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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time | |||
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Sounds Of The Ocean | Beach Sounds | Ocean Sounds | Sounds Of The Ocean | 2016 | 0:00:00 (Pop-up) | |||||
Body Breaks | Reality | Bad Trouble | We Are Time Records | 2021 | Our interviewees tonight will be Matt LeGroulx and Julie Reich of Body Breaks. This is one of the microtonal songs from the Montreal/Toronto duo's debut record. It is also the first record released on the "We Are Time" label. We are excited to be able to broadcast our interview with them tonight! Body Breaks Bandcamp | 0:03:12 (Pop-up) | ||||
KEG | Elephant | Girders (EP) | Alcopop! Records/BM | 2022 | This track was released by the Brighton-based Septet on June 29. "Ahead of the release of their new EP ‘Girders’ on 2nd September on Alcopop! Records/BMG, Keg are sharing new single ‘Elephant’. Speaking about the track, the band say, “Elephantine in rhythm, an excessive foray into our sillier instrumental faculties. Loosely written about a mass camel cull in Australia, sniped from a helicopter.”" -- "On the upcoming EP Girders the band say: “came about quite naturally, unconsciously it all seemed to line up, perhaps with the exception of ‘Kids’ which is just a nice radio friendly song about hating your offspring.“" | * | 0:06:06 (Pop-up) | |||
Dry Cleaning | Anna Calls From The Arctic | Stumpwork | 4AD | 2022 | Newly released song from the forthcoming album, out October 21 on 4AD records. “The lyrics were partly inspired by phone calls with a friend who was living and working in the Arctic,” the band explains. “The song developed from a keyboard, bass and clarinet jam. This then took shape during our pre-recording sessions with John Parish and Joe Jones in Bristol and finalized at Rockfield studios a month later, with some musical inspiration coming from the dramatic scores of John Barry. The song is observational and sensual...” "...[it] also has a video featuring Dry Cleaning’s drummer, Nick Buxton, ice skating backwards on a closed rink." | * | 0:08:33 (Pop-up) | |||
MISZCZYK (feat. Craig Fahner) | Lunar Days | Thyrsis of Etna | We Are Time Records | 2022 | "For Toronto producer and multi-instrumentalist MISZCZYK (aka Nyles Miszczyk), his debut album, Thyrsis of Etna is world encompassing, from both the breadth of the sound to the globe spanning collaborators involved. The album, due out July 15th via We Are Time, features guest vocals on each track, including both legends and up-and-comers, with appearances from Laetitia Sadier (Stereolab), Vanessa Briscoe Hay (Pylon), Chad VanGaalen, The Space Lady, NAI, Chandra Oppenheim, and more. With vocal contributions from as far as Nigeria and France, MISZCZYK took the material he was given and built upon in it with smoky electronics and fuzzy atmosphere, at times channeling the work of Geoff Barrow while expanding into post-punk club bangers and futuristic pop. It’s a wild record, distilling sixteen different visions down to one logical album, the feeling of a mixtape colliding with the sound of a singular producer. Having already shared a slew of great singles, MISZCZYK is unleashing “Lunar Days,” a collaboration with Motorists’ Craig Fahner. The song has an effortless chemistry, with MISZCZYK tapping into a kinetic motorik pulse, pulling from the krautrock and jangle pop textures that Fahner’s band has become known for, while offering something decidedly different, as everything is dubbed and processed for radiant textures. It’s hypnotic and earnest, with Fahner’s vocal croon resembling Tom Verlaine at his finest. There’s a wonderful animated video, illustrated by Fiona Smyth, built on a similar wavelength of repetition, simplicity, and glitz." [Review from post-trash.com] | * | 0:13:32 (Pop-up) | |||
Music behind DJ: Roy Budd |
Get Carter - Theme, Original 7" Edit |
Get Carter (Original Motion Picture Soundtrack) |
Jambo Records |
1971 / 2019 |
From the 1971 film "Get Carter". "The majority of the film's music was composed by Roy Budd, a jazz pianist and composer, who had previously worked on soundtracks for Soldier Blue and Flight of the Doves. Aside from its score, Budd also composed three songs: "Looking For Someone", "Love Is A Four Letter Word" (with lyrics by Jack Fishman) and "Hallucinations". The theme (otherwise known as "Carter Takes a Train"), the best-known piece from the film, was played by Budd and the other members of his jazz trio, Jeff Clyne (double bass) and Chris Karan (percussion), and was recorded on a budget of £450. The musicians recorded the soundtrack live, direct to picture, playing along with the film. To save time and money Budd did not use overdubs, simultaneously playing a real harpsichord, a Wurlitzer electric piano and a grand piano. Budd described the experience as "uncomfortable, but it sounded pleasant". The theme tune features the sounds of the character's train journey from London to Newcastle. The theme was released as a 7" vinyl single by Pye Records in 1971, titled simply Carter and backed with "Plaything", another piece composed for the soundtrack. Original copies of the record are much sought after by collectors and sell for around £100. The soundtrack—including pieces not used in the film—was originally only available in its entirety in Japan, where it was released on Odeon Records. It was released in the UK in 1998 by the Cinephile label, a subsidiary of Castle Communications. In 2012, the theme was included on the Soul Jazz Records compilation British TV, Film and Library Composers." |
0:15:10 (Pop-up) |
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Music behind DJ: Roy Budd |
Main Theme - Carter Takes A Train |
Get Carter (Original Motion Picture Soundtrack) |
Jambo Records |
1971 / 2019 |
0:18:28 (Pop-up) |
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Music behind DJ: Roy Budd |
Get Carter Theme - Alternative Mix 1 |
Get Carter (Original Motion Picture Soundtrack) |
Jambo Records |
1971 / 2019 |
0:21:37 (Pop-up) |
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The Casual Sexists | Let's Go To The Beach | Let's Go To The Beach | Ghoul Tapes | 2017 | The Casual Sexists are a pop band that exist in both the past and the future. They sound like the darkest deepest recesses of Danceteria in NYC in 1982…Like gum chewing teenage girls telling a shop owner to fuck off in London in 1988 after he’s asked them to leave because they are scaring the other customers…Like the love baby of 80’s minimalist classic “Laid Back” by White Horse, Cristina’s “Sleep it Off ” album, The Slits, Shampoo, and “West End Girls”…but they also sound like the future : DIY clever, sticky, and disposable in the best way. This 2017 release is the result of Varrick and Ed Zed squirreling themselves away in their apartment with a menagerie of grubby synths and bad animal samples to craft this brand new EP. Dislocated dance floor pop, musique concrète and a touch of juke/footwork are thrown into the Casuals' blender as they explore memory, ennui and vinyl fetishism. | 0:24:10 (Pop-up) | ||||
Kamikaze Palm Tree | In The Sand | The Hit EP | Drag City | 2022 | Seven years back, Dylan Hadley and Cole Berliner emerged fully formed from the wilds of San Francisco as Kamikaze Palm Tree. In 2022 Drag City welcomed KPT to their island destination. Their latest singles from the upcoming “Mint Chip” album are on hard repeat at the poolside jukebox, with their latest band lineup featuring the musical prowess of Josh Puklavetz (White Fence) on bass and Sofia Arregiun (Wand) on keyboards. The songs: their imagined pictures—anything from faintly to innately ridiculous—are somehow intimate while devoid of context. “None of the songs are about anything.” Ambiguity and nostalgia, hand in hand, and you, cognitive and dissonanced, humming along. | * | 0:27:40 (Pop-up) | |||
Famous | Surf's Up | England | Untitled Records | 2019 | Surf’s Up! is named after a Beach Boys album, which Merrett describes as ‘phenomenally bleak’. The song imagines a series of very ordinary interactions, with each one provoking a more dramatised and hysterical reaction. Exploring the tension between narcissism and insecurity the lyrics instil the ugly and mundane with romance and hyperbole, a reaction to Jack’s anxious and confusing adolescence. Taking the banal aspects of his personal interactions with life and introducing theatricality has helped to navigate life’s pressures. Famous are Jack Merrett (vocals), Joscelin Dent-Pooley (synths), James Ogram (synths), George Gardner (Bass), Tiernan Banks (guitar), Danny Sanders (drums). | 0:29:20 (Pop-up) | ||||
Wah Together | I'm A Swimmer | Let's Wah Together | Dedstrange | 2021 | Wah Together rejects anti-social techbro musical austerity in favor of spontaneous face-to-face creation. On their debut LP, Let's Wah Together, the NYC-based quartet of bassist Phil Mossman (LCD Soundsystem), drummer Vito Roccoforte (The Rapture), producer/guitarist Steve Schiltz (Longwave), and vocalist Jaiko Suzuki revel in the communal delight that happens when happy accidents are caught on tape. Tracked principally live and in close quarters, Let's Wah Together captures the immediacy and spontaneity of a group of musicians listening to – and playing off – one another with genuine affection, curiosity, and joy. | 0:31:49 (Pop-up) | ||||
Music behind DJ: MonoNeon |
Microbettywright |
Microbettywright (Microtonal Southern Soul) |
Dwayne Thomas Jr. |
2012 |
Dwayne Thomas Jr, professionally known as MonoNeon, is a bassist, luthier, experimental musician, songwriter and YouTuber. His work, spanning multiple experimental projects and collaborations, including Prince, has seen an online cult following.Thomas was the last bassist Prince hired before his death in 2016, and he additionally collaborated with American singer Ne-Yo in 2010. He has since become known for his videos that harmonize viral videos with basslines, and his compositions that utilize microtonality.He is a native of Memphis, Tennessee. |
0:36:20 (Pop-up) |
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Music behind DJ: Xotla |
Moment |
Microtonal Funk & Blues Vol 1 |
375495 Records DK |
2022 |
"My name is Declan Clark, I compose under the alias 'Xotla'. I live in an area known for its beautiful forests and diverse wildlife to the East of Melbourne, which heavily inspires the music I write. I primarily create funk and breakbeat music, with a mixture of unusual time signatures and esoteric tunings, currently focussing on 17 tone equal temperament, utilising a custom microtonal guitar." |
0:39:43 (Pop-up) |
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Body Breaks | Bad Trouble | Bad Trouble | We Are Time Records | 2021 | Body Breaks Bandcamp | 0:43:22 (Pop-up) | ||||
Matt LeGroulx and Julie Reich of Body Breaks join us tonight for an interview. | ||||||||||
Body Breaks | Generation Y | Bad Trouble | We Are Time Records | 2021 | Body Breaks Bandcamp | 1:09:09 (Pop-up) | ||||
Body Breaks | Work For The Man | Bad Trouble | We Are Time Records | 2021 | Body Breaks Bandcamp | 1:11:58 (Pop-up) | ||||
Colin Newman | But No [Riverside Demo] | A -Z | Sentient Sonics | 1980 / 2016 | From Colin Newman's debut solo album, released just as his band Wire took a 5-year break. This is the studio demo, with a much more direct and stripped down performance. Despite the relatively straight-forward sonic palette, the track builds and gathers up a fair amount of tension as it unfolds to its conclusion. | 1:14:11 (Pop-up) | ||||
Colin Newman | But No | A -Z | Sentient Sonics | 1980 / 2016 | Studio version of the aforementioned track. Heavily layered with many more elements than the demo, it is much more extreme in mix & production. The tension created through the track seems to be of a different nature, though. Played back to back, these two versions not only give the opportunity for an A/B comparison, but also the possibility of reimagining the song as a relentless, shifting, 7+ minute epic. | 1:18:00 (Pop-up) | ||||
Music behind DJ: Harry Partch |
Castor & Pollux - A Dance For The Twin Rhythms Of Gemini From Plectra & Percussion Dances |
The World Of Harry Partch |
Columbia Masterworks |
1969 |
"Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales, alongside Lou Harrison. He built custom-made instruments in these tunings on which to play his compositions, and described the method behind his theory and practice in his book Genesis of a Music (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave. To play his music, Partch built many unique instruments, with such names as the Chromelodeon, the Quadrangularis Reversum, and the Zymo-Xyl. Partch described his music as corporeal, and distinguished it from abstract music, which he perceived as the dominant trend in Western music since the time of Bach. His earliest compositions were small-scale pieces to be intoned to instrumental backing; his later works were large-scale, integrated theater productions in which he expected each of the performers to sing, dance, speak, and play instruments. Ancient Greek theatre and Japanese Noh and kabuki heavily influenced his music theatre. Encouraged by his mother, Partch learned several instruments at a young age. By fourteen, he was composing, and in particular took to setting dramatic situations. He dropped out of the University of Southern California's School of Music in 1922 over dissatisfaction with the quality of his teachers. He took to self-study in San Francisco's libraries, where he discovered Hermann von Helmholtz's Sensations of Tone, which convinced him to devote himself to music based on scales tuned in just intonation. In 1930, he burned all his previous compositions in a rejection of the European concert tradition. Partch frequently moved around the US. Early in his career, he was a transient worker, and sometimes a hobo; later he depended on grants, university appointments, and record sales to support himself. In 1970, supporters created the Harry Partch Foundation to administer Partch's music and instruments." |
1:21:04 (Pop-up) |
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Wombo | Just Like Time | Keesh Mountain EP | Fire Talk | 2021 | The weird world of Wombo is a kaleidoscopic journey of sharp turns and surprising visions, a melting pot of influences with a cheeky cheshire-cat grin that coalesce into a trippy but infinite universe, a portal into their unique vantage point without limitation. Already committed to living outside the traditionally-heralded country sound of the music scene in their hometown of Louisville Kentucky, Sydney Chadwick (vocals) and Cameron Lowe (guitar) had previously played in punk pop band the Debauchees, and with the addition of Joel Taylor (drums) in 2016 they found a winning combination of more straightforward indie rock combined with Chadwick’s pitched up, oscillating vocals and unpredictable shifts in melody that see the band moving forward at an impressive pace. Their 2018 album “Blossomlooksdownuponus” is a snapshot of Wombo’s wide-ranging aspirations that careen across avant pop, psych and wonky post punk interludes with a sky’s-the-limit approach to translating the mundanity of regular life into their own high-frequency language. | 1:27:25 (Pop-up) | ||||
Nicfit | Human Inane | Fuse | Upset The Rhythm | 2022 | Nicfit - 'Fuse' Nicfit are a four-piece punk band from Nagoya, Japan. Comprising Hiromi on vocals, Charley on guitar, KenKen on bass and Kuwayama on drums the group are by turns melodic and menacing. Nicfit are a nervous itch, incessant and impossible to predict. Nicfit borrow from hardcore, noise rock, and no wave with such abandon that it makes for a sound all their own, even if they make it easy to spot their roots at times. James Chance Skronk...Urinals hardcore...Jesus Lizard...Sonic Youth...it's all there... | 1:29:43 (Pop-up) | ||||
Mitraille | House Paint Ad | Mitraille | Belly Button Records | 2021 | Mitraille plays garage punk music and likes Motörhead. After releasing 3 piggypunk EP's (of which 2 on Belly Button) over the last couple of years, it's now time for something bigger...a full length! Mitraille are: Bas/voc= Dennis Van Hoof Guitar/voc= Mathias Roggeman Drums= Rafael Valles Hilario They are from Antwerp and are currently playing around at a festival near you! | 1:33:08 (Pop-up) | ||||
Cobra Man | Cool, Nice. | Cool, Nice. Single | Cool, Nice | 2022 | Inspired by a request from Los Angeles skateboarding collective the Worble, musician Andy Harry formed electro-punk duo Cobra Man with his friend Sarah Rayne. Their first foray into making music as Cobra Man being the score to the Worble "ManRamp" video which is yes...a video featuring using people as skateboard ramps. Cobra Man love disco, but they clearly love punk. I am confused by this band. But I like it. | * | 1:35:11 (Pop-up) | |||
Music behind DJ: The Horse Lords |
Radiant City |
The Common Task |
Northern Sky |
2022 |
Horse Lords are an American avant-garde rock band from Baltimore. The band plays experimental music with elements of krautrock, post-punk, Appalachian and African musical traditions, polyrhythmia, arcane tunings and electronics. The band uses the just intonation tuning system favored by avantgarde composers La Monte Young and James Tenney, so the musicians are playing hand-modified guitars with repositioned frets, re-tuned and customized by band member Owen Gardner. |
1:38:12 (Pop-up) |
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Music behind DJ: Horse Lords |
Against Gravity |
The Common Task |
Northern Sky |
2020 |
1:41:16 (Pop-up) |
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Zounds | Can't Cheat Karma | Curse Of The Zounds + Singles | Rough Trade | 1981 | Zounds are an English anarcho punk/post-punk band from Reading, Berkshire, England, formed in 1977. Originally they were part of the cassette culture movement, releasing material on the Fuck Off Records label, and were also involved in the squatting and free festival scene. The band met up with fellow anarchists Crass when, legend has it, their van broke down on the road. They made their way to nearby Dial House, where Crass were based, who helped them with repairs. The two bands became friends, and although musically very divergent, they shared many common political views. The band split up in late 1982, after becoming disaffected with the anarchist music scene in general and the band worn out from touring. They reformed in 2007 and were once again active for a few years. | 1:42:28 (Pop-up) | ||||
Loose Fit | Pull The Lever | Pull The Lever Single | FatCat Records | 2020 | The debut self-titled EP by the Sydney based group delivers a snapshot of their signature groove driven post- punk sound in one short, sharp hit. Informed by a DIY work ethic, the group recorded the EP in one weekend, employing the help of friend and Sydney musician/producer/engineer Jonathan Boulet. (Party Dozen) Says Vocalist Anna of their style: “One thing that we all love as a band that we lean into when we’re writing songs are things that are a bit jarring and grate against each other… I really enjoy curating a dance between being tightly controlled and completely unhinged between the vocals and the sax.” | 1:45:10 (Pop-up) | ||||
Gloop Unit | Imitation | Imitation | Gloop Unit | 2022 | From the get-go, ‘Imitation’ oozes with a spiralling kaleidoscope of addicting melodies and an insuperable groove. Addressing the fact that, at times, relationships can feel almost synthetic. Ravaged by choking intensities, cultivating a wonder into where true intentions lie. There are rumours that the band spawned from a lab, after test tubes of a viscous jazzy substance and punky microbes, discovered from the cosmos, got mixed up in one of David Bryne’s old microwaves. | 1:48:17 (Pop-up) | ||||
Donzii | Mines | Mines 12" | Grey Market Records | 2018 | Miami’s Donzii is a time-bending, post-punk vision: a unity of go-hard industrial bangers, darkly ambient balladry, and new takes on the funk traditions of No Wave. Whether on stage or on record, Donzii's music is heavily evocative of the heat, humidity, music blasting out of car windows, push-and-pull between development and natural beauty, and the slightly enigmatic vibes of Miami. Both Fuller and Balfe agree. "Miami is a tropical paradise in peril," says Balfe. "This reality shades my creative output with heavy references to time, death, decay and opulence as diversion from truth.Whether on stage or on record, Donzii's music is heavily evocative of the heat, humidity, music blasting out of car windows, push-and-pull between development and natural beauty, and the slightly enigmatic vibes of Miami. Both Fuller and Balfe agree. "Miami is a tropical paradise in peril," says Balfe. "This reality shades my creative output with heavy references to time, death, decay and opulence as diversion from truth." | 1:52:47 (Pop-up) | ||||
Sounds Of The Ocean | Beach Sounds | Ocean Sounds | Sounds Of The Ocean | 2016 | 1:56:17 (Pop-up) | |||||
DAMEFRISØR | 2-HEH-V | Do You Think I'm Special?/2-HEH-V | Permanent Creeps Records | 2022 | Forming at a Bristol club night in 2019 with a collective appreciation for all things shoegaze, DAMEFRISØR bring bags of driving rhythms and swirling guitars. They are Kazhi Jahfar (Vocals) Nyle Dowd (Drums) Garin Curtis (Guitar) Jamie Brown (Guitar) and Sam Nobbs (Synth). Forming at a Bristol club night in 2019 with a collective appreciation for all things shoegaze, DAMEFRISØR bring bags of driving rhythms and swirling guitars. They are Kazhi Jahfar (Vocals) Nyle Dowd (Drums) Garin Curtis (Guitar) Jamie Brown (Guitar) and Sam Nobbs (Synth). | 1:59:48 (Pop-up) |
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Listener comments!
DJ Babs:
Scott67:
🍻😎🤙💨🍺🍺☀️🌏🍁❤️❤️
DJ Babs:
Scott67:
ultradamno:
Mr Fab:
Krys O.:
Feldy:
DJ Babs:
Matt from Body Breaks:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Feldy:
Derek Westerholm:
DJ Babs:
Matt from Body Breaks:
Mr Fab:
Tyler:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
DJ Blush:
Matt from Body Breaks:
Yeah, my whole block is down.
Tyler:
DJ Blush:
DJ Babs:
Derek Westerholm:
Tyler:
Derek Westerholm:
DJ Babs:
Matt from Body Breaks:
Tyler:
DJ Babs:
Alli B:
DJ Blush:
Tyler:
DJ Blush:
DJ Babs:
Matt from Body Breaks:
Alli B:
DJ Babs:
Tyler:
Tyler:
Tyler:
Matt from Body Breaks:
VinylVillainSean:
Tyler:
Tyler:
DJ Babs:
Mr Fab:
VinylVillainSean:
DJ Blush:
Alli B:
DJ Blush:
Tyler:
Mr Fab:
Tyler:
ultradamno:
DJ Blush:
DJ Babs:
Mr Fab:
Tyler:
DJ Blush:
ultradamno:
DJ Blush:
DJ Babs:
DJ Blush:
DJ Blush:
Tyler:
I suppose on guitar with some precise technique on where you place your fingers on the space between the frets you could manage some microtones without changing the standard tuning.
DJ Babs:
Derek Westerholm:
Tyler:
DJ Babs:
ultradamno:
DJ Blush:
VinylVillainSean:
Tyler:
DJ Blush:
DJ Blush:
DJ Blush:
Mr Fab:
What happened to the old one? (Sorry)
I did the Ostrich Tuning on the ol gee-tar - top 3 strings tuned to E, bottom 3, all Es an octave higher. Perhaps not surprisingly, it sounded just like Sonic Youth.
DJ Babs:
Tyler:
VinylVillainSean:
Tyler:
?:
Tyler:
egould:
VinylVillainSean:
Derek Westerholm:
DJ Blush:
Derek Westerholm:
magneticallystripedmeme:
magneticallystripedmeme:
Derek Westerholm:
VinylVillainSean:
egould:
DJ Blush:
Tyler:
Derek Westerholm:
Tyler:
Someone shoulda sampled that for their pop 'n lock project...
magneticallystripedmeme:
VinylVillainSean:
ultradamno:
Tyler:
ultradamno:
DJ Babs:
DJ Babs:
Matt from Body Breaks:
magneticallystripedmeme:
magneticallystripedmeme:
VinylVillainSean:
DJ Babs:
Derek Westerholm:
magneticallystripedmeme:
DJ Babs:
egould:
DJ Babs:
DJ Babs:
Derek Westerholm:
egould:
Derek Westerholm:
Tyler:
VinylVillainSean:
DJ Babs:
DJ Babs:
Tyler:
Derek Westerholm:
Tyler:
DJ Blush:
magneticallystripedmeme:
Tyler:
magneticallystripedmeme:
Tyler:
DJ Babs:
DJ Babs:
DJ Babs:
Tyler:
VinylVillainSean:
You two always play the best killer cuts
DJ Babs:
Derek Westerholm:
VinylVillainSean:
VinylVillainSean:
DJ Blush:
VinylVillainSean:
Already feeling better.
Derek Westerholm:
Tyler:
DJ Blush:
VinylVillainSean:
@tyler im totally going to do that after I fetch my laundry in a second
Tyler:
Tyler:
DJ Babs:
DJ Blush:
DJ Babs:
DJ Babs:
Tyler:
VinylVillainSean:
DJ Babs:
Tyler:
VinylVillainSean:
DJ Blush:
Derek Westerholm:
Tyler:
DJ Babs:
Tyler:
Tyler:
DJ Blush:
DJ Babs:
Derek Westerholm:
DJ Blush:
Tyler:
Derek Westerholm:
ultradamno:
Tyler:
egould:
DJ Blush:
Tyler:
ultradamno:
egould:
Tyler:
VinylVillainSean:
DJ Babs:
ultradamno:
DJ Babs:
Tyler:
DJ Babs:
Tyler:
DJ Blush:
DJ Babs:
DJ Babs:
Tyler:
Scott67:
🍻😎🤙💨🦠🦑🦠🦞🦠🦠
Tyler:
VinylVillainSean:
ultradamno:
Derek Westerholm:
Tyler:
Tyler:
DJ Blush:
Tyler:
DJ Babs:
Tyler:
Scott67:
😎🤙💨🌻
Derek Westerholm:
ultradamno:
Tyler:
DJ Babs:
Scott67:
DJ Babs:
Derek Westerholm:
Tyler:
ultradamno:
Tyler:
egould:
Tyler:
egould:
DJ Blush:
Scott67:
🍻😎🤙💨🍺🍺❤️❤️🌏
VinylVillainSean:
ultradamno:
Tyler:
savino:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
DJ Babs: