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View DJ Babs's profile |
Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
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Yellow Magic Orchestra | Tighten Up | Multiplies | Alfa Music | 1980 | Archie Bell & the Drells’ 1968 classic “Tighten Up” was always one of the more idiosyncratic US #1 hits. A funky soul number based on a percolating bass line and choppy two-note guitar rifff, the song simply featured Bell commanding his pledges through various musical directions (most of them tightening-up-related) for three-plus minutes of entirely verse-less and chorus-less bliss-out groove. Perhaps this would explain the logic behind it being selected for covering by easily one of the most idiosyncratic acts of the rock era, Yellow Magic Orchestra. That said, the thing is still basically totally nuts. If anything, playing the song so close to the vest makes the entire experience more perverse, as it allows memories of the original to linger fresh, even as it turns the song’s general intentions inside out. The easygoing, almost floating groove of the Drells’ version is replaced with a decidedly nervy and manic (although not necessarily any less funky) energy, and Takahashi’s crazed instructional exhortations (occasionally delivered in what must be intentionally cartoony Engrish) make Bell’s traffic-directing sound practically catatonic by comparison. And more distance is put between original and cover with each thoroughly erroneous pleading of “JAPANESE GENTLEMAN, STAND UP PUH-LEAZE!!!!” (intoned both in Takahashi’s traditional gutteral wailing, and in a far more disconcerting echo-y bellow from an unclear source). If there’s reasoning behind it, I’m not sure I want to know about it–I can’t really imagine a more appropriately inappropriate recurring phrase to give the song it’s necessary punctuation. Little of this would suggest that the band would necessarily be a good fit for that standardized bedrock of American R&B TV programming, Soul Train. Nonetheless, the programmers evidently saw them as a good fit for the show, and invited the whole crew over to play “Tighten Up” on set, in what probably rivals Public Image Ltd.’s infamous appearance on American Bandstand as the most sheerly unlikely underground-meets-mainstream moment of the New Wave era. | 0:00:00 (Pop-up) | |
Music behind DJ: Ryuichi Sakamoto |
Riot In Lagos |
B-2 Unit |
Alfa |
1980 |
Contrasting with the pop-oriented works Sakamoto was doing with YMO at the time, B-2 Unit was produced with a focus on sounds and tones rather than traditional song strucutres. B-2 Unit has proven to be very much ahead of its time and extremely influential in the development of electronic music. ""Riot In Lagos,"" in particular, is often cited as the blueprint for electro/techno sounds that would rise to prominence in the ensuing decade. |
0:03:48 (Pop-up) |
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Guadal Tejaz | Krautoxic | Noche Triste | Creme Brule | 2022 | Fascinated by Mesoamerican culture, Guadal Tejaz has decanted its psychedelic garage rock to keep only a powerful krautrock precipitate with a taste of mezcal on this second album. Heavy, intense, sharp, crossed by larsens and electric drones, its post-punk with toxic effluences struggles in a dark, bilious and worrying noise mud. In the middle of this black and dirty mass, ordered by the bass-drums duo, emerges the violently inhabited voice of the singer and guitarist Morgan. The group reveals us its recipe of Chili Con Carnage for 4 persons: – 500g of krautrock – 200g of noise – a good chopped punk – 175g of peeled fuzz – 66 tbsp of Guadal sauce (muy picoso!) Then just fry it all in lots of fat, sprinkle with peyote and it’s ready! | 0:08:17 (Pop-up) | |
Astéréotypie | Du Velo A Saint Melo du Kayak A St. Briac | No guy looks like Brad Pitt in Drôme | Air Rytmo | 2022 | “No guy looks like Brad Pitt in the Drôme… Real life is annoying! ". These are the words of Claire Ottaway, the new recruit of Astereotypie, an energetic post-punk band sometimes drawing on garage-rock or noisy. Born in 2010 within a medico-educational institute, this (d)astonishing group returns with a third album made of atypical texts and lunar phrasings which magnetize the ear and embark us on an expedition of high emotional intensity. Coming across the Astereotypie collective is shocking. It makes the legs move when it takes off, it dislocates the arms with each scansion or break in tempo, it makes the vocal cords howl in chorus and it shatters the preconceived notions if there's anything left. | 0:10:57 (Pop-up) | |
Baston | Flash | La Martyre | Baston | 2022 | After their debut album 'Primates', released in 2019, Baston presents their follow-up 'La Martyre'. The titles of the eight songs all refer to nightclubs in northern Finistère in Brittany, France. Far from the sunny garage pop debut, Baston continues to dig the furrow of cold, hypnotic and haunting music, moving skilfully between German psychedelia, current English post-punk and new wave, easily dodging the pitfall of the stylistic exercise to impose an album of its own. | 0:13:16 (Pop-up) | |
Bodega | Domesticated Animal | Shiny New Model | What's Your Rupture? | 2019 | BODEGA have always gone against the grain: Their insane attention to detail and deliberate aesthetic represents the antithesis of slacker rock and bedroom pop trends. From their harsh Parquet Courts-meets-Gang of Four-meets-Television take on post-punk and art-rock to co-lead singers Ben Hozie and Nikki Belfiglio’s combative stage personas, every move, every lyric and every sound you hear is extremely calculated. They rage against the machine quite literally—so much of their material references the negative aspects of modern technology and late-stage capitalism—and with only a few exceptions, their instrumentals follow suit, mimicking the dystopian lyrics and Hozie’s monotone shouts to paint a pretty bleak look at the world. | 0:16:58 (Pop-up) | |
Balladur | Kula Lumping | La vallée Etroite | Le Turc Mecanique | 2019 | Since its beginnings, Balladur has taken pleasure in confusing, losing and then rediscovering its listeners who quickly understood that comfort and repetition were not part of its DNA. From Villeurbanne, Amédée de Murcia and Romain de Ferron serve a very free and very beautiful register, between guitars and machines, with the aim of remaining in a state of perpetual change. Abandoning their old skins on the side of the roads, concert halls and squats, the duo improves as much as they disturb a formula played in the center of the public, on the floor, for a face to face aimed only at sharing and communion as the audience becomes intoxicated with dozens of references scattered throughout the pieces. | 0:18:36 (Pop-up) | |
Music behind DJ: Ryuichi Sakamoto |
E-3A |
B-2 Unit |
Alfa |
1980 |
"Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this." Ryuichi Sakamoto |
0:22:32 (Pop-up) |
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Music behind DJ: Ryuichi Sakamoto |
Monster Cry |
Exception OST |
Netflix Music |
2022 |
"An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back." Ryuichi Sakamoto |
0:27:14 (Pop-up) |
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Thee U.F.O. | Fraud On The Court | Ponderous Fug | Gelatinous Records | 2022 | From Dublin, Ireland. "Thee U.F.O seem to be some sort of gamma radiated organism captained by chief DäH who emits various noise frequencies and echos, first mate Bëth often uses singing sirens and metal discs to communicate. They are partnered with two hands who are the bombastic rhythm machines that propel the organism along." Thee U.F.O. (Bandcamp) | 0:32:53 (Pop-up) | |
Thee Oh Sees | Devil Again - Live | Devil Again (Live at Levitation) | The Reverberation Appreciation Society | 2012 / 2023 | "Apr 4, 2023 Buy on Vinyl: https://levitation.fm/osees/ Back in 2012, Thee Oh Sees made their first appearance at Austin Psych Fest, performing an electrified set at Emo's East. The first of the band's many LEVITATION appearances down in Austin, this show has been revisited for a new series of vinyl releases, Live at LEVITATION, immortalizing it on glorious 12" colored wax, mixed by John Dwyer and mastered for vinyl by JJ Golden. Speaking on the appearance commemorated with this physical release, Dwyer wrote: "I think this was our first time at levitation but our millionth time in the amazing and tough as nails city of Austin, Texas. Brigid Dawson, Mike Shoun, Petey D and myself had already laid the live show out in front of crowds here, so it wasn't our first rodeo and certainly not my last. Our love is obvious here as we bring forth a short but sweet set of hits and deep cuts. This is also the version of the band with Lars 'Fingers' Finberg of Intelligence fame as second banana drummer. So enjoy some primal and sensual double drumming and as a side note, no one died at this show. Thanks as always to Levitation for making shit happen." The artists and sets showcased on Live at LEVITATION have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at LEVITATION annually from all over the world. This 8th release follows Live at LEVITATION releases from Kikagaku Moyo, The Black Angels, Primal Scream, King Gizzard and the Lizard Wizard, Moon Duo, Psychic Ills, and Black Rebel Motorcycle Club. Thee Oh Sees - Live at LEVITATION is out in stores on Friday, May 19, 2023. It is available for pre-order now. " | * | 0:34:34 (Pop-up) |
Priors | Daffodil | Daffodil | Mothland Records | 2023 | "Montreal-based punks PRIORS have announced that they will be releasing a new album. It is called Daffodil and will be out June 2 via Mothland. The band has also released a video for the title track which was directed by Studio Del Scorpio. PRIORS released their EP NEWNEWNEW in 2022 and their album My Punishment on Earth in 2019." -- "Daffodil – the seventh release and fourth full-length since 2017 from prolific outfit PRIORS (Montréal, QC) – delivers on all counts, spewing an absolute onslaught of manic, yet witty punk. Singer-songwriter Chance Hutchison stares deep into his blind spot, offering spunk-fueled spittings gift-wrapped within melodic rock & roll that threatens to leave an emotional mark. From the onset, this collection of genuine songs tight-ropes both “vintage” and “modern” gusts of sonic winds amidst a headbanging storm of blood, sweat and tears." Priors: Daffodil (Official Video) | * | 0:37:23 (Pop-up) |
BNNY | Time Walk | Everything | Fire Talk | 2021 | "Bnny is an American indie rock band consisting of Jessica Viscius, Alexa Viscius, Tim Makowski, Adam Schubert, and Matt Pelkey. Originally a solo project of Jessica's named Bunny, Viscius released a couple of singles in 2017 before releasing her debut EP, Sucker the same year. They released their first full-length album, Everything, in 2021. In 2017, Jessica, also known as Jess, Viscius formed a musical solo project called Bunny. She came up with the name after purchasing a vintage patch with a red bunny on it. Bunny had been preparing to tour and release an EP when Viscius' partner Trey Gruber died. Viscius moved away from the initially EP and recorded new music at Public House in Chicago. Bnny's debut EP, Sucker, was released in 2017. Tim Makowski, Matt Pelkey, and Jessica's twin sister, Alexa Viscius, joined the band and changed the name to Bnny. Adam Schubert joined later. Jess Viscius sings and is the group's primary songwriter. Alexa Viscius is the band's bassist. Schubert and Makowski play guitar while Pelkey is the group's drummer." | 0:40:04 (Pop-up) | |
Sonic Jesus | Drift 22 | Neither Virtue nor Anger | Fuzz Club Records | 2015 | Generally, songs by this band are Written and performed by Tiziano Veronese with lyrics written by Marco Baldassari. This Track, though, features drums and lyrics by Simone Russo. "Sonic Jesus is the musical project led by Tiziano Veronese since 2012. Internationally acclaimed since the very beginning, thanks to the instantly sold-out debut on Fuzz Club Records (Sonic Jesus EP, 2012) and a cult split featuring the Black Angels (Split Single N°5, 2014), he took part to the Reverb Conspiracy twice, the Cosmosis Festival (featuring the Jesus & Mary Chain), the Eindhoven Psych Lab and the Reverence Festival. During the years Sonic Jesus performed live throughout Europe and shared stages with Damo Suzuki, Dead Skeletons, A Place To Bury Strangers and Singapore Sling for whom he opened the European leg of his tour. The long-awaited first double LP Neither Virtue, Nor Anger (Fuzz Club Records, 2015), completely self-recorded and produced, confirms his own skills to renovate and transcend genres and forms, all condensed in an impressive masterwork." | 0:41:40 (Pop-up) | |
UltraStigma | Criaturas | Memorias Fúnebres | Bandcamp | 2013 | UltraStigma Musician/band Band from Santiago, Chile Postpunk, deathrock, batcave "In the bowels of Santiago de Chile, during the splendor of the rebirth of DeathRock, gestated in minds and viscera by Nico and Claudia Peligro, consolidated with the energetic percussion of Dumpi, Ultrastigma was born. Making his first appearance during the celebration of the Day of the Dead in 2007" UltraStigma (Bandcamp) | 0:44:31 (Pop-up) | |
The WAEVE | On Your Knees, Baby | The WAEVE (Deluxe) | Transgressive Records | 2023 | Deluxe version released March 27, 2023. This song is one of the Deluxe ones. "“Then, one day in very early January we found ourselves slipping and sliding around Hampstead Heath in the mud, with the low-lying sun blinding us as we talked about ourselves and our lives. Something about Rose’s good humour and bright mischief made me feel a certain kinship toward her. “Within a week we were recording. Our work was exploratory. Two people asked questions of each other, and as a consequence the void became less yawning. Music was created, and these two voices in the songs became two people: Rose and I.” “Rose” is Rose Elinor Dougall, an indie-pop staple formerly of the Pipettes fame, with three solo albums released between 2010 and 2019. “I” is Graham Coxon, the indie, lo-fi side of Blur – among many other projects – writing about his newest music outlet, the Waeve, in his recent memoir, Verse, Chorus, Monster!. A new musical adventure deemed redeeming in light of the 2020 lockdown and subsequent social and human bewilderment However, the duo’s self-titled debut is as far as possible from the covid-core tide that submerged the past couple of years’ music releases. It began as a remote exchange but quickly evolved into a close, in-person, personal and professional acquaintance. They discovered their mutual love for folk music and shared musings on their rough love for British cultural identity. They soon found themselves in Coxon’s home studio, with a finished album. The Waeve was born." | 0:47:41 (Pop-up) | |
Deadletter | The Snitching Hour | The Snitching Hour | So Recordings | 2023 | Released Mar 29, 2023. New! This band is from London, UK. "Lead singer Zac Lawrence comments: “Are we slowly but surely being tacitly tempted into a culture of casual betrayal? The messages we are fed, on the outside, might be read as being solely in the interest of public safety – but take a closer look, and perhaps there’s a more insidious undertone to it all…”" DEADLETTER - The Snitching Hour (Official Video) | * | 0:49:57 (Pop-up) |
Music behind DJ: Ryuichi Sakamoto |
20220207 |
12 |
KAB America |
2013 |
"Ryuichi Sakamoto wrote and produced his 15th [...and final...] studio album, 12, during a year-long recovery from cancer treatment. It’s a starkly intimate affair where, on some songs, the Japanese composer and pianist’s heavy breathing can clearly be heard in the mix, a conscious decision that underscores the corporal cost of his current musical efforts. Sakamoto has likened 12 to a diary of sorts, with each of the album’s dozen minimalist tracks named after the day on which they were recorded. Its ever-shifting tenor and timbre mirrors the traditional grieving process, starting with a heightened sense of isolation from the outside world that eventually develops into feelings of frustration, agony, and, finally, acceptance. Opening with the numbing sounds of Sakamoto’s sorrowful synthesizers before moving into more densely layered and foreboding arrangements—which reach a near-breaking point on “20220202,” the album’s fifth track—the listener can actively trace the composer’s fraught headspace as he comes to terms with his mortality. The compositions themselves are simple enough, serving to primarily function as walls of sound for Sakamoto to, as he says in the press notes, “shower” himself in. But their extreme clarity and stark tonalities provide a truly transcendent experience for those willing to indulge in their gorgeously austere textures." |
* |
0:53:42 (Pop-up) |
Music behind DJ: Ryuichi Sakamoto |
20220214 |
12 |
KAB America |
2013 |
"Ryuichi Sakamoto wrote and produced his 15th [...and final...] studio album, 12, during a year-long recovery from cancer treatment. It’s a starkly intimate affair where, on some songs, the Japanese composer and pianist’s heavy breathing can clearly be heard in the mix, a conscious decision that underscores the corporal cost of his current musical efforts. Sakamoto has likened 12 to a diary of sorts, with each of the album’s dozen minimalist tracks named after the day on which they were recorded. Its ever-shifting tenor and timbre mirrors the traditional grieving process, starting with a heightened sense of isolation from the outside world that eventually develops into feelings of frustration, agony, and, finally, acceptance. Opening with the numbing sounds of Sakamoto’s sorrowful synthesizers before moving into more densely layered and foreboding arrangements—which reach a near-breaking point on “20220202,” the album’s fifth track—the listener can actively trace the composer’s fraught headspace as he comes to terms with his mortality. The compositions themselves are simple enough, serving to primarily function as walls of sound for Sakamoto to, as he says in the press notes, “shower” himself in. But their extreme clarity and stark tonalities provide a truly transcendent experience for those willing to indulge in their gorgeously austere textures." |
* |
1:00:39 (Pop-up) |
Peter Kernel | High Fever | Thrill Addict | Peter Kernel | 2016 | Peter Kernel is Aris and Barbara. Switzerland and Canada. Peter Kernel play music anyone can play in an attempt to' satisfy man's basic human instinct: a beat, something loud and a few words. Primary rock. | 1:07:07 (Pop-up) | |
The Dreams | Mein Schatz | Morbido | Replica Nova | 2022 | ***THE DREAMS are two-piece jungle/tropicalia/reggae/glue wave band from France that play a spaced out, psychedelic mix of dub, reggae, post-punk, and French garage rock. It's impossible to pin down or classify, but you'll dance like your inner-stoner was set free into a tropical tiki party where the punks are all hanging out with the masters of reggae and dub, but everyone's having a good time. Their first LP, Morbido, contains an amazing mix of feeling and aesthetics that will instantly appeal to fans of early Rough Trade records, Trojan box sets, or modern Glue Wave French punks. | 1:10:45 (Pop-up) | |
Stuck | The Punisher | The Punisher Single | Born Yesterday | 2023 | Stuck, the Chicago post-punk group that rose out of the ashes of Yeesh and Clearance, are back with news of their sophomore album, Freak Frequency, the follow-up to 2021’s Content That Makes You Feel Good EP. Lead single “The Punisher” is everything you might expect from a band like this: nervy, tangled, squalling, and also very good. “They’ve got good news, it’s so sick living in a fanfic,” goes the hook. “They’ve got good news, there’s new life springing from a death cult.”....It hits all the boxes of what this band can do: it’s goofy, but there’s a lot of intricate guitar interplay, and at the end, there’s a big payoff,” the band’s Greg Obis said. “It’s about fanatic QAnon and MAGA weirdos who think they are breaking a cycle that doesn’t really exist.” | * | 1:13:50 (Pop-up) |
Frustration | When Does A Banknote Start To Burn? | So Cold Streams | Born Bad Records | 2019 | Somewhere in most remote and rural places of the country, some kids still need to look at the world with a different perspective. But still, no one was expecting a record such as So Cold Streams. At this stage, Frustration could have easily played it safe releasing a record basically identical to the previous one, intense, abrasive, honest but with no risk. They could have continued to fill the venues with no complaints. But right from the very first seconds of "Insane", a humungous electro-punk monster that wouldn't have been out of place on a 1988 EBM EP, you realize that things aren't gonna go as planned. Instead of setting up a comfortable routine, Frustration recorded its fifth album as if it were the first, like a bunch of guys who've been playing together for six months, who have nothing to lose and a ferocious will to bite. | 1:17:57 (Pop-up) | |
Ventre De Biche | La Vie Est Un Long Fleuve De Merde | Viens Mourir | Teenage Menopause | 2015 | There is in the music of Ventre De Biche an urgency, a disarming intention, lyrics that transpire the dull and sad corridors of a CCAS in a town of less than 4000 inhabitants. Far from evoking the joy of living, the album "Viens Mourir" offers us songs that I don't listen to at night in my bed, for fear of having anxiety attacks about my future. What stands out most about Ventre De Biche is the immediacy of his music: an obvious DIY approach, a synth, a rhythm machine, a few effects, punk converted into a machine. Like a Black Boy George, his texts touch us in a fairly direct way, because raw and sublimating a gray daily life: "Dirty love, my place is in the filth, without bulletproof vest.... | 1:19:33 (Pop-up) | |
Dalle Béton | La Réalité des Hopitaux | Comment Réussir Sa Terrasse | Krakzh | 2022 | Strange UFO that this EP with the title as incongruous as the name of the group which signs the composition. Behind Dalle Béton hides, among others, Théo Muller, Rennes dj and activist of the wild club and rave scene in the region. Composed and recorded in the back of a garage, these five tense tracks mixed with a meat grinder oscillate between repetitive electronic kraut and muffled uptempo lines dripping with poisonous blues. Jumbled up, the spoken and sung "song" mocks the unbearable quirks of our time stuck between distressing eco-business speeches worthy of a Philippe Bertrand in the middle of the Council of Ministers (Les aléas du vin naturel, Cabadalle), stultifying language tics ( the 'horrifying "all of a sudden") and mindless media postures ( The reality of hospitals) inviting a widespread distribution of slaps. Enjoyably absurd and much more punk in its approach than most peak releases, this disc lends itself perfectly to concerts that one imagines devastated, arousing a liberating dancing violence, the ultimate manifestation of a puffy world that asks only 'to die of his faults. | 1:21:55 (Pop-up) | |
Tristesse Contemporaine | England | United | Record Makers | 2022 | ""United" is Tristesse Contemporaine's fourth album studio, produced by Lewis OfMan. Between New York disco, 90's breakbeat, reggae, digital pop of the 2000s and British rock like their first music. A patchwork album powerful in its diversity and timeless, product of this true alliance of Tristesse Contemporaine & Lewis OfMan, unexpected and yet definitely modern." | 1:25:06 (Pop-up) | |
Music behind DJ: Ryuichi Sakamoto/Jacques Morlelenbaum |
Rain |
1996 |
KAB America |
1996 |
It's 1996 and Ryuichi Sakamoto feels the need to rearrange some of his finest compositions for piano trio, being sure of the imediate seduction of the project. Modern, chamber music at its best. |
1:27:34 (Pop-up) |
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Music behind DJ: Ryuichi Sakamoto |
Aubade 2020 |
Playing The Piano 12122020 |
KAB America |
2020 |
"The first music I got really into was Bach." Ryuichi Sakamoto |
1:33:27 (Pop-up) |
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Music behind DJ: Ryuichi Sakamoto |
20220302 Sarabande |
12 |
KAB America |
2023 |
"I'm just delighted to be living, to be able to have a simple conversation, to feel a ray of sunlight on my skin and listen to the breeze move through the leaves of a tree." Ryuichi Sakamoto |
1:34:58 (Pop-up) |
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Death Grips | Guillotine | Guillotine | Third Worlds | 2011 | We heard this over the sound system while we were waiting for Sleaford Mods to play live in our city earlier this year. It set the tone nicely. "Experimental hip hop group from Sacramento, California formed in late 2010 and consisting of vocalist Stefan Burnett (aka MC Ride) and production team Zach Hill and Andy Morin. Their live performance setup consists of Burnett on vocals, Morin on keyboards and Hill on drums. They usually operate under their own label, Third Worlds" | 1:40:04 (Pop-up) | |
Ibibio Sound Machine | Heroes | Heroes | Merge Records | 2022 | Released Sep 7, 2022. From Stereogum: "Earlier this year, Ibibio Sound Machine, the London-based dance-party crew led by the great Nigerian-born singer Eno Williams, released Electricity, a supremely fun album that was produced entirely by Hot Chip. Today, Ibibio Sound Machine have followed that LP by taking on one of the all-time British rock anthems. David Bowie’s 1977 classic “Heroes” is a song that’s been covered a bajillion times. Oasis, the Smashing Pumpkins, Blondie, TV On The Radio, Peter Gabriel, Lady Gaga, and Prince have all performed or recorded “Heroes” at one point or another. Philip Glass turned “Heroes” into a sympony, and then Aphex Twin remixed the Glass version The Wallflowers covered the song on the dang Godzilla soundtrack. But “Heroes” is still not a song to be taken lightly, and Ibibio Sound Machine have figured out their own take on the track. The Ibibio Sound Machine cover of heroes is a sidelong, percussive version of the track. It removes the song’s fists-up bombast, replacing it instead with a fleet-footed rhythmic sensibility. Ibibio Sound Machine also released a dub version of their cover." | 1:43:47 (Pop-up) | |
Angélique Kidjo | The Great Curve | Remain In Light | Kravenworks | 2018 | This is perhaps my favourite Talking Heads album. This is perhaps my favourite cover album of said album. This is one of the many standout tracks. "Released on June 8, 2018. Angélique Kidjo partnered with producer Jeff Bhasker (Rihanna, Kanye West, Harry Styles, Bruno Mars, Drake, Jay-Z) to create Remain in Light. The record is a track-by-track re-imagination of Talking Heads' landmark 1980 album, considered to be one of the greatest albums of the 1980s and deeply influenced by music from West Africa, notably Fela Kuti's Afrobeat. With her version of Remain in Light, Kidjo wanted to celebrate the music of Talking Heads and Brian Eno with her own vocals, as well as percussion, horn orchestrations, and select lyrics performed in languages from her home country. Remain in Light features appearances by Ezra Koenig of Vampire Weekend, Blood Orange, Tony Allen, Antibalas Horns, Kidjo's longtime guitarist Dominic James, and percussionist Magatte Sow. Visual artist Kerry James Marshall created the album artwork." | 1:47:12 (Pop-up) | |
Bob Marley & The Wailers | Mr. Brown | Mr. Brown / Dracula 7" | Upsetter / Trojan | 1971 | ""Mr. Brown" is a song by Jamaican group The Wailers. Recorded in 1970 at Randy's recording studio in Kingston, it was produced by Lee Perry and written by regular Upsetter musician Glen Adams. It originally was released as a single in Jamaica and has appeared on various compilations such as Songs of Freedom. Because it is based on a ghost rumor, the song has lyrics and instrumentals based on a spooky style. The theme of the song relates to a rumor that was spreading through Jamaica that a duppy, or ghost, had been spotted in numerous locations speeding through the land on a three-wheeled coffin, perched upon which were three John crows, or buzzards, one of which could talk and was asking for a Mr. Brown. Glen Adams wrote the lyrics after hearing the story, and after Lee Perry's suggestion, was sung by The Wailers." | 1:51:24 (Pop-up) | |
Terror Visions | Baby's On Fire | World Of Shit | FDH | 2007 / 2013 | A project I was not aware of by Jay Lindsey (A.K.A. Jay Reatard / Lost Sounds, Nervous Patterns, Reatards & many other projects of which I am not aware.) In 2013 this was issued as an Expanded edition with 2 new unreleased tracks, one original and one Brian Eno cover (Baby’s on Fire). All Music says about the original edition: "This one-off synth-punk excursion from Memphis rock wunderkind Jay Reatard is not for the faint of heart. The 14 songs clock in at roughly 20 minutes, yet are packed with enough suppressed rage and tortured psychology to make even the most strident fan shudder. That said, beneath the mountains of damaged electronic fuzz and violent imagery are genuinely catchy hooks, the musical hallmark of everything Reatard does regardless of its seeming inaccessibility." | 1:54:56 (Pop-up) | |
Music behind DJ: Ryuichi Sakamoto |
20220202 |
12 |
KAB America |
2013 |
"Ryuichi Sakamoto wrote and produced his 15th [...and final...] studio album, 12, during a year-long recovery from cancer treatment. It’s a starkly intimate affair where, on some songs, the Japanese composer and pianist’s heavy breathing can clearly be heard in the mix, a conscious decision that underscores the corporal cost of his current musical efforts. Sakamoto has likened 12 to a diary of sorts, with each of the album’s dozen minimalist tracks named after the day on which they were recorded. Its ever-shifting tenor and timbre mirrors the traditional grieving process, starting with a heightened sense of isolation from the outside world that eventually develops into feelings of frustration, agony, and, finally, acceptance. Opening with the numbing sounds of Sakamoto’s sorrowful synthesizers before moving into more densely layered and foreboding arrangements—which reach a near-breaking point on “20220202,” the album’s fifth track—the listener can actively trace the composer’s fraught headspace as he comes to terms with his mortality. The compositions themselves are simple enough, serving to primarily function as walls of sound for Sakamoto to, as he says in the press notes, “shower” himself in. But their extreme clarity and stark tonalities provide a truly transcendent experience for those willing to indulge in their gorgeously austere textures." |
* |
1:58:48 (Pop-up) |
CANNIBALE | Hidden Wealth | No Mercy For Love | Born Bad Records | 2017 | Still unknown in rock territory, French band Cannibale gets its name from its "kind of exotic garage" music whose humid tropical groove is slowly eating up all the stereotypes about Born Bad Records releases. If there's cannibalism to be found in No Mercy For Love, it's in reference to the Caribbean rhythms here-and-there, and to the psychedelic sound from the backwoods that make this first album a peculiar occurrence in the land of strikes and wine drinkers. There's never any silence with Cannibale and, as for the lambs, stick to the village in the middle of nowhere where the band members reside - a hamlet in Normandy with a total population of 300, including the cows. Rather than human flesh, these guys have been feeding on their own impatience... | ||
Music behind DJ: Sounds Of The Ocean |
Beach Sounds |
Ocean Sounds |
Sounds Of The Ocean |
2016 |
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Listener comments!
Derek Westerholm:
DJ Babs:
Scott_Oz:
RIP Ryuichi, The clouds have been crying & shouting all night here.
But I'm about to open a beer & believe I'm on the beach with my mates. On this cold, rainy Friday morn.
🌏⛈️⛈️🍻😎🤙💨🍺🍺🌊🏖️🌴⛰️
laurapanic:
laurapanic:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
wenzo:
DJ Babs:
Derek Westerholm:
Feldy:
Feldy:
Scott_Oz:
⛈️🍻😎🤙💨☕
Derek Westerholm:
Scott_Oz:
DJ Babs:
ultradamno:
DJ Babs:
Tome:
Derek Westerholm:
Kristine:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
Derek Westerholm:
Tome:
Derek Westerholm:
DJ Babs:
Kristine:
DJ Babs:
Derek Westerholm:
Tome:
DJ Babs:
Derek Westerholm:
laurapanic:
Tome:
ultradamno:
Scott_Oz:
🍻😎🤙🥪♨️
Tome:
Derek Westerholm:
Feldy:
Derek Westerholm:
Kristine:
DJ Babs:
DJ Babs:
Tome:
Tome:
laurapanic:
Kristine:
Tome:
DJ Babs:
DJ Babs:
ultradamno:
laurapanic:
DJ Babs:
Derek Westerholm:
Tome:
laurapanic:
Derek Westerholm:
Kristine:
DJ Babs:
Tome:
Kristine:
DJ Babs:
DJ Babs:
Kristine:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
laurapanic:
DJ Babs:
Derek Westerholm:
Scott_Oz:
DJ Babs:
DJ Babs:
laurapanic:
laurapanic:
Scott_Oz:
DJ Babs:
laurapanic:
Robm:
DJ Babs:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Robm:
Alli B:
DJ Babs:
Robm:
DJ Babs:
Alli B:
Derek Westerholm:
DJ Babs:
wenzo:
DJ Babs:
ultradamno:
Alli B:
Derek Westerholm:
DJ Babs:
DJ Babs:
DJ Babs:
ultradamno:
Will thee Sound Guy:
Robm:
Will thee Sound Guy:
coelacanth∅:
Mr Fab:
ultradamno:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
DJ Babs:
Derek Westerholm:
coelacanth∅:
coelacanth∅:
Scott_Oz:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
ultradamno:
Derek Westerholm:
Derek Westerholm:
coelacanth∅:
the sheeple follow.
Derek Westerholm:
ultradamno:
Derek Westerholm:
laurapanic:
Derek Westerholm:
coelacanth∅:
Mr Fab:
Derek Westerholm:
DJ Babs:
coelacanth∅:
coelacanth∅:
Derek Westerholm:
Mr Fab:
DJ Babs:
Derek Westerholm:
VinylVillainSean:
Scott_Oz:
🍻😎🤙🥪
DJ Babs:
DJ Babs:
VinylVillainSean:
VinylVillainSean:
DJ Babs:
Derek Westerholm:
VinylVillainSean:
DJ Babs:
laurapanic:
Derek Westerholm:
DJ Babs:
VinylVillainSean:
VinylVillainSean:
Rich in Washington:
you should see my new house.
ultradamno:
Scott_Oz:
But shit hot Jaffles & a beer! So life's good!
🌏⛈️🍻😎🤙🥪🏮
Scott_Oz:
Rich in Washington:
Rich in Washington:
Kristine:
VinylVillainSean:
laurapanic:
DJ Babs:
ultradamno:
coelacanth∅:
Mr Fab:
laurapanic:
DJ Babs:
Feldy:
coelacanth∅:
DJ Babs:
coelacanth∅:
DJ Babs:
Kristine:
DJ Babs:
DJ Babs:
DJ Babs:
Kristine:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
Rich in Washington:
Hi Derek!
Hi everyone!
DJ Babs:
Kristine:
Kristine:
Derek Westerholm:
DJ Babs:
Alli B:
Derek Westerholm:
VinylVillainSean:
Mr Fab:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
ultradamno:
Kristine:
Will thee Sound Guy:
Derek Westerholm:
Mr Fab:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
ultradamno:
Kristine:
Scott_Oz:
🌏⛈️🍻😎🤙💨🍺🍺🌻🌻❤️
ultradamno:
DJ Babs:
DJ Babs:
Feldy:
Derek Westerholm:
Mr Fab:
B n D
DJ Babs:
Kristine:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
coelacanth∅: