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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:01:17 (Pop-up) | ||||
Syd Barrett | Wined and Dined | 1989 | 0:01:42 (Pop-up) | |||
Pink Floyd | Jugband Blues | 1968 | 0:04:41 (Pop-up) | |||
The Mothers Of Invention | No. No. No. | 1968 | 0:07:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The assimilation is not fair! the assimilation is exceptionally fair. Are you upset by how incomplete it is? Does it tear you apart to see the assimilation so fair? How happy is the real concern! Down, down, down into the darkness of the concern, Gently it goes - the genuine, the actual, the substantial. Consideration is, in its way, the immediate results of mentation. |
0:10:31 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 0:11:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the earnest consideration! Now purposeful is just the thing, To get me wondering if the consideration is serious. I saw the the amiable wood warbler of my generation destroyed, How I mourned the chat. A chat is good-humored. a chat is cordial, a chat is good-natured, however. The effect that's really zany, |
0:16:47 (Pop-up) |
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Obo Reed | Here By Me | 1969 | 0:17:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
0:20:54 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 0:21:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Lightnin - A Haiku Perpetual spring before crazy lightnin rain near the josefus |
0:26:05 (Pop-up) |
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Josefus | Crazy Man | 1970 | 0:26:26 (Pop-up) | |||
Sweet Smoke | Mary Jane Is To Love | 1968 | 0:29:57 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Sunshine - A Haiku Beautiful springtime A clear, crazy sunshine love on the company |
0:32:04 (Pop-up) |
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The Sunshine Company | Love, That's Where It Is | 1968 | 0:32:32 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Anything - A Haiku New dampness springtime A mean, anything message before the message |
0:34:33 (Pop-up) |
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Elmer Gantry's Velvet Opera | Volcano | 1969 | 0:35:17 (Pop-up) | |||
SRC | No Secret Destination | 1969 | 0:38:46 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I saw the the second support of my generation destroyed, How I mourned the bridge. A bridge is intermediate. a bridge is minute, a bridge is sec, however. A crane, however hard it tries, Will always be blue. Never forget the light-blue and racy crane. Just like a late friend, is the burt. |
0:43:02 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 0:43:42 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus |
Blastoffgirl - A Haiku Threatening springtime before blastoffgirl message out of blastoffgirl |
0:47:56 (Pop-up) |
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The Apryl Fool | Tomorrow's Child | 1969 | 0:48:32 (Pop-up) | |||
mutantes | Não Vá Se Perder Por Aí | 1969 | 0:52:46 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:55:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
How happy are important omissions! Down, down, down into the darkness of the omissions, Gently they go - the eminent, the immodest, the prodigious. How happy is the miserable neglected! Never forget the poor and unhappy neglected. Just like explanatory periods, is prefaces. Are you upset by how flocculent they are? Does it tear you apart to see the prefaces so confused? |
0:58:51 (Pop-up) |
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dorothy ashby | For Some We Loved | 1970 | 1:00:00 (Pop-up) | |||
The Peanut Butter Conspiracy | One-Nine-Six-Seven | 1967 | 1:04:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Encouragement - A Haiku Beautiful springtime A more, encouragement thrive out of blastoffgirl |
1:05:56 (Pop-up) |
|||
SMASH | I Left You | 1969 | 1:06:44 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Doubt - A Haiku Overcast springtime A serious, found doubt found in spite of the there |
1:10:13 (Pop-up) |
|||
Lost & Found | There Would Be No Doubt | 1967 | 1:10:50 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Doubt, Part 2 - A Haiku Eternal springtime A serious, found doubt found enjoying the there |
1:12:55 (Pop-up) |
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Opus | Baby, Come On | 1970 | 1:13:28 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Elephant - A Haiku Beautiful springtime A white, baby elephant under the barrett |
1:18:20 (Pop-up) |
|||
Syd Barrett | Effervescing Elephant [Take 9] | 1970 | 1:18:52 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Elephant, Part 2 - A Haiku Beautiful springtime A mad, light elephant despite the barrett |
1:20:19 (Pop-up) |
|||
Pink Floyd | Let There Be More Light | 1968 | 1:20:55 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Lovin - A Haiku Beautiful springtime A more, light lovin power watching the power |
1:26:09 (Pop-up) |
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The Art Of Lovin' | You Got The Power | 1968 | 1:26:33 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Translove - A Haiku Depressing springtime before big translove power by the sullivan |
1:29:29 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:29:58 (Pop-up) | ||
Montage | I Shall Call Her Mary | 1969 | 1:32:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Translove, Part 2 - A Haiku Depressing springtime before big translove power by the sullivan |
1:34:18 (Pop-up) |
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The Ashes | Is There Anything I Can Do | 1967 | 1:35:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:38:06 (Pop-up) |
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The Wizards from Kansas | She Rides With Witches | 1970 | 1:38:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
An arafat, however hard it tries, Will always be post. Does the arafat make you shiver? does it? I cannot help but stop and look at the scott blair. Does the blair make you shiver? does it? How happy are yellow adams! |
1:42:25 (Pop-up) |
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Skip Bifferty | Mr. Money Man | 1968 | 1:43:08 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The peace officer that's really congressional, Above all others is the deputy. Does the deputy make you shiver? does it? Pay attention to the alexander, the alexander is the most dear herbaceous plant of all. Does the alexander make you shiver? does it? |
1:45:49 (Pop-up) |
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Pearls Before Swine | I Shall Not Care | 1967 | 1:46:41 (Pop-up) | |||
Elmer Gantry's Velvet Opera | Dreamy | 1968 | 1:51:57 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:54:20 (Pop-up) |
||||
SRC | Eye Of The Storm | 1969 | 1:54:37 (Pop-up) | |||
Eric Burdon And The Animals | Good Times | 1967 | 1:59:23 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Mother - A Haiku Depressing springtime A good, fool mother mother despite the apryl |
2:02:18 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 1) | 1969 | 2:03:06 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Mother, Part 2 - A Haiku Beautiful springtime A dead, fool mother mother after the apryl |
2:10:15 (Pop-up) |
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The Maze | I'm So Sad | 1968 | 2:10:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Brothers - A Haiku Beautiful springtime A little, cool brothers lose betrayed by the cool |
2:17:38 (Pop-up) |
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The Chambers Brothers | Don't Lose Your Cool | 1967 | 2:18:00 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Brothers, Part 2 - A Haiku Eternal springtime A big, third brothers listen betrayed by the third |
2:20:39 (Pop-up) |
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The Head Shop | Listen With A Third Ear | 1969 | 2:21:07 (Pop-up) | |||
William Sheller | She Opened The Door | 1970 | 2:23:36 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Whisper - A Haiku Beautiful springtime A hopeless whisper whisper whilst watching the smash |
2:26:29 (Pop-up) |
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SMASH | One Hopeless Whisper | 1969 | 2:27:00 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Why would you think thomas are nonwoody? thomas are the most woody apostle of all. Thomas are wooded. thomas are ligneous, thomas are woodsy, however. A harrison, however hard it tries, Will always be fort. Does the harrison make you shiver? does it? |
2:31:49 (Pop-up) |
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Jefferson Airplane | Somebody To Love | 1967 | 2:32:26 (Pop-up) | |||
The Unwritten Law | Action Speaks Louder | 1967 | 2:35:19 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
thats are not interior! thats are exceptionally extracurricular. Now unlikely is just the thing, To get me wondering if thats are extracurricular. The lol is not lean! the lol is exceptionally stout. A lol is productive. a lol is stout, a lol is porcine, however. |
2:37:31 (Pop-up) |
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People | I've Got You On My Mind | 1969 | 2:38:17 (Pop-up) | |||
Syd Barrett | I Never Lied to You [Take 1] | 1970 | 2:40:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Institute - A Haiku Eternal springtime For institute institute out of national |
2:42:27 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 2:43:55 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Controls - A Haiku Beautiful springtime A social, pink controls pump before the pappys |
2:49:11 (Pop-up) |
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Pump | Pappy's Rug | 1970 | 2:49:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Pappys - A Haiku Eternal springtime suddenly found pappys found in spite of the pump |
2:52:06 (Pop-up) |
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Lost & Found | Let Me Be | 1967 | 2:52:33 (Pop-up) | |||
The Creation | Instrumental 1 | 1966 | 2:55:16 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:58:01 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Velvet - A Haiku Perpetual spring A coloured, found velvet found after the opera |
2:58:51 (Pop-up) |
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Velvet Opera | Money By | 1970 | 2:59:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Pay attention to the knuckle, the knuckle is the most sore articulatio of all. A knuckle is tender. a knuckle is sensitive, a knuckle is unhealthy, however. Pay attention to the forearm, the forearm is the most rest limb of all. Does the forearm make you shiver? does it? |
3:03:16 (Pop-up) |
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dorothy ashby | The Moving Finger | 1970 | 3:03:50 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Morning - A Haiku Beautiful springtime A moving morning finger before the monday |
3:09:26 (Pop-up) |
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The Move | Mist on a Monday morning | 1968 | 3:09:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
All that is biennial is not weekend, weekend, by all account is annual. Down, down, down into the darkness of the weekend, Gently it goes - the biennial, the yearly, the perennial. I saw the the 15th time of my generation destroyed, How I mourned the day. Does the day make you shiver? does it? |
3:13:13 (Pop-up) |
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SRC | Up All Night | 1969 | 3:13:53 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:16:57 (Pop-up) |
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The-Xtreems | Facts Of Life | 1969 | 3:17:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Don't belive that the paucity is discontinued? the paucity is continued beyond belief. Does the paucity make you shiver? does it? All that is acute is not unavailability, unavailability, by all account is chronic. Does the unavailability make you shiver? does it? |
3:19:35 (Pop-up) |
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The Moody Blues | Candle of life. | 1969 | 3:20:16 (Pop-up) | |||
The Maze | Happiness | 1968 | 3:24:30 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Candle - A Haiku Depressing springtime A roman, candle candle on the pussycat |
3:26:34 (Pop-up) |
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Pussy | All Of My Life | 1969 | 3:27:12 (Pop-up) | |||
The Pride And Joy | Girl | 1967 | 3:31:12 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Yesterday - A Haiku Eternal springtime A clear, yesterday people under the people |
3:33:08 (Pop-up) |
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The Head Shop | Opera In The Year 4000: Where Have All The people Gone / Yesterday | 1969 | 3:33:33 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Charlatans - A Haiku Beautiful springtime A bound charlatans people out of yesterday |
3:37:55 (Pop-up) |
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Montage | Wake Up Jimmy (Something Is Happening Outside) | 1969 | 3:39:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
California - A Haiku Eternal springtime before california love out of metephore |
3:42:16 (Pop-up) |
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The United States Of America | The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All | 1968 | 3:42:41 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
California, Part 2 - A Haiku Eternal springtime before california love out of metephore |
3:49:17 (Pop-up) |
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Jefferson Airplane | Plastic Fantastic Lover | 1967 | 3:49:53 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Jefferson - A Haiku Eternal springtime A former, jefferson come by the fantastic |
3:52:22 (Pop-up) |
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Billy Nicholls | Come Again | 1968 | 3:52:46 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:55:15 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Corporal - A Haiku Depressing springtime A german, corporal pink above the barrett |
4:02:53 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 4:03:30 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Living And Corporal Corporal Whose corporal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his corporal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:07:31 (Pop-up) |
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Lost & Found | Living Eye | 1967 | 4:08:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Velvet - A Haiku Eternal springtime A green, living velvet light before the living |
4:16:36 (Pop-up) |
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Velvet Opera | Raise the Light | 1970 | 4:17:00 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are crowded restaurants! Do restaurants make you shiver? do they? How happy are day schools! Are you upset by how nighttime they are? Does it tear you apart to see the schools so daytime? When I think of the green, I see a lush place. Down, down, down into the darkness of the green, |
4:21:06 (Pop-up) |
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Van Dyke Parks | Come to the Sunshine | 1966 | 4:21:58 (Pop-up) | |||
The Move | Cherry Blossom Clinic | 1968 | 4:24:48 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
4:27:12 (Pop-up) |
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SRC | The Angel Song | 1969 | 4:27:24 (Pop-up) | |||
Sweet Smoke | Mary Jane Is To Love | 1968 | 4:35:33 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
4:37:41 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 4:37:56 (Pop-up) | |||
The Maze | Whispering Shadows | 1968 | 4:42:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
4:47:09 (Pop-up) |
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The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:48:05 (Pop-up) | ||||
Thee Midniters | Down Whittier Blvd. | |||||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 |
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Listener comments!
Owl Sun:
Blast-Off-Girl:
Owl Sun:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
tom tom the pipers son:
Blast-Off-Girl:
Owl Sun:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
Owl Sun:
Blast-Off-Girl:
tom tom the pipers son:
yes, i'm in queens ny
Blast-Off-Girl:
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
yes i get a kick out of it
we used to curse to see if she would say it
Blast-Off-Girl:
tom tom the pipers son:
yeah sure they're all over now
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
yes 12:50
good for you, would think your job can be stressful
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
tom tom the pipers son:
Blast-Off-Girl:
Owl Sun:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
Owl Sun:
tom tom the pipers son:
had a friend in sebastapol that i visited she moved to penn grove and now i think she's in oregon but we lost touch
Blast-Off-Girl:
tom tom the pipers son:
i also remember seeing a homeless person, all grey and brown with schmutz contrasting with all the brightly painted victorian houses, he was holding a stainless steel coffee container and going into a starbucks
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
yeah, i see that about identity and morale
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
used to have a car but got rid of it because of no parking
Blast-Off-Girl:
Blast-Off-Girl:
Owl Sun:
tom tom the pipers son:
i drove most of the way to la down pc1 and then another time inland, people were going over 100 mph
Blast-Off-Girl:
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Owl Sun:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
tom tom the pipers son:
Blast-Off-Girl:
Owl Sun:
Blast-Off-Girl:
tom tom the pipers son:
Owl Sun: