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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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October 11, 2020: IT'S THE CURTIS AMY & ART BLAKEY SHOW!
This Sunday, we give the drummer Art Blakey some, but leave plenty of birthday cake left over for Texas tenor great Curtis Amy in a dual celebration, featuring various and sundry Blakey band lineups, from The Jazz Messengers and elsewhere, and Amy’s way-underrated oevre with Dupree Bolten, Paul Bryant, and others. Complimentary hats and hooters at the door.
Listen to this show:
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WFMU's Give the Drummer Radio and The Stork Club denounces explicit and implicit racism. We condemn the culture of white supremacy, which enables the brutalization of black people and other communities of color. We support Black Lives Matter and the movement it stands for. |
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Artist | Track | Album | Comments | Approx. start time |
---|---|---|---|---|
Curtis Amy & Dupree Bolton | Katanga | Katanga ! | Bass – Victor Gaskin #Drums – Doug Sides #Guitar – Ray Crawford #Piano – Jack Wilson #Tenor Saxophone – Curtis Amy #Trumpet – Dupree Bolton —— Recorded at the Pacific Jazz Studios, Los Angeles in March, 1963 | 0:00:00 (Pop-up) |
Art Blakey Percussion Ensemble | Oscalypso | Drum Suite | Bass, Cello – Oscar Pettiford #Bongos – Candido, Sabu #Drums – Art Blakey, Jo Jones #Drums, Timpani, Gong – Charles Wright #Piano – Ray Bryant —— Recorded February 22, 1957 | 0:03:22 (Pop-up) |
Art Blakey & Clifford Brown | Mayreh | A Night At Birdland | Alto Saxophone – Lou Donaldson #Bass – Curly Russell #Drums – Art Blakey #Piano – Horace Silver #Trumpet – Clifford Brown —— Recorded on February 21, 1954 at Birdland, New York City | 0:12:02 (Pop-up) |
Curtis Amy & Paul Bryant | Beautiful You | Groovin' Blue | Bass – Jimmy Bond #Drums – Frank Butler #Piano – Frank Strazzeri #Tenor Saxophone, Composed By – Curtis Amy #Trumpet – Carmell Jones #Vibraphone – Bobby Hutcherson 1961, World-Pacific Jazz Records | 0:17:55 (Pop-up) |
DJ Serviceable Villain | 0:25:39 (Pop-up) | |||
Art Blakey | Dance of the Infidels | Paris Jam Session | Written-By – Bud Powell #Alto Saxophone – Barney Wilen #Bass – Jymie Merritt #Drums – Art Blakey #Piano – Bud Powell #Tenor Saxophone – Wayne Shorter #Trumpet – Lee Morgan. —— Recorded live December 18, 1959 at the Théâtre des Champs-Elysées, Paris | 0:29:43 (Pop-up) |
Cliff Jordan and John Gilmore | Bo-Till | Blowing In From Chicago | Written-By – Cliff Jordan #HORACE SILVER - piano #CLIFFORD JORDAN - tenor saxophone #JOHN GILMORE - tenor saxophone #CURLY RUSSELL - bass #ART BLAKEY drums. —— Recorded on March 3, 1957 at the Van Gelder Studio, Hackensack, New Jersey ---Blue Note - 7243 5 42306 2 2 | 0:42:00 (Pop-up) |
Les McCann – Les McCann Ltd. In New York | One More Hamhock, Please | Les McCann Ltd. In New York | Les McCann - piano • Ron Jefferson - drums • Curtis Amy - tenor saxophone #Bobby Hutcherson - vibraphone #Herbie Lewis- Bass Pacific Jazz X-316 (45rpm single). | 0:47:57 (Pop-up) |
Thelonious Monk | Work | Thelonious Monk & Sonny Rollins | NOTE: ROLLINS DOESN'T PLAY ON THIS TRACK 'Bass – Percy Heath #Drums – Art Blakey #Piano - Thelonious Monk ---recorded September 22, 1954 | 0:56:50 (Pop-up) |
Curtis Amy | 24 Hours Blues | Way Down | Bass – George Morrow #Drums – Tony Bazley #Piano – John Houston #Tenor Saxophone – Curtis Amy #Trumpet – Marcus Belgrave #Valve Trombone – Roy Brewster #Vibraphone – Ron Ayers Recorded at Pacific Jazz Studios, Hollywood, California - 1962 | 1:07:29 (Pop-up) |
Art Blakey & The Jazz Messengers | Evidence/Justice | Live in Scheveningen 1958 | Bass – Jymie Merritt #Drums – Art Blakey #Piano – Bobby Timmons #Tenor Saxophone – Benny Golson #Trumpet – Lee Morgan. — Recorded at the Kurhaus in Scheveningen, Netherlands, November 29,1958 | 1:07:31 (Pop-up) |
DJ Nothing | 1:14:18 (Pop-up) | |||
Curtis Amy & Paul Bryant | Angel Eyes | Meetin' Here | • Bass – Clarence Jones • • #Drums – Jimmy Miller • • #Organ – Paul Bryant • #Tenor Saxophone – Curtis Amy #Valve Trombone – Roy BrewsterJuly 1962 - July 1962 | 1:24:41 (Pop-up) |
Thelonious Monk | Honeysuckle Rose | The Unique Thelonious Monk | Written-By – Razaf, Waller #Bass – Oscar Pettiford (tracks: 1, 3 to 7) #Drums – Art Blakey (tracks: 1, 3 to 7) #Piano – Thelonious Monk. —— Recorded In Hackensack, NJ; March 17 and April 3, 1956 | 1:30:42 (Pop-up) |
Art Blakey's Jazz Messengers | Ping-Pong | Ugetsu | Written-By – Wayne Shorter #Bass – Reggie Workman #Drums – Art Blakey #Piano – Cedar Walton #Tenor Saxophone – Wayne Shorter #Trombone – Curtis Fuller #Trumpet – Freddie Hubbard —— Recorded "live" at Birdland, New York City; June 16, 1963 | 1:36:14 (Pop-up) |
Curtis Amy & Dupree Bolton | Native Land | Katanga ! | Bass – Victor Gaskin #Drums – Doug Sides #Guitar – Ray Crawford #Piano – Jack Wilson #Tenor Saxophone – Curtis Amy #Trumpet – Dupree Bolton —— Recorded at the Pacific Jazz Studios, Los Angeles in March, 1963 | 1:44:18 (Pop-up) |
Jimmy Smith | J.O.S. | The Sermon! | Alto Saxophone – G Lou Donaldson #Drums – Art Blakey #Guitar – Eddie McFadden #Organ – Jimmy Smith #Tenor Saxophone – Tina Brooks Recorded on February 25, 1958 - RvG | 1:54:37 (Pop-up) |
DJ Weep For Me | 2:06:30 (Pop-up) | |||
Hank Mobley | This I Dig of You | Soul Station | Bass – Paul Chambers #Drums – Art Blakey #Piano – Wynton Kelly #Tenor Saxophone – Hank Mobley —— Recorded on February 7, 1960 | 2:14:45 (Pop-up) |
Art Blakey | Summertime | A Jazz Message | Written-By – Heyward, Gershwin #Bass – Art Davis; #Drums – Art Blakey; #Piano – McCoy Tyner; #Tenor Saxophone – Sonny Stitt — Recorded at Van Gelder Recording Studio, Engelwood Cliffs, New Jersey on July 16, 1963 | 2:21:06 (Pop-up) |
Curtis Amy & Dupree Bolton | You Don't Know What Love Is | Katanga ! | Bass – Victor Gaskin #Drums – Doug Sides #Guitar – Ray Crawford #Piano – Jack Wilson #Tenor Saxophone – Curtis Amy #Trumpet – Dupree Bolton —— Recorded at the Pacific Jazz Studios, Los Angeles in March, 1963 | 2:25:45 (Pop-up) |
Sonny Rollins | Moving Out | Moving Out | Bass – Percy Heath #Drums – Art Blakey #Piano – Elmo Hope #Tenor Saxophone – Sonny Rollins #Trumpet – Kenny Dorham Recorded August 18, 1954 | 2:31:42 (Pop-up) |
Thelonious Monk | Rhythm-A-Ning | Art Blakey's Jazz Messengers With Thelonious Monk | Bass – Spanky DeBrest #Drums – Art Blakey #Piano – Thelonious Monk #Tenor Saxophone – Johnny Griffin #Trumpet – Bill Hardman. — Recorded in New York May 14 and 15, 1957 | 2:36:11 (Pop-up) |
Curtis Amy | Mustang | Mustang | Baritone Saxophone – Leroy Cooper #Bass – Edgar Willis #Drums – Bruno Carr #Guitar – Carl Lynch #Piano – Kenny Barron #Tenor Saxophone, Soprano Saxophone – Curtis Amy #Trumpet, Flugelhorn – Jimmy Owens -- Rec'd: Los Angeles, CA, January 26, 1967 | 2:43:29 (Pop-up) |
DJ Holy Moliest On High | 2:48:26 (Pop-up) | |||
Bumble Bee Slim | Wee Baby Blues | Back in Town! | Bass – Leroy Vinnegar #Drums – Ron Jefferson #Guitar – Bumble Bee Slim, Joe Pass #Organ – Richard Holmes* #Piano – Les McCann #Tenor Saxophone – Curtis Amy #Trombone – Lou Blackburn. ---Pacific Jazz – PJ-54, 1962 | 2:56:40 (Pop-up) |
Paul Chambers | What Is This Thing Called Love | Mosaic Select 5 [Disc 3] | Paul Chambers, bass; Art Blakey, drums. Recorded at the Van Gelder Studio, Hackensack, New Jersey on March 29, 1959 -- issued on Art Blakey’s DRUMS AROUND THE CORNER | 3:01:44 (Pop-up) |
Annie Ross | Twisted | King Pleasure Sings/Annie Ross Sings | Bass – Percy Heath #Drums – Art Blakey #Organ – Ram Ramirez #Piano – Teacho Wiltshire ---- | 3:07:27 (Pop-up) |
Thelonious Monk | Little Rootie Tootie | Thelonious Monk Trio | Bass – Gary Mapp #Drums – Art Blakey #Piano - Thelonious Monk Recorded at the Beltone Studio, New York, October 15, 1952 | 3:10:06 (Pop-up) |
Art Blakey & The Jazz Messengers | A Night In Tunisia | Jazz Messengers '70 | Written By – Dizzy Gillespie 9:25 #Bass – Jan Arnet #Drums – Art Blakey #Piano – Joanne Brackeen #Tenor Saxophone – Carlos Garnett #Trumpet – Bill Hardman. — Recorded in Tokyo, Japan on February 19, 1970 | 3:13:08 (Pop-up) |
Curtis Amy | Shaker Heights | Mustang | Baritone Saxophone – Leroy Cooper #Bass – Edgar Willis #Drums – Bruno Carr #Guitar – Carl Lynch #Piano – Kenny Barron #Tenor Saxophone, Soprano Saxophone – Curtis Amy #Trumpet, Flugelhorn – Jimmy Owens -- Rec'd: Los Angeles, CA, January 26, 1967 | 3:22:30 (Pop-up) |
The Jazz Messengers featuring Art Blakey | Ritual | Ritual | Alto Saxophone – Jackie McLean #Bass – Spanky DeBrest #Drums – Art Blakey #Piano – Sam Dockery #Trumpet – Bill Hardman. — Recorded i NYC: February 11, 1957 | 3:34:20 (Pop-up) |
Art Blakey Percussion Ensemble | The Sacrifice | Drum Suite | Bass, Cello – Oscar Pettiford #Bongos – Candido, Sabu #Drums – Art Blakey, Jo Jones #Drums, Timpani, Gong – Charles Wright #Piano – Ray Bryant —— Recorded February 22, 1957 | 3:46:12 (Pop-up) |
DJ Slde Door Johhny slips away | 3:54:38 (Pop-up) |
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Listener comments!
Stork:
Leonardo:
Stork:
chresti:
Stork:
rw:
Jeff Golick:
Stork:
spodiodi:
adamdoesit:
doctorjazz:
spodiodi:
Now, it's nothing but flowers
(nice playlist pic, Stork! cheers, Elena!)
hi adam, drJ!
Stork:
Artie:
Dean:
Dean:
Stork:
come and join the Stork Club party!
(profuse apologies to Mel Brooks)
doctorjazz:
spodiodi:
doctorjazz:
Dean:
Stork:
doctorjazz:
Stork:
Martinibomb:
Martinibomb:
Stork:
Stork:
Doug Schulkind:
Listener Gregory:
Stork:
chresti:
Stork:
Dean:
Stork:
Mark R:
Stork:
Dean:
Stork:
Stork:
Dean:
doctorjazz:
Stork:
Michael 98145:
doctorjazz:
doctorjazz:
Stork:
Dean:
Stork:
Michael 98145:
Stork:
adamdoesit:
Little Danny:
Michael 98145:
doctorjazz:
Ike:
Stork:
Little Danny:
Stork:
Stork:
coelacanth∅:
Little Danny:
Stork:
Stork:
Little Danny:
wendy del formaggio:
doctorjazz:
Stork:
Stork:
Stork:
Michael 98145:
jmd:
Michael 98145:
Dean:
Michael 98145:
coelacanth∅:
coelacanth∅:
Dean:
Stork:
Stork:
Dean:
coelacanth∅:
(so next time i yell "Sebastian!" out the back door?)
Dean:
coelacanth∅:
...an imaginary friend?
Dean:
Dean:
coelacanth∅:
... you could get a lot of mileage out of Reggie
Michael 98145:
coelacanth∅:
i know this one meant it though, because of her reason. she was too selfish and wanted all the attention for herself. she knew she'd be a crappy mother. (as opposed to most people, who are crappy parents but never considered that possibility)
Ike:
Michael 98145:
Dean:
Back from retrieving the eldest. What'd I miss?
Michael 98145:
Dean:
Michael 98145:
Dean:
doctorjazz:
coelacanth∅:
what that taught me is how to be very careful and respectful of records and stereos; and how to leave things as i found them.
Dean:
doctorjazz:
coelacanth∅:
spodiodi:
Also, hello coelacanthø! Been afk
doctorjazz:
Stork:
Michael 98145:
Dean:
Stork:
Michael 98145:
coelacanth∅:
i have a niece and nephew that i had far more influence on than their father did. they've said i raised them, with their mom.
it's not that satisfying though because their extremely dysfunctional parents and the wealthy community they "grew up" in were/are too much of an influence for mine to prevail.
i don't really like them!
Stork:
Stork:
Dean:
Michael 98145:
spodiodi:
coelacanth∅:
Michael 98145:
Dean:
I sure miss Vidal.
Dean:
coelacanth∅:
her branch is the only one with monetary wealth.
Michael 98145:
take care, all.
coelacanth∅:
Michael 98145:
spodiodi:
doctorjazz:
coelacanth∅:
coelacanth∅:
Michael 98145:
Stork:
chresti:
coelacanth∅:
Stork:
Doug Schulkind: