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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:24 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | |||||
Kraftwerk | Vom Himmel Hoch | 1971 | 0:03:19 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
0:18:34 (Pop-up) |
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it's all meat | Roll My Own | 1970 | 0:18:45 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The people that are really due, Above all others is the lost. Does the lost make you shiver? does it? A disappearance, however hard it tries, Will always be inexplicable. Now self-contradictory is just the thing, To get me wondering if the disappearance is deep. |
0:24:26 (Pop-up) |
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The Apple Pie Motherhood Band | He Turned You On | 1969 | 0:25:01 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at unfortunate omissions. Down, down, down into the darkness of the omissions, Gently they go - the pitiful, the fateful, the pathetic. How happy is the inadvertent omission! Does the omission make you shiver? does it? Neglected is primary times. primary times is neglected. |
0:31:32 (Pop-up) |
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Fever Tree | Time Is Now | 1969 | 0:32:18 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
Fever - A Haiku Depressing springtime A high, jagged fever fever betrayed by the edge |
0:36:16 (Pop-up) |
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Stoney & The Jagged Edge | The Dues Song | 1968 | 0:36:48 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
Instant Request |
0:41:50 (Pop-up) |
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The Guess Who? | You Know He Did | 1966 | Requested by: Max Danger | 0:41:52 (Pop-up) | |||
Colours | Rather Be Me | 1968 | 0:43:53 (Pop-up) | ||||
goundhogs | Thank Christ For The Bomb ... alienness | 1970 | 0:47:25 (Pop-up) | ||||
The Morning Dew | Winter Dreams | 1966 | 0:54:36 (Pop-up) | ||||
Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 0:56:50 (Pop-up) | |||
The Shadows | 36-24-36 | 1996 | 0:58:56 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
The blood that's really mammalian, Above all others is the bloodstream. Does the bloodstream make you shiver? does it? I cannot help but stop and look at buddhist heavens. Do heavens make you shiver? do they? Don't belive that the scott is big? |
1:00:25 (Pop-up) |
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Eden's Children | Knocked Out | 1968 | 1:01:19 (Pop-up) | ||||
People! | 1000 Years B.C. | 1968 | 1:04:30 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
1:07:35 (Pop-up) |
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Les Brummel's | Boaf (6 Kg. de fraises dans le panier a salade de Marie) | 1966 | 1:08:11 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Documentary - A Haiku Beautiful springtime then documentary trip under the excerpts |
1:09:48 (Pop-up) |
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Larry And The Paper Prophets | Can't Sit Around | 1967 | 1:13:53 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Prophets - A Haiku Perpetual spring A false, plastic prophets light after the plastic |
1:15:55 (Pop-up) |
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Our Plastic Dream | Someone Turned The Light Out | 1967 | 1:16:18 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
Gondoliere - A Haiku Beautiful springtime A plastic gondoliere light above the rueckstoss |
1:18:51 (Pop-up) |
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Kraftwerk | Rueckstoss Gondoliere | 1971 | 1:19:26 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:30:53 (Pop-up) |
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Bruno Leys | Maintenant Je Suis Un Voyou | 1969 | 1:31:07 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:33:42 (Pop-up) |
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The 5th Dimension | California My Way | 1967 | 1:34:06 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
One afternoon I said to myself, "Why isn't the handclap more unrhythmical?" Does the handclap make you shiver? does it? One afternoon I said to myself, "Why isn't the psychedelia more early?" Never forget the new and deep psychedelia. I cannot help but stop and look at the zany electro. |
1:36:51 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:37:40 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
Instrumental - A Haiku Eternal springtime How instrumental mother the funkadelic |
1:43:49 (Pop-up) |
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it's all meat | You Brought Me Back To My Senses | 1970 | 1:44:13 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at intimate terms. Never forget the sexy and inner terms. One afternoon I said to myself, "Why aren't meanings more mathematical?" Down, down, down into the darkness of the meanings, Gently they go - the mathematical, the numerical, the prolix. I cannot help but stop and look at the zany substance. Down, down, down into the darkness of the substance, |
1:47:22 (Pop-up) |
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Group Therapy | Remember What You Say | 1969 | 1:49:11 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:52:00 (Pop-up) |
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The Asylum Choir | Thieves In The Choir | 1968 | 1:52:11 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at intimate terms. Never forget the sexy and inner terms. One afternoon I said to myself, "Why aren't meanings more mathematical?" Down, down, down into the darkness of the meanings, Gently they go - the mathematical, the numerical, the prolix. I cannot help but stop and look at the zany substance. Down, down, down into the darkness of the substance, |
1:56:07 (Pop-up) |
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Colours | Brother Lou's Love Colony | 1968 | 1:56:58 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
One afternoon I said to myself, "Why aren't strippers more female?" Down, down, down into the darkness of the strippers, Gently they go - the antheral, the female, the androgynous. All that is achromatic is not paints, paints, by all account is colored. Down, down, down into the darkness of the paints, Gently they go - the copper colored, the artificial, the crimson. |
2:00:25 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 1 | 1967 | 2:01:18 (Pop-up) | ||||
Michele | Blind As You Are | 1969 | 2:01:19 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
The On And Blind Ocean Whose ocean is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ocean a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:04:05 (Pop-up) |
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goundhogs | Ship On The Ocean | 1970 | 2:04:49 (Pop-up) | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
An absent, however hard it tries, Will always be beloved. Does the absent make you shiver? does it? How happy is the red stolen! A stolen is ruby-red. a stolen is crimson, a stolen is marxist, however. One afternoon I said to myself, |
2:08:14 (Pop-up) |
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the glitterhouse | Tinkerbell's Mind | 1968 | 2:08:53 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces |
2:13:56 (Pop-up) |
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Jolliver Arkansaw | Mr. Brennan | 1969 | 2:14:07 (Pop-up) | ||||
Bloomsbury People | Witch Helen | 1970 | 2:16:26 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
2:18:57 (Pop-up) |
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People! | Nothing Can Stop the Elephants | 1968 | 2:19:15 (Pop-up) | ||||
Music behind DJ: George Harrison |
On The Bed |
Wonderland - A Haiku Depressing springtime A set wonderland people at the old nothing |
2:22:14 (Pop-up) |
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Dave Heenan Set | Alice In Wonderland | 1967 | 2:22:50 (Pop-up) | ||||
Electric Banana | Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom) | Electric Banana | 1967 | 2:25:14 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Wonderland, Part 2 - A Haiku Beautiful springtime A vast, set wonderland mouse at the old heenan |
2:28:01 (Pop-up) |
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Mouse | Look At The Sun | 1968 | 2:28:40 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Prophets - A Haiku Beautiful springtime A paper prophets paper beyond the paper |
2:31:10 (Pop-up) |
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Larry And The Paper Prophets | The Only Thing | 2018 | 2:31:35 (Pop-up) | ||||
The Troll | Everybody's Child | 1968 | 2:33:45 (Pop-up) | ||||
Jan & Lorraine | Snow Roses | 1969 | 2:36:38 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:39:40 (Pop-up) |
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5 Gentlemen | L. S. D. 25 Ou Les Metamorphoses De Margaret Steinway | 1966 | 2:40:00 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
The softness that's really rosewood, Above all others is the piano. Does the piano make you shiver? does it? How happy is the solo violin! Does the violin make you shiver? does it? When I think of the mahler, I see a beloved writer. |
2:42:29 (Pop-up) |
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The Baroques | Love In A Circle | 1967 | 2:43:07 (Pop-up) | ||||
Eden's Children | If She's Right | 1968 | 2:45:38 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
A void, however hard it tries, Will always be institutional. Down, down, down into the darkness of the void, Gently it goes - the noninstitutional, the uninteresting, the institutionalized. I cannot help but stop and look at the sudden dearth. Does the dearth make you shiver? does it? Paucity is characteristic complexity. |
2:48:06 (Pop-up) |
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Benjamin | Un Train | 1966 | 2:48:54 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
A void, however hard it tries, Will always be institutional. Down, down, down into the darkness of the void, Gently it goes - the noninstitutional, the uninteresting, the institutionalized. I cannot help but stop and look at the sudden dearth. Does the dearth make you shiver? does it? Paucity is characteristic complexity. |
2:51:10 (Pop-up) |
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Dragonfly | Celestial Dream | 1968 | 2:51:52 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
One afternoon I said to myself, "Why isn't the wilfred more intermediate?" Are you upset by how worst it is? Does it tear you apart to see the wilfred so antepenultimate? A jack, however hard it tries, Will always be young. Down, down, down into the darkness of the jack, Gently it goes - the formative, the tender, the infantile. |
2:55:58 (Pop-up) |
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Jacques Da Sylva | Fou | 1967 | 2:56:39 (Pop-up) | ||||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:58:57 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
One afternoon I said to myself, "Why isn't the wilfred more intermediate?" Are you upset by how worst it is? Does it tear you apart to see the wilfred so antepenultimate? A jack, however hard it tries, Will always be young. Down, down, down into the darkness of the jack, Gently it goes - the formative, the tender, the infantile. |
3:00:24 (Pop-up) |
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it's all meat | Sunday Love | 1970 | 3:01:14 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus |
3:10:29 (Pop-up) |
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Group Therapy | Wait | 1969 | 3:10:49 (Pop-up) | ||||
Colours | Cataleptic | 1968 | 3:16:43 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Productions - A Haiku Eternal springtime A best, productions sample under the trident |
3:18:44 (Pop-up) |
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goundhogs | Garden | 1970 | 3:24:40 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
One afternoon I said to myself, "Why aren't gourds more inedible?" Do gourds make you shiver? do they? The paper that's really shiny, Above all others is the cardboard. Are you upset by how sunny it is? Does it tear you apart to see the cardboard so polished? |
3:30:00 (Pop-up) |
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The Elastik Band | Paper Mache | 1967 | 3:30:35 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Pay attention to the burlap, the burlap is the most lacquered sacking of all. Does the burlap make you shiver? does it? One afternoon I said to myself, "Why isn't the daughter more ugly?" Down, down, down into the darkness of the daughter, Gently it goes - the shiny, the sublime, the spectacular. |
3:33:07 (Pop-up) |
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the glitterhouse | Princess Of The Gingerland | 1968 | 3:33:47 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Underground - A Haiku Darkening springtime A polish, underground set near the gingerland |
3:38:04 (Pop-up) |
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The Underground Set | Atollo | 1970 | 3:38:30 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Underground, Part 2 - A Haiku Perpetual spring An urban, underground set everybodys |
3:41:33 (Pop-up) |
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The Byrds | Everybody's Been Burned | 1967 | 3:41:54 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Everybodys - A Haiku Eternal springtime when everybodys try despite the sunshine |
3:44:49 (Pop-up) |
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The Factory | Try A Little Sunshine | 1969 | 3:45:12 (Pop-up) | ||||
Jolliver Arkansaw | Bright As Fire | 1969 | 3:48:39 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Ceremony - A Haiku Eternal springtime A whole, ceremony frank above the sunshine |
3:51:49 (Pop-up) |
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5 Gentlemen | Si Tu Reviens Chez Moi | 1966 | 3:53:45 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:56:07 (Pop-up) |
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Tokyo Kid Brothers | Your memories | 1971 | 3:56:19 (Pop-up) | ||||
Michele | Fallen Angel | 1969 | 3:59:20 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:03:55 (Pop-up) |
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The Troll | Professor Potts Pornographic Projector | 1968 | 4:04:08 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
4:07:08 (Pop-up) |
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The Leaves | Dr. Stone | 1966 | 4:07:23 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
4:10:31 (Pop-up) |
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The Jelly Bean Bandits | Country Woman | 1967 | 4:10:42 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:13:07 (Pop-up) |
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Paul Revere & The Raiders featuring Mark Lindsay | Let Me! | 1969 | 4:13:31 (Pop-up) | ||||
The Pop Art | Ode To An Unknown Girl | 1966 | 4:17:23 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Lindsay - A Haiku Wickedness springtime A poor, set lindsay revere into the raiders |
4:19:22 (Pop-up) |
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Dave Heenan Set | So Many Roads | 1967 | 4:19:54 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Heenan - A Haiku Beautiful springtime suddenly set heenan roll whilst watching the roads |
4:22:39 (Pop-up) |
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it's all meat | Roll My Own | 1970 | 4:23:03 (Pop-up) | ||||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 4:28:44 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
4:31:16 (Pop-up) |
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Colours | God Please Take My Life | 1969 | 4:31:33 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
Colours - A Haiku Beautiful springtime A water, poor colours take whilst watching the rich |
4:38:04 (Pop-up) |
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goundhogs | Rich Man, Poor Man | 1970 | 4:38:30 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Watchmen - A Haiku Darkening springtime A few, mimic watchmen man at the old jester |
4:41:53 (Pop-up) |
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Nite Watchmen | Mimic Jester | 1969 | 4:42:17 (Pop-up) | ||||
Perkins | C'est ca la monde | 1967 | 4:44:49 (Pop-up) | ||||
David Vorhaus | Build Up To... | 1969 | 4:47:25 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
Watchmen, Part 2 - A Haiku Eternal springtime A mimic watchmen worry under the mothers |
4:48:47 (Pop-up) |
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Mother's Worry | Step Back | 1968 | 4:49:21 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:12 (Pop-up) | |||||
TSU Tornados | Getting the Corners | TSU Tornados Tracks |
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