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A viking ship appears on the horizon, a likeness of Alice Coltrane carved into its bow. Rare birds flock together to sing Francoise Hardy as soul hits. A sunset of blips and bleeps fills the air.
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Artist | Track | Album | Label | Year | Format | New | Approx. start time | |||
---|---|---|---|---|---|---|---|---|---|---|
dorothy ashby | the moving finger | The Rubáiyát Of Dorothy Ashby | 0:00:00 (Pop-up) | |||||||
eboni band | fasso ( motherhood) | eboni band | We Are Busy Bodies | 1980/2021 | * | 0:05:48 (Pop-up) | ||||
Brian Jackson, Ali Shaheed Muhammad, Adrian Younge, Ahya Simone, Dez Andrès, Shigeto | nancy wilson | JID008 | jazz is dead | * | 0:14:22 (Pop-up) | |||||
lee hazelwood | my autumn's done come | The Very Special World Of Lee Hazlewood | 0:17:37 (Pop-up) | |||||||
alpha | somewhere not here | come from heaven | 0:20:56 (Pop-up) | |||||||
mabe fratti | que me hace saber esto | Será Que Ahora Podremos Entendernos | * | 0:28:07 (Pop-up) | ||||||
claudia thompson | i'm through with love ( with barney kessel) | goodbye to love | sundazed | 1959/2021 | * | 0:31:13 (Pop-up) | ||||
Dezron Douglas & Brandee Younger | this woman's work | force majeure | 0:33:51 (Pop-up) | |||||||
arushi jain | cultivating self love | under the lilac sky | leaving records | 0:46:33 (Pop-up) | ||||||
fatima al qadiri | stolen kiss of a succubus | Medieval Femme | * | 0:55:15 (Pop-up) | ||||||
rodrigo amarante | tao | drama | 0:58:51 (Pop-up) | |||||||
kendra morris | this life | Colemine Records Presents: Brighter Days to Come v/a | Colemine Records | 1:03:20 (Pop-up) | ||||||
brandee younger | spirit u will | Somewhere Different | * | 1:09:15 (Pop-up) | ||||||
annette peacock | survival | the perfect release | sundazed | 1979/2021 | 1:15:35 (Pop-up) | |||||
curtis harding | if words were flowers | if words were flowers | anti- | * | 1:30:15 (Pop-up) | |||||
Khruangbin | right | modern love v/a | 1:37:00 (Pop-up) | |||||||
alliah sheffield | earth is ghetto | 1:38:06 (Pop-up) | ||||||||
park hye jin | Let's Sing Let's Dance | let's sing let's dance | 1:40:19 (Pop-up) | |||||||
helado negro | outide the outside | far in | 4AD | * | 1:43:59 (Pop-up) | |||||
vibratitos | left jab | wollesonic loves trouble v/a | wollesonic | 1:49:02 (Pop-up) | ||||||
hot 8 brass band | give me the night | take cover ep | 1:54:39 (Pop-up) | |||||||
Nikki Giovanni | the way i feel | the way i feel | modern harmonic | 1975/2021 | * | 2:01:20 (Pop-up) | ||||
henri salvador | et des mandolines | Homme Studio 1970-1975 | 2:09:18 (Pop-up) | |||||||
Beautify Junkyards | reverie with nina miranda | Cosmorama | 2:11:30 (Pop-up) | |||||||
foodman | minsyuku | yasuragi land | 2:15:29 (Pop-up) | |||||||
John Carroll Kirby | tenderfoot pegasus | Single | 2:18:33 (Pop-up) | |||||||
vanessa | the line | sou | 2:24:20 (Pop-up) | |||||||
broadcast | tender buttons | tender butoons | 2:26:52 (Pop-up) | |||||||
arlo parks | too good ( unknown mortal orchestra remix) | 2:29:31 (Pop-up) | ||||||||
felt | my face is on fire | pillows and prayers vol 1 | 2:33:09 (Pop-up) | |||||||
grouper | unclean mind | shade | kranky | * | 2:36:35 (Pop-up) | |||||
Bremer McCoy | hjertebarn | natten | luaka bop | * | 2:43:29 (Pop-up) | |||||
ana roxanne | suite pour l'invisible | becasue of a flower | 2:47:12 (Pop-up) | |||||||
nailah hunter | quiet light | spells | leaving records | 2:54:23 (Pop-up) | ||||||
lido pimienta | eso que tu haces | miss columbia | 2:55:35 (Pop-up) |
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Listener comments!
Will the Sound Guy:
Strandlund:
HyperDose:
the Hurston moor-elf:
Hi from Holland:
Robm:
Trouble:
listener james from westwood:
Ken From Hyde Park:
Mike W:
it is l’raining out and the Field will be too wet to report from; we’re taking this show on the road (which is also wet)
melinda:
melinda:
Passaic River Blues:
Webhamster Henry:
MD:
Irene Trudel:
Ken From Hyde Park:
dale:
DonJuanTijuana:
Trouble:
listener james from westwood:
Zimharry:
JD in Mtl:
StringOFperils:
Zimharry:
Baja Joe:
BVP:
Passaic River Blues:
ben & Reba:
HyperDose:
Mike W:
[falls over dead]
Baja Joe:
YETI BOB:
Mike W:
Hughie Considine:
jameson57:
Hughie Considine:
Listener Gregory:
Passaic River Blues:
PKNY:
unpopularfred:
The Butterman:
Dottore Sooza:
TDK60:
Vivian:
The Butterman:
Stephen O:
Trouble:
Listener Gregory:
Vivian:
Trouble:
Handy Haversack:
Vivian:
Trouble:
Threemoons 🌛🌕🌜:
Threemoons 🌛🌕🌜:
alanr:
Trouble:
Jason from Houston:
꒰。• ◡ •。꒱
Handy Haversack:
Ken From Hyde Park:
Doug in JC:
Doug in JC:
Listener Gregory:
Trouble:
Buffalo 66:
Zinn The Mood:
Last night finished the library-loaned James McBride book “Kill ‘Em and Leave: Searching for James Brown and the American Soul.” Really good, with some top philosophizing. As is my habit those passages were read into my phone notes for posterity. Will share some.
Trouble:
Doug in JC:
Zipperhead7:
Maybe there's a website that covers area arts similar to glasstire in Texas: glasstire.com
Listener Gregory:
morphe':
not looking at the screen ..
thought "Wow - Trouble is on a genuine long Dub Segment.."
turns out my computer jumped from
Clay and W&B
to
Roots Massive pt.3 (70's & early 80's Reggae & Roots Reggae selection)..
now clean hands so I'll go back LOOKING FOR TROUBLE = of the goodness kind
Passaic River Blues:
TDK60:
uselysses:
morphe':
Like the goodness of the Blues
..
The Goodness of the Trouble !!!
Must to the shops as tomorrow is NYE and woodchopping sucks
during holidays...
Back I hope !!!!
Or, Happy Trails...
Greg from ZONE 5:
Handy Haversack:
Doug, it's going too fast! We did have a fun day yesterday wandering Greenpoint and Wburg to get stuff to cook tomorrow since we're not going out to dinner. I'm going to try making manicotti.
Will do, TDK60!
Trouble:
morphe':
Zipperhead7:
Listener Gregory:
morphe':
Must to the shops as tomorrow is NYE and woodchopping sucks
during holidays...
"Must to the shops as tomorrow is NYE and Food Shopping sucks
during holidays..."""
Woodchopping is always cathartic for me ... Food Shopping can be but not in the holidays...
Will the Sound Guy:
HyperDose:
Threemoons 🌛🌕🌜:
Threemoons 🌛🌕🌜:
Trouble:
Zinn The Mood:
Trouble:
ChukAmok:
Jason from Houston:
Passaic River Blues:
Zipperhead7:
Vivian:
Doug in JC:
Speaking of food, how come nobody told me about shagbark hickory nuts? They're as if walnuts tasted like maple syrup
HyperDose:
Post-holidays lack of hygiene solidarity, Threemoons ✊🏾
Threemoons 🌛🌕🌜:
Vivian:
Jason from Houston:
Doug in JC:
@vivian I just roll up lasagna sheets in a pinch. It's all a big mess anyway, at least when I make it
Listener Gregory:
ChukAmok:
(I can't not bathe every morning, so I am a bit of a cheater.)
morphe':
Handy Haversack:
Zinn The Mood:
Dig this, Trouble and the Troubled:
“Here’s how the music industry in America works: a trumpet player blows a solo in a Philly nightclub in 1945. Someone slapped it on a record, and 50 years later that same solo is a final in a college jazz department, and your kid pays $60,000 a year to take the final, while the guy who blew the solo out of his guts in the first place is deader than yesterday’s rice and beans, his family is suffering from the same social illness that created his great solo, and nobody gave two hoots about the guy when he died and nobody gives two hoots about his family now. They call that capitalism, The Way of the World, Showbiz, You Gotta Suck It Up, an upcoming Movie About Diversity, and my favorite term, Cultural History. I call it fear, and it has lived in the heart of every black American musician last hundred years.
That fear is nearly impossible to explain if you are not a musician who understands the sweat involved in making music. It’s rarely talked about in the music press, which plays along in pretending there are no race problems in the music business. Why shouldn’t it? Musicians of all colors get snookered by the biz. We all leave our blood on the floor for the Big Corporation, Big Brother, the Record Label, the Country and Western Community - whatever you wanna call it. The difference is this: most of us don’t walk through department stores buzzing with background music that plays ninth chords borrowed from our history. Most of us don’t know the feeling of sweating for hours over your music, then watching a foreigner from, say, England or Australia cop that music, ape their version of it, make a million, and call you a genius while they’re living high and you’re barely living.”
Vivian:
ChukAmok:
Trouble:
Handy Haversack:
Terrifying and exact, Zinn.
Handy Haversack:
ChukAmok:
I seldom eat pasta, but was thinking of a simple aglio e olio this evening. Kind of moving closer to that idea now...
Anything with artichoke is a good idea.
HyperDose:
YETI BOB:
YETI BOB:
Zinn The Mood:
Have been making her “gravy” for years, but less frequently these days as we’re trying to use less and less meat. As amazing as her sauce is I think I prefer my own puttanesca.
sphere:
βrian:
steveo:
Excuse me I lost my head for a second there. Enjoying the show. Happy new year Trouble and everyone.
?:
sphere:
steveo:
sphere:
Trouble:
steveo:
Handy Haversack:
I have been making a solid arrabiatta red sauce lately, and I still have a jar of that to use with the manicotti tomorrow.
sphere! Was hoping you'd pop up so I could show you this:
www.kickstarter.com...
Maybe wouldn't be my *first* choice for an illustrated Vance book, but all the Wyst books are solid.
Will the Sound Guy:
βrian:
Carmichael:
βrian:
Carmichael:
sphere:
Handy Haversack:
sphere:
βrian:
Carmichael:
Vivian:
Handy Haversack:
drr:
sphere:
Zipperhead7:
Zinn The Mood:
For a while now I’ve been thinking of trying to organize some kind of book club or something in this part of Queens, always with John Brown and James Baldwin in mind. But have wondered about both how to go about such an endeavor, and just how many people might be interested. And I put it off…
Yet, one comes to the comment section of Trouble’s show and inadvertently finds almost a handful of real John Brown fans. A truly amazing place for kindred spirits; the cross-section of music and literature (and cooking, and politics, too!) is very affirming.
@PR Blues last summer upstate I found an interesting academic book on Brown, called “The Black Hearts of Men: Radical Abolitionists and the Transformation of Race” www.johnstauffer.org...
Yes:
Will the Sound Guy:
rx scabin:
Colin in Durham UK:
The Butterman:
Handy Haversack:
Trouble:
sphere:
HyperDose:
listener 126464:
Will the Sound Guy:
sphere:
βrian:
Handy Haversack:
Happy New Year wishes to you all!
Will the Sound Guy:
Passaic River Blues:
@Trouble: thank you for 2021 and beyond!
Hubig Pie:
βrian:
βrian:
Will the Sound Guy:
morphe':
Happy trails in 20222...
βrian:
Glorious Estephonic:
Zinn The Mood:
One more for the road from McBride:
“Yet, ironically, the same man who eschewed drugs and preached toeing the straight and narrow veered off it so badly at the end of his life that he became the subject of comedy routines. The film Get On Up shows a man who was once the essence of black American pride as a wild, crazy, torn up mess, which is about right, I guess – except you could say that about a hungry three year old.
It’s a perfect storm of wrong history, offered up while the man’s estate was still flying in the air for grabs, with lawyers gorging themselves on his musical carcass, which he left for the poor, not for them. The whole thing is a troubling metaphor for what the race discourse has become an American now. A troubled world, this new America, a disturbing world, where the N-word is verboten but the notion of poverty is not; a world with liars on both sides of the racial divide it will say anything and twist history anyway they can in order to gain a percentage; a nation of private for profit Supermax prison is full of young man who desperately need help, guarded by other young man who wants worked on farms and grew corn and raised cows in the very same places where those prisons now sit. A world of beer, cognac, guns, violence, nice cars, tennis shoes, and Super Bowl commercials. Jive. For us. By us. Soul to us. By ourselves.
The new cultural export: American Jive.
And today the lawyers argue about his estate while the guy once gave us so much pride is buried in his daughter Deanna’s front yard, his body having been deposited there while some of his children part of the idea of his home becoming a museum Sunday.
By the time that “museum” opens, if it ever does, the cultural history well shifted so much that the tundra will be unrecognizable. And there’s not much more to look for in the story, really. Because the James Brown story is not about James Brown. It’s about who’s getting paid, whose interest is involved, who can squeeze the estate and black history for more. It’s all in the hands of the executors, the lawyers, Brown’s children, his ex-wife, his ex friends. It’s about how that whole pot gets passed around. It’s reflective of the sad state and American popular emporium these days, where for the last decade talent shows judged by stars whose names will forget five minutes past breakfast decide who has “talent” in America, while songs like “Bitch Better Have My Money” climb the charts. Maybe that’s the kind of song we always wanted. Maybe it’s a song we all deserve. But it wasn’t the song Brown had in mind.”
Will the Sound Guy:
ryansterlingvirtue:
Trouble:
Ken From Hyde Park:
βrian:
wfmu.org...
melinda:
Michael 98145:
kevlicki:
Howling Rabbit: