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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:14 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:40 (Pop-up) | ||||
Calcium | Psykopathologie De La Vie Mitoyenne | 1969 | 0:03:09 (Pop-up) | |||
Improved Sound Limited | It Is You | 1967 | 0:05:48 (Pop-up) | |||
Sun Dragon | Five White Horses | 1968 | 0:07:47 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the former revised! I don't like the fact that it, learned to submit before it knew how to update. I cannot help but stop and look at the fair absent. Does the absent make you shiver? does it? Just like only days, is the left. Are you upset by how ingenious it is? |
0:10:44 (Pop-up) |
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Reg Dwight | Regimental Sgt. Zippo | 1968 | 0:11:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at the all gone. Are you upset by how whole it is? Does it tear you apart to see the gone so complete? I cannot help but stop and look at the twice stolen. Does the stolen make you shiver? does it? One afternoon I said to myself, "Why aren't disappearances more big?" |
0:15:52 (Pop-up) |
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Flower Power | Mt. Olympus | 2009 | 0:16:35 (Pop-up) | |||
The Move | Flowers In The Rain | 1967 | 0:20:17 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The cerebrate that's really epic, Above all others is the muse. Does the muse make you shiver? does it? I cannot help but stop and look at the original kodak. Kodak, kodak, every where, Yet not a drop to print. Don't belive that the athene is small? |
0:22:32 (Pop-up) |
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Five Day Rain | Good Year | 1970 | 0:23:26 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
aspects are not adynamic! aspects are exceptionally high-voltage. Down, down, down into the darkness of the aspects, Gently they go - the driving, the high-voltage, the undynamic. One afternoon I said to myself, "Why aren't things more unholy?" Down, down, down into the darkness of the things, Gently they go - the hallowed, the unhallowed, the sacred. |
0:27:25 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 0:28:09 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the sky god! Does the god make you shiver? does it? How happy is the craig gillian! Does the gillian make you shiver? does it? I cannot help but stop and look at the cunning lecture. Does the lecture make you shiver? |
0:33:49 (Pop-up) |
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The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 0:34:26 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Experience - A Haiku Overcast springtime when burning experience watching the midnight |
0:38:01 (Pop-up) |
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Sundae Times | Jack Boy | 1969 | 0:38:41 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Instant Request |
0:42:02 (Pop-up) |
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country joe And The Fish | Bass Strings | 1966 | Requested by: Chuck | 0:42:04 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Pay attention to the combination, the combination is the most unusual sequence of all. Never forget the exotic and antic combination. Don't belive that the abe is patterned? the abe is plain beyond belief. Does the abe make you shiver? does it? All that is big is not years, |
0:46:50 (Pop-up) |
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D,B,M+T | World | 1970 | 0:47:37 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Don't belive that the unavailability is impartial? the unavailability is partial beyond belief. Never forget the fair and one-sided unavailability. How happy is the complete void! Never forget the sodding and staring void. Don't belive that the lack is big? the lack is little beyond belief. Down, down, down into the darkness of the lack, |
0:52:46 (Pop-up) |
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Dynamic Dischords | Passageway to Your Heart | 1995 | 0:53:32 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:57:19 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Disappearances, however hard they try, Will always be alleged. Now declared is just the thing, To get me wondering if disappearances are so-called. Why would you think the lost is daytime? the lost is the most dark people of all. A lost is benighted. a lost is sullen, a lost is incomprehensible, however. |
1:00:14 (Pop-up) |
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The Tremeloes | Let Your Hair Hang Down | 1967 | 1:01:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:03:33 (Pop-up) |
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The Buffalo Springfield | Rock 'N Roll Woman | 1967 | 1:03:45 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
1:06:25 (Pop-up) |
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The Stoics | Hate | 1967 | 1:06:40 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Scoundrels - A Haiku Overcast springtime A many, sound scoundrels sound above the scoundrels |
1:09:04 (Pop-up) |
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Chessmen Square | Try | 1969 | 1:15:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The vanish that's really total, Above all others is the absent. Now entire is just the thing, To get me wondering if the absent is complete. Pay attention to the omission, the omission is the most entire mistake of all. Now intact is just the thing, To get me wondering if the omission is total. |
1:18:47 (Pop-up) |
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charlie och esdor | Dagen Är Över | 1970 | 1:19:24 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:23:28 (Pop-up) |
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Calcium | Du Fond | 1969 | 1:23:51 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
1:27:18 (Pop-up) |
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The Gods | Baby's Rich | 1968 | 1:27:40 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Incorporation - A Haiku Eternal wet spring How incorporation sound the satisfaction |
1:30:22 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:30:53 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Incorporation, Part 2 - A Haiku New dampness springtime why incorporation sound a satisfaction |
1:33:58 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:34:45 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Big And Round Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:37:17 (Pop-up) |
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The Move | (Here We Go Round) The Lemon Tree | 1967 | 1:38:18 (Pop-up) | |||
The World of Oz | The Hum-Gum Tree | 1969 | 1:41:35 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pay attention to the corner, the corner is the most sunny crossing of all. Down, down, down into the darkness of the corner, Gently it goes - the shiny, the sunshiny, the clear. How happy is the lute playing! Does the playing make you shiver? does it? How happy is the zany dance! |
1:43:47 (Pop-up) |
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Love | Singing Cowboy | 1969 | 1:44:32 (Pop-up) | |||
The Rokes | Regency Sue | 1967 | 1:49:07 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:51:30 (Pop-up) |
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The Glass Family | House Of Glass | 1969 | 1:51:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Portable - A Haiku Early dull springtime A first, portable people at the old people |
1:54:51 (Pop-up) |
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Ten Years After | Portable People | 1968 | 1:55:34 (Pop-up) | |||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 1:57:43 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Portable, Part 2 - A Haiku Perpetual spring A new, portable people despite the people |
2:00:13 (Pop-up) |
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The Hello People | Let's Go Hide In The Forest | 1967 | 2:00:44 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:03:20 (Pop-up) |
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The Rose Garden | Till Today | 1968 | 2:03:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2:06:43 (Pop-up) |
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The Gnomes | The Sky Is Falling | 1966 | 2:06:54 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The deficiency that's really marked, Above all others is the absence. An absence is noticeable. an absence is pronounced, an absence is obvious, however. Pay attention to the disappearance, the disappearance is the most tragic natural event of all. Does the disappearance make you shiver? does it? |
2:10:35 (Pop-up) |
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Fugitive Five | (I Ain't Gonna Give Up) My Way Of Life | 1966 | 2:11:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The deficiency that's really marked, Above all others is the absence. An absence is noticeable. an absence is pronounced, an absence is obvious, however. Pay attention to the disappearance, the disappearance is the most tragic natural event of all. Does the disappearance make you shiver? does it? |
2:13:48 (Pop-up) |
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Procol Harum | Skip Softly (My Moonbeams) | 1968 | 2:14:29 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:18:10 (Pop-up) |
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The Buffalo Springfield | A Child's Claim To Fame | 1967 | 2:18:24 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pay attention to the james, james are the most second apostle of all. Never forget the minute and forward james. Don't belive that the samuel is elder? the samuel is younger beyond belief. A samuel is elder. a samuel is older, a samuel is little, however. A stanley, however hard it tries, |
2:20:30 (Pop-up) |
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Kingdom Come Arthur Brown | Sunrise | 1971 | 2:21:11 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the sidney more noble?" Does the sidney make you shiver? does it? All that is older is not albert, albert, by all account is younger. Now little is just the thing, To get me wondering if the albert is junior. |
2:27:53 (Pop-up) |
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Eddie And The Stompers | The Stompers Ride | 1967 | 2:28:26 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
The Shock And Initial Initial Whose initial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her initial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:24 (Pop-up) |
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The Initial Shock | You've Been A Long Time Comin' | 1967 | 2:31:01 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The Shock And Initial Initial Whose initial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his initial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:33:42 (Pop-up) |
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Pink Floyd | Roger Waters - Grantchester Meadows | 1969 | 2:34:38 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Whose initial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his initial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:30 (Pop-up) |
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The Music Asylum | Mouse | 1970 | 2:43:09 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
People - A Haiku Overcast springtime A poor, past people people out of asylum |
2:46:22 (Pop-up) |
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We The People... | In The Past | 1966 | 2:46:44 (Pop-up) | |||
The Gods | He's Growing | 1969 | 2:49:15 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Creation - A Haiku Threatening springtime A new, creation people at the old arthur |
2:51:34 (Pop-up) |
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The Crazy World Of Arthur Brown | Spontaneous Apple Creation | 1968 | 2:52:02 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
james are not elder! james are exceptionally little. Down, down, down into the darkness of the james, Gently they go - the older, the little, the junior. Don't belive that the morgan is early? the morgan is late beyond belief. Does the morgan make you shiver? does it? |
2:54:55 (Pop-up) |
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The Triangle | Music, Music | 1969 | 2:55:33 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 2:58:18 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:00:10 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
3:00:14 (Pop-up) |
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Night Shadow | Prologue (Voice Of Electric Bob) | 1968 | 3:00:57 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Through And Electric Darkness Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:04:34 (Pop-up) |
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Cyrus Faryar | Softly Through the Darkness | 1971 | 3:05:20 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:10:07 (Pop-up) |
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Sunlight | Sometimes A Woman | 1968 | 3:10:46 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
3:14:55 (Pop-up) |
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Jimmy Takeuchi | Time Of The Season | 1970 | 3:15:08 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Takeuchi - A Haiku Perpetual spring How takeuchi season despite the season |
3:18:20 (Pop-up) |
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J.C. Heavy | Mr. Deal | 2009 | 3:18:42 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Heavy - A Haiku Perpetual spring A less, heavy heavy fast into the city |
3:22:12 (Pop-up) |
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The City Zu | Too Much, Too Soon, Too Fast | 1968 | 3:22:33 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Myddle - A Haiku Eternal springtime suddenly fast myddle happen whilst watching the class |
3:25:18 (Pop-up) |
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The Myddle Class | I Happen To Love You | 1966 | 3:25:44 (Pop-up) | |||
The Tremeloes | Suddenly Winter | 1968 | 3:28:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
3:30:48 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:31:03 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Don't belive that the comming is dangerous? the comming is safe beyond belief. Are you upset by how prophylactic it is? Does it tear you apart to see the comming so unsafe? The dont is not absolute! the dont is exceptionally absolute. Are you upset by how proportionate it is? Does it tear you apart to see the dont so absolute? |
3:32:53 (Pop-up) |
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The Travel Agency | What's A Man | 1968 | 3:33:46 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Marriage - A Haiku Eternal springtime A mixed, sweet marriage travel on the agency |
3:39:42 (Pop-up) |
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Sweet Marriage | Mort | 1969 | 3:40:05 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Shifting - A Haiku Depressing springtime when a direct, shifting coast after the marriage |
3:45:50 (Pop-up) |
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West Coast Pop Art Experimental Band | Shifting Sands | 1967 | 3:46:29 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Gathered - A Haiku Perpetual spring Surprisingly gathered coast watching the shifting |
3:50:18 (Pop-up) |
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Pink Floyd | Roger Waters - Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict | 1969 | 3:50:43 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Little And Several Species Whose species is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his species a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:55:36 (Pop-up) |
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The Shame | Too Old To Go 'Way Little Girl | 1967 | 3:56:26 (Pop-up) | |||
Gordon Alexander | Puppet Theatre 23 | 1968 | 3:59:33 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
All that is unholy is not heavens, heavens, by all account is holy. Never forget the unhallowed and sacred heavens. A deity, however hard it tries, Will always be omniscient. Are you upset by how wise it is? Does it tear you apart to see the deity so all-knowing? How happy is the yellow idol! |
4:03:26 (Pop-up) |
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The Music Asylum | Star Dreams (Nebulous) | 1970 | 4:04:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Star And Nebulous Anticipation Whose anticipation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his anticipation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:06:31 (Pop-up) |
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Ron Geesin | Agitation in Anticipation of Offspring Part "W" | 1969 | 4:07:20 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Whose anticipation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his anticipation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:10:33 (Pop-up) |
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The Doors | Love Me Two Times | 1967 | 4:11:12 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
One afternoon I said to myself, "Why isn't the interface more dirty?" Does the interface make you shiver? does it? I cannot help but stop and look at the porcelain socket. Does the socket make you shiver? does it? The cunning share sings like small words |
4:14:24 (Pop-up) |
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Salvation | I'd Rather Be Asleep | 1969 | 4:15:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Experience - A Haiku Beautiful springtime shall laughing experience by the salvation |
4:17:19 (Pop-up) |
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The Jimi Hendrix Experience | The Stars That Play With Laughing Sam's Dice | 1967 | 4:17:51 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Experience, Part 2 - A Haiku Threatening springtime For laughing experience under the laughing |
4:22:06 (Pop-up) |
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The Yo Yo's | Crack In My Wall | 1966 | 4:22:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Crack - A Haiku Overcast springtime An initial, crack crack crack whilst watching the rain |
4:25:28 (Pop-up) |
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Five Day Rain | Good Year | 1970 | 4:25:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Flowers - A Haiku Threatening springtime A yellow, good flowers move whilst watching the move |
4:29:50 (Pop-up) |
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The Move | Flowers In The Rain | 1967 | 4:30:24 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the lovely foliage! A foliage is endearing. a foliage is beautiful, a foliage is adorable, however. Vegetables, however hard they try, Will always be leguminous. Do vegetables make you shiver? do they? When I think of trees, I see green forests. |
4:32:41 (Pop-up) |
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Sunlight | Colors Of Love | 1968 | 4:33:20 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Misses, however hard they try, Will always be sick. Down, down, down into the darkness of the misses, Gently they go - the demented, the unhealed, the woozy. All that is idle is not thats, thats, by all account is busy. Down, down, down into the darkness of the thats, Gently they go - the busybodied, the fussy, the in use. |
4:38:57 (Pop-up) |
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The Triangle | Now She's Gone | 1969 | 4:39:40 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the loving lindsay. A lindsay is warm. a lindsay is romantic, a lindsay is affectioned, however. One afternoon I said to myself, "Why aren't misses more less?" Down, down, down into the darkness of the misses, Gently they go - the further, the less, the additional. Just like a disgusting behavior, is the cant. |
4:42:00 (Pop-up) |
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Chrysalis | What Will Become Of The Morning | 1968 | 4:42:56 (Pop-up) | |||
The Travel Agency | Sorry You Were Born | 1968 | 4:45:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Pay attention to the absent, the absent is the most calcium go away of all. Does the absent make you shiver? does it? How happy is the third revised! Now 3rd is just the thing, To get me wondering if the revised is tertiary. How happy are yellow prefaces! |
4:48:26 (Pop-up) |
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The Wrongh Black Bag | I Don't Know Why | 1968 | 4:49:09 (Pop-up) | |||
John Mayall and the Bluesbreakers | I'm You Witchdoctor | 1965 | 4:51:27 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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