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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
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Music behind DJ: Sounds Of The Ocean |
Beach Sounds |
Ocean Sounds |
Sounds Of The Ocean |
2016 |
0:00:00 (Pop-up) |
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Sally Patience | The Triangle Man | The Triangle Man c/w Buried In My Boots 7" | Disc International Records | 1984 | This one is a tried and true killer, a bizarre electronic romp from 1984 with thick synth bass, disco strings, and eerie female vocals. The best analogy I can think of is dystopian disco- the kind of dance music that you’d dance to in Blade Runner or Logan’s Run, for example… The chorus is especially killer, and pays off in spades (human is so humorless- love that line). Fans of JYL/Angela Werner should also love this one. The b-side is equally stunning, a more unsettling synth track with a flamenco flair and backwards masked vocal samples. This is the only single Sally Patience released, and no one knows what happened to her afterwards… Just a brief moment, as some of the best gems tend to be. Damn, this song is the shit. | 0:02:09 (Pop-up) | |
Geisha | Pojat | Geisha EP | Johanna | 1983 | from Ilmajoki, active between 1982-1984. There is little to no info on this band, save that it's three women...I would love to know about them so please...if you have any info on this amazing act, let us know!!! | 0:05:25 (Pop-up) | |
Del-Byzanteens | My World Is Empty (Without You) | Girl's Imagination 12" | Don't Fall Off The Mountain | 1981 | Yet more proof that 1981 was a great year for Post Punk. The Del-Byzanteens was a New York-based no wave band active in the early 1980s. The band comprised Phil Kline (vocals, guitar); Jim Jarmusch (yes, that Jim Jarmusch!) (vocals, keyboards); Philippe Hagen (bass); Josh Braun (percussion, drums); and Dan Braun (drums, percussion). Lucy Sante wrote lyrics to some of their songs (under the name Luc Sante), while James Nares sometimes contributed as a percussionist, and occasionally John Lurie performed with them on stage. "At that time everyone in New York had a band," Jarmusch recalled in an interview for The Washington Post (1984). "The idea was that you didn't have to be a virtuoso musician to have a band. The spirit was more important than having technical expertise, and that influenced a lot of filmmakers."According to Sante, they were "a band that insouciantly blended high and low, virtuosity and amateurism, calypso and science fiction, pots and pans and drones and the Supremes. They released several records, on a British label, which did very well in the former Yugoslavia." They played a number of concerts at clubs such as CBGB, Hurrah and the Mudd Club in New York City. Two of their songs were featured in Wim Wenders' 1982 film The State of Things. | 0:07:48 (Pop-up) | |
Y Pants | Magnetic Attraction | Y Pants - Tellus Attraction 1982 (RI) | Periodic Document | 1998 | Y Pants were an American all-female no wave band from New York City active from 1979 to 1982. The trio, made up of photographer/musician Barbara Ess, visual artist Virginia Piersol, and filmmaker Gail Vachon, developed a unique sound via their acoustic toy instrumentation of toy piano, ukulele and a paper-headed Mickey Mouse drum kit, augmented by electric bass guitar, Casio keyboards and various low-tech effects. Y Pants' feminist poetics and toy instrumentation made them a hit in Manhattans's art gallery scene, while their No Wave clout brought them to be regulars at punk rock venues like CBGB's. In 1980, Glenn Branca recorded their debut 4-song EP for 99 Records, followed by a LP two years later.Lyrically, most of the Y-Pants' material covered the off-kilter aspects of relationships, with explorations into the perils of laundry ("Favorite Sweater"), materialism ("We Have Everything"), patriarchy ("That's The Way Boys Are"), and a reworking of Bertolt Brecht's "Barbara's Song" from Threepenny Opera. Musically they have been compared to their British post-punk contemporaries The Raincoats for their overlapping vocal choruses and kitchen-sinkish approach to sound, rhythm and composition. | 0:13:30 (Pop-up) | |
Östro 430 | Plastikwelt | Durch Dick & Dünn | Schallmauer | 1981 | Östro 430 were the first all female (Punk-)band from Düsseldorf. They had their first public appearance at the „Schmier Festival“ on May 3rd 1980 at the “Okie Dokie” in Neuss Often mislabelled as NDW (a.k.a. 'Neue Deutsche Welle') or New Wave, the band was a Punk-band, indeed. In the first lineup with Monika Kellermann. After Olivia Casali and Marita Welling left the band in 1981 Gisela Hottenroth and Birgit Köster joined them. In 1983 Ralf Küpping came into the band. | 0:16:44 (Pop-up) | |
Music behind DJ: King Tubby |
Eastwood Dub |
King At The Control |
Tad's Record |
1981 |
0:19:40 (Pop-up) |
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Jennifer Vanilla | Humility's Disease | Castle In The Sky | Sinderlyn Records | 2022 | Jennifer Vanilla is the project of Becca Kauffman. Her Facebook Page picks "Performance Art" as her main trade. Her Youtube provides the following definition: "Jennifer Vanilla (n). Culturally absorbent prototype." Bandcamp helpfully elaborates: "Born in a dewdrop high up in the sky in an idyllic realm known as “Jenniferia,” the sexless humanoid alien Jennifer Vanilla opened a portal to the eastern coast of the United States using a magical braid that became entangled with the earthling artist Becca Kauffman. Together, the two embarked upon a musical adventure that ignited the imaginations of countless humans. A quintessentially 80s name (the decade of Kauffman’s birth), Jennifer became Kauffman’s everyperson, an archetypal mold for building connection with strangers.... ...Jennifer Vanilla has become a way for Kauffman to test drive their desires and curiosity, reflecting fantasy back through the mirror of an audience and seeing what sticks – even Kauffman’s artistic endeavors that exist outside of the Jenniferian realm, like a recent reenvisioning of a neighborhood intersection as part of their MFA work in Art and Social Practice, are still informed by the Jennifer Vanilla toolkit. At this point, the line where Becca ends and Jennifer begins is up for debate, and that ambiguity is central to the JV project: Jennifer Vanilla functions as a funhouse mirror that implores each of us to examine all the distortions in our reflections and refractions. " | * | 0:29:09 (Pop-up) |
A Number Of Names | Sharevari | Sharevari (12") | Capriccio Records | 1981 | "Two recordings by Detroit artists introduced the earliest beginnings of techno as its own style and genre. This track and "Alleys of your mind" by Cybotron are the two in question. In essence, this track is regarded by many as being the very first Detroit Techno track to hit the streets. The name Sharevari evolved from the legendary Charivari parties that began attracting a cult following in 1980 and was a tribute to Detroit's high school party scene. The track name was altered slightly to avoid any possible conflict with the Charivari party promoters. Apparently (source Techno Rebels The Renegades Of Electronic Funk book), the legendary radio [disc]jock[ey] Charles Johnson, also known as "the Electrifying Mojo" (or simply Mojo) was in the crowd the night Sharevari was first played at a Charivari party. He convinced A Number Of Names to come down to his show on radio station WGPR. Although there were only three writers credited on the record (Paul Lesley, Sterling Jones and Roderick Simpson), a virtual army of band members showed up and crammed into the DJ booth. According to Mojo, they said "What do we call ourselves? We don't have a name". Mojo said, "How may of you are there? Quite a few - why don't your call yourselves A Number Of Names?". Mojo played the record and people went crazy over it. A Number Of Names (now so called) were actually pushing a different song "Skitso" but he said "Sharevari is the one I am going to play". And so this record became one of the most important records in the evolution of techno music. A true seminal release. You will also notice that the catalogue number is P-928, which is a reference to a Porsche 928 as referred to in the lyrics of this record." ------------ Also of note: "Charivari (/ˌʃɪvəˈriː, ˈʃɪvəriː/, UK also /ˌʃɑːrɪˈvɑːri/, US also /ʃəˌrɪvəˈriː/,alternatively spelled shivaree or chivaree and also called a skimmington) was a European and North American folk custom in which a mock parade was staged through a community accompanied by a discordant mock serenade. Since the crowd aimed to make as much noise as possible by beating on pots and pans or anything that came to hand these parades are often referred to as rough music. Parades were of three types. In the first, and generally most violent form, a wrongdoer or wrongdoers might be dragged from their home or place of work and paraded by force through a community. In the process they were subject to the derision of the crowd, they might be pelted and frequently a victim or victims were dunked at the end of the proceedings. A safer form involved a neighbour of the wrongdoer impersonating the victim whilst being carried through the streets. The impersonator was obviously not themselves punished and often cried out or sang ribald verses mocking the wrongdoer. In the common form, an effigy was employed instead, abused and often burnt at the end of the proceedings. Communities used "rough music" to express their disapproval of different types of violation of community norms. For example, they might target marriages of which they disapproved such as a union between an older widower and much younger woman, or the too early remarriage by a widow or widower. Villages also used charivari in cases of adulterous relationships, against wife beaters, and unmarried mothers. It was also used as a form of shaming upon husbands who were beaten by their wives and had not stood up for themselves. In some cases, the community disapproved of any remarriage by older widows or widowers." | 0:33:26 (Pop-up) | |
Yoo Doo Right | Say Less, Do More | A Murmur, Boundless to the East | Mothland | 2022 | Released June & recorded with producer Radwan Ghazi Moumneh (Suuns, Ought, Fly Pan Am) at Hotel2Tango; mixed by Seth Manchester at Machines With Magnets (Battles, Lightning Bolt, Lingua Ignota). Newest album from a Montréal, Québec trio, on this track joined by violinist Jessica Moss. Yoo Doo Right (Bandcamp) +++ Yoo Doo Right will be playing in Toronto Sat. Aug 27; taking part in the "WAVELENGTH SUMMER THING" festival, August 26-27, 2022. Two floors, two nights @ Lithuanian House, Toronto. Wavelength Summer Thing (festival info) | * | 0:39:04 (Pop-up) |
Absolutely Free | Still Life | Aftertouch | Boiled Records | 2021 | Toronto's Absolutely Free may or may not refer to themselves as "A poly rhythmic berbere stew swung from an I beam, knit in a sauerkraut sweatshirt printed with a constellation map made in ascii." Absolutely Free (Bandcamp) +++ Absolutely Free will be playing in Toronto Sat. Aug 27; taking part in the "WAVELENGTH SUMMER THING" festival, August 26-27, 2022. Two floors, two nights @ Lithuanian House, Toronto. Wavelength Summer Thing (festival info) | 0:47:32 (Pop-up) | |
Music behind DJ: Pole |
Grauer Sand |
Tempus |
Mute |
2022 |
This track was released last week... "Pole – aka German electronic artist Stefan Betke – has announced details of a new album, “Tempus”, due out November 18 via Mute. Stefan Betke explains the album as follows: “‘Tempus’ considers the connection between the past, present, and future. It is, a natural development to the last album. One which goes further and is even more complex.” The painting on the cover, by Wolfgang Betke titled Großstadtwanderer, links into the themes explored on the album. Betke explains: “I found the whole atmosphere in this totally weird, confused head with these little shimmery eyes leaking through the colours to totally fit the idea of Tempus.”" |
* |
0:53:19 (Pop-up) |
Spring Breeding | 24 Hours On Saturn | Doing The Limbo | Spring Breeding | 2022 | Spring Breeding are a four piece no wave/dance-punk from Las Vegas, NV. They describe themselves as "angular sound" and this is apt. As is the descriptors of this band as having "electrical ferocity and urgency...A shuffling but insistent groove anchors an otherwise chaotic explosion of guitars and keyboards, with a Mark E Smith tinge to the vocals." There is very little to know on the interwebs about this band. This release is quite new, self released on Aug 5th and is highly recommended! Tyler Gutleben- Vocals, Drums, Synthesizer Caress Silverii - Synthesizer Cam Yesin - Bass Luke Bernier- Guitar, Synthesizer | * | 1:03:58 (Pop-up) |
Exit Group | Plastic Coffin | Adverse Habitat | Castle Face | 2018 | Ah! Castle Face never fails to impress with their releases. From the dank warehouse recesses that brought us Useless Eaters and Dry Erase, may we introduce Exit Group - sharply futuristic post-punk with a pissed-off lean, antisocial lyrics spit over an abnormally locked-in guitar bass drums triangle, wound up tighter than a Swiss watch. Post-everything sample tweakery and chrome-dipped guitar tonality lend a darkly robotic sheen, abraded riffs pop up everywhere but where you think they should be, clanging and clanking inhumanly around elaborate Rube Goldberg patterns, tessellating under flickering municipal neon. Bone-dry furious, turning on a dime just to slap the drink out of your hand. | 1:06:42 (Pop-up) | |
Gilla Band | Backwash | Backwash Single | Rough Trade | 2022 | The second single from the upcoming album "Most Normal", GILLA BAND ARE BACK. Damn, this is good. “The initial idea for the whole album was that it would loosely sound like a dream,” singer Dara Kiely explains. “We didn’t really stick to the brief but it lead us down different sonic avenues. ‘Backwash’ is one of the few tracks where the words represent a dream-like circumstance. The lyrics are from a stream of consciousness rant, weird imagery and all that. The track is about attraction – fancying someone and not knowing what to say exactly. It’s an indirect love song, knowing you like someone but can’t quite articulate it. Thinking that you have already expressed your feelings, but like waking up from a dream you’ve forgotten what you actually have said or felt.” | 1:09:15 (Pop-up) | |
Meditations On Dance, Gang Gang Dance, Simon Harper | Crime Seed | Crime Seed Single | Anti-Fragile Music | 2022 | Meditations on Crime is the enigmatic new collaborative project via AntiFragile Music. They recently shared debut single “Heloise” by Julia Holter and featuring Animal Collective's Geologist. Now, the collective has unleashed the new single “Crime Seed” by Gang Gang Dance. Harper Simon shares: “I first encountered Gang Gang Dance when I was performing at the All Tomorrow’s Party festival in England years ago. I believe it was just after the release of their album God’s Money. I thought it was really fresh and original and always wanted to work with them. I was really pleased Lizzie and Brian agreed to collaborate with me on this song all these years later. I had the track written and recorded with Paz Lenchantin on bass and Carla Azar on drums. The guitar part that I wrote is reminiscent of The Troggs’ I Can Only Give You Everything, at least rhythmically. Melodically it’s different and has a kind of call and response. I sent it to Lizzie who wrote the lyrics (abstract, poetic, mysterious) and delivered her idiosyncratic vocal. Her lyrics combine a kind of street vernacular with impressionistic language that suggests criminality in a way that feels reckless and sexual but also opaque. | 1:12:38 (Pop-up) | |
Meridian Brothers | La Policia | La Policia Single | Ansonia Records | 2022 | A tribute to the sound of ‘70s Salsa Colombiana cooked up by mad genius Eblis Alvarez, who warps the genre out of shape as only someone who deeply loves and understands it can. Referencing the well-worn riffs and song structure of classic salsa dura but at the same time cunningly innovative musically and lyrically, this “Renaissance” version of Alvarez’s band Meridian Brothers offers two twisted takes on the traditional idiom. In La Policía Alvarez delivers sardonic eye-witness reportage on Bogotá’s dirty cops | 1:16:08 (Pop-up) | |
Music behind DJ: Jackie Davis |
What's The Trouble |
Jumping Hi-Fi Hammond |
Jasmine Records |
2008 |
1:20:30 (Pop-up) |
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Blue Orchids | What Thing Is Man | Angus Tempus Memoir | Tiny Global Productions | 2022 | This album was released on July 8. "Continuing the mystical thread and acid explorations which were a hallmark of The Fall's initial line-up, Martin Bramah has quietly crafted a trove of psychedelic visions unparalleled among musicians of his generation. Despite never quite cracking mainstream public consciousness, Blue Orchids endure as a living treasures of head music for post-punks, with a series of deeply-magical recordings." Blue Orchids Bandcamp | * | 1:26:15 (Pop-up) |
The Fall | Words of Expectation (Peel Session) | The Complete Peel Sessions 1978-2004 | Castle Music | 1983 / 2005 | An epic song that never found its way onto any album & therefore remains fairly hidden in their catalogue. (Amongst the few epics of the era to suffer similar fates.) It made its first appearance into their live sets on Jan 16, 1983; long before the Perverted By Album album was released. Eventually, it was recorded for the band's 7th Peel Session on Dec 12, 1983 (broadcast Jan 3, 1984.) Despite multiple performances through 1983, it would eventually see three performances thereafter (Jun 1984 and twice in Feb 1986.) It would then remain unreleased until an archival Peel Session release in 1993 & this Peel Session Boxset in 2005. There's a joke in the song "if we carry on like this, we're going to end up like King Crimson", though in live performances, he often added or swapped other band names to his list of derision. (Echo And The Bunnymen, Joy Division, Crass, Wah Heat, Fad Gadget, The Smiths) NB: In our write-up for Transmissions From Echo Beach, we say that you can "find" Words Of Expectation... Well, here it is. | 1:30:28 (Pop-up) | |
Kid Congo & The Pink Monkey Birds | The Last Word | Philosophy And Underwear | New York Night Train Recordings | 2005 | A new memoir by Kid Congo Powers "Some New Kind of Kick", is set to be released Oct 18. "Kid Congo Powers has been described as a “legendary guitarist and paragon of cool” with “the greatest resume ever of anyone in rock music." That unique imprint on rock history stems from being a member of not one but three beloved, groundbreaking, and influential groups—Nick Cave and the Bad Seeds, the Cramps, and last but not least, The Gun Club, the wildly inventive punk-blues band he co-founded. Some New Kind of Kick begins as an intimate coming of age tale, of a young, queer, Chicano kid, growing up in a suburb east of East LA, in the mid-‘70s, exploring his sexual identity through glam rock. When a devastating personal tragedy crushes his teenage dreams, he finds solace and community through fandom, as founder (‘The Prez’) of the Ramones West Coast fan club, and immerses himself in the delinquent chaos of the early LA punk scene. A chance encounter with another superfan, in the line outside the Whiskey-A-Go-Go to get into a Pere Ubu concert, changes the course of his life entirely. Jeffrey Lee Pierce, a misfit Chicano punk who runs the Blondie fan club, proposes they form a band. The Gun Club is born. So begins an unlikely transition from adoring fan to lauded performer. In Pierce, he finds brotherhood, a creative voice, and a common cause, but also a shared appetite for self-destruction that threatens to overwhelm them both." | 1:39:45 (Pop-up) | |
Music behind DJ: Eucalyptus |
It's In A Move |
Moves |
Telephone Explosion Records |
2022 |
Today is Brodie West's birthday! Eucalyptus is one of his many projects. The rundown: "Toronto-based octet Eucalyptus has been steadily gathering a devoted cult following since the release of their debut 10” Eeeeeuuucaaaaaaallyyypppptus in 2012. Led by acclaimed saxophonist and composer Brodie West, the band's languid, kaleidoscopic jazz is very much a collective endeavour, the product of an internal network of improvisational synergy they've built over more than a decade together. Moves is their sixth release, and somewhat of a milestone. In addition to it being the octet's most psychedelic and arrestingly soulful release thus far, it's also their longest—their first, in fact, to cross into bonafide full-length territory. They're marking the occasion by joining the roster of Toronto favourite Telephone Explosion Records." Brodie West alto saxophone, clarinet / Nicole Rampersaud trumpet / Kurt Newman guitar / Ryan Driver clavinet / Michael Smith bass / Blake Howard percussion / Nick Fraser drums / Evan Cartwright drums Eucalyptus (Bandcamp) |
* |
1:43:25 (Pop-up) |
Cabo Boing | Social Mold | Real Gems For Little Jewels | 376021 Records DK | 2022 | The music of songwriter Brian Esser is at once hilarious and horrifying. He is obsessed by clowns. It’s upsetting to say the least. But it’s also a strangely fitting accompaniment for the absurdist electronic music he’s made. His Tumblr page is mostly dedicated to the constantly grinning jesters. They beckon menacingly, floating in bodies of water; they show off arcade cabinets to small children; they play the saxophone; or they sit—in ceramic bust form—next to half-consumed jugs of milk. The archive as a whole is surreal, whimsical, and unsettling—a shrine that imagines the clowns as mythical figures from a Jodorowskyan nightmare. He has a keen ability to make music that’s both parasitically catchy and wholly unfamiliar...but fans of Devo will definitely catch a whiff of early Hardcore y ears. This shit is awesome. | 1:47:56 (Pop-up) | |
Jake Tobin | Pain, On Leave | Torment | Chill Mega Chill Records | 2014 | This album was recorded in Tallahassee at the Miccosukee Land Cooperative throughout 2013. Anxious, weirdo experimental rock with jazz elements that speaks to the kind of corporate anxiety demonstrated on the album artwork. "Torment" is a concept album about being stuck in a cycle of "Office Space"-esque mediocrity and sheer boredom, the kind of stuff that sounds like a joke to those who haven't yet experienced it. There are grindingly off putting dissonant harmonies, off kilter changes and generally, a feeling of unease and stress when listening to his music. Therefore, it is great. | 1:50:16 (Pop-up) | |
The Mystery Lights | Melt | The Mystery Lights | Wick Records | 2016 | Founded in California and based in Brooklyn, the Mystery Lights play psychedelia-infused garage rock with a deep reverence for the sounds of the '60s but with a dash of contemporary cleverness and plenty of spirit. Full of guitars simmering in fuzz and reverb, vocals that plead or taunt, melodies that are both driving and trippy, and an abundance of lysergic sound effects. | 1:52:36 (Pop-up) | |
POW! | Hope Dealers | Hi-Tech Boom | Castle Face | 2014 | The band formed in 2011, when guitarist/vocalist Byron Blum decided to form a band and reached out to two recent acquaintances, Melissa Blue and Matt Harrison. Neither was skilled at playing their instruments -- drums and synth, respectively -- and it gave the band a simple, stripped-down sound that sounded like a low-rent Devo or a jumpier Units. They played shows around the Bay Area, then released a single in 2011 ("Pretend There") for Afterlife Records. More shows and woodshedding followed until they were discovered by John Dwyer, the head of Castle Face Records and leader of Thee Oh Sees. He asked them to make a record, they did, and the resulting lo-fi, hi-energy Hi-Tech Boom was released in early 2014. | 1:54:48 (Pop-up) | |
Kleenex/Liliput | Beri-Beri | Kleenex 7" | Sunrise | 1978 | Switzerland's Kleenex is arguably one of the greatest musical contributions to the post punk genre. They make me proud to be Swiss. The story of the band begins in Zurich, Switzerland. A handful of girls attended a Sex Pistols show and, like so many of their generation, were inspired to emulate them. Marlene Marder, the anchor of the crew, joined a punk band with some of her male friends, playing her first instrument, the saxophone. When the other members got stars in their eyes, they told Marder that punk bands couldn't have saxophonists and asked her to leave the group. She decided to start her own band, this time playing guitar, along with three of her female friends. Joining her were Lislot Hafner (Drums), Regula Sing (vocals), and Klaudia Schifferle (bass). The group dubbed themselves Kleenex and started gigging around Switzerland...and the rest is history! | 1:57:40 (Pop-up) | |
Music behind DJ: Sounds Of The Ocean |
Beach Sounds |
Ocean Sounds |
Sounds Of The Ocean |
2016 |
1:59:45 (Pop-up) |
||
Dendrons | New Outlook II | New Outlook II | Innovative Leisure | 2022 | The track comes from their forthcoming album, 5-3-8, out August 26th via Innovative Leisure. Lyrically, the track cycles between two refrains: “soon we’ll all be laughing too” and “Distance. Time. New outlook.” The accompanying video features glitchy, colourful, trippy shots of the band decked out in some hilarious disguises. “It is a continuation of themes explored on the preceding album track, ‘New Outlook,'” the band’s Dave Jarvie explains, “how trial and error, personal aesthetics, and every perceived achievement is reduced to comedy with enough passing time. How there is freedom in that. It’s about holding your life loosely.” | 2:03:29 (Pop-up) |
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Listener comments!
DJ Babs:
Scott67:
🌏☀️📻🎶🍻😎🤙💨🍺🍺
Your Pretend Boyfriend:
Derek Westerholm:
ultradamno:
Alli B:
Mr Fab:
laurapanic:
laurapanic:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
Alli B:
DJ Babs:
laurapanic:
DJ Nico:
Mr Fab:
They Might Be Giants sang about in "Particle Man"? There can't be too many triangle men in the world, eh?
Scott67:
🍻😎🤙💨☕🌻
Derek Westerholm:
DJ Babs:
DJ Babs:
DJ Babs:
Derek Westerholm:
Mr Fab:
Mr Fab:
laurapanic:
DJ Babs:
DJ Nico:
listener 126464:
Derek Westerholm:
DJ Babs:
Scott67:
laurapanic:
Derek Westerholm:
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Scott67:
Cheers! Who wants?
🍻😎🤙👣💨🍺🍺🍺🍺
laurapanic:
listener 126464:
laurapanic:
Scott67:
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Scott67:
listener 126464:
ultradamno:
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Mr Fab:
DJ Babs:
ultradamno:
laurapanic:
Your Pretend Boyfriend:
laurapanic:
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Your Pretend Boyfriend:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
DJ Babs:
Derek Westerholm:
ultradamno:
DJ Babs:
ultradamno:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
DJ Babs:
Scott67:
🌏☀️🍻😎🤙🍕
DJ Babs:
DJ Babs:
Scott67:
🍻😎🤙💨🍕🥄🥘
Mr Fab:
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Scott67:
🍻😎🤙🌯 I made this Pizza Babs!💨🍕
Magneticallystripedmeme:
DJ Babs:
Derek Westerholm:
Your Pretend Boyfriend:
DJ Babs:
gsdoubleu:
Mr Fab:
Your Pretend Boyfriend:
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ultradamno:
79:
The Fall - Witch Trials
The Germs - (GI)
The Residents - Eskimo
Chrome - Half Machine
The Raincoats
The Slits - Cut
Wire - 154
Buzzcocks - Different Kind
TG - 20 Jazz Funk
Motörhead - Overkill
81:
Roky - Evil One
X - Wild Gift
Gun Club - Fire
MX-80 - Crown Control
Tuxedomoon - Desire
Factrix - Scheintot
Birthday Party - Prayers
The Residents - Mark
The Raincoats - Odyshape
Flesh Eaters - Minute To Pray
Minutemen - Punch Line
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Your Pretend Boyfriend:
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Your Pretend Boyfriend:
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ultradamno:
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DJ Babs:
DJ Babs:
ultradamno:
Scott67:
📻🎶🍻😎🤙
ultradamno:
DJ Babs:
Alli B:
DJ Babs:
DJ Babs:
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ultradamno:
DJ Babs:
laurapanic:
ultradamno:
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ultradamno:
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listener 126464:
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Alli B:
Alli B:
DJ Babs:
Alli B:
Scott67:
🍻😎🤙
DJ Babs:
DJ Babs:
Derek Westerholm:
Scott67:
Derek Westerholm:
Scott67:
Scott67:
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Derek Westerholm:
gsdoubleu:
Scott67:
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Your Pretend Boyfriend:
Derek Westerholm:
DJ Babs:
Alli B:
Mr Fab: