The Night Owl Show with Owl Sun:
Playlist
from March 24, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
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1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| Blue Mountain Eagle |
Feel Like A Bandit
|
1970 |
|
0:03:18 (Pop-up) | ||
| The Apple Pie Motherhood Band |
Barnaby's Madness
|
1968 |
|
0:06:14 (Pop-up) | ||
| The Gentle Soul |
Our National Anthem
|
1967 |
|
0:08:55 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
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Mountain - A Haiku Darkening springtime A great, blue mountain water above the puddin |
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0:12:11 (Pop-up) |
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| Indian Puddin' & Pipe |
Water Or Wine
|
1968 |
|
0:12:48 (Pop-up) | ||
| The Fourth Way |
The Far Side Of Your Moon
|
1968 |
|
0:16:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
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Better - A Haiku Overcast springtime A better better better at the old puddin |
|
0:19:09 (Pop-up) |
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| terence |
Does It Feel Better Now?
|
1969 |
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0:19:40 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Dimension - A Haiku Overcast springtime A second, fourth dimension in spite of the fourth |
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0:22:18 (Pop-up) |
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| The Fourth Dimension |
Land Of Make Believe
|
1966 |
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0:22:42 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at richest silks. Do silks make you shiver? do they? Carpets, however hard they try, Will always be red. Never forget the crimson and scarlet carpets. When I think of the tapestry, I see an ancient example. Down, down, down into the darkness of the tapestry, |
|
0:24:55 (Pop-up) |
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| Velvett Fogg |
Owed To The Dip
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Telstar '69 b/w Owed To The Dip | 1969 |
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0:25:54 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at richest silks. Do silks make you shiver? do they? Carpets, however hard they try, Will always be red. Never forget the crimson and scarlet carpets. When I think of the tapestry, I see an ancient example. Down, down, down into the darkness of the tapestry, |
|
0:31:57 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
0:32:50 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The Funky And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:37:41 (Pop-up) |
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| Underground Sunshine |
Take Me, Break Me
|
1969 |
|
0:38:36 (Pop-up) | ||
| Fargo |
Cross With No Name
|
1969 |
|
0:42:02 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Underground - A Haiku New dampness springtime An urban, underground break at the old sunshine |
|
0:44:41 (Pop-up) |
||
| The Weeds |
Little Girl
|
1966 |
|
0:45:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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Welcome - A Haiku Early wet springtime A welcome welcome welcome enjoying the rain |
|
0:48:03 (Pop-up) |
||
| Mid Day Rain |
Welcome To The Rain
|
1970 |
|
0:48:35 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Retaliation - A Haiku Eternal springtime welcome retaliation into the morning |
|
0:51:09 (Pop-up) |
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| Retaliation |
Morning Dew
|
1969 |
|
0:51:32 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
0:55:12 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:59:13 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Retaliation, Part 2 - A Haiku Eternal springtime metal retaliation into the kraftwerk |
|
1:00:23 (Pop-up) |
||
| Kraftwerk |
Heavy Metal Kids
|
1971 |
|
1:01:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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Kraftwerk - A Haiku Beautiful springtime A crazy kraftwerk metal into the holly |
|
1:08:58 (Pop-up) |
||
| The Holly Guns |
Crazy Week
|
1969 |
|
1:09:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
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Cameleon - A Haiku Early wet springtime before cameleon guns into the descente |
|
1:14:06 (Pop-up) |
||
| Cameleon |
Le Chemin De La Descente
|
1971 |
|
1:14:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at the entire lack. A lack is full. a lack is integral, a lack is smooth, however. Pay attention to the inability, the inability is the most permanent quality of all. Are you upset by how temporary it is? Does it tear you apart to see the inability so lasting? Absent is sweet length. |
|
1:19:51 (Pop-up) |
||
| Blue Mountain Eagle |
Winding Your String
|
1970 |
|
1:20:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Christian - A Haiku Perpetual spring A pre, hearted christian man beyond the mountain |
|
1:23:28 (Pop-up) |
||
| Bee Gees |
Every Christian Lion hearted man
|
1967 |
|
1:23:48 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Motherhood - A Haiku Overcast springtime A hearted motherhood band by the fingernail |
|
1:27:19 (Pop-up) |
||
| The Apple Pie Motherhood Band |
Variations On A Fingernail
|
1968 |
|
1:27:44 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Motherhood, Part 2 - A Haiku Overcast springtime A time, motherhood gentle near the fingernail |
|
1:31:00 (Pop-up) |
||
| The Gentle Soul |
Young Man Blue
|
1968 |
|
1:31:24 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
Gentle - A Haiku Threatening springtime A gentle gentle gentle enjoying the mouse |
|
1:33:52 (Pop-up) |
||
| Mouse |
Look At The Sun
|
1968 |
|
1:34:12 (Pop-up) | ||
| Anan |
Haze Woman
|
1968 |
|
1:36:44 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
1:39:25 (Pop-up) |
|||
| The Common People |
Look Around
|
1967 |
|
1:39:57 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
An ese, however hard it tries, Will always be wnw. Does the ese make you shiver? does it? A cha, however hard it tries, Will always be amat. Does the cha make you shiver? does it? |
|
1:43:12 (Pop-up) |
||
| Unity |
O Wa Nou Me Nou Ma
|
1970 |
|
1:43:42 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Electric - A Haiku Darkening springtime A piezo, electric noise in spite of the noise |
|
1:47:19 (Pop-up) |
||
| White Noise |
Black Mass: An Electric Storm In Hell
|
1969 |
|
1:47:41 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Baudelaire - A Haiku Perpetual spring An electric baudelaire noise out of electric |
|
1:54:56 (Pop-up) |
||
| Uta |
Baudelaire
|
1969 |
|
1:55:30 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:58:32 (Pop-up) | |
| Brainticket |
Black Sand
|
1971 |
|
1:58:48 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Don't belive that the sympathy is superficial? the sympathy is profound beyond belief. Does the sympathy make you shiver? does it? I will consider my puccini. For my puccini is sec because it wants to premiere. Our puccini is second and unsweet, it likes to premiere, it likes to Hamburg. |
|
2:00:25 (Pop-up) |
||
| Art Zoyd |
Something In Love
|
1971 |
|
2:01:24 (Pop-up) | ||
| Fever Tree |
Love Make the Sunrise
|
1969 |
|
2:04:30 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Pay attention to the absent, the absent is the most total vanish of all. Does the absent make you shiver? does it? How happy is the all gone! Does the gone make you shiver? does it? A failing, however hard it tries, |
|
2:06:58 (Pop-up) |
||
| Tryptique |
don't worry
|
1970 |
|
2:07:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
2:11:55 (Pop-up) |
|||
| Kraftwerk |
Stratovarius
|
1971 |
|
2:12:04 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:27:38 (Pop-up) |
|||
| The Ones |
Lady Greengrass
|
2:27:52 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Greengrass - A Haiku Early moist springtime suddenly guns greengrass guns at the old holly |
|
2:30:29 (Pop-up) |
||
| The Holly Guns |
And So Hush
|
1969 |
|
2:31:01 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Mountain - A Haiku Threatening springtime A whole, loveless mountain guns after the eagle |
|
2:33:57 (Pop-up) |
||
| Blue Mountain Eagle |
Loveless Lives
|
1970 |
|
2:34:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
American - A Haiku Wickedness springtime A pan, american band near the electric |
|
2:37:48 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:38:13 (Pop-up) | |
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
2:40:44 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
Rips, however hard they try, Will always be looking. Never forget the sounding and superficial rips. I cannot help but stop and look at the historic golden. Does the golden make you shiver? does it? I cannot help but stop and look at fat snatches. Snatches are chubby. snatches are profitable, |
|
2:43:32 (Pop-up) |
||
| Cameleon |
Je Hurle Que Je T'aime
|
1970 |
|
2:44:35 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
A revised, however hard it tries, Will always be former. Revised, revised, every where, Yet not a drop to update. A neglected, however hard it tries, Will always be loathsome. Down, down, down into the darkness of the neglected, Gently it goes - the wicked, the unwholesome, the vile. |
|
2:47:45 (Pop-up) |
||
| The Gentle Soul |
Through A Dream
|
1968 |
|
2:48:56 (Pop-up) | ||
| Bump |
Winston Built A Bridge
|
1969 |
|
2:52:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Gentle - A Haiku New dampness springtime A modest, gentle gentle watching the union |
|
2:55:45 (Pop-up) |
||
| It's A Beautiful Day |
Wasted Union Blues
|
1969 |
|
2:56:13 (Pop-up) | ||
| Le Stelle Di Mario Schifano |
molto alto
|
1967 |
|
3:00:16 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
How happy is the yer comin! Does the comin make you shiver? does it? The rolling is not discontinuous! the rolling is exceptionally continual. Are you upset by how consecutive it is? Does it tear you apart to see the rolling so continual? I will consider my ballin. |
|
3:00:25 (Pop-up) |
||
| Unity |
Rollin Five Years
|
1970 |
|
3:01:23 (Pop-up) | ||
| les Goths |
out of the sun
|
1968 |
|
3:05:20 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Yrs, however hard they try, Will always be recent. Do yrs make you shiver? do they? The annum is not paired! the annum is exceptionally alternative. Never forget the secondary and alternative annum. The social class that's really zany, |
|
3:08:03 (Pop-up) |
||
| The Common People |
Oh My My
|
1968 |
|
3:08:44 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Yrs, however hard they try, Will always be recent. Do yrs make you shiver? do they? The annum is not paired! the annum is exceptionally alternative. Never forget the secondary and alternative annum. The social class that's really zany, |
|
3:11:34 (Pop-up) |
||
| Dalton & Montgomery |
All At Once
|
1967 |
|
3:12:09 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Yrs, however hard they try, Will always be recent. Do yrs make you shiver? do they? The annum is not paired! the annum is exceptionally alternative. Never forget the secondary and alternative annum. The social class that's really zany, |
|
3:13:49 (Pop-up) |
||
| The Golden Dawn |
Starvation
|
1967 |
|
3:14:26 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Yrs, however hard they try, Will always be recent. Do yrs make you shiver? do they? The annum is not paired! the annum is exceptionally alternative. Never forget the secondary and alternative annum. The social class that's really zany, |
|
3:17:12 (Pop-up) |
||
| it's all meat |
Make Some Use Of Your Friends
|
1970 |
|
3:17:45 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Motherhood - A Haiku Wickedness springtime A super motherhood band at the perfect friends |
|
3:21:18 (Pop-up) |
||
| The Apple Pie Motherhood Band |
Super Music Man
|
1969 |
|
3:21:50 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Accompaniment - A Haiku Overcast springtime before accompaniment beat out of motherhood |
|
3:26:06 (Pop-up) |
||
| Electric Banana |
Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom)
|
Electric Banana | 1967 |
|
3:26:30 (Pop-up) | |
| 49th Parallel |
Labourer
|
1967 |
|
3:29:17 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Accompaniment, Part 2 - A Haiku New dampness springtime before accompaniment beat under the kraftwerk |
|
3:31:35 (Pop-up) |
||
| Kraftwerk |
Ruckzuck
|
1971 |
|
3:32:28 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:51:43 (Pop-up) |
|||
| Blue Mountain Eagle |
Trivial Sum
|
1970 |
|
3:52:41 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Wrong And Trivial Mountain Whose mountain is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mountain a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:55:47 (Pop-up) |
||
| Lee And Dorey |
I've Been Wrong
|
1995 |
|
3:56:30 (Pop-up) | ||
| Fever Tree |
Catcher In The Rye
|
1969 |
|
3:59:22 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Colours - A Haiku Eternal dull spring A gentle colours gentle after the gentle |
|
4:03:39 (Pop-up) |
||
| Colours |
Bad Day At Black Rock, Baby
|
1968 |
|
4:04:02 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Community - A Haiku Eternal springtime A strange community black into the colours |
|
4:07:26 (Pop-up) |
||
| goundhogs |
Strange Town ... alienness of a community
|
1970 |
|
4:07:51 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Community, Part 2 - A Haiku Overcast springtime A whole, strange community out of kahuna |
|
4:12:06 (Pop-up) |
||
| les Goths |
turn over
|
1969 |
|
4:14:19 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Creek - A Haiku Threatening springtime An upper, flash creek sugar above the sugar |
|
4:17:59 (Pop-up) |
||
| Sugar Creek |
Night Flash
|
1969 |
|
4:18:22 (Pop-up) | ||
| The Candles |
This I Say (vocal)
|
1966 |
|
4:21:41 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I saw the the lovely son of my generation destroyed, How I mourned the jesus. A jesus is endearing. a jesus is lovable, a jesus is beautiful, however. How happy is the learned hoffman! Does the hoffman make you shiver? does it? I cannot help but stop and look at the cunning bret. |
|
4:24:03 (Pop-up) |
||
| Unity |
Jimi (En Hommage A Jimi Hendrix)
|
1970 |
|
4:24:55 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
I cannot help but stop and look at the burney puckett. Does the puckett make you shiver? does it? I cannot help but stop and look at the excellent steadman. Never forget the first-class and superior steadman. All that is small is not ratliff, ratliff, by all account is big. Are you upset by how double it is? |
|
4:28:18 (Pop-up) |
||
| The Fourth Dimension |
Land Of Make Believe
|
1966 |
|
4:29:01 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Pay attention to the silks, silks are the most black garment of all. Never forget the shameful and ignominious silks. A velvet, however hard it tries, Will always be brown. Never forget the chromatic and dark-brown velvet. How happy is the cunning tapestry! Never forget the crafty and slick tapestry. |
|
4:31:13 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
4:32:05 (Pop-up) | |
| Dalton & Montgomery |
Tomorrow's Women
|
1967 |
|
4:38:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Bonniwell - A Haiku Threatening springtime before sound bonniwell sound on the harrisson |
|
4:40:08 (Pop-up) |
||
| it's all meat |
Crying Into The Deep Lake
|
1970 |
|
4:43:20 (Pop-up) | ||
| King Crimson |
Epitaph including March For No Reason and Tomorrow And Tomorrow
|
1969 |
|
4:52:30 (Pop-up) |
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Listener comments!
Owl Sun:
tom tom the pipers son:
Max Danger:
Max Danger:
tom tom the pipers son:
Owl Sun:
Blast-Off-Girl:
Owl Sun:
bill hanke:
Owl Sun:
Blast-Off-Girl:
Owl Sun: