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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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Artist | Track | Album | Label | Year | Format | Comments | New | Approx. start time |
---|---|---|---|---|---|---|---|---|
Dog Faced Hermans | In A Row | Mental Blocks For All Ages | Project A Bomb | 1991 | CD | 0:00:00 (Pop-up) | ||
Siouxsie And The Banshees | Poppy Day | Join Hands | Polydor | 1979 / 2006 | CD | Includes excerpts from First World War (Canadian) poet John McRae's "In Flanders Fields" | 0:01:09 (Pop-up) | |
Pram | I'm A War | Gash | Howl Records | 1997 | CD | Sometimes people are wars | 0:03:07 (Pop-up) | |
Crass | Fight War Not Wars | Feeding Of The Five Thousand: The Crassical Collection | Crass Records | 1978 / 2010 | CD | 0:07:56 (Pop-up) | ||
The Fall | Scenario (Early Rough Mix 2006) | Reformation Post-TLC | Cherry Red Records | 2006 / 2020 | CD box set | References the 1920s ballad "Pal Of My Cradle Days" & also Captain Beefheart's "Veteran's Day Poppy" | 0:08:31 (Pop-up) | |
The Legendary Pink Dots | Poppy Day | The Tower | Terminal Kaleidoscope | 1984 / 1994 | CD | 0:11:57 (Pop-up) | ||
Music behind DJ: Nick Storring |
Khartum |
Newfoundout |
Mappa Editions |
2021 |
Other |
This album is by Nick Storring, Toronto cellist and sound composer. All the songs on this record are named for and inspired by ghost towns in Ontario |
* |
0:15:52 (Pop-up) |
Sonny & The Sunsets | Death Cream Pt. II "Watch Out For The Cream" | Moods Baby Moods | Polyvinyl | 2016 | MP3 | For a 2010 project called 100 Records, first exhibited at Gallery 16 in San Francisco and later at Cinders in Williamsburg, Brooklyn, Smith invited 100 artists to produce artwork for the record covers of fictional bands.Smith concocted the personas of all 100 fictitious bands, then wrote and recorded two hundred songs (the A-side and B-side) for each. Smith displayed all the original album artwork as well as a jukebox, that played all two hundred songs recorded by Sonny Smith and other musicians. | 0:28:07 (Pop-up) | |
Japanese Television | Bloodworm | Japanese Television II EP | Tip Top Recordings | 2019 | MP3 | UK's number 2 Space Surf band. They are purely instrumental because none of them can sing. | 0:30:32 (Pop-up) | |
Damaged Bug | The Cryptologist | Bunker Funk | Castleface Records | 2017 | Vinyl | Ohsees...but with EXTRA keyboards! | 0:34:31 (Pop-up) | |
Nancy | 7 Foot Tall Post-Suicidal Feel Good Blues | The 7 Foot Tall Post-Suicidal Feel Good Blues | B3SCI Records | 2021 | MP3 | This is T-Rex and MGMT and other things I like. Wonky and watery.... | * | 0:37:43 (Pop-up) |
Shintaro Sakamoto | Extremely Bad Man | Let's Dance Raw | Other Recordings | 2014 | MP3 | Sakamoto collaborated with drummer Yuta Suganuma and bassist AyA of Japanese psych-rock band OOIOO, handling much of the instrumental duties, to produce his second LP Let's Dance Raw, which released in 2014. The album blended Sakamoto's work in psychedelic rock and funk with a variety of global influences.[Of his use of the steel guitar on the project, Sakamoto said "Without making it feel too Hawaiian, I wanted to incorporate the damp style of Japanese instruments. I wanted to feel the outskirts of a city" | 0:41:21 (Pop-up) | |
Music behind DJ: King Tubby |
Take Five |
Dub Reggae |
Delta X5 Recording Group |
2011 |
MP3 |
What is better than a dub version of Take Five? NOTHING. |
0:45:58 (Pop-up) |
|
Music behind DJ: Mariah |
Shinzo No Tobira |
Utakata No HIbi |
Sateto |
1983 |
MP3 |
0:49:40 (Pop-up) |
||
The Cool Greenhouse | Alexa! | Alexa! Single | Melodic Records | 2020 | MP3 | music to lose scratch-cards to. UK band led by Tom Greenhouse, who says "βI HAVE VERY LITTLE INTEREST IN TRANSCENDENT EMOTIONAL ARTβ | 0:54:20 (Pop-up) | |
Nightshift | Make Kin | ZΓΆe | Trouble In Mind Records | 2021 | MP3 | There is also a Serbian Metal band called Night Shift. This is not them. | * | 0:58:16 (Pop-up) |
Klaus Johann Grobe | Between The Buttons | Im Zinne Der Zeit | Trouble In Mind Records | 2014 | MP3 | Biography Klaus Johann Grobe + Follow Artist Klaus Johann Grobe are a Swiss duo who sing in German and began their career playing vintage Krautrock, using bass, synths, and drums to craft a sound both familiar and modern. | 1:02:08 (Pop-up) | |
Public Practice | Extra-Ordinary | Disposable b/w Extra-Ordinary SIngle | Wharf Cat Records | 2019 | MP3 | This song has pep and sass and darkness and I love it. NEW FAVOURITE BAND! | 1:06:55 (Pop-up) | |
Music behind DJ: Hackepeter |
Theo Schumann Combo |
Anthologie |
Sony BMG Music Entertainment |
2006 |
MP3 |
1:10:37 (Pop-up) |
||
Music behind DJ: Charile Megira |
The Girl Who Was Frightened of Ashtrays |
Tomorrow's Gone |
Numero Group |
2019 |
MP3 |
1:13:47 (Pop-up) |
||
Girls At Our Best! | Getting Nowhere Fast | Pleasure | Cherry Red Records | 1981 | MP3 | The Wedding Present covered this. Originally released in 1981, reissued in 2009 | 1:16:10 (Pop-up) | |
LIFE | Moral Fibre | A Picture of Good Health | Afghan Moon/ PIAS | 2019 | MP3 | 1:18:06 (Pop-up) | ||
CLAMM | Liar | Beseech Me | Clamm | 2020 | MP3 | These guys sound like they are likely pals with Idles and that ilk. This is well done! | 1:19:44 (Pop-up) | |
Downtown Boys | Somos Chulas (No Somos Pendejas) | Cost Of Living | Sub Pop | 2017 | MP3 | Dubbed America's Most Exciting Punk Band by a large, questionable music magazine does not detract from the fact that this band does, indeed rock. Political and woke is how we like them. In 2015, Ruiz and DeFrancesco launched the online magazine Spark Mag in collaboration with grassroots advocacy group Demand Progress.The site aims to feature underground and radical artists and connect fans to organizing work. Ruiz is also a former tuba player. | 1:22:37 (Pop-up) | |
Terry | Hot Heads | Terry HQ | Upset the Rhythm | 2016 | MP3 | 1:26:01 (Pop-up) | ||
Ultimate Painting | Woken By Noises | Green Lanes | Trouble In Mind Records | 2015 | MP3 | This band was formed in Blackpool UK and disbanded in 2018. | 1:29:10 (Pop-up) | |
Music behind DJ: Vanishing Twin |
Phase One Million |
Ookii Gekkou |
Fire Records |
2021 |
MP3 |
New. Awesome. |
* |
1:31:19 (Pop-up) |
The Wedding Present | Getting Nowhere Fast | George Best | Reception Records / Pearls From The Past | 1987 / 1994 | CD | Girls At Our Best Wrote this (Evans, Swift, Oldroyd.) Originally released in 1981, covered in 1987 by The Wedding Present. Reception Records at that time... Their own imprint. | 1:36:40 (Pop-up) | |
Luxuria | Rubbish | Unanswerable Lust | Polygram / Vertigo / Beggars Banquet | 1987 | LP | This week's edition of "song looping in Derek's head..." | 1:38:21 (Pop-up) | |
Odezenne | Au Baccara | Au Baccara | Universeul | 2018 | MP3 | Babs found this and it reminded Derek of the vocal approach/treatment in the next song | 1:42:18 (Pop-up) | |
Massive Attack (Blur Remix) | Angel (Blur Remix) | Singles 90/98 | Virgin | 1996 / 1998 | CD box set | Remixed by Damon Albarn & Graham Coxon of Blur | 1:45:45 (Pop-up) | |
NervΓΆsen Deutschen | Stukas over Surrey | Teutonik Disaster 2 | Gommagang | 1981 / 2003 | CD | German new wave rock formed in 1980 disbanded on 1 July 1984 after 2 albums | 1:52:05 (Pop-up) | |
The Membranes | Muscles | Muscles 7" | Vinyl Drip Records | 1981 | MP3 | 1:54:24 (Pop-up) | ||
Music behind DJ: The Third Eye Foundation |
An Even Harder Shade Of Dark |
You Guys Kill Me |
Merge / Domino |
1998 |
CD |
Matt Elliott, A.K.A. The Third Eye Foundation makes often harrowing & haunting music, both instrumentally and vocally. |
1:59:00 (Pop-up) |
|
Pogues | And The Band Played Waltzing Matilda | Rum Sodomy & The Lash | WEA | 1985 / 2004 | CD | ""And the Band Played Waltzing Matilda" is a song written by Scottish-born Australian singer-songwriter Eric Bogle in 1971. The song describes war as futile and gruesome, while criticising those who seek to glorify it. This is exemplified in the song by the account of a young Australian serviceman who is maimed during the Gallipoli Campaign of the First World War. The protagonist, who had travelled across rural Australia before the war, is emotionally devastated by the loss of his legs in battle. As the years pass he notes the death of other veterans, while the younger generation becomes apathetic to the veterans and their cause. At its conclusion, the song incorporates the melody and a few lines of lyrics of the 1895 song "Waltzing Matilda" by Australian poet Banjo Paterson." | 2:08:45 (Pop-up) |
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Listener comments!
DJ Babs:
Rich in Washington:
Alli B:
DJ Babs:
Rich in Washington:
laurapanic:
DJ Babs:
DJ Babs:
Alli B:
Derek Westerholm:
Mr Fab:
laurapanic:
Alli B:
DJ Babs:
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Rich in Washington:
sufferwords:
Cameron Pretendre:
georgewesterholm:
Cameron Pretendre:
shellioh:
DJ Babs:
georgewesterholm:
DJ Babs:
georgewesterholm:
Derek Westerholm:
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Derek Westerholm:
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Derek Westerholm:
Derek Westerholm:
DJ Babs:
Cameron Pretendre π©Ή:
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Alli B:
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DJ Babs:
Mr Fab:
Derek Westerholm:
DJ Nico:
VinylVillainSean:
Mr Fab:
Rubberband Girl play The Stranglers' "Golden Brown" in the style of "Take 5" this past Monday?
Derek Westerholm:
Derek Westerholm:
Tyler:
Cameron Pretendre π©Ή:
Mr Fab:
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DJ Babs:
DJ Babs:
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Tyler:
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Derek Westerholm:
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Cameron Pretendre π©Ή:
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DJ Babs:
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Derek Westerholm:
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Derek Westerholm:
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Scott67:
Sorry, was stuck on phone for 2 hours!
πππ»β
Derek Westerholm:
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ππ
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Anyway, Hello, Scott, Laters, Scott and all.
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