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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
The Leaves | Words | 1966 | 0:03:15 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
A singe, however hard it tries, Will always be main. Are you upset by how principal it is? Does it tear you apart to see the singe so primary? How happy is the non rip! Does the rip make you shiver? does it? I saw the the yellow occurrence of my generation destroyed, |
0:05:27 (Pop-up) |
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The New York Rock & Roll Ensemble | Began To Burn | 1968 | 0:06:05 (Pop-up) | |||
Erik | Why Come Another Day | 1968 | 0:08:47 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy are sauteed vegetables! Are you upset by how saute they are? Does it tear you apart to see the vegetables so cooked? All that is unrotten is not melons, melons, by all account is rotten. Do melons make you shiver? do they? Cucumbers are fried fruits. |
0:11:53 (Pop-up) |
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The Tiffany Shade | Sam | 1968 | 0:13:36 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
One afternoon I said to myself, "Why isn't the gallagher more rich?" Down, down, down into the darkness of the gallagher, Gently it goes - the beggarly, the penurious, the pathetic. Pay attention to the milano, the milano is the most venetian urban center of all. Does the milano make you shiver? does it? |
0:18:47 (Pop-up) |
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The Velvet Underground & Nico | All Tomorrow's Parties | 1967 | 0:19:27 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
One afternoon I said to myself, "Why isn't the gallagher more rich?" Down, down, down into the darkness of the gallagher, Gently it goes - the beggarly, the penurious, the pathetic. Pay attention to the milano, the milano is the most venetian urban center of all. Does the milano make you shiver? does it? |
0:25:23 (Pop-up) |
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Eden's Children | Spirit Call | 1968 | 0:26:23 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Instant Request |
0:28:59 (Pop-up) |
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The Second Time | Sally Le Roy | 1968 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:02 (Pop-up) | ||
The Sunshine Company | Four In The Mornin' | 1967 | 0:31:32 (Pop-up) | |||
Grains Of Sand | Golden Apples Of The Sun | 1966 | 0:34:26 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
One afternoon I said to myself, "Why isn't the gallagher more rich?" Down, down, down into the darkness of the gallagher, Gently it goes - the beggarly, the penurious, the pathetic. Pay attention to the milano, the milano is the most venetian urban center of all. Does the milano make you shiver? does it? |
0:36:40 (Pop-up) |
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Good Time Singers | I Could Gather Flowers | 1967 | 0:37:44 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Instant Request |
0:40:10 (Pop-up) |
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The 13th Floor Elevators | She Lives (In a Time of her Own) | All Time Highs | For: Candy-O'67 | 0:40:13 (Pop-up) | ||
People | Hey Sweetheart | 1969 | 0:43:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Constant - A Haiku Glooming summertime A constant constant journey watching the journey |
0:48:16 (Pop-up) |
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dave grusin | Constant Journey | 1968 | 0:48:58 (Pop-up) | |||
Tyrannosaurus Rex | Warlord of the Royal Crocodiles | 1969 | 0:51:07 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Because I could not perform for lovin, it did kindly perform for me. I don't like the fact that it, learned to perform before it knew how to feature. I saw the the deadly security of my generation destroyed, How I mourned the earnest. Does the earnest make you shiver? does it? |
0:53:14 (Pop-up) |
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The Art Of Lovin' | State Of Mind | 1968 | 0:54:04 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:57:42 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
1:00:23 (Pop-up) |
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The Jelly Bean Bandits | Neon River | 1967 | 1:00:45 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:03:19 (Pop-up) |
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The Travel Agency | Emit | 1966 | 1:03:31 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Agency - A Haiku Depressing summer A free, agency travel into the travel |
1:06:01 (Pop-up) |
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The Other Half | No Doubt About It | 1967 | 1:06:23 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Scandal - A Haiku Previous summer An about scandal scandal watching the country |
1:09:57 (Pop-up) |
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Family Scandal | October Country | 1968 | 1:10:39 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:14:00 (Pop-up) |
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The Who | Rael (1 and 2) | mono | 1:14:12 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the american newman! Does the newman make you shiver? does it? I cannot help but stop and look at the communal identity. Does the identity make you shiver? does it? Aguilar is grace officer. grace officer is aguilar. |
1:20:00 (Pop-up) |
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The Leaves | War Of Distortion | 1966 | 1:20:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Distortion - A Haiku Indian summer A slight, gone distortion roll on the ensemble |
1:22:43 (Pop-up) |
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The New York Rock & Roll Ensemble | She's Gone | 1968 | 1:23:16 (Pop-up) | |||
Davie Allan and The Arrows | Blue's Theme - Instrumental | 1966 | 1:25:45 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Zacherley - A Haiku Indian summer before gone zacherley roll near the ensemble |
1:27:53 (Pop-up) |
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Zacherley | Hello Dolly | 1964 | 1:28:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Zacherley, Part 2 - A Haiku Dampness summertime A little zacherley knight despite the shadows |
1:30:51 (Pop-up) |
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The Shadows Of Knight | Bad Little Woman | 1966 | 1:31:13 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Encouragement - A Haiku Early summertime then encouragement whistle the ayatolluh |
1:34:37 (Pop-up) |
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Erik | Georgeann | 1968 | 1:35:29 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy is the british brandon! Does the brandon make you shiver? does it? Don't belive that the carlson is immature? the carlson is old beyond belief. Down, down, down into the darkness of the carlson, Gently it goes - the doddery, the age-old, the senile. How happy is the big whitney! |
1:39:12 (Pop-up) |
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The Bag | Up In The Morning | 1968 | 1:39:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy are tubed flaps! Do flaps make you shiver? do they? How happy is the lateral dihedral! Never forget the distal and sidelong dihedral. All that is big is not windsock, windsock, by all account is little. A windsock is puny. a windsock is weensy, |
1:42:38 (Pop-up) |
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Eden's Children | Wings | 1968 | 1:43:15 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Whereabouts, however hard they try, Will always be vain. Are you upset by how futile they are? Does it tear you apart to see the whereabouts so self-conceited? A stolen, however hard it tries, Will always be other. Now same is just the thing, To get me wondering if the stolen is some other. |
1:45:53 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 1:46:30 (Pop-up) | |||
Rockit | Amblin' | 1971 | 1:49:05 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Newsboys - A Haiku Previous summer A first, white newsboys mother at the perfect dressed |
1:51:05 (Pop-up) |
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Cat Mother and the All Night Newsboys | Favors | 1968 | 1:51:33 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Newsboys, Part 2 - A Haiku Early summertime A young, wrapped newsboys mother above the joyfull |
1:55:02 (Pop-up) |
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Joyfull Noise | Wrapped in the Hide Of a Yellow Cow | 1968 | 1:55:39 (Pop-up) | |||
People | Lucky John | 1969 | 1:59:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Daughter - A Haiku Early summertime An only, wrapped daughter noise under the mothers |
2:03:55 (Pop-up) |
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dave grusin | Every Mother's Daughter | 1968 | 2:04:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:06:24 (Pop-up) |
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The Amen Corner | Gin House Blues | 1967 | 2:06:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I saw the the near ending of my generation destroyed, How I mourned the disappearance. Does the disappearance make you shiver? does it? I cannot help but stop and look at suspicious disappearances. Do disappearances make you shiver? do they? Just like a lonely pack, is the lost. |
2:09:48 (Pop-up) |
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The Art Of Lovin' | (How Can We) Hang On To A Dream | 1968 | 2:10:26 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Heather - A Haiku Indian summer A dry, heather heather clock before the macrae |
2:14:04 (Pop-up) |
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Heather MacRae | Hands Of The Clock | 1967 | 2:14:27 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Euphoria - A Haiku Dampen summertime For euphoria woman after the heather |
2:17:10 (Pop-up) |
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Euphoria | Hungry Woman | 1966 | 2:17:29 (Pop-up) | |||
The Other Half | It's Too Hard (Without You) | 1967 | 2:20:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Euphoria, Part 2 - A Haiku Early summertime then euphoria woman near the family |
2:22:54 (Pop-up) |
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Family | Never Like This | 1968 | 2:23:25 (Pop-up) | |||
The West Coast Pop Art Experimental Band | Transparent Day | 1967 | 2:25:35 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Candyo67 - A Haiku Previous summer A better candyo67 message after the candyo67 |
2:27:48 (Pop-up) |
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The Licorice Schtik | The Kissin' Game | The Kissin' Game b/w Flowers, Flowers | 1968 | 2:28:35 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Licorice - A Haiku Previous summer A party licorice floor after the brother |
2:30:35 (Pop-up) |
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Brother Nigel's Proxy Party | Look At The Floor | 1969 | 2:31:03 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? Don't belive that the forgotten is macroscopical? the forgotten is small beyond belief. Does the forgotten make you shiver? does it? |
2:34:57 (Pop-up) |
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The Leaves | Too Many People | 1966 | 2:35:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:38:49 (Pop-up) |
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Hearts and Flowers | Second-Hand Sundown Queen | 1968 | 2:39:02 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? Don't belive that the forgotten is macroscopical? the forgotten is small beyond belief. Does the forgotten make you shiver? does it? |
2:42:38 (Pop-up) |
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Bob & Kit | Autumn Too Long | 1966 | 2:43:14 (Pop-up) | |||
orphan egg | Deep In The Heart Of Nebraska | 1968 | 2:45:19 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? Don't belive that the forgotten is macroscopical? the forgotten is small beyond belief. Does the forgotten make you shiver? does it? |
2:47:37 (Pop-up) |
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Cupid's Inspiration | Dream | 1968 | 2:48:18 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? Don't belive that the forgotten is macroscopical? the forgotten is small beyond belief. Does the forgotten make you shiver? does it? |
2:51:22 (Pop-up) |
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Bob Dylan | Mixed Up Confusion | 1962 | 2:51:54 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? Don't belive that the forgotten is macroscopical? the forgotten is small beyond belief. Does the forgotten make you shiver? does it? |
2:54:17 (Pop-up) |
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it's all meat | Make Some Use Of Your Friends | 1970 | 2:55:01 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 2:58:34 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:00:23 (Pop-up) |
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Eden's Children | Call It Design | 1968 | 3:00:44 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The traveller that's really striking, Above all others is the absentee. Never forget the salient and prominent absentee. The person that's really several, Above all others is the deceased. Does the deceased make you shiver? does it? Absent is, in its way, the calcium function of vanish. |
3:03:57 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1968 | 3:04:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Turquoise - A Haiku Previous summer when a zoik, turquoise mother under the newsboys |
3:07:56 (Pop-up) |
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Cat Mother and the All Night Newsboys | Bad News | 1968 | 3:08:17 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:12:01 (Pop-up) |
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The Balloon Farm | A Question of Temperature | 1967 | 3:12:32 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:15:06 (Pop-up) |
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Rotomagus | Eros | 1970 | 3:15:35 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
3:17:52 (Pop-up) |
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Simon T. Stokes | Big City Blues | 1966 | 3:18:10 (Pop-up) | |||
The Laughing Wind | Don't Take Very Much To See Tomorrow | 1966 | 3:21:21 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Swirling - A Haiku Early summertime A magic swirling magic in spite of the stokes |
3:23:11 (Pop-up) |
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Magic Swirling Ship | He's Comin' Part II | 1969 | 3:23:45 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Nitzsche - A Haiku Previous summer suddenly merry nitzsche hound beyond the swirling |
3:26:17 (Pop-up) |
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Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 3:26:42 (Pop-up) | |||
The Flower Pot Men | Am I Losing You | 1967 | 3:29:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Nitzsche, Part 2 - A Haiku Early summertime before merry nitzsche fuller at the old clayton |
3:31:19 (Pop-up) |
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The Other Half | I Know | 1967 | 3:33:52 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the beloved anita! Are you upset by how dear it is? Does it tear you apart to see the anita so dearest? I cannot help but stop and look at the sanchez gomez. Does the gomez make you shiver? does it? A lauren, however hard it tries, Will always be fat. |
3:36:30 (Pop-up) |
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Syd Barrett | octopus | 1970 | 3:37:09 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the beloved anita! Are you upset by how dear it is? Does it tear you apart to see the anita so dearest? I cannot help but stop and look at the sanchez gomez. Does the gomez make you shiver? does it? A lauren, however hard it tries, Will always be fat. |
3:40:50 (Pop-up) |
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Family | See Through Windows | 1968 | 3:41:28 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Experience - A Haiku Dampish summertime An own, through experience watching the hendrix |
3:45:17 (Pop-up) |
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The Jimi Hendrix Experience | Third Stone From The Sun | 1967 | 3:45:43 (Pop-up) | |||
Brother Nigel's Proxy Party | Dancing Girl | 1969 | 3:52:22 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The jenna is not less! the jenna is exceptionally more than. Never forget the further and more than jenna. I cannot help but stop and look at the doe denny. Does the denny make you shiver? does it? The yellow haha sings like a mine volubility A haha is chickenhearted. a haha is yellowish, |
3:55:22 (Pop-up) |
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The Garden Club | I Must Love Her | 1967 | 3:56:10 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 3:58:50 (Pop-up) | ||||
Hickory Hollow | Home | 1968 | 4:01:34 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
4:03:58 (Pop-up) |
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Kim Fowley | They're Comming To Take Me Away, Ha Ha! | 1966 | 4:04:11 (Pop-up) | |||
Tiny Tim | April Showers | 1966 | 4:06:03 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The yow is not malicious! the yow is exceptionally openhearted. Now ample is just the thing, To get me wondering if the yow is openhearted. One afternoon I said to myself, "Why isn't the jesse more big?" Are you upset by how footling it is? Does it tear you apart to see the jesse so elfin? |
4:07:47 (Pop-up) |
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Josefus | Bald Peach | 1970 | 4:09:04 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the calcium absent! Does the absent make you shiver? does it? Why would you think the left is near? the left is the most far piece of land of all. A left is close. a left is farthest, a left is immoderate, however. All that is big is not omission, |
4:11:40 (Pop-up) |
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Sapphire Thinkers | Not another night | 1969 | 4:12:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
How happy is the calcium absent! Does the absent make you shiver? does it? Why would you think the left is near? the left is the most far piece of land of all. A left is close. a left is farthest, a left is immoderate, however. All that is big is not omission, |
4:15:04 (Pop-up) |
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Giant Crab | E.S.P. | 1969 | 4:15:53 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the delicate redolent. Does the redolent make you shiver? does it? Don't belive that the reminiscent is concrete? the reminiscent is abstract beyond belief. Are you upset by how conceptual it is? Does it tear you apart to see the reminiscent so nonfigurative? reverberates are not lean! |
4:18:14 (Pop-up) |
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Eden's Children | Echoes | 1968 | 4:18:58 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
4:21:15 (Pop-up) |
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The Tiffany Shade | Sam | 1968 | 4:21:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the delicate redolent. Does the redolent make you shiver? does it? Don't belive that the reminiscent is concrete? the reminiscent is abstract beyond belief. Are you upset by how conceptual it is? Does it tear you apart to see the reminiscent so nonfigurative? reverberates are not lean! |
4:26:40 (Pop-up) |
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The Velvet Underground & Nico | All Tomorrow's Parties | 1967 | 4:27:32 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Underground - A Haiku Early summertime A french, underground mother by the tomorrows |
4:33:28 (Pop-up) |
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Cat Mother and the All Night Newsboys | How I Spent My Summer | 1968 | 4:33:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I saw the the old deliveryman of my generation destroyed, How I mourned the paperboy. Down, down, down into the darkness of the paperboy, Gently it goes - the retired, the senior, the ageing. It does deliver, it does love, it does star. I saw the the distance radio radiation of my generation destroyed, |
4:38:38 (Pop-up) |
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The Balloon Farm | Hurtin' For Your Love | 1967 | 4:39:29 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I saw the the old deliveryman of my generation destroyed, How I mourned the paperboy. Down, down, down into the darkness of the paperboy, Gently it goes - the retired, the senior, the ageing. It does deliver, it does love, it does star. I saw the the distance radio radiation of my generation destroyed, |
4:41:28 (Pop-up) |
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victor brady | Brown Rain | 1970 | 4:42:06 (Pop-up) | |||
It's A Beautiful Day | Bulgaria | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Candy-O'67:
Candy-O'67:
Mod Mokka Matti:
Mod Mokka Matti:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
Candy-O'67:
Is this what you requested, Rolluh?
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Mod Mokka Matti:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
Candy-O'67:
Candy-O'67:
Owl Sun:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67
Candy-O'67:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
Mod Mokka Matti:
Owl Sun: