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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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December 16, 2021: Hey! Coming and Going, Collaborations & Back & Forths.
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
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Music behind DJ: Silver Leaf |
Hey! |
Hey! EP |
Emotional Rescue |
2020 |
What is known about Silver Leaf, beyond that it was a short-lived mid-80s project out of Cincinnati, Ohio, is that it features ex-Zephyr keyboardist John Faris, working alongside the mysterious vocalist Silvia Leaf. The difference between the blues and occasional psychedelic rock of early 70s Boulder, Colorado’s Zephyr and the lo-fi recordings of Silver Leaf are striking, but in Hey! and Can We Rebuild Our City?, the power of the ballad and strong playing of John, is wrapped in mid-80s, mid-States lo fi heaven. Whether a non-de-plume, Ms Leaf’s searing, innocent vocals fly above John’s keys and programming. Hey!’s repetitive exhalations act like a mantra to a party, while tom’s chime in accompaniment. Here it comes! Can We Rebuild Our City? starts with Faris’ forlorn intro before crashing percussion heads to some kind of wonderful, as Leaf questions a calls to hearts. Releasing just 3 singles, Silver Leaf’s music is unique and essential, an experience and a delight to present. |
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Music behind DJ: Boards Of Canada |
Roygbiv |
Music Has The Right To Children |
Warp / Matador / Skam |
1998 |
Not from Canada. |
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The Jellies | Jive Baby on a Saturday Night | Jive Baby on a Saturday Night | Trunk Records | 2010 | Yes, here come the Jellies. All over again, To be honest they never really made it the first time, even though they tried. This very small band got together in 1981 and made a 7" single. There are tales of long tape loops running from tape machines to pencils along hallways throughout the recording. There are tales of them pressing up about 1,000 copies on their own little label called Jelly Records. They speak of getting it played on John Peel's Show, and selling about 15 copies to Rough Trade. And then nothing. This was back in 1981. Most of the unsold records were scrapped and are now part of the UK's landfill. The band never recorded again, it was a disaster. | 0:06:46 (Pop-up) | |
Aphex Twin | Children Laughing | Hangable Auto Bulb | Warp | 1995 | Richard D James brings to light the world of mashed potatoes & the questioning thereof. | 0:09:48 (Pop-up) | |
Wet Man | I Believe i Lizard Man | The Eccentronic Research Council Presents - Wayward Freaks From A Synthetic Street Volume 1 | Desolate Spools | 2021 | Over the past few months ERC producers Dean Honer (all seeing I/I monster) & Adrian Flanagan (The Moonlandingz/ERC/Adult Entertainment) have invited a handful of new eccentric electronic pop artists to their analog lair in Sheffield to produce up some tracks for them - and to answer the question on every serious music fans lips - where have all the Pop art eccentrics gone? This question will be answered on Friday November 12th when the collective will unveil their finds by releasing Volume 1 of a compilation album titled ‘The Eccentronic Research Council presents: Wayward Freaks from a synthetic Street’ on limited edition cassette & digital featuring a whole host of new ERC produced wayward troubadours; - and to celebrate its release they will be hosting some Desolate Spools showcase events featuring some of these great new artists. | * | 0:15:01 (Pop-up) |
Music behind DJ: Moon Duo |
Love On The Sea (Radio edit) |
Yeti 7 v/a |
Yeti Publishing LLC |
2008 |
This original "Radio Edit" version was the first official release of this song; but it was intended to be released as a 14-minute song. The "radio edit" is still pretty much 7 mins, which amused me greatly as I was realizing how non-radio friendly the edit was. |
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The Monkees | Daily Nightly | Pisces, Aquarius, Capricorn and Jones Ltd. | Colgems | 1967 | The lyrics are a veiled commentary on the Sunset Strip curfew riots,which occurred in Hollywood, California in late 1966. The record was arguably the very first rock recording to feature the Moog synthesizer,programmed by musician Paul Beaver and played by Micky Dolenz, who was an early owner of a Moog; the fills he played were described as "spacey UFO noises", and were characteristic of psychedelic music, which was then in vogue. The Moog sections were significantly different between the stereo and mono mixes of the track. Dolenz also provided the vocals. A music video in black and white was made for the series, with Dolenz miming his performance. Written by the late Michael Nesmith | 0:27:17 (Pop-up) | |
The United States Of America | No Love To Give | The United States Of America | Sundazed / Sony | 1967 / 2004 | Recorded in the same sessions as the debut album (this song on December 13, 1967 specifically) & written exclusively by Dorothy Moskowitz rather than in collaboration w/ Joseph Byrd. It laid in wait, unreleased, until 2004. | 0:29:48 (Pop-up) | |
The Limeys | Cara-Lin | Electric Sugarcube Flashbacks Vol. 2 | AIP Records | 1983 | North London band The Limeys released singles in the UK and in the USA 1964-66. Because limey is American slang for an English person, it would be easy to take them for an American band attempting a British-sounding name. It's possible, though, that these guys had the British Invasion of the US music market in mind. Members were , Raymond Benoit, Gary Gretch, Gearie Kenworthy, Barry Johns, Tony Skey. | 0:32:20 (Pop-up) | |
Os Tropies | Les Chattes Jolies | Tropicalia! | Independent | 2013 | Toronto band (shortlived?), this release from 2013. This song includes an excerpt of "Favela" by Antonio Carlos Jobim and Vinicius de Moraes Os Tropies Website> | 0:34:41 (Pop-up) | |
Big Maybelle | 96 Tears | The Pure Soul of Big Maybelle | CBS | 1967 | Big Maybelle was a big lady with a big voice. She started off as a gospel singer, but switched to R & B in the 50's. In 1955, she recorded the song "Whole Lotta Shakin' Goin' On", produced by up-and-coming producer Quincy Jones, a full two years before rockabilly then rock and roll singer Jerry Lee Lewis's version. Lewis credited Smith's version as being the inspiration to make his version much more louder, raunchy and raucous, with a driving beat and a spoken section with a come-on that was considered very risque for the time. | 0:38:32 (Pop-up) | |
Rick White | Tapioca Tundra | R.I.P. Mike - Monkees covers (March98) | Blue Fog Recordings | 1998/ 2021 | Released December 11, 2021, recorded 1998... From Rick White: "We've all learned that Mike Nesmith died today. I've been a big fan of all things Monkee since at least the early 90's, and one day in March 1998 while on one of my frequent Monkee binges, i recorded these three cover tunes for fun. Two of which were written by Mike. The manic version of Tapioca Tundra was released on a compilation 7 inch in 99 but has never had a digital release, the other two songs have never been released. They're all a big rough but i like the way they turned out and have been looking for a reason to share them with you. Today seems like a good time. Free to download if you like." Rick White Archive (Bandcamp)> | * | 0:40:55 (Pop-up) |
Music behind DJ: Van Anh |
Ghost Riders In the Sky |
No Album |
No Label |
For the love of the goddess please someone provide me with a proper recording of this because it's the best thing I've ever heard. NO it is NOT a theremin you're hearing it's a Đàn bầu....made of just four parts: a bamboo tube, a wooden rod, a coconut shell half, and a silk string. Modern versions now have a pickup and electric guitar string. The dan bau technique appears relatively simple at first glance, but actually requires a great deal of precision. The fifth finger of the musician's right hand rests lightly on the string at one of seven commonly used nodes, while the thumb and index finger pluck the string using a long plectrum. With the left hand, the player pushes the flexible rod toward the instrument with the index finger to lower the pitch of the note, or pushes it away from the instrument with the thumb to raise the pitch. |
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Restless List | Butlin Breaks | The Rise And Fall Of The Curtain Club | Life Is Easy Records | 2007 | Band from the U.K. back in the mid-zero zero's | 0:57:27 (Pop-up) | |
Mhaol | Gender Studies | Gender Studies EP | Tulle | 2021 | Mhaol are an intersectionalist feminist post-punk band from Ireland. Currently based between Dublin, London, and Bristol; M(h)aol is composed of Róisín Nic Ghearailt, Constance Keane aka Fears, Jamie Hyland (AKA Girl Band’s ‘Holding Hands With Jamie’), Zoe Greenway, and Sean Nolan. Together, the band aim to shake up the male dominated post-punk scene with their urgent, shadowy sounds. This track is a response to how gender changes throughout our lifetime, and how some people wish to force the gender binary upon others. It’s about going on a feminist journey where you become less palatable to wider society, but more palatable to yourself. | * | 0:59:54 (Pop-up) |
Fiery Furnaces | South Is Only A Home | Gallowsbird's Bark | Rough Trade / EMI | 2003 | From the debut album that made the world aware of brother & sister team Eleanor and Matthew Friedberger. | 1:01:45 (Pop-up) | |
Gustaf | Book | Audio Drag for Ego Slobs | Royal Mountain | 2021 | Audio Drag For Ego Slobs (out October 1 via Royal Mountain Records) is part-bastardisation of a Laurie Anderson quote and part-dig at the pretentious music crowd. Their particular sound harkens back to the Yeah Yeah Yeahs and The Kills’ heyday in the early 00s and to femme-punk idols The Raincoats. The record, produced by Lydia alongside Carlos Hernandez of Mr Twin Sister and Ava Luna, is a calling card and a channeling of the raw live energy that entrenched them so deep in the hearts of the contemporary punk scene. Not bad for a group that jokingly refers to itself as “a glorified T-shirt company and an Instagram account”. | * | 1:04:24 (Pop-up) |
Black Eyes | Another Country | Cough | Dischord | 2004 | Washington DC band, their second & last album, which came out just after they disbanded. Produced by Ian Mackaye of Fugazi & Minor Threat fame. | 1:06:29 (Pop-up) | |
Home Counties | The Home Counties | The Home Counties | Alcopop! | 2021 | This is a band from Bristol, UK. A lot of the inspiration for lyrics has roots in academic work; especially modern history and sociologies of the recent past, but simplified and delivered with an emotional response. Musically, Television has always been a big influence on our guitar work – the thoughtful interweaving of melodies is something we’ve strived to mimic. Talking Heads are another key inspiration, particularly as we move into more dancy and upbeat territory. The synth playing of Bernie Worrell has also been something we’ve wanted to get near, but it’s rather unattainable. | * | 1:08:31 (Pop-up) |
The Yummy Fur | Films | Nightclub | Guided Missile | 1996 | From Glasgow! Later birthed 1990's and Franz Ferdinand... | 1:11:53 (Pop-up) | |
Music behind DJ: μ-Ziq |
4 Time Egg |
Tango N' Vectif (expanded) |
Rephlex |
1993 / 2001 |
"Tango n' Vectif is the debut studio album by English electronic music producers Mike Paradinas and Francis Naughton under the stage name μ-Ziq. It was released in November 1993 by Rephlex. The cover photo of the original release was taken by Richard D. James." - This song originally one of the "vinyl-only" bonus tracks (the original CD also had exclusive bonuses), the 2001 double CD re-issue had all of the bonuses & more. |
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Deep Tan | Tamyu's Yiffing Refuge | Tamyu's Yiffing Refuge | Speedy Wunderground | 2021 | Deep Tan are from Hackney. They are the Slits and Britney Spears smooshed together, with Mogwai and XX and Joy Division. They are a 3 piece of savage womxn. One of them is a Leo. The other a Scorpio. | * | 1:20:32 (Pop-up) |
Body Breaks | Between The Heart And The Mind | Bad Trouble | We Are Time Records | 2021 | "Body Breaks is the microtonal rock duo of Matt LeGroulx and Julie Reich. From their homes in Montreal and Toronto, respectively, the DIY lifers behind projects like Bile Sister, EXPWY, and Galaxius Mons have developed idiosyncratic approaches to bedroom recording that culminate on their collaborative debut. LeGroulx composed the music for Bad Trouble, recording guitar, bass, and drums in tunings that stand in stark contrast to traditional Western consonance. Reich completed their songs with her spellbinding vocals, weaving vulnerable themes of aging as a woman and artist, environmental devastation, and feeling like an outsider in her own generation.” Body Breaks Bandcamp> | * | 1:23:59 (Pop-up) |
KEG | Heyshaw | Heyshaw Single | Alcopop! | 2021 | NME Says: KEG: muscular art-punk statements from Brighton upstarts. They like Devo. | * | 1:26:34 (Pop-up) |
Nicfit | Fuse | Fuse | Upset The Rhythm | 2022 | "Japanese punks Nicfit have a restive (and decidedly not festive) new single out now called ‘Deviation’! ‘Deviation’ is also streaming on all the usual digi-platz and features on the band’s debut LP ‘Fuse’, out Jan 14th through Upset The Rhythm." https://soundcloud.com/upset-the-rhythm/nicfit-deviation | * | 1:29:06 (Pop-up) |
Sprints | Modern Job | Modern Job EP | Nice Swan | 2021 | Garage-Noise four-piece from Dublin. Raw and raucous, SPRINTS are a garage-noise four-piece from Dublin. They combine guitar-driven hooks, motoric rhythm and emotive lyricism to create a unique sound that pulls from grunge, post-punk and beyond. | * | 1:33:09 (Pop-up) |
Music behind DJ: Memorex |
Watch Yourself |
The Staircase e.p. |
Bandcamp |
2021 |
Released August 25, 2021; all tracks written, recorded, and produced by David Lush. Mixed by Jakob Thiesen. additional production Jakob Thiesen jakobthiesen.bandcamp.com Memorex Bandcamp> |
* |
1:35:32 (Pop-up) |
The Soundcarriers | Waves | Waves Single | Phosphonic | 2021 | The Soundcarriers formed in Nottingham in the late 2000s with a sound that pulled from '60s French pop, Italian soundtracks, baroque psych, Brazilian pop, and other groovy subgenres. In the same orbit as Broadcast and Stereolab (not to mention Scott Walker and Serge Gainsbourg), the band pretty quickly established their own style within this galaxy. They release music sporadically. | * | 1:42:13 (Pop-up) |
Mean Red Spiders | Compromise | Stars And Sons | Teenage USA | 2000 | Produced by Dave Newfeld. Much-missed Toronto Band that would lead to many offshoots and splinters; including the collective project Ghostlight, which incorporated many of the members of MRS over the years; Ghostlight still active to this day and the longest running of the collective involved in these acts. | 1:46:01 (Pop-up) | |
Cha Cha Guitri | Non Non Non | French Synth Wave - St Etienne - 1981 | Born Bad Records | 2014 | Experimental electronic pop band from Saint-Etienne, active in the early 1980's. The band just did 2 shows in 1981 and two cassettes were released on Kronchtadt Tapes label. Look up their photo, they are cool as fuck and look like an Otto Dix painting. | 1:48:46 (Pop-up) | |
Mira Calix | A Mark Of Resistance | Absent Origin | Warp | 2021 | * | 1:51:56 (Pop-up) | |
Lena Platonos | And We Hear "I Love You" | Galop | Melody Maker | 1985 | Holy fuck is this song ever amazing. This album from Greek first lady of electronic is a masterpiece. She began her career in 1963 as a classical pianist. Platonos turned entirely to electronic music and to experimental directions in form, orchestration and verse. Her compositions follow minimalistic motifs with intense use of keyboards, schematising carefully staged soundscapes. The voice, frequently passing through electronic filters, at times plays a central role – right up to the uniqueness in compositions of delivery – but may be used also like a simple instrument of accompaniment. Her verses, usually surrealistic in their expression, are nevertheless direct and touch on themes of daily routine and personal relationships, especially love and alienation, and are distinguished by their tenderness and at other times childlike innocence. | 1:59:57 (Pop-up) |
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