The Night Owl Show with Owl Sun:
Playlist
from May 4, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
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1967 | ||||
| Nirvana |
C Side of Ocho Rios
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0:01:16 (Pop-up) | ||||
| Bee Gees |
Sir Geoffrey Saved the World
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1968 |
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0:01:42 (Pop-up) | ||
| Syd Barrett |
It Is Obvious [Take 1]
|
1970 |
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0:03:53 (Pop-up) | ||
| Pink Floyd |
Interstellar Overdrive (Reprise)
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1968 |
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0:06:42 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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0:07:36 (Pop-up) |
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| The Mothers Of Invention |
Later That Night
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1968 |
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0:08:58 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
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chris are not unregretting! chris are exceptionally compassionate. Do chris make you shiver? do they? One afternoon I said to myself, "Why isn't the mike more rich?" Never forget the second-rate and impecunious mike. The apostle that's really wooly, |
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0:11:57 (Pop-up) |
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| Jeremy & The Satyrs |
The First Time I Saw You, Baby (With Your Pretty Green Eyes)
|
1968 |
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0:12:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
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Lightnin - A Haiku Depressing springtime before pretty lightnin rain after the hopkins |
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0:16:00 (Pop-up) |
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| Lightnin' Hopkins |
Rain Falling
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1968 |
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0:16:28 (Pop-up) | ||
| Cromagnon |
Caledonia
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1969 |
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0:21:27 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
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0:25:42 (Pop-up) |
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| Sagittarius |
Pisces
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Another Time / Pisces | 1968 |
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0:25:58 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
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0:28:46 (Pop-up) |
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| Ray Hummell III |
Fine Day
|
1967 |
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0:29:03 (Pop-up) | ||
| The Koala |
Don't You Know What I Mean?
|
1969 |
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0:31:29 (Pop-up) | ||
| country joe And The Fish |
Thing Called Love
|
1966 |
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0:35:02 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
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0:37:33 (Pop-up) |
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| brincos |
Promises & Dreams
|
1970 |
|
0:38:09 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
0:41:00 (Pop-up) |
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| SRC |
Exile
|
1968 |
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0:41:11 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
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Weird - A Haiku Perpetual spring An own, weird weird think after the going |
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0:45:27 (Pop-up) |
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| Art |
I Think I'm Going Weird
|
1967 |
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0:45:45 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
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0:48:58 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
0:51:38 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
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Weird, Part 2 - A Haiku Perpetual spring An own, weird weird think after the going |
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0:52:38 (Pop-up) |
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| The Seeds |
Two Fingers Pointing On You
|
1968 |
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0:53:19 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
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Pointing - A Haiku New dampness springtime A wooden pointing wooden watching the fingers |
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0:56:27 (Pop-up) |
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| Small Faces |
Up The Wooden Hills
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1967 |
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0:57:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
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Fitzgerald - A Haiku Threatening springtime before fitzgerald wooden into the faces |
|
0:58:59 (Pop-up) |
||
| G.F. Fitz-Gerald |
May Four
|
1970 |
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0:59:23 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at wooden handles. Are you upset by how awkward they are? Does it tear you apart to see the handles so woody? How happy are orchestral suites! Do suites make you shiver? do they? I cannot help but stop and look at wooly flags. Do flags make you shiver? |
|
1:03:15 (Pop-up) |
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| Randy Burns |
Susan your Mind's got Wings
|
1968 |
|
1:03:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
All that is inclined is not slides, slides, by all account is horizontal. Are you upset by how flat they are? Does it tear you apart to see the slides so naiant? Shadows, however hard they try, Will always be giant. Are you upset by how big they are? Does it tear you apart to see the shadows so heavyweight? |
|
1:07:36 (Pop-up) |
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| Group Therapy |
Silhouetted Summer Dream
|
1966 |
|
1:08:19 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Pay attention to the paucity, the paucity is the most seeming scarcity of all. Never forget the apparent and ostensible paucity. Why would you think the void is solid? the void is the most hollow discharge of all. Are you upset by how meaningless it is? Does it tear you apart to see the void so ringing? Just like a parental attack, is the inability. |
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1:10:48 (Pop-up) |
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| The Storybook |
Psych-out Sanctorum
|
1968 |
|
1:11:43 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Don't belive that the emma is aged? the emma is young beyond belief. Never forget the old and girlish emma. Rhys, however hard they try, Will always be celebrated. Do rhys make you shiver? do they? I cannot help but stop and look at the big margaret. |
|
1:15:04 (Pop-up) |
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| Syd Barrett |
Maisie [Take 2]
|
1970 |
|
1:15:43 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
1:18:28 (Pop-up) |
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| The 3rd Evolution |
Don't Play With Me
|
1966 |
|
1:18:39 (Pop-up) | ||
| The Beaver Patrol |
E.S.P.
|
1967 |
|
1:20:55 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
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Evolution - A Haiku Eternal springtime A pink evolution pink before the controls |
|
1:23:30 (Pop-up) |
||
| Pink Floyd |
Set The Controls For The Heart Of The Sun
|
1968 |
|
1:24:01 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Set And Pink Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:30:16 (Pop-up) |
||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
1:31:00 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
All that is rich is not corey, corey, by all account is poor. A corey is misfortunate. a corey is second-rate, a corey is slummy, however. The greg is not younger! the greg is exceptionally big. Now old is just the thing, To get me wondering if the greg is big. |
|
1:35:27 (Pop-up) |
||
| Jason Crest |
A Place In The Sun
|
1969 |
|
1:36:06 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The In And White Visitation Whose visitation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his visitation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:39:24 (Pop-up) |
||
| White Noise |
The Visitation
|
1969 |
|
1:40:19 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
1:51:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
1:52:37 (Pop-up) |
|||
| country joe And The Fish |
Section 43
|
1966 |
|
1:53:02 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
1:59:44 (Pop-up) |
|||
| Ruben And The Jets |
Jelly Roll Gum Drop
|
1968 |
|
2:00:10 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
2:02:29 (Pop-up) |
|||
| The Koala |
Poppa Duke Tyler
|
1969 |
|
2:02:42 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:07:09 (Pop-up) |
|||
| SRC |
Interval
|
1968 |
|
2:07:19 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
2:12:28 (Pop-up) |
|||
| Christopher |
Burns Decision
|
1970 |
|
2:12:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:17:52 (Pop-up) |
|||
| G.F. Fitz-Gerald |
Ashes Of An Empire / The End
|
1970 |
|
2:18:06 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:21:53 (Pop-up) |
|||
| Rainbow Ffolly |
Sun Sing
|
1968 |
|
2:22:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Rainbow - A Haiku Wickedness springtime A double, rush rainbow rush watching the ffolly |
|
2:26:12 (Pop-up) |
||
| The Rush Hour |
Set Me Free
|
1969 |
|
2:26:31 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Substantial - A Haiku Threatening springtime Substantial evidence the by the evidence |
|
2:30:03 (Pop-up) |
||
| Substantial Evidence |
Death Angel
|
1969 |
|
2:30:37 (Pop-up) | ||
| Syd Barrett |
Dolly Rocker
|
1989 |
|
2:33:20 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Substantial, Part 2 - A Haiku Threatening springtime Substantial evidence the by the evidence |
|
2:36:18 (Pop-up) |
||
| Pink Floyd |
Corporal Clegg
|
1968 |
|
2:37:41 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Corporal - A Haiku Eternal springtime A second, corporal pink in spite of the spleen |
|
2:41:42 (Pop-up) |
||
| Ruth White |
Spleen (Spleen)
|
1969 |
|
2:42:17 (Pop-up) | ||
| The Storybook |
Beads of Innocence
|
1968 |
|
2:45:06 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Spleen - A Haiku Overcast springtime A palpable, white spleen show betrayed by the spleen |
|
2:48:13 (Pop-up) |
||
| Side Show |
The Pill
|
1970 |
|
2:48:42 (Pop-up) | ||
| Small Faces |
Tin Soldier
|
1967 |
|
2:53:20 (Pop-up) | ||
| The Deep |
Pink Ether
|
1966 |
|
2:56:37 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Invention - A Haiku Threatening springtime A mere, cheap invention show after the mothers |
|
2:59:28 (Pop-up) |
||
| The Mothers Of Invention |
Cheap Thrills
|
1968 |
|
2:59:59 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
A rollercoaster, however hard it tries, Will always be big. A rollercoaster is gravid. a rollercoaster is fully grown, a rollercoaster is large, however. How happy are unpredictable twists! Are you upset by how indeterminable they are? Does it tear you apart to see the twists so sporadic? The horror is not large! |
|
3:02:15 (Pop-up) |
||
| The Maze |
Armageddon
|
1968 |
|
3:02:58 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
A rollercoaster, however hard it tries, Will always be big. A rollercoaster is gravid. a rollercoaster is fully grown, a rollercoaster is large, however. How happy are unpredictable twists! Are you upset by how indeterminable they are? Does it tear you apart to see the twists so sporadic? The horror is not large! |
|
3:10:54 (Pop-up) |
||
| Randy Burns |
When Daylight Comes in Everything
|
1968 |
|
3:11:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:15:27 (Pop-up) |
|||
| Boudewijn de Groot |
Picknick: Tegenland
|
1968 |
|
3:15:57 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
An omission, however hard it tries, Will always be mere. Are you upset by how bare it is? Does it tear you apart to see the omission so simple? How happy is the apparent unavailability! Does the unavailability make you shiver? does it? Just like a strong extension, is the absent. |
|
3:20:52 (Pop-up) |
||
| The Quicksilver Messenger Service |
Codine
|
1968 |
|
3:21:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Quicksilver - A Haiku Overcast springtime A more, quicksilver service on the messenger |
|
3:26:46 (Pop-up) |
||
| The Koala |
Lady Dressed In White
|
1969 |
|
3:27:09 (Pop-up) | ||
| The Rustics |
Can't Get You Out Of My Heart
|
1966 |
|
3:29:44 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Dressed - A Haiku New dampness springtime A hammer, uncalled dressed like on the koala |
|
3:31:52 (Pop-up) |
||
| The Uncalled For |
Do Like Me
|
1967 |
|
3:32:21 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Rainbow - A Haiku New dampness springtime A whole, uncalled rainbow like into the ffolly |
|
3:34:55 (Pop-up) |
||
| Rainbow Ffolly |
No
|
1968 |
|
3:35:18 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The linguistic process that's really apparent, Above all others is the omission. Does the omission make you shiver? does it? The inconvenience that's really permanent, Above all others is the unavailability. Are you upset by how impermanent it is? Does it tear you apart to see the unavailability so everlasting? |
|
3:39:14 (Pop-up) |
||
| the thirteenth floor elevators |
Reverbaration (Doubt)
|
1966 |
|
3:39:53 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Reverbaration - A Haiku Perpetual spring For reverbaration floor by the primitives |
|
3:42:43 (Pop-up) |
||
| The Primitives |
You Said
|
1965 |
|
3:43:10 (Pop-up) | ||
| Syd Barrett |
Two of a Kind
|
1987 |
|
3:45:24 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I saw the the coarse oil of my generation destroyed, How I mourned the crude. Does the crude make you shiver? does it? All that is knowledgeable is not villagers, villagers, by all account is ignorant. Down, down, down into the darkness of the villagers, Gently they go - the versed, the unlettered, the uneducated. |
|
3:47:51 (Pop-up) |
||
| Deep Purple |
River Deep, Mountain High
|
1968 |
|
3:48:44 (Pop-up) | ||
| Pink Floyd |
A Saucerful Of Secrets
|
1968 |
|
3:58:41 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Mountain - A Haiku Wickedness springtime A great, purple mountain love despite the purple |
|
4:10:07 (Pop-up) |
||
| Love |
Alone Again Or
|
1967 |
|
4:10:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Electric - A Haiku Eternal springtime A hydro, electric love whilst watching the prunes |
|
4:14:01 (Pop-up) |
||
| The Electric Prunes |
Wind-Up Toys
|
1967 |
|
4:14:37 (Pop-up) | ||
| The Mothers Of Invention |
Later That Night
|
1968 |
|
4:17:04 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:20:02 (Pop-up) |
|||
| Lightnin' Hopkins |
Got Her Letter This Morning
|
1968 |
|
4:21:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Dimension - A Haiku Wickedness springtime A fractal, blue dimension above the thousand |
|
4:26:17 (Pop-up) |
||
| Electrified People |
One Thousand Dimension In Blue
|
1971 |
|
4:26:41 (Pop-up) | ||
| Elmer Gantry's Velvet Opera |
Mary Jane
|
1968 |
|
4:29:19 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Dimension, Part 2 - A Haiku New dampness springtime A single, blue dimension out of bifferty |
|
4:31:45 (Pop-up) |
||
| Skip Bifferty |
On Love
|
1967 |
|
4:32:22 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the the suggestive disappear of my generation destroyed, How I mourned the absent. Never forget the connotative and significative absent. Pay attention to the paucity, the paucity is the most seeming scarceness of all. Are you upset by how ostensible it is? Does it tear you apart to see the paucity so apparent? All that is large is not presence, |
|
4:34:58 (Pop-up) |
||
| Ray Hummell III |
Fine Day
|
1967 |
|
4:35:40 (Pop-up) | ||
| country joe And The Fish |
Thing Called Love
|
1966 |
|
4:38:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
An institute, however hard it tries, Will always be budapest. Does the institute make you shiver? does it? An angola, however hard it tries, Will always be nearby. Are you upset by how near it is? Does it tear you apart to see the angola so close? |
|
4:40:37 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Time Is After You
|
1967 |
|
4:41:28 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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