bunny Rugs and it DELIVERS. Jahrukus (Jah-ruckus) pay homage to the early Tuff Gong era, active on the Melbourne club scene circa 2005-08, the five-piece ensemble won local and international acclaim and a clutch of major awards nominations. Believed to be the first reggae version of Bowie’s timeless classic “Ashes to Ashes”, it was recorded above a crash-repairs shop in the south of Melbourne between one and five o’clock in the morning after a gig, and before the shop opened. It was a fan attending a concert who gave the band the idea, when they said: “This band is so good, you could re-work any song into a reggae jam”. So they did! The sub-text of ‘Ashes To Ashes’ is quite obviously the nursery rhyme appeal of it and for me it’s a story of corruption. It’s also about as subversive as one can get in popular music terms inasmuch as I would love to get a record played by the BBC containing the word “junkie”. I thought that was quite successful (grins). There’s not much you can do these days; we’re all such a blasé, world weary lot (laughs). But if one can make anything more serious out of it all other than that it’s The Further Stories Of, it’s that when I originally wrote about Major Tom I was a very pragmatic and self-opinionated lad that thought I knew all about the great American dream and where it started and where it should stop. Here we had the great blast of American technological know-how shoving this guy up into space and once he gets there he’s not quite sure why he’s there. And that’s where I left him. Now we’ve found out that he’s under some kind of realisation that the whole process that got him up there had decayed, was born out of decay; it has decayed him and he’s in the process of decaying. But he wishes to return to the nice, round womb, the earth, from whence he started. I guess it’s that simple. I really don’t think there’s anything more insidiously perverse about the thing at all. It really is an ode to childhood, if you like, a popular nursery rhyme. It’s about space men becoming junkies (laughs). David Bowie | 1:25:15 (Pop-up) |
Music behind DJ: Easy Star All-Stars |
Five Years Dub |
Ziggy Stardub |
Easy Star Records |
2023 |
I cannot get enough of this and I hate having to talk over it! |
1:29:47 (Pop-up) |
Music behind DJ: Vitamin String Quartet |
Let's Dance |
VSQ Performs David Bowie |
Vitamin Records |
2002 |
1:33:12 (Pop-up) |
|
David Bowie | Love Is Lost (Hello Steve Reich Mix by James Murphy for the DFA) | The Next Day Extra EP | Columbia / ISO Records / Legacy / Sony | 2013 / 2023 | Issued as a digital EP ijn 2013 & reissued for 2022 record store day. Written-By – David Bowie // Vocals, Keyboards – David Bowie // Bass – Gail Ann Dorsey // Drums – Zachary Alford // Guitar – Gerry Leonard // Handclaps ["Clapping Chorus"] – Hishan Bharoocha*, James Murphy, Jordan Hebert, Matthew Thornley // Producer [Remix Produced By], Remix [Remix Mixed By] – James Murphy, who is, of course: "James Jeremiah Murphy; Born February 4, 1970; an American musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem." | 1:36:24 (Pop-up) |
David Bowie | Seven (Beck Mix #1) | Hours... [Expanded Version] | ISO Records | 1999 / 2004 | Beck, in some of his reflections about one of his musical heroes, David Bowie: "David Bowie started making records around the beginning of my life, and his career kind of tracks with my life. There’s always been a David Bowie record. He’s always been doing something. He’s always been kind of guidepost or gravitational force for me. He’s someone that you set course to or measure what you’re doing against. If you’re working on something intently and you don’t know if it’s complete garbage or a waste of time, there are certain works or artists you look to and go, “How far off course am I here? Because I know that’s good. That’s the top of the mountain, and are we going the opposite way here? //// He was really one of those figures to a lot of musicians. I think that has a lot to do with his singular approach to what he did, which was to take from theater, literature, pop culture, avant-garde and create this modern concept that maybe began with Sgt. Pepper’s, where you’re bringing in all these mediums together and creating something new and three-dimensional. For me, as a working musician, I have always been in awe of how he was able to manage to write these classic songs and create a sort of visual language around each body of music; these ambitious stage productions, iconic videos and imagery. To do one is really a full-time endeavor. You got the idea of a mad scientist, somebody in the laboratory who’s sort of lost all sense of place and time. Believe me, I’ve been there, where you haven’t slept in months and you’re just kind of a mess, but he was able to do it with this kind of calm, effortlessness about it that is really interesting. I’ve worked with people that have worked with him, and I’ve heard he’d come in and just kind of come up with something and sing it once or twice and be done. It doesn’t conjure up the typical struggle and Sturm und Drang of trying to get great art. When an artistic presence infuses so much, when that person’s gone, there’s such a tremendous absence that it almost feels like losing family." | 1:46:48 (Pop-up) |
Music behind DJ: David Bowie |
Little Wonder (Danny Sabre Dance Mix) |
Earthling (Expanded Edition) |
Sony / ISO |
1997 / 2015 |
"Danny Saber (born 1966) is a musician in Los Angeles. He is an audio engineer, record producer, and remixer as well. He is a former member of Black Grape and Agent Provocateur. He plays organ, and keyboards, and is a prominent Los Angeles DJ. //// Saber is known for diversity in his production and remixing. The genres of the artists with whom he has worked have included pop (Madonna, Seal), rock (David Bowie, U2, Michael Hutchence, The Rolling Stones), heavy metal (Ozzy Osbourne, Korn, Marilyn Manson), hip-hop (Busta Rhymes, Public Enemy, Jadakiss). Saber co-produced and performed on Alice Cooper's Along Came a Spider album, and has songwriting credits on eight of the eleven songs on the album. He has scored film music and contributed music to a wide range of films (Blade II, Moulin Rouge!, Dallas 362, The Limey, Played). //// In 1999, Saber worked with Jack Dangers of Meat Beat Manifesto to form a project named Spontaneous Human Combustion. The project was unusual in that it was among the earliest to make and release music entirely online for free without the involvement of a music label. //// Saber was also a judge for the 7th annual Independent Music Awards to support independent artists' careers." |
1:50:33 (Pop-up) |
Anna Calvi | Lady Grinning Soul | Strange Weather | Domino Recording Co | 2014 | Hearing Anna Calvi wrap her voice around this song is an exercise in sensuality. It is...in a word...incredible. ‘Lady Grinning Soul’ was a departure for Bowie, who had never before put such an open outpouring of desire on record. He had recently spoken of how his emotions often emerged in his lyrics in spite of his natural reservation, and here was the culmination. "I’m a pretty cold person. A very cold person, I find. I have a strong lyrical, emotional drive and I’m not sure where it comes from. I’m not sure if that’s really me coming through in the songs. They come out and I hear them afterward and I think, well, whoever wrote that really felt strongly about it. I can’t feel strongly. I get so numb. I find that I’m walking around numb. I’m a bit of an iceman." - David Bowie | 1:56:10 (Pop-up) |
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Listener comments!
ultradamno:
DJ Babs:
Robm:
ultradamno:
Scott_Oz:
🌏🌞🍻😎💨🍺🍺🌊🏖️⛱️🌴
DJ Babs:
DJ Babs:
ultradamno:
DJ Babs:
DJ Babs:
Robm:
DJ Babs:
Robm:
ultradamno:
laurapanic:
ultradamno:
shellioh:
Robm:
ultradamno:
DJ Babs:
DJ Babs:
Scott_Oz:
DJ Babs:
DJ Babs:
ultradamno:
Derek Westerholm:
Derek Westerholm:
Scott_Oz:
🍻😎🤙💨🍹🌻
Robm:
DJ Babs:
DJ Babs:
Robm:
ultradamno:
DJ Babs:
DJ Babs:
Tyler:
DJ Babs:
Derek Westerholm:
Tyler:
DJ Babs:
Tyler:
Tyler:
Derek Westerholm:
Robm:
Dutch___☆___:
Derek Westerholm:
Tinley Park Randy:
Dutch___☆___:
Dutch___☆___:
Tyler:
ultradamno:
Androu B.:
& Hello Beach Party Paricipants!
Julie from Dark Night Of The Soul would be glad to know you guys decided to do this show, as she is as much a Bowie fan as...well, as much as anyone here on the Woof-Moo (listeners included), not to mention rock fans everywhere in the world!
ultradamno:
Derek Westerholm:
DJ Babs:
Kristine:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
Kristine:
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DJ Babs:
Androu B.:
DJ Babs:
Derek Westerholm:
Kristine:
lesliehastonhurst:
Tyler:
Derek Westerholm:
DJ Babs:
lesliehastonhurst:
DJ Babs:
Tinley Park Randy:
Tyler:
Derek Westerholm:
Androu B.:
Derek Westerholm:
Robm:
ultradamno:
DJ Babs:
ultradamno:
Tyler:
Robm:
ultradamno:
DJ Babs:
Tyler:
ultradamno:
Tyler:
Robm:
Tyler:
Derek Westerholm:
Kristine:
ultradamno:
Derek Westerholm:
Tyler:
ultradamno:
Androu B.:
DJ Babs:
DJ Babs:
Kristine:
DJ Babs:
Kristine:
DJ Babs:
Tyler:
DJ Babs:
Androu B.:
Derek Westerholm:
Tyler:
ultradamno:
Androu B.:
DJ Babs:
ultradamno:
Tyler:
DJ Nico:
Bob Barth:
Will thee Sound Guy:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
ultradamno:
Androu B.:
Derek Westerholm:
Bob Barth:
Derek Westerholm:
ultradamno:
Tyler:
DJ Nico:
Tyler:
Derek Westerholm:
Derek Westerholm:
Tyler:
DJ Babs:
ultradamno:
Tyler:
ultradamno:
Derek Westerholm:
Androu B.:
This is by the New Hope International Singers, a chorus group consisting mainly of stage actors assembled by the Unification Church. It actually has the sound & feel of a stage show, so you might enjoy this:
https://www.wfmu.org/flashplayer.php?version=3&show=135959&archive=246986&starttime=0:41:59
Tyler:
Tyler:
Androu B.:
(Now if I can only find a streaming service that's playing "Christian F"...)
Tyler:
Bob Barth:
Tyler:
Tyler:
Androu B.:
Derek Westerholm:
Androu B.:
shellioh:
Derek Westerholm:
ultradamno:
Androu B.:
ultradamno:
Tyler:
Androu B.:
Derek Westerholm:
Tyler:
Tyler:
Androu B.:
ultradamno:
Tyler:
DJ Nico:
Androu B.:
Scott_Oz:
🌏🌞🍻😎🤙💨🍺🍺🌻🌻❤
Tyler:
Bob Barth:
Tyler:
Mr Fab:
Bob Barth:
Tyler:
Tyler:
Androu B.:
Derek Westerholm:
Derek Westerholm:
Derek Westerholm:
Derek Westerholm:
Derek Westerholm:
Will thee Sound Guy:
Derek Westerholm:
Derek Westerholm: