View Kenzo (Ken's Last Ever)'s profile |
A live, improvised sound collage experiment, going back 28 years, weaving mesmerizing new soundscapes from found and collected materials right in the present moment.
Pop music, speeches, live phone calls and spontaneous monologues become ambient loopy layered threads riding the liminal spaces between waking and dreaming. [On hiatus.]
(Visit homepage.)
Also available as an MP3 podcast. More info at our Podcast Central page.
<-- Previous playlist | Back to Ken's Last Ever Radio Extravaganza playlists | Next playlist -->
November 16, 2020: "Elsewhere", from pirate radio station free103point9, in Brooklyn, NY, September 2000
Noise, layers, building terror and hypnotic immersion from within a claustrophobia-inducing cement bunker at Momenta Art, during the Williamsburg Elsewhere Festival, to gallery audience and live broadcast on pirate radio station free103point9, in Brooklyn, NY, September 2000.
Listen to this show:
MP3 - 128K | Pop-up player!
From 2001, Frank's review of today's episode:
"I haven't yet had time to really let your cd sink in, maybe I shouldn't try.
I enjoy the complexity. Reminisent of Firesign Theatre. I will say that I've heard a lot af Columbia-Princeton stuff that's vastly inferior to this. Also a lot of modern dance oriented stuff that sucks; there's nothing easier than to make a machine repeat itself . I like the way you make rhythmic patterns out of the inadequate applause so much creative music gets, then seque into the censorship and unemployment issues. Creating signifigant electronic music means being a theoretician, a philosopher, and it's a political act. Your music functions at those levels. I like Short Attention Span for it's density. I think on the whole the disc has an elegiac quality. The 'rock band' near the end bothers me; it seems like a giant step backwards. I like words out of context like fragments of street conversation that seems inane,
seems like you're alive to your surroundings, which an artist should be, to wake the rest of us up. Good work . Keep it up."
Artist | Track | Album | Year | Comments | ||||||
---|---|---|---|---|---|---|---|---|---|---|
Ken | Introduction | 2020 | ||||||||
Ken's Last Ever Extravaganza | Elsewhere | Show #238, from Sept. 24, 2000 | 2000 |
Noise, layers, building terror and hypnotic immersion from
within a claustrophobia-inducing cement bunker at Momenta
Art, during the Williamsburg Elsewhere Festival, to gallery
audience and live broadcast on pirate radio station
free103point9, in Brooklyn, NY. Full list of audio samples (not in sequence) follows: |
||||||
Vangelis | Tears in Rain | Blade Runner s.t. | ||||||||
Noam Chomsky | Torture - v242.13 | |||||||||
Victor Lundberg | Draft Card Burners | An Open Letter to My Teenage Son | ||||||||
The Quiet American | ||||||||||
Jello Biafra | Talk on Censorship | |||||||||
Judy Garland | Stars and Stripes Forever | |||||||||
Sound Effects | Various sound effects | |||||||||
Negativland | Only a Sample | Fair Use | ||||||||
Digitonal | My Life as a Loop | |||||||||
Digitonal | Microschism | |||||||||
Radiohead-Ken's Last Ever Radio Extravaganza | Extended Karma Extravaganza, instrumental exit arrangement (created from "Karma Police") | Extended Karma Extravaganza | 1998 | Piano intro segment transitioned to "instrumental loop 13,16,17", then faded | ||||||
New York State Department of Labor | Unemployment claim | Unemployment "Tel-Service line" | 2000 | |||||||
Williams Electronics | Robotron 2084 | 1982 | Played live | |||||||
Pilgrim | Phone message 12/10/1999 | 1999 | ||||||||
David Thiel | Q*Bert samples | Company: D. Gottlieb and Co. | 1982 | |||||||
Wendy Carlos | Theme from A Clockwork Orange | A Clockwork Orange soundtrack | ||||||||
Wendy Carlos | Brandenburg Concerto No. 3 - Allegro | Switched on Bach | ||||||||
Carrie Dashow | Williamsburg interview clips | 2000 | ||||||||
Jason Wilson | Williamsburg interview clips | 2000 | ||||||||
Star Trek sample | Error...error...examine. | |||||||||
Stern Electronics | Berzerk | 1980 | Played live | |||||||
Star Trek sample | Door opening | |||||||||
Star Trek sample | Red alert | |||||||||
Ajax | Ajax commercial | |||||||||
Sam Kinison | Yelling | |||||||||
AOL | You've got mail | |||||||||
AOL | File's done | |||||||||
AOL | Goodbye | |||||||||
Apple Macintosh | Sample | |||||||||
Press the Button | Everything's getting really crazy... | |||||||||
Modem | Sample | |||||||||
Magnetic Fields-Ken's Last Ever Radio Extravaganza | The Book of Dumb (created from "The Book of Love") | The Book of Dumb Extravaganza | ||||||||
Michael Kamen | Central Services-The Office | Brazil s.t. | 1985 | You do the work, we do the pleasure | ||||||
Negativland | Drink It Up | Dispepsi | ||||||||
John Oswald | Dab-Michael Jackson | Plunderphonic | ||||||||
Vangelis | Memories of Green | Blade Runner s.t. | ||||||||
Bass Test | Frequency Response | |||||||||
Bass Test | Various, 10Hz - 100Hz | |||||||||
Jello Biafra | Other | |||||||||
Clone | Various | |||||||||
dreamSTATE | Various | |||||||||
The User | Dot Matrix, various | |||||||||
Radiohead | How Can You Be Sure? | Brief, if at all | ||||||||
David Bowie/Queen/Vanilla Ice-Ken's Last Ever Radio Extravaganza | Bowie/Queen/Vanilla ice looping, from Loopiest Ever show | Loopiest Ever Extravaganza | 1998 | Playlist | ||||||
Negativland | Favorite Things | True/False tour | Excerpts | |||||||
Radiohead | Paranoid Android | OK Computer | Brief, if at all | |||||||
Hal Hartley | A Lost Song | Henry Fool soundtrack | ||||||||
Radiohead-Ken's Last Ever Radio Extravaganza | Extended Karma Extravaganza, Unfinished (from "Karma Police") | Extended Karma Extravaganza | 1998 | Brief | ||||||
Hal Hartley | The Mother's Death | Henry Fool soundtrack | ||||||||
Magnetic Fields | 100,000 Fireflies | Very brief | ||||||||
Hal Hartley | Henry Fool | Henry Fool soundtrack | ||||||||
Aphex Twin | Next Heap With | |||||||||
Aphex Twin | Stone In Focus | |||||||||
Moby | Grace | I Like to Score | Mood under Robotron | |||||||
Moby | God Moving Over the Water | |||||||||
Philip Glass | Truman Sleeps | The Truman Show soundtrack | ||||||||
Philip Glass | Raising the Sail | The Truman Show soundtrack | ||||||||
The Art of Noise | Metaforce | |||||||||
Monty Python | 1, 2, 5 | Monty Python and the Holy Grail | ||||||||
Williamsburg residents | Interviews | |||||||||
Alicia Silverstone | I just wanted you to like me | The Crush | ||||||||
Brain Science | Public Radio | Brief | ||||||||
Moby | Hymn | Jumping | ||||||||
Moby | When It's Cold I'd Like to Die | Just the very beginning, w/o words | ||||||||
Radiohead-Ken's Last Ever Radio Extravaganza | Extended Karma Extravaganza, Unfinished (from "Karma Police") | Extended Karma Extravaganza | 1998 | The favorite "13,16,17" loop, in stereo, unlike the version at the end of Elsewhere | ||||||
Ken's Last Ever Extravaganza | Elsewhere | 2000 | The ending, with 2000 Williamsburg Brooklyn gallery ambience | |||||||
Go Home Productions | Beatleg Bootles Part 1 | 2003 |
1. How Does It Feel To Be Rich, Man? (0.00) 2. Sloop For No One (3.15) 3. Razor Smile (5.10) 4. Daytrip To Never Never Land (9.10) 5. Karma In The Life (12.03) |
|||||||
Wobbly | Yo Yo Yo Yoyo Yo, Hey... | Wild Why | 2002 | |||||||
Jason Freeman / Ken's Last Ever | N.A.G. experiment, Beatles & Radiohead | 2003 | Generated using Jason Freeman's "Network Auralization for Gnutella" and the Gnutella P2P network on July 10, 2003. | |||||||
Ken | Outro | 2020 | ||||||||
Wayne Butane | Purloined Chimp Hair | Purloined Chimp Hair | Just for a few seconds |
<-- Previous playlist | Back to Ken's Last Ever Radio Extravaganza playlists | Next playlist -->
RSS feeds for Ken's Last Ever Radio Extravaganza: Playlists feed | MP3 archives feed
| E-mail Kenzo | Other WFMU Playlists | All artists played by Ken's Last Ever Radio Extravaganza |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Webhamster Henry:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Webhamster Henry:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Webhamster Henry:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Webhamster Henry:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Webhamster Henry:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
"I haven't yet had time to really let your cd sink in, maybe I shouldn't try.
I enjoy the complexity. Reminisent of Firesign Theatre. I will say that I've heard a lot af Columbia-Princeton stuff that's vastly inferior to this. Also a lot of modern dance oriented stuff that sucks; there's nothing easier than to make a machine repeat itself . I like the way you make rhythmic patterns out of the inadequate applause so much creative music gets, then seque into the censorship and unemployment issues. Creating signifigant electronic music means being a theoretician, a philosopher, and it's a political act. Your music functions at those levels. I like Short Attention Span for it's density. I think on the whole the disc has an elegiac quality. The 'rock band' near the end bothers me; it seems like a giant step backwards. I like words out of context like fragments of street conversation that seems inane,
seems like you're alive to your surroundings, which an artist should be, to wake the rest of us up. Good work . Keep it up."
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Webhamster Henry:
Webhamster Henry:
Kenzo (Ken's Last Ever):