View Derek Westerholm's profile | |
View DJ Babs's profile |
Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
<-- Previous playlist | Back to Transmissions from Echo Beach with Derek Westerholm and DJ Babs playlists | Next playlist -->
Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
---|---|---|---|---|---|---|---|
Sounds Of The Ocean | Beach Sounds | Ocean Sounds | Sounds Of The Ocean | 2016 | 0:00:00 (Pop-up) | ||
The Cramps | Green Fuz | Psychedelic Jungle | I.R.S. | 1981 | Green Fuz is the opening track from The Cramps' 1981 full-length (w/ Kid Congo Powers in the lineup), and is a cover of the late 1960's band The Green Fuz; from Bridgeport, Texas. The members were Randy Alvey (vocals), Mike Pearce (drums), Jimmy Mercer (rhythm guitar), Les Dale (lead guitar), and R.E. "Buck" Houchins (bass). Alvey and Pearce formed their first group, the Psychedelic Reactions, in 1967; after some personnel changes, they became the Green Fuz, named for Dale's green fuzz box. Alvey, Pearce and Houchins were later involved in another group, Natchez. Apparently, The Cramps were careful to match the timing of their recording of “Green Fuz” to that of the original song (2:06) | 0:00:27 (Pop-up) | |
Music behind DJ: We've Got A Fuzzbox And We're Gonna Use It with Tank, Ted and Rob |
"Fuzzy Faves" "Sitting In The Back Seat"; Itsy Witsy Teeny Weeny Yellow Polka Dot Bikini; Kookie Kookie |
The Vindaloo Summer Special Starring The Nightingales, Ted Chippington, We've Got A Fuzzbox and We're Gonna Use It |
Wea |
1986 |
Usually we feel terrible when we speak over songs, but this might be an exception, super (hopefully intentionally so) cheesy covers of songs that were mostly novelties to begin with... "Sitting In The Back Seat" Written By: Hilliard, Pockriss --- "Itsy Witsy Teeny Weeny Yellow Polka Dot Bikini" Written By: Pockriss, Vance --- "Kookie Kookie" Written By: Taylor |
0:02:28 (Pop-up) |
|
Pánico feat. Crazy Girl | Transpiralo | Sublminal Kill | Tigersushi | 2010 | Pánico [1 began in France, where Eduardo Edi Pistolas (Spanish for Edi Pistols), a Chilean living in France, met Caroline, Carolina tres estrellas (Three Stars Caroline), a schoolmate. After being in other bands like La Meta al Cielo and Bolero Boys, they traveled to Chile where they recruited Cristóbal, or Juanito Zapatillas (Sneakers Johnny), and Sebastián, or Tatán Cavernícola (Caveman Tatán) Panico‘s music says, “Fuck aloofness.” Operating from Paris, the decade-old Panico‘s sawtooth sleeze draws on Os Mutantes, ESG, and The Stooges. And Subliminal Kill-featuring production assistance from Super_Collider‘s Cristian Vogel and Tigersushi‘s Joakim-is the electrofied strut of 21st century street walkin‘ cheetahs, especially the skuzzy, cowbell-pocked come-on “Transpiralo” (feat. Crazy Girl). Fans of The Rapture, Bloc Party, and Los de Abajo will especially want to take note | 0:05:42 (Pop-up) | |
Aviado Dro | Godzilla - Version 2000 | Opera Cientifica | Aviador Dro | 1999 | Aviador Dro, short for El Aviador Dro y sus Obreros Especializados (Aviator Dro and His Specialized Workers), is a synthpop and electronic music band from Spain, formed in Madrid in 1979. The group was founded by schoolmates Arturo Lanz and Servando Carballar in 1979, when they published an ad in a magazine requesting musicians who liked Throbbing Gristle, Cabaret Voltaire and The Residents to join them. They were part of the Movida Madrileña. In 1982 they created Dro Records, a Spanish independent label. Biovac N (Servando Carballar): Vocals, synthesizer, programming Arcoíris (Marta Cervera): Keyboards ATAT (Ismael Contreras): Keyboards, guitar CTA 102 (Alejandro Sacristán): Vocals Genocider/Genocyber F15 (Mario Gil): Keyboards | 0:09:39 (Pop-up) | |
Mueran Humanos | DEASTRE PERSONAL | DESASTRE PERSONAL - Single | Sterbt Menschen | 2022 | Berlin-based duo Mueran Humanos (or Die Humans) consists of Carmen Burguess (vocals, drum machines, Synths) and Tomas Nochteff (vocals, bass, MPC) who together make propulsive, unfurling Spanish language songs using experimental and avant-garde methods with a punk attitude. Self-proclaimed outsider artists, Mueran Humanos combine electronic noise with raw sounds recorded or borrowed, both heavily processed: “There´s lots of repetition, it’s minimal but psychedelic and aggressive. Jokingly we refer to it as Rock Concrete, referencing musique concrete but without the academic side.” | 0:12:48 (Pop-up) | |
Meruan Humanos | Un Lugar Ideal | Miseress | ATP Recordings | 2015 | Meruan Humanos are originally from Argentina. I think everyday sounds inspire our musical sounds. The idea of synths and electronic music being cold and robotic is very old fashioned, it's basically the '50s idea of the future. It doesn't belong to our age and it has been already perfected by Kraftwerk, which I love but I don't feel the need to follow. What drew me to electronic music was the contrary. For me synths are the instruments that are closer to nature. I give you an example, if you are crossing a park with a bike and the wind is blowing through the trees what you listen at to it's basically the same as an LFO. We live in a fourth floor and in summer I play the Moog and the birds reacted to it in a way they never react to other instruments, it's amazing. | 0:18:04 (Pop-up) | |
Music behind DJ: Duane Eddy |
Bye Bye Blues |
The Roaring Twangies |
Reprise |
1967 |
Duane's Roaring Twangies is a compound of the "new old" sound of the 20's plus the broadside sound of Duane Eddy's fantastic Sixties' guitar! |
0:22:04 (Pop-up) |
|
Music behind DJ: Duane Eddy |
Roarin' |
The Roaring Twangies |
Reprise |
1967 |
This album was produced by Lee Hazelwood. |
0:24:42 (Pop-up) |
|
Music behind DJ: Duane Eddy |
A Happy Girl |
The Roaring Twangies |
Reprise |
1967 |
It is indeed, quite twangy. |
0:27:15 (Pop-up) |
|
Breeze | Ecstasy On Keele Street (A Place To Bury Strangers Mix) | Mixed Up | Hand Drawn Dracula | 2021 | Toronto’s BREEZE (aka Josh Korody) released MIXED UP, a collection of reimagined tracks taken from ONLY UP w/ contributions from A PLACE TO BURY STRANGERS, JFK MSTRKRFT, KOREA TOWN ACID, PRINCE JOSH, WETURNTORED, and ZOON. + Featured on NPR / ALL SONGS CONSIDERED 23/09/2021" (Released Sept 23, 2021) Breeze: Mixed Up (Bandcamp Page) | 0:30:23 (Pop-up) | |
Jesus And Mary Chain | Sidewalking (Extended Version) | Sidewalking 12" | WEA | 1988 | "In 1988, the Reids exhibited an unforeseen influence – hip-hop – on Sidewalking. The standalone single, which reached No 30, sampled the drumbeat from Roxanne Shanté’s Roxanne’s Revenge (part of the infamous Roxanne Wars with the Real Roxanne). At first, the band were unsure whether to put it out under a pseudonym, or even release it at all, given the break from their customary sound, but on the advice of Geoff Travis, they eventually released Sidewalking under their own name. It was the right call, because while the rhythm track was out of left field, it is every inch a Mary Chain classic. In fact the song heralded a more US-friendly sound, which they’d explore further on the album Automatic." | 0:32:34 (Pop-up) | |
Pixies | There's A Moon On | Doggerel | BMG | 2022 | (Half-song alert!) --- Pixies' latest full-length is due September 30, this is the first they have shared from it, as of this week. "“This time around we have grown,” Santiago said. “We no longer have under two-minute songs. We have little breaks, more conventional arrangements but still our twists in there.” Black Francis added: “We’re trying to do things that are very big and bold and orchestrated. The punky stuff, I really like playing it but you just cannot artificially create that shit. There’s another way to do this, there’s other things we can do with this extra special energy that we’re encountering.”" "Doggerel was recorded with producer Tom Dalgety, and, in addition to drummer David Lovering, bassist Paz Lenchantin returns on the new album." --- Editor's note: Since I only played half the song (by mistake) here's the link to the lyric video... PIXIES - There's A Moon On (Official Lyric Video) | * | 0:40:24 (Pop-up) |
Liars | My Pulse to Ponder (P.E.’s I Gotcha! Remix) | My Pulse to Ponder (P.E.’s I Gotcha! Remix) | Mute | 2022 | Released May 6 2022. Radically remixed version of the excellent song from Liars' "The Apple Drop" release | * | 0:42:01 (Pop-up) |
MISZCZYK (feat. Simon Oates) | Immediate Needs | Thyrsis Of Etna | We Are Time Records | 2022 | Yet another exclusive new track from MISZCZYK's soon-to-be released 16-song full-length. There are a host of wonderful & talented contributors, including this track w/ Simon Oates (Panic, Starkweather Fix.) The MISZCZYK album will be released July 15th, 2022 on We Are Time - We Are Time: Bandcamp | * | 0:45:42 (Pop-up) |
Music behind DJ: Neu! (Stephen Morris and Gabe Gurnsey Remix) |
Hallogallo (Stephen Morris and Gabe Gurnsey Remix) |
NEU! 50! |
Grönland Records |
2022 |
From a forthcoming (Sep 23) boxset... "NEU!, the post-Kraftwerk krautrock project led by Michael Rother and Klaus Dinger, is being celebrated with a new box set for the 50th anniversary of their debut album, which was released in 1972. The NEU! 50! vinyl box set will include the group’s first three studio albums — NEU!, NEU! 2 and NEU! 75. The CD version of the boxset will also contain NEU! 86. Both will also be home to a new tribute album that features contributions from the National, Mogwai, Guerilla Toss, Idles, Hot Chip’s Alexis Taylor, and more. New Order/Joy Divison’s Stephen Morris and Factory Floor’s Gabe Gurnsey are sharing their remix of NEU! opener “Hallogallo.” Morris expands on his affection for NEU! in a statement: "I first heard NEU! sometime late in 1972, not long after the first album came out. I think I got it as a birthday present. I was 15 and obsessed with music that was a bit weird and unusual and NEU! in 1972 certainly fit the bill. I’d never heard anything like it. It was absolutely brilliant. From the first few hypnotic seconds of ‘Hallogallo’ I was hooked. I had no idea who Michael Rother and Klaus Dinger were. There were no interviews in the music papers, but the two tiny photos on the back of the bright red sleeve said all I needed to know. The sound they made was very REAL – alive and emotional. Ambient and driving – it was like they were there in my bedroom with me. Needless to say I played the album endlessly on repeat and bored all my friends to death with how brilliant NEU! were. This was the sort of music I wanted to make. 50 years later you can hear their influence everywhere."" groenland.com/product/neui-50 |
* |
0:48:02 (Pop-up) |
Oog Bogo | Plastic | Plastic Single | Drag City | 2022 | Stoned, sunbaked and windburnt music that vibrates on a woozy and wavy, lo-fi plane. The wiggy wanderings of Oog Bogo wind up on the same island of lost joys all at once, manufacturing a virtual jukebox of singles and side flips that won’t unplug, and just keeps reeling and raging on instead. A bright metallurgy of guitar pop, psych, post-punk and apocalypse disco (!!!) emboss the sleek, multicolored flash of Plastic. Oog Bogo are from LA. | 0:56:24 (Pop-up) | |
Party Dozen ft. Nick Cave | Macca The Mutt | Macca The Mutt EP | Grupo Records | 2022 | Party Dozen are a Sydney-based duo made up of Kirsty Tickle on saxophone and Jonathan Boulet on percussion and sampler. They’ve played with artists like Liars, Tropical Fuck Storm, and Viagra Boys. Their music is scraggly and experimental, often mostly instrumental except for the fact that Tickle sometimes sings into the bell of her saxophone and manipulates it with effects pedals. When making “Macca The Mutt,” the two felt there was something missing, and imagined Cave ad-libbing over the end of the track. That was apparently more of a joke, but then somehow it actually happened. As a result, Tickle and Boulet called it “the most powerful track we’ve ever written.” And it is the first Nick Cave track Babs has truly enjoyed. | * | 0:59:25 (Pop-up) |
Oh Sees | Funeral Solution | A Foul Form | Castle Face | 2022 | The first single from "A Foul Form" due to drop in August. The record compiles 10 tracks recorded "tersely" in frontman John Dwyer's basement, and represents some of the band's most "savage & primal instincts." The bandleader further describes the work as "brain stem cracking scum-punk," Elsewhere on the record, fans of Rudimentary Peni, Crass, Bad Brains, Black Flag, Screamers, Abwarts, Stooges and "all things aggressively tilted towards your face" will find something to love, according to Dwyer, who warns: "You can lean back but don't flinch…it's a brief foray into the exhausting pogo pit so stiffen your back and jerk with your knees." | * | 1:03:26 (Pop-up) |
Viagra Boys | Punk Rock Loser | Punk Rock Loser Single | Year 0001 | 2022 | The third single from Viagra Boys upcoming album "Cave World", dropping on July 8th. Touring the world, being loose, running Shrimptech, petting wiener dogs under the influence of research chemicals. The Viagra Boys are truly living their best lives. | * | 1:05:19 (Pop-up) |
Music behind DJ: Link Wray |
Jack The Ripper |
The Rumbling Guitar of Link Wray |
Not Now Music |
2013 |
Duane Eddy had twang but Link Wray had rumble.... |
1:09:18 (Pop-up) |
|
Music behind DJ: Link Wray |
Big City Stomp |
The Rumbling Guitar of Link Wray |
Not Now Music |
2013 |
TWray thus punched holes into his amplifier speakers. The effect was to produce distortion that set the world alight. Kinks guitarist Dave Davies says he used a similar method of vandalism to beef up the group’s guitar sound (this was before the invention of the fuzz box). |
1:11:40 (Pop-up) |
|
Music behind DJ: Link Wray |
Ramble |
The Rumbling Guitar of Link Wray |
Not Now Music |
2013 |
Wray retreated to play redneck bars in the country but re-emerged in the 1970s with an album devoted to his Shawnee identity and later led the rockabilly revival with singer Robert Gordon. “Rumble” was selected as the title of a 2017 PBS documentary about the overlooked influence of Native American musicians on the history of rock and roll. |
1:13:57 (Pop-up) |
|
Strange Attractor | Real Dark Place | Back To The Cruel World | Mammoth Cave Recording Co. | 2013 | "(Sudbury's) Jeff Houle wrote, recorded and played all the instruments on all the Strange Attractor albums including Back to the Cruel World. The band established a presence in Europe, where they do most of their touring and punk bands hold celebrity status. He’s a one-man show in the recording studio, but when it comes time to perform live, he’s joined by his brother, Mitch Houle, along with Andrew Seaton and Eric Hoop, whether it’s a bar in Sudbury or “punk squat” in Germany. Performing together is something the Houle brothers and Seaton did for years when they were known as the Statues." Strange Attractor Bandcamp | 1:15:14 (Pop-up) | |
Rick White | A Simple Aspiration | Rick White plays The Sadies (2022) | Rick White Archive / Bandcamp | 2022 | From Rick White: "I love the Sadies. I love the guys, their big loving family, seeing them play, playing with them in the Unintended or as a guest during one of their concerts. I also think they made a bunch of great albums with many wonderful songs and lyrics. I've been actually planning this project for many years but the shock of Dallas's sudden passing we all experienced in February has finally set me into motion. So now, as a loving tribute to Dallas and the guys, i'm recording a bunch of my favourite Sadies songs. Both to help me deal with some things, and just to share with you all who may enjoy hearing it too. It's been a great way to really get inside of the lyrics and guitar playing a lot deeper. Instead of waiting for a full albums worth of songs to be complete, i've decided to upload them here in clumps. Adding more tunes every so often until the 14 i've got planned have been finished. Thanks for listening, hope you dig it. Long live The Sadies." -- First two tracks released May 6, 2022, this one is more recent, 5 in total have been released at this point. Rick White Archive (Bandcamp) / Rick White plays The Sadies (2022) | * | 1:17:04 (Pop-up) |
The Calrizians | Tattoo It On Your Forehead | But Wait... There's More! | Bandcamp | 2017 | We saw them last week at the Linsmore Tavern in Toronto & they were fantastic! "country rock soul surf Toronto" The Calrizians Bandcamp | 1:19:38 (Pop-up) | |
Big Rig | Happy Song | Big Rig | Peaceful Tapes | 2022 | This debut album will be released June 24, the first single was released last Fri (Jun 3.) This is one of the yet-to-be released songs. "In the early pre-pandemic months of 2020, The Courtneys wrapped up the recording of their latest (as yet unreleased) album. Drummer/singer Jen Twynn Payne had time on her hands, and decided to teach herself how to play guitar. While jamming with Geoffo Reith, a skilled banjo picker and her cousin-in-law, she began writing the tunes that would become Big Rig's debut album. Drawing on a lifelong love of country music instilled by her Alberta upbringing, combined with the heart-on-sleeve hooks of Elliott Smith, the slowcore Duster, and more recent musical obsessions, she created Big Rig's signature "twangmo" (twangy emo) sound. In her home of Vancouver, Payne works in a sector of the film industry that she describes as "behind the behind the scenes." An auto garage converted into a sewing shop used to construct materials for visual effects also serves as Big Rig's home base. Reith recorded the album there, adding banjo to every song, before handing it off for mastering to Jordan Koop (Orville Peck, Partner, Wolf Parade). Woolworm's Giles Roy joined the band on bass, and Mackenzie Bromstad played cello. After shuffling through a few drummers, Jesse Locke (Tough Age, Chandra, Simply Saucer) is now onboard the Big Rig for future activities" Check out the first single: Big Rig - Crying in a Corn Maze (Official Audio) | * | 1:21:18 (Pop-up) |
Tha Retail Simps | Summertime | 9 Shots In Tha Dark | Total Punk Records | 2022 | This was sent to us well in advance of its official Mar 1 release, then a million things happened. We've felt guilty wasting such an opportunity to premier such a fine slab of raw punk garage ever since. This outfit are from Montréal here in Canada. This song is a cover of a song originally by Unnatural Axe. Bio: "What if the Velvet Underground had written ‘Wooly Bully’ and Sam The Sham ‘Sister Ray?' If Ron House picked up some bongos and joined CCR or If Half Japanese and Hasil Adkins started a Meters cover band? This is the scrap yard of the Retail Simp's mind. Gang activity started when moldy Joe (Celluloid Lunch, Itchy Self...) enlisted fellow rhythm bro, Tom tha Moleanderthal (Feeling figures, Hélène Barbier band...) to make a perfect record in the Ides of corona March. A million Doll hairs and several rock bottoms later, the idea was to make something that would easily fall apart, this was executed with Montreal's best and brightest in the wings, lending a foot (all in the name of bogtime[sic] exposure). Bathroom-stall-wart and Barstool-smart Chrispy Burns (Terminal Sunglasses, American Devices…) was brought in to add his patented 'racket roll' guit-o-rama. James "Gogo" Goddard (SkinTone, Egyptian Cotton Arkestra...) skronked his reliable sax machine and the ticket was printed. Short on practice and high on ideas, thee Retail Simple Tones were born, well traveled and unraveled individuals, bound by a musical adventure. Now to show for it, Reverberant Scratch is a 9 track ruckus of tinny guitar sketching, horn-honking deliberations, keyboardarific doodles, and whatever else one can summon in a basement to bang on. It's a ramshackle party stabber. Loose, loud, and 100% TOTAL PUNK!!!" Retail Simps: 9 Shots In Tha Dark (Bandcamp) | * | 1:24:24 (Pop-up) |
Cola | Degree | Deep In View | Rough Trade | 2022 | "Deep in View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright [U.S. Girls, Weather Station] (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date. “I love when I find a record that has many different angles from which it can be approached,” Darcy explains. The band’s affinity for polysemy is first-and-foremost a chord struck in the name Cola, which most obviously is the fizzy beverage that Darcy deadpans is ”bound by laws older than man to poison most ordinary life on earth” in closing track “Landers”, but also can be traced back to a term in poetics as well as an acronym about social security that refers to “Cost of Living Adjustment”. Cola is also about drinking in the endless crispness of a streamlined (and streamed) world, and the often unsettling sense of satisfaction and emptiness that subsequently sets in. Fundamentally, this record is about passion and what happens to a person when they find themselves increasingly encountering a passionless landscape of consumption. This peeling back of layers is integral to both Cola’s mindset as well as their worldview, which despite a claustrophobic time in the making sees them joyfully exploring new realms as musicians. Cola started collaborating in fall 2019 when Darcy and Stidworthy, both formerly of Ought, reached out to their friend Cartwright, who they had frequently met on the road while he was drumming with various other projects. “It wasn’t the post-Ought band right off the bat,” Darcy says, “we really just took time to enjoy the process of collaborating and writing songs together.” The band’s organic chemistry solidified quickly after a few sessions of jamming in-person. Then, as the pandemic began, they were forced to decamp and write songs separately. Working in solitude ended up becoming a “defining color as well as a barrier” to the album, says Darcy. He notes that he wrote the lyrics to “Fulton Park” as a “dream landscape”, a sort of alternative to the frustration and depression he was experiencing at the time. The imposed isolation of writing at home led Stidworthy (who helped compose the album’s guitar parts and plays the piano on “Landers”) to “create little worlds with the songs”. The keen brushstrokes of all three members combined feels languidly tactile, replete with profound meaning that is almost archeological in its sense of economy and personal touch. This sense of relaxed exploration could only occur because of the mutual trust between the trio: Stidworthy adds, “I could go really far in cultivating a mood for a demo and send it to them and know that it could only improve.” Meanwhile, Cartwright (who also plays guitar on the project and coded Supercollider synth parts in the studio), found that he was subliminally incorporating drum ideas and patterns from when he first started playing as a teen, embedded deep in his muscle memory. The resulting record delights in its aversion to superficiality. Although Darcy’s characteristically wry voice remains front-and-center, shifting from decisive to distressed and detached, his lyrical invocations remain only the first key to a much more intricate universe of sound and longing. Individual tracks often feel like small revelations, and each element contributes to a streamlined and yet poetically expansive set of meanings, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. Much greater than the sum of its parts, Deep in View is an album of artful and energetic post-punk that sparks novel interpretations with every listen, like an object that takes on new shape with each angle from which you hold it." Released May 20, 2022. Cola (Bandcamp) | * | 1:26:31 (Pop-up) |
Music behind DJ: Dinner Is Ruined |
The Big Hill |
The Big Hill |
Bandcamp Self Release |
2017 |
""The Big Hill" is an instrumental journey opus,orginally commissioned for a modern dance piece by Megan English as part of the "Dusk Dance" series...it marks a return to recording/performing for the band and a taste of shapes to come. Released July 6, 2017 Dale Morningstar...guitar,whirlitzer,production/Dave Clark...drums,percussion,rhodes/Dr.Pee...bass,conga,piano"" Dinner Is Ruined: The Big Hill (Bandcamp) |
1:29:09 (Pop-up) |
|
David Lynch | Ghost Of Love | Ghost Of Love/Imaginary Girl Single | Sacred Bones | 2022 | In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss VT-1. It was because of the davidlynch.com animated series “Dumbland” that the director had discovered the device that would enable him to be ‘any character he needed.’ With “Ghost of Love,” Lynch was experimenting with bringing those ‘characters’ into his own musical compositions. In true Lynch fashion, it’s difficult to know which inspired which: did "Ghost of Love" birth a scene in INLAND EMPIRE, or did the film’s ideas birth the song? Just as ‘In Heaven’ had served to encapsulate Eraserhead, “Ghost of Love” managed to encapsulate INLAND EMPIRE allowing its listener to close their eyes and immediately channel the film’s images and mood onto the screen of the mind. |
<-- Previous playlist | Back to Transmissions from Echo Beach with Derek Westerholm and DJ Babs playlists | Next playlist -->
RSS feeds for Transmissions from Echo Beach with Derek Westerholm and DJ Babs: Playlists feed | MP3 archives feed
| E-mail Derek Westerholm,E-mail DJ Babs | Other WFMU Playlists | All artists played by Transmissions from Echo Beach with Derek Westerholm and DJ Babs |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Sheena's Jungle Room: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
laurapanic:
Derek Westerholm:
Your Pretend Boyfriend:
Scott67:
🍻😎🤙👣🎶📻🌏🌻
Derek Westerholm:
Derek Westerholm:
VinylVillainSean:
Derek Westerholm:
ultradamno:
Your Pretend Boyfriend:
VinylVillainSean:
Derek Westerholm:
Alli B:
Derek Westerholm:
Rich in Washington:
Derek Westerholm:
?:
VinylVillainSean:
Derek Westerholm:
Tyler:
Derek Westerholm:
Tyler:
Derek Westerholm:
Derek Westerholm:
VinylVillainSean:
Tyler:
Scott67:
DJ Babs:
VinylVillainSean:
Derek Westerholm:
DJ Babs:
laurapanic:
VinylVillainSean:
Alli B:
Kat in Chicago:
Your Pretend Boyfriend:
Kat in Chicago:
Tyler:
ultradamno:
Alli B:
Scott67:
VinylVillainSean:
laurapanic:
ultradamno:
Tyler:
VinylVillainSean:
Your Pretend Boyfriend:
laurapanic:
Scott67:
Your Pretend Boyfriend:
Tyler:
Alli B:
DJ Babs:
shellioh:
Your Pretend Boyfriend:
Scott67:
Tyler:
DJ Babs:
Scott67:
DJ Babs:
Your Pretend Boyfriend:
laurapanic:
shellioh:
Your Pretend Boyfriend:
Your Pretend Boyfriend:
Derek Westerholm:
Scott67:
DJ Nico:
DJ Babs:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
Scott67:
🍻😎🤙 Unless it's beer!
DJ Babs:
laurapanic:
notsoKWYET:
Your Pretend Boyfriend:
Scott67:
Derek Westerholm:
DJ Nico:
Derek Westerholm:
DJ Babs:
notsoKWYET:
DJ Babs:
Derek Westerholm:
laurapanic:
DJ Babs:
DJ Babs:
DJ Babs:
Derek Westerholm:
DJ Nico:
Mr Fab:
Derek Westerholm:
Mr Fab:
Derek Westerholm:
ultradamno:
Kat in Chicago:
notsoKWYET:
Tome:
Mr Fab:
shellioh:
Derek Westerholm:
DJ Babs:
DJ Babs:
Your Pretend Boyfriend:
DJ Babs:
DJ Babs:
Your Pretend Boyfriend:
DJ Nico:
Kat in Chicago:
notsoKWYET:
Kat in Chicago:
DJ Babs:
DJ Babs:
DJ Babs:
Derek Westerholm:
ultradamno:
notsoKWYET:
Your Pretend Boyfriend:
DJ Babs:
DJ Babs:
Kat in Chicago:
Derek Westerholm:
Kitten:
DJ Babs:
DJ Babs:
DJ Babs:
Derek Westerholm:
DJ Babs:
laurapanic:
Kitten:
DJ Babs:
Derek Westerholm:
Tyler:
ultradamno:
laurapanic:
DJ Babs:
laurapanic:
Derek Westerholm:
Tyler:
Kat in Chicago:
Tyler:
DJ Babs:
Tyler:
Kat in Chicago:
Kat in Chicago:
Kitten:
ultradamno:
Tyler:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
DJ Babs:
Kitten:
Your Pretend Boyfriend:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
laurapanic:
laurapanic:
ultradamno:
Scott67:
🍻😎🤙
DJ Babs:
laurapanic:
Scott67:
Kitten:
Kitten:
DJ Babs:
Scott67:
🍻😎👉⭐
DJ Babs:
DJ Babs:
Derek Westerholm:
Scott67:
✌️😎🤙🍻❤️
Kat in Chicago:
DJ Babs:
Scott67:
❤️🌈
Alli B:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Alli B:
Scott67:
Thanks for your Show Babs & Derek, you give me strength & joy every week my friends. Until next week, I love you all.
✌️😎🤙🍻🌻
Your Pretend Boyfriend:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Mr Fab:
"Summertime" song is a pretty accurate recreation of their sound. Which is great by me.
Derek Westerholm:
DJ Babs:
ultradamno:
Kat in Chicago:
Kat in Chicago:
ultradamno:
Alli B:
Derek Westerholm:
VinylVillainSean:
Kat in Chicago:
Derek Westerholm:
Derek Westerholm:
DJ Babs:
Kat in Chicago:
Mr Fab:
Mr Fab:
DJ Babs:
Derek Westerholm:
WR:
Your Pretend Boyfriend:
WR: