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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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Artist | Track | Album | Label | Year | Comments | New / Special | Approx. start time |
---|---|---|---|---|---|---|---|
The Cherry Boys | Falling (Loop) | Shoot The Big Shot (7") | Crash Records | 1983 | Frankly, sometimes the best thing about a bargain bin find isn't the song, but rather the imperfection that keeps you from having to listen to the whole thing. According to Discogs: "The Cherry Boys were a brilliant sixties-oriented band from Liverpool. The band consisted of John Byrne (aka John Cherry) on vocals & guitar, Keith Gunson on vocals & bass, James Hughes on vocals & keyboards, and Howie Minns on drums. Icicle Works drummer Chris Sharrock was part of the band early on and appeared on their first single “Man to Man.” Hughes and Minns went on to form Exhibit B after The Cherry Boys split up in 1984."" | 0:00:00 (Pop-up) | |
Saal 3 | Ich Mach Mir Keine Sorgen Mehr | U-Bahn 7" | Zick Zack | 1981 | I feel like this is the German version of A Certain Ratio. Saal 2 was founded in early 1980 by Jens Kraft (vocals, guitar, bass), Thomas Meins (percussion) and Godeke Ilse (vocals, synth). Reinforced by various changing fellow musicians, the group began their career as an electronic new wave formation in the style of The Residents , Der Plan and DAF . To really confuse fans, they also released as Saal 2, 4, 5 and 6. They never released a full length due to bankruptcy, and therefore this single is actually...quite rare. | 0:03:32 (Pop-up) | |
Mo-Dettes | Masochistic Opposite | White Mice 7" | Mode | 1979 | The B-Side to White Mice, this tune is just as great! Mo-Dettes were formed in 79, and this was their first single. The band signed to Decca Records subsidiary Deram and released one album, The Story So Far, November 1980. The album chiefly consisted of pop-punk originals, as well as covers of The Rolling Stones' "Paint It Black" and Édith Piaf's "Milord". Also in 1981, billed as Bomberettes, they provided backing vocals on the track "Fighter Pilot" on John Cale's album Honi Soit. They released only one more full length in 81 before disbanding.... | 0:07:19 (Pop-up) | |
Diagram Brothers | We Are All Animals | We Are All Animals 7" | Construct Records | 1980 | The Diagram Brothers were a post-punk band from Manchester, England active between 1979 and 1982. The band comprised Andy Diagram (bass guitar), Fraser Diagram (vocals, guitar), Lawrence Diagram (guitar), Jason Diagram (bass), and Simon Diagram (drums) (not actually brothers). Andy Diagram was also a member of Dislocation Dance from 1978 to 1982, and in 1985, and was a member of The Pale Fountains and James. | 0:10:46 (Pop-up) | |
Medium Medium | Nadsat Dream | Hungy So Angry 7" | Catchalot Records | 1981 | Emerging in 1978 out of the Nottingham punk/rhythm & blues band The Press,Medium Medium's first single was "Them or Me", which was released in late 1978 and was still selling well enough in 1980 to appear in the UK Independent Chart. The second single, "Hungry, So Angry", was released in February 1981 on Cherry Red Records. One of the first records to introduce slap bass - a technique borrowed from black funk music - to a generally white audience, "Hungry, So Angry" reached #48 in the Billboard Disco chart. | 0:13:30 (Pop-up) | |
Diagram Brothers | There Is No Shower | We Are All Animals 7" | Construct Records | 1980 | This little slab of wax just keeps giving! The B Side recounts the frustration many of us have felt in dealing with bureaucracy, city councils, and "the man" in general. I feel bad for David, his lack of legs and his mum. | 0:17:02 (Pop-up) | |
Music behind DJ: Family Fodder |
Carnal Knowledge |
Savoir Faire 7" |
Fresh Records |
1980 |
The Instrumental B-Side.... |
0:19:25 (Pop-up) |
|
Throwing Muses | Mania | The Sounds Machine EP 1 (7" v/a) | Phonogram / 4AD | 1988 | Given away free with the September 10, 1988 issue of Sounds. Recorded live at the Town And Country Club, May 1, 1988. Mixed at Southern Studios. Mixed By – John Loader. Written-By – Kristin Hersh | 0:28:36 (Pop-up) | |
Brian James | I Can Make You Cry | Ain't That A Shame 7" | Illegal Records / IRS | 1979 | Brian James, the first guitarist & main songwriter from The Damned left the band after the second album (creative differences et. al) and went on to release this solo 7". He would later be a founding member of Lords Of The New Church w/ Dead Boys' Stiv Bators. True story, Stewart Copeland drums on this. A fairly recent dollar bin find. I think it's worth at least twice that. | 0:31:34 (Pop-up) | |
Mucky Sailor | Hello Troubled, I'm Pignoramous | Horses 7" | British Wildlife Records | 2007 | "Bradford/Leeds based noisy/proggy band feauturing Augustin Bousfield on vocals Fender Rhodes, Synth and Ships Wheel Synthesiser and Steven Nuttall on Drums" Recorded live to reel to reel recorder in the Corn Exchange, Leeds. | 0:34:50 (Pop-up) | |
Deerhunter | Cool | Pylon Cover + Remix | DFA | 2011 | Deerhunter cover Pylon's "Cool"... Recorded in 2007 by Nicolas Vernhes at Rare Book Room. | 0:38:18 (Pop-up) | |
Josh Reichman Oracle Band | Agoraphobia | Shivering Black Promo 7" | Paper Bag | 2009 | Cover of Deerhunter's "Agoraphobia" (written by Bradford Cox) | 0:44:02 (Pop-up) | |
David Byrne | Ex Guru | Plum (v/a) | Thrill Jockey Records | 2007 | From a boxset celebrating Thrill Jockey's 15th Birthday (Thrill Jockey 20) This finds David Byrne covering Fiery Furnace's "Ex-Guru" (from the Widow City album) & also features the brother-sister Friedberger duo that are the core of Fiery Furnaces. Drums – Bob D'Amico / Featuring – Matt Friedberger / Mixed By – Pat Dillett / Vocals – Eleanor Friedberger / Vocals, Arranged By, Lyrics By [Additional] – David Byrne | 0:47:36 (Pop-up) | |
The Rebel | Bums On A Rock 3 | Bums On A Rock! | Flitwick Records | 2003 | Flitwick Records was a mail-order 7" club that would send free 7" records from the U.K. to any of their subscribers no matter where they were in the world. I missed the surprise 7" (fr)release of The Fall's "Rude All The Time", which disappointed me greatly, but my subsequent membership rewarded me with the brilliant Ben E. Wallers (Country Teasers) project The Rebel, with this 7" and track. Is Bums On A Rock meant to be akin to "Bombs On Iraq"? The timeline agrees, but the speculation is solely mine. | 0:50:35 (Pop-up) | |
Music behind DJ: Add N To (X) |
Live 1940 (Romell & Raisin mix) |
Slut Smalls #008 |
Jockey Slut |
1999 |
To my knowledge there is no other mix of this song. It is one of a series of 7" singles released by the dance magazine Jockey Slut. A CD compilation of the 7"s was planned but never officially released. Add N To (X) have not received half the attention that they should, in my opinion. |
0:54:37 (Pop-up) |
|
Gun Morgan | Hot Jungle | Hot Jungle/Soul Africa 7" | Charles Talar Records | 1974 | Gun Morgan was an Ivory Coast musician who was very active and saw success in France. Not much online about his music output but his obituary from 2018 states "First Medical Delegate of Côte d'Ivoire, Graduate of the Pharmaceutical Institute of France, Musician" He also released albums on the Eboni label, which was a collab between Motown to promote musicians from the Ivory Coast. This somewhat rare and overlooked record is a serious slab of afro funk! | 1:08:22 (Pop-up) | |
The Gangsters | We Are The Gangsters | Wolly Bully 7" | Big Bear Records | 1980 | Seven-piece ska band from Birmingham, UK. They released one single in 1980 on Big Bear label and had only 3 releases in total. Which is too bad, because they were pretty great. Big Bear Records was founded by promoter and band manager Jim Simpson in 1968, taking its name from the nickname given to Simpson by Radio 1 DJ John Peel. | 1:11:42 (Pop-up) | |
