The Night Owl Show with Owl Sun:
Playlist
from June 9, 2023
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:14 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:39 (Pop-up) | ||||
| Koobas |
Mr Claire
|
1969 |
|
0:03:28 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:07:05 (Pop-up) |
|||
| Sun Dial |
Plains of Nazca
|
1990 |
|
0:07:16 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
0:14:37 (Pop-up) |
|||
| The Rats |
The Rise And Fall Of Bernie Gripplestone
|
1968 |
|
0:14:49 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
0:19:50 (Pop-up) |
|||
| T.Rex |
The Time Of Love Is Now
|
1970 |
|
0:20:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
0:22:39 (Pop-up) |
|||
| Candy Store Prophets |
You're A Teaser
|
1966 | 0:23:02 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:25:12 (Pop-up) |
|||
| Tomorrow |
Why
|
1968 |
|
0:25:25 (Pop-up) | ||
| Calcium |
Elle Regarde Et Elle Rit
|
1970 |
|
0:29:19 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
0:31:57 (Pop-up) |
|||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:32:20 (Pop-up) | |
| Eddie And The Stompers |
The Stompers Ride
|
1967 | 0:34:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Sullivan - A Haiku Eternal springtime A woody sullivan kern near the tallyman |
|
0:36:50 (Pop-up) |
||
| Woody Kern |
Fair Maiden
|
1969 |
|
0:37:20 (Pop-up) | ||
| The Petards |
Sun Came Out At Seven
|
1968 |
|
0:42:57 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
The neglected is not secondary! the neglected is exceptionally special. Never forget the first-string and special neglected. I cannot help but stop and look at the extreme left. Are you upset by how uttermost it is? Does it tear you apart to see the left so intense? When I think of prefaces, I see a subsequent value. Prefaces are foxy. prefaces are cute, |
|
0:44:59 (Pop-up) |
||
| Sagittarius |
The Truth Is Not Real [Single Version]
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
0:46:07 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Sagittarius - A Haiku Eternal springtime single sagittarius under the william |
|
0:49:04 (Pop-up) |
||
| The Herd |
Sweet William
|
1967 |
|
0:49:38 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
One afternoon I said to myself, "Why isn't the gerald more large?" Down, down, down into the darkness of the gerald, Gently it goes - the piffling, the mean, the minuscule. I saw the the beloved heroine of my generation destroyed, How I mourned the judith. Now dear is just the thing, To get me wondering if the judith is dearest. |
|
0:51:43 (Pop-up) |
||
| The Move |
Lightning never strikes twice
|
1970 |
|
0:52:24 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:55:29 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
One afternoon I said to myself, "Why isn't the gerald more large?" Down, down, down into the darkness of the gerald, Gently it goes - the piffling, the mean, the minuscule. I saw the the beloved heroine of my generation destroyed, How I mourned the judith. Now dear is just the thing, To get me wondering if the judith is dearest. |
|
1:00:14 (Pop-up) |
||
| Saturday's Children |
You Don't Know Better
|
1966 |
|
1:01:03 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Leviathan - A Haiku Early smokey spring where leviathan machine by the saturdays |
|
1:03:23 (Pop-up) |
||
| Leviathan |
The War Machine
|
1969 |
|
1:03:51 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
How happy is the coral forgotten! Does the forgotten make you shiver? does it? I cannot help but stop and look at the only left. Never forget the sole and lonesome left. I cannot help but stop and look at cunning prefaces. Now artful is just the thing, To get me wondering if prefaces are knavish. |
|
1:09:10 (Pop-up) |
||
| The Yardbirds |
Avron Knows
|
1968 |
|
1:09:52 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
1:13:58 (Pop-up) |
|||
| The Koobas |
(Where Are The) Friends
|
1968 |
|
1:14:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
1:17:43 (Pop-up) |
|||
| We The People... |
When I Arrive
|
1968 |
|
1:18:09 (Pop-up) | ||
| Fairport Convention |
If I Had A Ribbon Bow
|
1968 |
|
1:21:11 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at war days. Do days make you shiver? do they? I cannot help but stop and look at time pilots. Do pilots make you shiver? do they? plains are not large! plains are exceptionally piddling. |
|
1:23:46 (Pop-up) |
||
| Equals |
The Skies Above
|
1968 |
|
1:24:31 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
1:26:48 (Pop-up) |
|||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
1:27:13 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
The Shock And Initial Initial Whose initial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her initial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:31:41 (Pop-up) |
||
| The Initial Shock |
You've Been A Long Time Comin'
|
1967 |
|
1:32:39 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Dantalions - A Haiku Perpetual spring suddenly dantalions shock on the chariot |
|
1:35:20 (Pop-up) |
||
| Dantalion's Chariot |
World War 3
|
1968 |
|
1:35:44 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
A revised, however hard it tries, Will always be interview. I don't like the fact that it, learned to update before it knew how to submit. I cannot help but stop and look at accidental omissions. Never forget the unplanned and inadvertent omissions. One afternoon I said to myself, "Why isn't the been more fat-free?" |
|
1:39:50 (Pop-up) |
||
| Calcium |
J'ai Perdu La Vue
|
1969 |
|
1:41:39 (Pop-up) | ||
| Juan & Junior |
En San Juan
|
1968 |
|
1:44:34 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Calcium - A Haiku New smokey springtime A ready calcium pride whilst watching the pride |
|
1:47:39 (Pop-up) |
||
| The Pride And Joy |
If You're Ready
|
1967 |
|
1:48:08 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Winter - A Haiku Beautiful springtime A coloured winter winter at the old comus |
|
1:50:24 (Pop-up) |
||
| Comus |
Winter Is A Coloured Bird
|
1971 |
|
1:50:45 (Pop-up) | ||
| Gene Pitney |
Last Chance To Turn Around TRACK
|
1:58:40 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Eighty - A Haiku Darkening springtime A coloured eighty winter beyond the winter |
|
2:00:13 (Pop-up) |
||
| Stray |
Around The World In Eighty Days
|
1970 |
|
2:00:37 (Pop-up) | ||
| The Loot |
Radio City
|
1969 |
|
2:04:08 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Plastic - A Haiku New smokey springtime A clear, plastic plastic stray above the grundy |
|
2:06:13 (Pop-up) |
||
| Plastic Penny |
Tails: Mrs. Grundy
|
1968 |
|
2:06:41 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Talking - A Haiku Threatening springtime A plastic talking better into the plastic |
|
2:11:57 (Pop-up) |
||
| Forever Amber |
The Talking: Better Things Are Bound To Come
|
1969 |
|
2:12:38 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Cauldron - A Haiku Threatening springtime A better cauldron better into the talking |
|
2:16:02 (Pop-up) |
||
| Fifty Foot Hose....... |
Cauldron
|
1968 |
|
2:16:27 (Pop-up) | ||
| The British North-American Act |
Baby Jane Days And Nights
|
1969 |
|
2:21:16 (Pop-up) | ||
| Junior's Eyes |
Black Snake
|
1968 |
|
2:23:55 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I cannot help but stop and look at the colonial britain. Does the britain make you shiver? does it? I cannot help but stop and look at the former yankee. Does the yankee make you shiver? does it? One afternoon I said to myself, "Why isn't the french more small?" |
|
2:26:28 (Pop-up) |
||
| Alice Cooper |
Fields of Regret
|
Pretties For You | 1969 |
|
2:27:23 (Pop-up) | |
Music behind DJ: George Harrison |
On The Bed
|
I saw the the subsequent reprimand of my generation destroyed, How I mourned the lecture. Down, down, down into the darkness of the lecture, Gently it goes - the ulterior, the antecedent, the resultant. One afternoon I said to myself, "Why isn't the cathy more unregretting?" Does the cathy make you shiver? does it? |
|
2:33:04 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:33:46 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
One afternoon I said to myself, "Why aren't chris more intermediate?" Down, down, down into the darkness of the chris, Gently they go - the endmost, the net, the unlikely. The gerald is not old! the gerald is exceptionally old. A gerald is adolescent. a gerald is old, a gerald is little, however. |
|
2:38:35 (Pop-up) |
||
| The Koobas |
Royston Rose
|
1968 |
|
2:39:18 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:43:54 (Pop-up) |
|||
| Circus Maximus |
Mixtures
|
1968 |
|
2:44:07 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
One afternoon I said to myself, "Why aren't chris more intermediate?" Down, down, down into the darkness of the chris, Gently they go - the endmost, the net, the unlikely. The gerald is not old! the gerald is exceptionally old. A gerald is adolescent. a gerald is old, a gerald is little, however. |
|
2:46:28 (Pop-up) |
||
| Nite Watchmen |
Mimic Jester
|
1969 |
|
2:47:18 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Don't belive that the morning is hot? the morning is cool beyond belief. A morning is neat. a morning is awesome, a morning is fashionable, however. I cannot help but stop and look at the own nighttime. Does the nighttime make you shiver? does it? Suspect is black activity. |
|
2:49:50 (Pop-up) |
||
| Dantalian's Chariot |
The Madman Running Through The Fields
|
1967 |
|
2:50:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Dantalians - A Haiku Threatening springtime A through dantalians like beyond the christian |
|
2:54:34 (Pop-up) |
||
| Neil Christian |
I Like It
|
1966 |
|
2:54:59 (Pop-up) | ||
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
2:57:09 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:59:40 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Christian - A Haiku Overcast springtime An early, cool christian like enjoying the cool |
|
3:00:14 (Pop-up) |
||
| The Rags |
Mr. Cool
|
1968 |
|
3:00:58 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Francis, however hard they try, Will always be dear. Now pricy is just the thing, To get me wondering if francis are beloved. Don't belive that the blix is new? the blix is old beyond belief. A blix is past. a blix is unoriginal, a blix is early, however. |
|
3:03:48 (Pop-up) |
||
| The Rivets |
L-O-V-E
|
1966 |
|
3:04:32 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
3:07:01 (Pop-up) |
|||
| Calcium |
Si Tu Restes Absente
|
1969 |
|
3:07:13 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
3:10:45 (Pop-up) |
|||
| Bristol Boxkite |
Colors Of Love
|
1968 |
|
3:13:42 (Pop-up) | ||
| West Coast Pop Art Experimental Band |
1906
|
1967 |
|
3:16:40 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Thinking - A Haiku Perpetual spring A free, thinking thinking love watching the goodbye |
|
3:18:55 (Pop-up) |
||
| Wishful Thinking |
Mary Goodbye
|
1971 |
|
3:19:35 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Thinking, Part 2 - A Haiku Perpetual spring A thinking thinking magic after the mixture |
|
3:22:37 (Pop-up) |
||
| The Magic Mixture |
Urge To Leave
|
1968 |
|
3:23:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Experience - A Haiku Threatening springtime when burning experience before the midnight |
|
3:25:33 (Pop-up) |
||
| The Jimi Hendrix Experience |
Burning Of The Midnight Lamp
|
The Jimi Hendrix Experience | 1968 |
|
3:26:07 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Experience, Part 2 - A Haiku Early dull springtime where burning experience despite the midnight |
|
3:29:42 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
3:30:17 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The United And Paranoid Paranoid Whose paranoid is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his paranoid a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:34:56 (Pop-up) |
||
| Cindy und Bert and the Jay Five |
Der Hund Von Baskerville (Paranoid)
|
1971 |
|
3:35:58 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Whose paranoid is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his paranoid a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:39:14 (Pop-up) |
||
| The Norman Haines Band |
When I Came Down
|
1971 |
|
3:40:09 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The Insane And Driving Band Whose band is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his band a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:44:00 (Pop-up) |
||
| The Roughnecks |
You're Driving Me Insane (England)
|
1965 |
|
3:44:45 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:46:59 (Pop-up) |
|||
| Timebox |
Poor Little Heartbreaker
|
1968 |
|
3:47:15 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Heartbreaker - A Haiku New dampness springtime A little heartbreaker mind the society |
|
3:49:56 (Pop-up) |
||
| Great Society, The |
She's Got It On Her Mind
|
2005 | 3:50:19 (Pop-up) | |||
| The Motives |
God Save Our Gracious Cream
|
1968 |
|
3:52:44 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Society - A Haiku Beautiful springtime A great society love betrayed by the great |
|
3:54:55 (Pop-up) |
||
| eyes of blue |
Love Is The Law
|
1968 | 3:55:26 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Dantalians - A Haiku Threatening springtime negative dantalians by the negative |
|
4:03:20 (Pop-up) |
||
| Dantalian's Chariot |
Sun Came Bursting Through My Cloud
|
1967 |
|
4:03:48 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the silent presence. Are you upset by how implied it is? Does it tear you apart to see the presence so unsounded? I saw the the usual inconvenience of my generation destroyed, How I mourned the unavailability. Are you upset by how customary it is? Does it tear you apart to see the unavailability so regular? Absent is, in its way, the beloved body of disappear. |
|
4:06:47 (Pop-up) |
||
| Horse |
The Journey
|
1969 |
|
4:07:55 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Documentary - A Haiku Early wet springtime documentary journey beyond the excerpts |
|
4:11:48 (Pop-up) |
||
| The Blue Things |
Doll House
|
1966 |
|
4:15:45 (Pop-up) | ||
| The Moon |
Lebanon
|
1969 |
|
4:18:07 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at day activities. Do activities make you shiver? do they? The piece of ground that's really psychological, Above all others are the grounds. Do grounds make you shiver? do they? One afternoon I said to myself, |
|
4:19:47 (Pop-up) |
||
| Calcium |
Il Fait Jour
|
1970 |
|
4:20:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
4:23:18 (Pop-up) |
|||
| The Herd |
Miss Jones
|
1968 |
|
4:23:36 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
4:26:52 (Pop-up) |
|||
| Candy Store Prophets |
You're A Teaser
|
1966 | 4:27:03 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:29:12 (Pop-up) |
|||
| Tomorrow |
Why
|
1968 |
|
4:29:25 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Tomorrow - A Haiku Threatening springtime A more, long tomorrow long enjoying the things |
|
4:33:18 (Pop-up) |
||
| Big Joe Long |
The Things You Do
|
1966 |
|
4:33:40 (Pop-up) | ||
| The Smoke |
Have Some More Tea
|
1967 |
|
4:37:27 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Long And Wild Jerry Whose jerry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his jerry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:39:36 (Pop-up) |
||
| Jerry Howard |
Wild In The Streets
|
1968 |
|
4:40:27 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The Wild And Meet Cliff Whose cliff is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his cliff a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:43:05 (Pop-up) |
||
| Cliff Wade |
Gonna Meet The Man
|
1968 |
|
4:43:59 (Pop-up) | ||
| The Tremeloes |
Suddenly Winter
|
1968 |
|
4:46:03 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Playground - A Haiku Threatening springtime A magic playground magic an orangutan |
|
4:48:23 (Pop-up) |
||
| Orang-Utan |
Magic Playground
|
1971 |
|
4:48:50 (Pop-up) | ||
| Our Plastic Dream |
Someone Turned The Light Out
|
1967 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun:
Playlists feed | 
MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Owl Sun:
bill hanke:
Owl Sun:
bill hanke:
bill hanke:
Owl Sun:
Owl Sun:
Owl Sun: