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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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July 14, 2022: Various Assortments: inc. Ghosts, Brains, Robots, Radishes
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
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Music behind DJ: Sounds Of The Ocean |
Beach Sounds |
Ocean Sounds |
Sounds Of The Ocean |
2016 |
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Barry Adamson | 007, A Fantasy Bond Theme | Soul Murder | Mute | 1992 | Monty Norman, the British composer who wrote the theme tune for the James Bond films, passed away this Monday July 11 at the age 94. Bond producers "hired composer John Barry to rearrange the theme, and Barry was widely assumed to have written it — to Norman's chagrin. Barry, who died in 2011, went on to compose scores for almost a dozen Bond films, including Goldfinger and You Only Live Twice. Norman went to court to assert his authorship, suing the Sunday Times newspaper for libel over a 1997 article asserting the theme was composed by Barry. He won in 2001 and was awarded $46,300 Cdn in damages." ////// As for this version... Instead of playing the widely known original composition, we decided it might be interesting to play Barry Adamson's excellent take on it. Once a member of Magazine, Visage and Nick Cave & The Bad Seeds, Barry Adamson has gone on to a career of making solo albums, often with heavy nods to the cinematic world. He also contributed music to several soundtracks & is also known as a writer, photographer and filmmaker. barryadamson.com /// and also /// Barry Adamson Bandcamp | 0:00:13 (Pop-up) | |
Music behind DJ: Barry Adamson |
The Adamson Family |
Soul Murder |
Mute |
1992 |
"Barry Adamson has been creating all of his life. Brought up in Manchester’s Moss Side, Adamson learnt to play the bass overnight for Magazine, Manchester’s most influential band of that era. When they disbanded, five albums later in 1981, his singular style was spotted by The Birthday Party, with whom he played several times. His establishment as a solo artist came after a three-year stint with Nick Cave & the Bad Seeds with the release of his classic first solo album, Moss Side Story – the ultimate soundtrack to an “imaginary film” – which raised Adamson’s name as a composer of diverse complexity; able to tell a story with music, where the images were those supplanted in the minds of the listeners. Adamson has worked with some of the film industry’s most intriguing mavericks including Derek Jarman (The Last of England, 1987), David Lynch (The Lost Highway, 1997), Oliver Stone (Natural Born Killers, 1994) and Danny Boyle (The Beach, 2000)." barryadamson.com /// and also /// Barry Adamson Bandcamp |
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Music behind DJ: Barry Adamson |
Cool Green World |
Soul Murder |
Mute |
1992 |
"Adamson was born June 11, 1958 in Moss Side, Manchester, England to a white mother and a black father. He read comic books from an early age. At school he immersed himself in art, music and film and produced his first song - "Brain Pain" - at the age of 10. His diverse musical tastes range from Alice Cooper to Motown to David Bowie." barryadamson.com /// and also /// Barry Adamson Bandcamp |
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Sprints | I'm In A Band | A Modern Job EP | Nice Swan | 2022 | Poignant and political, embittered and abrasive, Sprints are a band right at the heart of Dublin’s ever-growing punk and post-punk scene, a gloriously stark evisceration of politics and exploration of the personal. For frontwoman Karla Chubb, who’s been part of the Dublin music scene in various guises for years, the band represent a whole lot more than just the music: they’re a deep-dive into the issues that strike her, and a form of stark, loud therapy best performed on a stage. | 0:09:54 (Pop-up) | |
Surfbort | Hippie Vomit Inhaler | Bort To Death | Hozac | 2017 | Heard most commonly in the Beyonce song "Drunk in Love", Surfbort is a sexual position where a male lays in the tub with his knees bent. The woman straddles him with her back towards him so she can ride his dick by holding onto his thighs, much like holding onto a surfboard and bobbing through the ocean. Surfbort was formed in 2014 by lead singer Dani Miller when she was at a gig looking for acts to perform.[5] The group got their name from the Beyoncé song "Drunk in Love."They began releasing music with the single "Trash" in 2015, followed by their self-titled debut EP on Slope Records. The band have toured Europe/UK/Australia twice and done several tours around the US and Canada. Among others they have played/toured with Idles, Interpol, Wolf Alice, Amyl and the Sniffers, Black Lips, Tropical Fuckstorm, Iceage, and Starcrawler. | 0:12:37 (Pop-up) | |
ShitKid | Sugar Town | Fish | PNKSLM Recordings | 2017 | Hailing from the north of Sweden, 24 year old Åsa Söderqvist, who now goes by the name of ShitKid is...ShitKid. Shitkid is English for ‘skitunge’ which is a tale parents used to tell to scare their children away from playing rock music – like a boogey-man! She is very influenced by the White Stripes...which I guess we kinda hear but actually we like ShitKid more! | 0:14:01 (Pop-up) | |
Cumgirl8 | Waffles | Cumgirl8 | Muddguts Records | 2020 | We've played Cumgirl8 before and we love them! "It's a play on, like, erotic screen-girl names. That's exactly what it is. It's kind of reimagined, 21st century Madonna. She'd probably be a cumgirl8....You want to listen to us when you feel something that makes you want to do something. I like the idea of it all being erotic, but you know what? People don't always feel that way. Our sound is very punk. We are working on a zine right now that explains what cumgirl8 is. Because it's not really a person, it's like an alternate reality that you are only allowed to experience it if you are granted to go there. It's like an alternate, trance, space world that incorporates art and alternate reality in the 21st century. And the music just comes along with whatever it is. Cumgirl8 is always transforming it's music and it's a lifestyle. It's not something that will ever be defined by anything. It has no boundaries of what it is." | 0:16:40 (Pop-up) | |
The Black Lagoons | Big Brains | The Big Rock Candy Mountains | The Black Lagoons | 2022 | The Black Lagoons are a Leeds based band, creating an unknown world of twisted, dark, spaghetti garage. The sound spans across genres and is travelling forward, on a freight train through Dixieland. Influences from Link Wray, The Gun Club and The Cramps combine to give an intense live performance...otherwise not much is said about this most excellent band on the interwebs! They have released 3 eps and Big Rock Candy Mountains is their latest... | 0:19:14 (Pop-up) | |
Music behind DJ: Mamman Sani |
Ci Da Dy |
Taaritt (1985-1988) |
Sahel Sounds |
2014 |
As a young man, Mamman became a functionary for UNESCO, during which he traveled to Japan and Europe. During one of the UNESCO meetings, a delegate from Rwanda had brought along his Italian “Orlo” organ. Mamman was captivated by the sound and convinced him to sell it. “It was possibly the first Organ in Niger,” he explained. He began to compose songs on the organ. Many of these songs were interpretations of Niger folkloric classics. His first and only album was recorded in 1978. Mamman stepped into the studio of the National Radio with his organ, where it was transposed and overdubbed in two takes. There were only 100 original copies of the release on cassette. |
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Music behind DJ: Mamman Sani |
Zara Zarakoy |
Taaritt (1985-1988) |
Sahel Sounds |
2014 |
0:27:00 (Pop-up) |
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Dummy | Mono Retriever | Mono Retriever (Single) | Subpop | 2022 | "Dummy follows up their debut LP "Mandatory Enjoyment" with two songs for the Sub Pop Singles Club. The A-Side, "Mono Retriever" is a baroque-drone-pop rager that imagines what a punk Free Design song might sound like. The lyrics criticize the corporate greenwashing and dishonesty at the root of ecological devastation." The band describe themselves as such: "Dummy is five people in Los Angeles making music informed by motorik pulse and minimal composition like the Velvet Underground and Cluster before them. "Making music shouldn't be fun."" They have upcoming shows starting tomorrow, July15 @ Wise Hall, Vancouver, BC; and then extensively through the U.S., and a visit in Sep. to Spain & the U.K. Dummy Tour Dates 2022 | * | 0:31:22 (Pop-up) |
Stereolab | Robot Riot | Pulse Of The Early Brain [Switched On Volume 5] | Warp / Duophonic UHF Disks | 2022 | Stereolab have announced the fifth installment in their Switched On compilation series, Pulse of the Early Brain [Switched On Volume 5]. It will be out on September 2 via Warp in a variety of formats, including a mail order/lottery edition which contains the compilation on Duophonic UHF disks." The band have shared a "previously unreleased track called “Robot Riot,” which was originally written for a Charles Long sculpture. Stereolab previously collaborated with Long for 1995’s Music For The Amorphous Body Study Center." | * | 0:34:07 (Pop-up) |
NEU! | Super | Neu! 2 | Astralwerks / Grönland | 1973 / 2001 | "Neu! 2 is the second studio album by the krautrock band Neu!. Side 2 of the record caused consternation at the time. Neu! had quite simply run out of money to finish recording the album, so the second side consists entirely of their previously released single "Neuschnee/Super", manipulated at various playback speeds on a record player, or mangled in a cassette recorder. Critics at the time dismissed this as a cheap gimmick and a rip-off. While it was indeed an experiment born of desperation and necessity, it was entirely in keeping with Neu's pop art aesthetics, taking a "ready-made" sound object and re-presenting it with a series of stylized manipulations, and also quite in keeping with the way Neu's music deconstructed and pared down the form of rock music. Dinger subsequently pointed to side 2 as being a prototype of the now ubiquitous multiple remixes which typically accompany any pop single release." | 0:37:01 (Pop-up) | |
Automatic | Teen Beat | Excess | Stones Throw Records | 2022 | "Automatic is the trio of Izzy Glaudini (synths, lead vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals). Their new album is Excess. Automatic’s second album Excess rides the imaginary edge where the ‘70s underground met the corporate culture of the ‘80s – or, as the band puts it, “That fleeting moment when what was once cool quickly turned and became mainstream, all for the sake of consumerism.” Using this point in time as a lens through which to view the present moment, Excess takes aim at corporate culture and extravagance. The overarching themes of alienation and escapism emerged as Automatic put Excess together, taking writing retreats to flesh out the new songs before decamping to the studio for sprint recording sessions with producer Joo Joo Ashworth (Sasami, FROTH)." Fun fact: Lola Dompé is the daughter of Bauhaus and Love & Rockets drummer Kevin Haskins. Automatic Bandcamp | * | 0:40:10 (Pop-up) |
Orchestre Tout Puissant Marcel Duchamp | Beginning | We're OK. But We're Lost Anyway | Bongo Joe | 2021 | This is a band from Geneva, Switzerland. "Founded in 2006 by Vincent Bertholet (Hyperculte), the Orchestre Tout Puissant Marcel Duchamp is a large-scale project. Designed as a real orchestra, the size of the ensemble has varied over time. Now with 12 members, 14 in the past or 6 at the beginning, the ensemble has scoured the stages of Europe to demonstrate that the formula "the more the merrier" has never been more true than on stage... We're OK. But We're Lost Anyway [is the] fifth opus of the band. Built around twelve musicians, extirpated from their respective biotope, it develops a repetitive musicality which, deployed in successive waves, creates a feeling of trance. Mixing free jazz, post punk, high life, brass band, symphonic mixtures and kraut rock, their sound only goes beyond the limits of genre. Transcendental, almost ritualistic, the music is coupled with powerful lyrics, declaimed in rage against a world that is falling apart." orchestretoutpuissantmarcelduchamp.bandcamp.com/ * Extra note to Toronto ppl - they are playing tomorrow, Fri Jul 15, w/ Sam Shalabi at 918 Bathurst Centre for Culture, Arts, Media & Education. | 0:43:37 (Pop-up) | |
Music behind DJ: Tumi Mogorosi |
Walk With Me |
Group Theory: Black Music |
Mushroom Hour Half Hour/New Soil |
2022 |
"Group Theory: Black Music is a stunning new statement from South African drummer and composer Tumi Mogorosi... As Mogorosi’s first project as leader since 2014, Group Theory: Black Music marks a return to the drummer’s musical roots. The sound is anchored in the transnational tradition of Great Black Music, with the core of the group comprising a quintet of newcomers Tumi Pheko (trumpet) and Dalisu Ndlazi (bass) alongside the experienced guitarist Reza Khota, with Mogorosi himself and altoist Mthunzi Mvubu, another Ancestors member, representing the current generation of South Africa’s creative music torchbearers... But where Group Theory: Black Music moves an established format dramatically forward is in the addition of a ten-person choir. Conducted by Themba Maseko, their massed voices soar powerfully above every track as a collective instrument of human breath and body, and enter the album into the small but significant number of radical recordings to have used the voice in this way, such as Max Roach’s "It’s Time", Andrew Hill’s "Lift Every Voice", Billy Harper’s "Capra Black", and Donald Byrd’s "I’m Trying To Get Home". At the same time, the presence of this wall of voices brings an inextricable connection to the venerable tradition of South African choral music, and to the importance that the Black choir has had for South Africa’s religious, political and social cultures, including the culture of South African creative music itself. ‘I started out in a choir’, says Tumi, as he reflects on the significance of Black voices in concert. ‘There’s this idea of mass, of a group of people gathering, which has a political implication. And the operatic voice has both a presence, and a capacity to scream, a capacity for affect. The instrumental group can sustain the intensity of that affect, and the chorus can go beyond improvisation, toward communal melodies that everyone can be a part of.’" tumimogorosi.bandcamp.com |
* |
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The World | White Radish | Reddish | Lumpy Records | 2019 | Oakland’s The World is a hard band to put your finger on. Are they a post-punk band? Yes definitely, but there is so much more going on than just that. Comprised of members from a slew of other Bay Area bands such as The Rays, Naked Roommate, Blues Lawyer, and Andy Human & the Reptoids... Fans of Lithics, Uranium Club and other squirm punk take notice. Obvious comparisons to X-Ray Spex and Au Pairs will fly around with the wailing saxophone and off-kilter guitars... With notes of ESG, Wire and Delta 5... A fine musical bouquet indeed! | 1:02:06 (Pop-up) | |
Moreish Idols | Hangar | Hangar Single | Speedy Wunderground | 2022 | Moreish Idols’ sound has an art-rock punk aesthetic going on, while the members also cite funk and dub as influences. "Hangar," the new single from London band Moreish Idols, is an exercise in tension and release. Jude Lilley delivers his lyrics in half-rapped style, shooting from the hip about "cursed collateral" as he assesses the cultural landscape and sneers at a world of pop culture that does nothing to move him while trying to find a way to change it. | * | 1:04:44 (Pop-up) |
Delivery | Personal Effects | Personal Effects/The Topic | Feel It | 2022 | Following on from the release of the Yes We Do 7” in June, Delivery are back with ‘Personal Effects/The Topic’, a double single release that continues to expand on the group’s razor-sharp blend of garage, post-punk and new-wave pop...Across these tracks, programmed beats and synths make way for heaving live drums, relentless guitar interplay and left-of-centre saxophone bursts. They are from Melbourne. | * | 1:08:28 (Pop-up) |
Bingo Fury | Happy Snake | Happy Snake Single | Ra-Ra Rok Records | 2021 | Bingo Fury: the beat generation meets Throbbing Gristle...comprised of one person, that being Jack Ogborne of post-punk jazz outfit Norman. Of this project he says..."it sounds like Throbbing Gristle mixed with The Strokes doing James Chance...Yeah it feels different as it’s essentially a character; it’s more detached from individuals and feels slightly separate to me. I felt it was an exciting way of changing things up and it’s cool to have the creative output where we can really focus on the visual aesthetic too; we wanted to play around with the format, take us somewhere we weren’t familiar with in the form of a character.” | 1:12:28 (Pop-up) | |
Music behind DJ: African Head Charge |
Off The Beaten Track |
Off The Beaten Track |
On-U Sound |
1985 |
African Head Charge is a psychedelic dub ensemble active since the early 1980s.The group was formed by percussionist Bonjo Iyabinghi Noah,and featured a revolving cast of members, including Prisoner, Nick Plytas, Crocodile, Junior Moses, Sunny Akpan, Skip McDonald, and Jah Wobble. The group released most of its albums on Adrian Sherwood's label, On-U Sound. Journalist David Stubbs, writing in The Wire, said, "The notion of African Head Charge was hatched when Adrian Sherwood read Brian Eno's comment about his vision for a 'psychedelic Africa' |
1:14:16 (Pop-up) |
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Music behind DJ: African Head Charge |
Some Bizarre |
Off The Beaten Track |
On-U Sound |
1985 |
1:19:03 (Pop-up) |
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Gilla Band | Eight Fivers | Most Normal | Rough Trade | 2022 | Gilla Band, the group formerly known as Girl Band, have announced a new album titled Most Normal. It’s set for release on October 7 via Rough Trade. To accompany the announcement, they’ve shared a video for the lead single ‘Eight Fivers’. “’Eight Fivers’ is about 40 quid. It’s about being out of touch with modern circumstances while feeling socially limited,” frontman Dara Kiely explained in a statement. “Never fitting in and kind of proud of it. Stuck with what I have and happy for it. Being grateful and not fashionable, self-conscious and too aware of what is lacking. Accepting that jealousy played a big role in my life but trying not to feed into it.” Most Normal marks Gilla Band’s third album, following 2019’s The Talkies. lt was produced, recorded, and mixed by the band’s Daniel Fox at Sonic Studios and their rehearsal place. | * | 1:22:25 (Pop-up) |
Sods | Ghost Rider | Minutes To Go | 1979 | Cover of the Suicide song. (Rev/Vega.) Sods was formed in Copenhagen, 1977. The original lineup consisted of: Steen Jørgensen (vocals), Peter Schneidermann (guitar; better known as Peter Peter), Knud Odde (bass) and Tomas Ortved (drums). The band released their first studio album Minutes to Go in February 1979 which is considered the first Danish punk album. They went on to release Under en sort sol in 1980, a more experimental album, influenced in part by Joy Division, Pere Ubu and Television. T. S. Høeg (saxophone) entered the group for a short while in late 1980. In 1981 the group released their first single under the name Sort Sol. | 1:24:46 (Pop-up) | ||
Anna Calvi | Ain't No Grave | Tommy (EP) | Domino | 2022 | Anna Calvi had scored the last two seasons (5 & 6) of UK show Peaky Blinders. The Tommy EP collects four of the songs that have been nestled within the other compositions in the show. The EP includes a cover of “Red Right Hand” - the Peaky Blinders theme song by Nick Cave & The Bad Seeds, a cover of Bob Dylan’s “All The Tired Horses” as well as original songs by Calvi, “Burning Down” & "Ain't No Grave... Shortly after Calvi began work on the season 6 score, she became pregnant with her first child. With the ongoing pandemic, she had to devise a new way to record with other musicians under strict restrictions in London. Calvi also decided to bring in frequent collaborator Nick Launay – producer of her third studio album Hunter as well as albums by Nick Cave and the Bad Seeds, Yeah Yeah Yeahs, Grinderman and IDLES – to work alongside her. Anna continued working on the score until the night before the birth of her son Elio in November 2021, before swiftly returning to work and racing to finish the whole score as the season’s first record-breaking episode aired all whilst in the early stages of motherhood and adjusting to her new life." | * | 1:29:49 (Pop-up) |
Spacemen 2 | Losing Touch With My Eyes | Spacemen 333 | Unknown | 2019 | It seems details are scarce on this project, which seems to be available only on streaming services. The band name & album name do bring me a certain amount of joy, though. This song, seemingly, a reference to Spaceman 3's "Losing Touch With My Mind", though it doesn't resemble it much in any other way. But definitely there is a kinship. | 1:33:45 (Pop-up) | |
Water From Your Eyes | My Love's | Structure | Wharf Cat Records | 2021 | "Influenced by Scott Walker’s sole 80s release, Climate of Hunter, and the echoing works of the color-field painter Mark Rothko, Structure’s cavernous dance pieces serve as the hypnotic bedrock between spoken-word monologues, cinematic numbers, and an ostensibly cheery opener. The seven-minute-long epics “My Love’s” and “Quotations” are sprawling and borderline excruciating, with both tracks deploying sawtoothed loops and grooves capable of hypnotizing even the most passive of listeners. Like Rothko’s contradictory depiction of the static and kinetic, Water From Your Eyes invite listeners to chip away at Structure’s stoic facade, to take a closer look at its detailed handiwork and trace the cracks in the mirror." Water From Your Eyes (Bandcamp) | 1:38:15 (Pop-up) | |
Music behind DJ: Noori & His Dorpa Band |
Wondeeb |
Beja Power! Electric Soul & Brass from Sudan's Red Sea Coast |
Ostinato |
2022 |
"Noori was 18 when he crafted the tambo-guitar, a hybrid instrument that combined a tambour (a stringed lyre also known as the krar) with an electric guitar he found in a junkyard. With it, he envisioned keeping Beja music alive, something that was difficult in his home country of Sudan when the former Head of State, Omar al-Bashir, made deliberate efforts to erase the Beja peoples’s culture and deny them their rights. Since the 1989 military coup that led to his rise in power, the government has closed down the nation’s music halls, forbade the creation and consumption of music, with the exception of songs that explicitly glorified Islam or war; and facilitated the imprisonment, torture, and murder of artists. Fearing for their safety, many Sudanese musicians fled the country altogether, prompting a nationwide decline in popular music that’s persisted to this day. Sudanese music has always been intertwined with politics and social change, and Beja Power! Electric Soul & Brass from Sudan’s Red Sea Coast follows that lineage. While it’s an entirely instrumental record, Noori believes that bringing this music out into the world can “form the most potent act of resistance,” moving in lockstep with Beja activists’s ongoing cries for justice." |
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Basking Sharks | Croatia | Electrical Language (Independent British Synth Pop 78-84) | Cherry Red | 2019 | Basking Sharks were a synthesiser band that formed in 1980. Members Adrian Todd, Ged McPhail and Martyn Eames toured extensively throughout the UK. They used a variety of home-made electronic instruments supplemented by second hand synths that had been customised to provide unique sounds. On stage they always played “live” without the use of backing tracks. Their stage act included a slide show, films and computer visuals synced into the stage performance. They supported John Peel at a Lancaster gig which prompted him to invite them to record at Maida Vale for his radio show. They disbanded in 87, but occasionally reform... | 1:52:10 (Pop-up) | |
The Electric Chairs | So Many Ways | So Many Ways - Single | Safari Records | 1979 | Yes...that Electric Chairs. Post Wayne County's departure, the remaining members hit the studio with David Cunningham, producer of the Flying Lizards. After rehearsing with a few singers, none of which were suitable, the trio decided to go into the studio and record some tracks with Cunningham as producer. The result was the "So Many Ways" / "J’Attends Les Marines" 45, released in November 1979 by Safari Records. Here, Cunningham applied his most experimental production techniques, using electronic treatments on drums, rhythms and vocals. | 1:55:30 (Pop-up) | |
Peeping Drexels | High Heels | High Heels Single | Brace Yourself Records | 2021 | South London’s Peeping Drexels ooze a sleaziness once only fabricated in poorly insulated basements in the Lower East Side circa 1970. “High Heels is a dimly lit journey through the narrow corridors and backrooms of a twisted underground club, all whilst under the influence of an unknown substance. Cinematic inspirations are scattered throughout the lyricism, from ‘Salò’ to the opening scene of ‘Blade’, dropping the listener into a world of sweaty strobe lights and high-class hedonism. | 1:58:37 (Pop-up) | |
Music behind DJ: Sounds Of The Ocean |
Beach Sounds |
Ocean Sounds |
Sounds Of The Ocean |
2016 |
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Escape-Ism | Suffer No Fool | Rated Z | Radical Elite Records / Mono-Tone Records | 2021 | "We're all trapped. Trapped in a culture of consumption, where the more we shop and consume to escape our loneliness and alienation, the more we find we’re weighed down by our chains. Ian Svenonius has been telling us this much for decades - first as the vocalist for Washington DC anarcho-punk dandies Nation Of Ulysses, and then with the revolutionary rock and soul of The Make-Up, before going on to The Scene Creamers, Weird War, Chain & The Gang and other projects, including his books The Psychic Soviet and Supernatural Strategies For Making A Rock ‘N’ Roll Group. Taking its name from a 1971 single by long-time inspiration James Brown, Escape-Ism is Svenonius's latest incarnation. And while his previous solo album, 2001's brilliant Play Power (released under the pseudonym of David Candy) was created with the help of collaborators, on Introduction To Escape-Ism solo means solo. This is Svenonius with just an electric guitar, a microphone, an analogue-sounding drum machine and a tape deck, creating the rawest and most stripped-back manifestation of his singular muse to date." | 2:04:34 (Pop-up) |
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Tyler:
Derek Westerholm:
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Scott67:
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Tyler:
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Those Bingo worshippers can be a superstitious lot :)
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Tyler:
ultradamno:
DJ Babs:
Derek Westerholm:
Tyler:
Derek Westerholm:
ultradamno:
Tyler:
ultradamno:
Tyler:
Derek Westerholm:
Derek Westerholm:
Tyler:
DJ Babs:
Tyler:
ultradamno:
Tyler:
DJ Babs:
DJ Babs:
DJ Babs:
Tyler:
ultradamno:
ultradamno:
Scott67:
Tyler:
Scott67:
ultradamno:
Scott67:
DJ Nico:
Tyler:
ultradamno:
Tyler:
DJ Babs:
ultradamno:
Tyler:
DJ Babs:
Tyler:
DJ Babs:
Richington:
Derek Westerholm:
DJ Babs:
ultradamno:
Richenton:
Hi Babs!
Hi everybody!
DJ Nico:
Alli B:
Tyler:
WR:
Tyler:
Tyler:
Thanks for hanging out Beachers!
Tyler:
Rich:
DJ Babs:
DJ Babs:
Mr Fab:
Scott67:
🍻😎🤙🍁❤️❤️
Rich:
Derek Westerholm:
Your Pretend Boyfriend:
DJ Babs:
Scott67:
🍻😎🤙📱