Miriam Makeba | Pata Pata | Pata Pata/Ballad of the Sad Young Men 7" | Reprise | 1967 | Grammy Award-winning South African singer, also known as Mama Afrika. She sang with The Skylarks (3) and The manhattan brothers, before landing a role in the musical King Kong in 1959. She left for London where she met Harry Belafonte, who invited her to America. Makeba is widely regarded as the first lady of South Africa traditional music. At one time married to Hugh Masekela, she became an international superstar in the USA and the UK, before being able to return to South Africa, once the political situation had improved. She performed this song on the Ed Sullivan Show in 1967. | 1:14:52 (Pop-up) | |
Sam The Sham | Money's The Problem | Banned In Boston/Money's The Problem 7" | MGM Records | 1967 | Domingo "Sam" Samudio, better known by his stage name Sam the Sham, is a retired American rock and roll singer. Sam the Sham was known for his camp robe and turban and hauling his equipment in a 1952 Packard hearse with maroon velvet curtains. As the front man for the Pharaohs, he sang on several Top 40 hits in the mid-1960s, including the Billboard Hot 100 runners-up "Wooly Bully" and "Li'l Red Riding Hood". He left the music business in 1980 and worked in Mexico as an interpreter and as a mate on small commercial boats in the Gulf of Mexico. Sam later became a motivational speaker and still makes occasional concert appearances. He was inducted into the Memphis Music Hall of Fame in 2016. | 1:17:52 (Pop-up) | |
Music behind DJ: The Freddy Staff Orchestra |
Jitterbug Waltz |
Jitterbug Waltz/Amore 7" |
Oriole |
1962 |
This little piece of wax doesn't exist..according to discogs. It's exquisitely produced and my favourite version of this particular standard. Freddy Staff Trumpet player. Lead trumpet with Geraldo, Harry Roy, The Skyrockets, Eric Winstone, Billy Ternent, and Bob Miller. FYI this record sounds as great on 33rpm as it does on 45.... |
1:20:27 (Pop-up) |
|
Music behind DJ: The Fenways |
Whip And Jerk |
Walk 7" |
Imperial |
1964 |
Instrumental B-side |
1:30:52 (Pop-up) |
|
Two Pin Din & G.W. Sok | Listen To The Painters | Gifts, Milk And Things (Double gatefold 7") | Tractor Notown / Aredje | 2014 | A radical reworking of The Ex's "Listen To The Painters", with original Ex singer transposing his words to this otherwise completely different rendering of the song. "GIFTS, MILK AND THINGS is a four song EP, released as a double(!) vinyl 7” with a gatefold(!!) sleeve with some fabber than fab artwork by dapper designer in residence, Wilf Plum. It features the twin attack of Andy Kerr (ex-NoMeansNo) on guitar and Wilf Plum (ex-Dog Faced Hermans) on baritone guitar along with the fine singing and lyrics of G.W. Sok (ex-The Ex). The record is released on Tractor Notown (NOT 03) in collaboration with Aredje (ARL. 033). Released October 9, 2014 Mr. K - guitar Mr. P - baritone guitar Mr. S - voice Recording & mix by Mr. K / Artwork by Mr. P / All music by Andy Kerr & Wilf Plum / All words by G.W. Sok" Two Pin Din: Gifts Milk And Things (Bandcamp) | 1:32:59 (Pop-up) | |
Zea & Xavier Charles | Bourgeois Blues | Bourgeois Blues 7" | Makkum Records | 2012 | Zea is Arnold de Boer (also current lead singer for The Ex) the "One-man "breakpop" band from Amsterdam, Netherlands." "Xavier Charles is a French clarinet player." He has also collaborated extensively with The Ex over the past decade and a half. "Bourgeois Blues is based on versions by Lead Belly and The Fall." | 1:36:08 (Pop-up) | |
Anne-James Chaton / Andy Moor | Not Guilty | Transfer / 4 Inbound / Outbound | Unsounds | 2012 | "French sound artist Anne-James Chaton (October 31, 1970, Besançon) "has developed a multipolar body of work, based on a close study of the textual materials which make up the everyday life of contemporary society". Chaton co-runs the "Sonorités" festival in Montpellier with Carole Rieussec, Enna Chaton, Didier Aschour, Jean-Christophe Camps, Yann Granjon, Mireille Nell, Christian Déric and Isabelle Deltour." / "Born in London England 1962 Andy Moor began his musical life in Edinburgh, Scotland playing guitar with the band Dog Faced Hermans, a multi faceted eclectic group that mixed energetic post punk energy with traditional tunes and improvisations. In 1990 he moved to the Netherlands after an invitation to join Dutch band The Ex. The openness and versatility of the musicians in this group has brought them into contact with many musicians from different scenes and backgrounds, including Tom Cora(cello), Han Bennink(drums), and Ab Baars (sax). In 1995 he began another group Kletka Red with Tony Buck Joe Williamson and Leonid Soybelman, fusing traditional Klezmer, Greek and Russian songs with their own frantic styles of playing. / In more recent years Andy has collaborated with musicians from many and varied backgrounds and disciplines differing from his own background which was rooted in the post punk Britain of the 80s. Many of these collaborations are duos with amongst others Yannis Kyriakides (Cypriot composer) with whom he performs a set of rebetika songs (urban Greek tunes from the 20s and 30s), Anne James Chaton (french sound poet), Colin Mclean (ex bass player from Dog Faced Hermans) who now works with electronic music and live sampling..." ...+ many many more projects... This track features a "clicky beat loop" by Yannis Kyriakides. It was recorded in the homes of Anne-James Chaton and Andy Moor. Mixed and mastered by Andy moor with help from Arnold de Boer and Gavin McDowell. | 1:40:43 (Pop-up) | |
Dog Faced Hermans | Too Much for the Red Ticker | Too Much For The Red Ticker 7" | Demon Radge Records / Konkurrel | 1990 | Bass, Slide Guitar – Colin / Drums – Wilf / Guitar – Andy / Vocals, Trumpet, Cowbell – Marion* Recorded By – Jamie* | 1:45:00 (Pop-up) | |
The Ex & Guests | Shopping Street | 6.4 - Bimhuis 29/06/91: 6.4¹ | Ex Records | 1991 | Part of a 6-part series of singles released in 1991, this was 6.4 - a double 7" live collaboration between The Ex, Dog Faced Hermans, Han Bennink, Ab Baars & Walter Wierbos. 6.4 came with leaflets and a sticker. The two 7" records have separate sleeves (but were not separately released). The Ex on this recording were Katrin, Luc, Terrie, G.W. Sok(drums, steeldrum, bass, guitar, voice) and Jeroen (sound-scrapes) +++ Guests Dog Faced Hermans (Andy, Wilf, Colin, Marion) - guitar, drums, bass, trumpette; Han Bennink - drums; Ab Baars - Saxophone, clarinet; Wolter Wierbos - Trombone +++ Recorded live on June 29, 1991 by Katrin Brandli & Jeroen at the BIM-huis in Amsterdam, Holland +++ Other guests that evening were: Herr Seele - flute; and Dorpsoudste de Jong - Poetry. Words & music by The Ex & guests. | 1:48:32 (Pop-up) | |
Music behind DJ: The Ex & Guests |
Kat & Ab |
6.4 - Bimhuis 29/06/91: 6.4² |
Ex Records |
1991 |
From the insert (paragraph 1) "Hello, on June 29th a remarkable concert took place at the Amsterdam BIM-house. "Punkbands" The Ex and Dog Faced Hermans, combined with leading jazz-improvisers Wolter Wierbos, Ab Baars and Han Bennink, Belgian comedian/comics-writer Herr Seele and soundpoet Dorpsoudste De Jong. A weird hodge-podge defying pigeon-holes and predjudice. There were bizarre duos and other strange combinations, improvised pieces and existing songs with different line-ups or arrangements..." |
1:53:00 (Pop-up) |
|
Music behind DJ: The Ex & Guests |
A Pretty Cattle Office |
6.4 - Bimhuis 29/06/91: 6.4¹ |
Ex Records |
1991 |
From the insert (paragraph 2) "...We very much like the idea that music is not polarized into cliques. That's only oppressive and limiting, also for the audience. For us too, it was a discovery, that a Kurdish singer stirs more emotion than the Pixies, that Han Bennink transmits more energy than 99 out of 100 hardcore bands. Or that one Cecil Taylor concert creates more confusion than a whole alternative Abend in Wien festival..." |
1:57:45 (Pop-up) |
|
Music behind DJ: The Ex & Guests |
Wolter & Andy |
6.4 - Bimhuis 29/06/91: 6.4² |
Ex Records |
1991 |
From the insert (paragraph 3) "...The singles are a little impression of the evening. It was difficult to choose four pieces, as the evening was actually a non-stop whole. But hopefully they five a good idea of the devotion and enthusiasm with which all of us played that night. Enjoy your listen! The Ex." |
1:59:58 (Pop-up) |
|
The Plastics | Top Secret Man | Top Secret Man 7" | Invitiation | 1980 | Formed in 76, the Plastics were the archetypal Tokyo new wave band, combining a quirky, eccentric musical sensibility with sharp observational lyrics satirizing postmodern consumer culture in a way that still draws frequent comparisons with U.S. contemporaries such as Devo and the B-52's. Beginning life as a party band, the Plastics soon found their sensibility being influenced by glam rock's embrace of superficiality and ephemeral trash culture, as well as the social critique of the emerging punk rock and new wave generation, with the electronic music of German techno-pop pioneers Kraftwerk forming the final piece in the jigsaw puzzle that made up the group's sound. | 2:03:25 (Pop-up) | |
Thomas Dolby | Europa and the Pirate Twins | Europa and the Pirate Twins 7" | Capitol Records | 1983 | Taken from the album The Golden Age of Wireless, "Europa and the Pirate Twins" was written by Thomas Dolby, who produced it in collaboration with Tim Friese-Greene. The song opens with a "bluesy" harmonica solo, performed by Andy Partridge of the band XTC. Dolby has described the song, along with the tone of the album, as reflecting "a sense of [a] relationship that's going on as being overwhelmed by something on a grander level", adding that "there's a very strong wartime atmosphere to it...and a it is a semi-autobiographical romp". It's one of my favourite 80's records and one of the first I ever bought.... | 2:05:47 (Pop-up) | |
Kübler-Ross | Petrol (To Get Away From You) | Victims of Victimless Crimes 7" | Ice Machine | 2022 | The five stages of grief model (or the Kübler-Ross model) is popularly known as a model that describes a series of emotions experienced by people who are grieving: denial, anger, bargaining, depression and acceptance. Kübler-Ross is a minimal synth/wave/industrial three-piece from Glasgow, Scotland, featuring Craig Clark, Katie Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio). First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine. This is an excellent cover of a song first made popular by Severed Heads. | * *** | 2:09:04 (Pop-up) |
New Order | Everything's Gone Green | Procession / Everything's Gone Green 7" | 1981 | Factory Records | New Order's second single, released 25 September 1981 as double A side. | 2:13:16 (Pop-up) | |
Lost Sounds | Ice Age | No One Killer | The Holy Cobra Society | 2004 | Living In The Ice Age (Joy Division cover) "Written-By – Bernard Sumner" Drums – Rich / Guitar, Bass – Jonas / Guitar, Synthesizer [Synths] – Alicja / Jay / Edition of 750 hand numbered copies. Recorded Memphis Tennessee at the People's Temple and the Tronic Graveyard | 2:17:11 (Pop-up) | |
The Normal | T.V.O.D | The Normal 7" | Mute | 1978 | While Warm Leatherette is considered the "hit'...the B-Side here outshines it, IMHO. Daniel Miller's groundbreaking homage to Kraftwerk infuses a punk rock sensibility that to this day, still stands up both musically and lyrically. It is...a banger. | 2:19:59 (Pop-up) | |
Music behind DJ: Kraftwerk |
Autobahn |
Autobahn/Morgenspaziergang |
Vertigo |
1974 |
"Autobahn" is a 1975 song by German electronic band Kraftwerk, being the second and lead single from their studio album of the same name. The song was composed by Ralf Hütter and Florian Schneider of the band, with Emil Schult collaborating on the lyrics. It is co-produced by Conny Plank, and was the band's first track to use sung lyrics. Unlike Kraftwerk's later work, "Autobahn" was only released with German lyrics, without a simultaneous English-language release. The main refrain "Fahren Fahren Fahren" was often mistaken for the English phrase "Fun Fun Fun" and thought to be a reference to the 1964 Beach Boys' song "Fun, Fun, Fun" |
2:22:40 (Pop-up) |
|
Ben Lee | Float On | Float On / I Heard You Got Action 7" (Split Single w/ Pony Up!) | Dim Mak Records / Ten Fingers | 2004 | Guitar – Mcgowan Piano, Other [G-chord], Guitar – Lara Producer – Brad Wood Vocals, Guitar – Ben Written-By – Modest Mouse |
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