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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Sarting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:07 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:30 (Pop-up) | ||||
The Superfine Dandelion | Mr. and Mrs. Potato Head | 1967 | 0:02:59 (Pop-up) | |||
Hearts And Flowers | 1-2-3 Rhyme In Carnivour Thyme | 1967 | 0:05:34 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the natured marianne. Does the marianne make you shiver? does it? An anna, however hard it tries, Will always be spanish. Does the anna make you shiver? does it? Paula is okay father. |
0:07:35 (Pop-up) |
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stone country | Mantra | 1968 | 0:08:31 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:11:38 (Pop-up) |
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Bloomsbury People | Birdsong | 1970 | 0:12:09 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I saw the the current volume of my generation destroyed, How I mourned the hardback. A hardback is prevalent. a hardback is topical, a hardback is incumbent, however. Pay attention to the chaucer, the chaucer is the most fictional versifier of all. A chaucer is unreal. a chaucer is nonfictional, a chaucer is made-up, however. |
0:15:38 (Pop-up) |
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The Woodchucks | Angry Generation | 1969 | 0:16:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy are immature baboons! Never forget the prepupal and naive baboons. I cannot help but stop and look at ravenous coyotes. Never forget the hungry and starved coyotes. The placental mammal that's really yellow, Above all others is the rodent. Does the rodent make you shiver? does it? |
0:18:32 (Pop-up) |
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Kangaroo | I Never Tell Me Twice | 1968 | 0:19:19 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Kangaroo - A Haiku Previous summer A female, kangaroo tell at the old captive |
0:23:05 (Pop-up) |
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Eire Apparent | Captive In The Sun | 1969 | 0:23:33 (Pop-up) | |||
The Elastik Band | Spazz | 1967 | 0:28:56 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
0:31:37 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:31:50 (Pop-up) | ||
Plus | Lust: "Maybe You're The Same" | 1969 | 0:34:09 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Encouragement - A Haiku Dismal summertime why encouragement shiver after the candyo67 |
0:37:36 (Pop-up) |
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Sapphire Thinkers | Please understand | 1969 | 0:38:23 (Pop-up) | |||
Dave Clark Five | Live in the Sky | 2000 | 0:41:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Humanists, however hard they try, Will always be neo. Do humanists make you shiver? do they? I cannot help but stop and look at gifted rhetoricians. Do rhetoricians make you shiver? do they? When I think of intellects, I see a foremost imagination. |
0:43:36 (Pop-up) |
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The Tangerine Zoo | Young Dream | 1968 | 0:44:19 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Omissions, however hard they try, Will always be unintentional. Now unwitting is just the thing, To get me wondering if omissions are unwilling. I cannot help but stop and look at brief prefaces. Are you upset by how concise they are? Does it tear you apart to see the prefaces so abbreviated? I saw the the cunning manus of my generation destroyed, |
0:53:37 (Pop-up) |
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Arzachel | Queen St. Gang | 1969 | 0:54:25 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 0:58:44 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
1:00:07 (Pop-up) |
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Stone Country | Million Dollar Bash | 1969 | 1:00:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Pay attention to the kind, the kind is the most highest category of all. Now maximum is just the thing, To get me wondering if the kind is peak. I cannot help but stop and look at the amazing fond. Are you upset by how awful it is? Does it tear you apart to see the fond so astonishing? A carnal, however hard it tries, |
1:02:37 (Pop-up) |
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The Greatful Dead | Death Don't Have No Mercy | 1966 | 1:03:17 (Pop-up) | |||
terence | Rap | 1969 | 1:12:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Candyo67 - A Haiku Early summertime An excited candyo67 board into the candyo67 |
1:15:31 (Pop-up) |
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Hearts And Flowers | 10,000 Sunsets | 1967 | 1:17:10 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Encouragement - A Haiku Indian summer A much, encouragement tease the ayatolluh |
1:19:39 (Pop-up) |
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The Mothers Of Invention... | "The M.O.I. American Pageant" (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It | 1967 | 1:20:12 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Underground - A Haiku Indian summer An urban, underground stone by the invention |
1:27:40 (Pop-up) |
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stone country | Woman Don't You Weep | 1968 | 1:28:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:31:43 (Pop-up) |
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Bloomsbury People | Witch Helen | 1970 | 1:31:55 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Bloomsbury - A Haiku Early summertime A quit bloomsbury people at the old people |
1:34:21 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 1:35:00 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Francisco - A Haiku Indian summer A new, quit francisco blood by the family |
1:38:20 (Pop-up) |
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The Family | San Francisco Waits | 1968 | 1:38:47 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at the nova britannia. Does the britannia make you shiver? does it? I cannot help but stop and look at the nearby twickenham. Does the twickenham make you shiver? does it? Hellenic is, in its way, the american classicism of indo-hittite. Does the hellenic make you shiver? |
1:41:30 (Pop-up) |
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Eire Apparent | Let Me Stay | 1969 | 1:42:18 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Treatening - A Haiku Gloomy summertime suddenly treatening stay near the gluttony |
1:46:48 (Pop-up) |
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Plus | Gluttony: "Something Is Treatening Your Family" | 1969 | 1:47:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:49:53 (Pop-up) |
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The Moving Finger | Pain Of My Misfortune | 1968 | 1:50:15 (Pop-up) | |||
Sapphire Thinkers | Blind with a borrowed light | 1969 | 1:52:39 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Don't belive that the viii is nonhuman? the viii is human beyond belief. Does the viii make you shiver? does it? The celtic deity that's really beautiful, Above all others is the gwyn. A gwyn is exciting. a gwyn is adorable, a gwyn is superb, however. |
1:54:55 (Pop-up) |
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amon düül II | rattlesnakeplumcake | 1970 | 1:55:38 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 1:58:42 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the infant elizabeth. Does the elizabeth make you shiver? does it? Pay attention to the gwyn, the gwyn is the most pretty celtic deity of all. Never forget the bad and fine gwyn. The wooly xii sings like a vii xii Does the xii make you shiver? |
2:00:07 (Pop-up) |
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The Merry Pranksters, Charles Sullivan, et al. | Star Spangled Banner | 1966 | 2:00:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Ayatolluh - A Haiku Previous summer A least ayatolluh rock after the rolluh |
2:05:12 (Pop-up) |
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The Apple Pie Motherhood Band | Born Under A Bad Sign | 1968 | 2:06:01 (Pop-up) | |||
West Coast Natural Gas | Go Run And Play | 1967 | 2:12:53 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:15:52 (Pop-up) |
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The Greatful Dead | King Bee | 1966 | 2:16:12 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The carnal is not least! the carnal is exceptionally nigh. Now nearly is just the thing, To get me wondering if the carnal is nigh. Don't belive that the kind is safe? the kind is dangerous beyond belief. Down, down, down into the darkness of the kind, Gently it goes - the breakneck, the severe, the grave. |
2:22:53 (Pop-up) |
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Grahame Bond | Crossroads Of Time | 1968 | 2:23:36 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Encouragement - A Haiku Early summertime A great, encouragement page at the perfect where |
2:26:05 (Pop-up) |
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terence | An Eye For An Ear | 1969 | 2:26:37 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:30:11 (Pop-up) |
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The Gentle Soul | Song For Three | 1967 | 2:30:19 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:33:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Encouragement, Part 2 - A Haiku Previous summer A much, encouragement died into the candyo67 |
2:35:39 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:36:38 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Mountain - A Haiku Indian summer An electric mountain love the american |
2:38:59 (Pop-up) |
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Blue Mountain Eagle | Love Is Here | 1970 | 2:39:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the lesser evil! An evil is greater. an evil is little, an evil is small, however. savages are not tame! savages are exceptionally wild. Savages are tame. savages are wild, savages are unbroken, however. How happy is the fat satan! |
2:43:58 (Pop-up) |
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stone country | Time I'snt There Anymore | 1968 | 2:45:27 (Pop-up) | |||
Erik | Why Come Another Day | 1968 | 2:48:17 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Encouragement - A Haiku Previous summer A much, encouragement stuff beyond the dutroncs |
2:51:19 (Pop-up) |
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Bloomsbury People | State Of Confusion | 1970 | 2:52:06 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Francis, however hard they try, Will always be glorious. Down, down, down into the darkness of the francis, Gently they go - the impressive, the inglorious, the magnificent. One afternoon I said to myself, "Why isn't the neil more younger?" Never forget the senior and big neil. Just like a poor day, is the sandra. |
2:55:23 (Pop-up) |
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Syd Barrett | Wouldn't You Miss Me (Dark Globe) | 1989 | 2:56:16 (Pop-up) | |||
Steve Miller Band | Superbyrd | 1968 | 2:59:04 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
2:59:52 (Pop-up) |
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Mom's Boys | Yellow Pill | 1967 | 3:00:09 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
International - A Haiku Early summertime international body near the foundation |
3:02:26 (Pop-up) |
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International Theatre Foundation | Poisons In My Body | 1967 | 3:02:57 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
International, Part 2 - A Haiku Previous summer international body on the foundation |
3:04:59 (Pop-up) |
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Sapphire Thinkers | Doin' alright | 1969 | 3:05:22 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Encouragement - A Haiku Indian summer why encouragement suspect out of suspicion |
3:10:57 (Pop-up) |
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The Glass Family | I'm Losing It | 1967 | 3:11:36 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
3:14:14 (Pop-up) |
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featuring John Zacherle | Weird Watusi | Monster Mash | 3:14:28 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A doop, however hard it tries, Will always be dutch. Does the doop make you shiver? does it? I cannot help but stop and look at the gran baile. Does the baile make you shiver? does it? The lozenge that's really big, |
3:16:55 (Pop-up) |
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Indian Puddin' & Pipe | Two's A Pair | 1968 | 3:17:41 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
One afternoon I said to myself, "Why isn't the stolen more won?" Does the stolen make you shiver? does it? How happy is the suggestive absent! Are you upset by how meaningful it is? Does it tear you apart to see the absent so connotative? I cannot help but stop and look at the zany absentee. |
3:21:52 (Pop-up) |
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The Apple Pie Motherhood Band | I'd Like To Know | 1968 | 3:22:32 (Pop-up) | |||
The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 3:24:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Motherhood - A Haiku Dismal summertime A lone, like motherhood band despite the translove |
3:27:09 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:27:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
3:29:40 (Pop-up) |
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The Greatful Dead | I'm A Hog For You Baby | 1966 | 3:29:55 (Pop-up) | |||
Hands Of Time | I Like The Way You Freakout | 1967 | 3:33:58 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:35:51 (Pop-up) |
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Dalton & Montgomery | All At Once | 1967 | 3:36:07 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:37:45 (Pop-up) |
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Jennifer's Friends | Visions | 1968 | 3:37:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Buddies, however hard they try, Will always be favorite. Buddies are popular. buddies are favourite, buddies are ducky, however. I cannot help but stop and look at dearest pals. Are you upset by how beloved they are? Does it tear you apart to see the pals so dear? Just like a friendly girl, is acquaintances. |
3:40:36 (Pop-up) |
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Gun | Situation Vacant | 1969 | 3:41:17 (Pop-up) | |||
The Gentle Soul | Tell Me Love | 1967 | 3:45:13 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Situation - A Haiku Indian summer A such, situation fool above the traffic |
3:47:28 (Pop-up) |
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terence | Fool Amid The Traffic | 1969 | 3:47:55 (Pop-up) | |||
Bunches 'A Good | See The Farmer | 1968 | 3:52:09 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Mountain - A Haiku Early summertime A holy, blue mountain fool despite the traffic |
3:54:44 (Pop-up) |
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Blue Mountain Eagle | Yellows' Dream | 1970 | 3:55:09 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 3:57:47 (Pop-up) | |||
Sunshine | A Sad Thought This Is | 1969 | 4:01:18 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I saw the the continental european nation of my generation destroyed, How I mourned the spain. Does the spain make you shiver? does it? An arsenic, however hard it tries, Will always be crystalline. An arsenic is crystallized. an arsenic is limpid, an arsenic is crystal clear, however. |
4:03:37 (Pop-up) |
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Nirvana | Tiny Goddess | 1967 | 4:04:15 (Pop-up) | |||
Bloomsbury People | Pioneer Saint Of Death | 1970 | 4:08:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Remington - A Haiku Early summertime A little, remington frank on the electric |
4:11:36 (Pop-up) |
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Mom's Boys | Up And Down | 1967 | 4:13:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:15:15 (Pop-up) |
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Lucifer's Friend | Ride The Sky | 1970 | 4:15:25 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
4:18:15 (Pop-up) |
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Steve Miller Band | Mercury Blues | 1968 | 4:18:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
4:20:52 (Pop-up) |
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Rejoice! | Gardens Of Chelsea | 1968 | 4:21:13 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
4:25:04 (Pop-up) |
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Kangaroo | I Never Tell Me Twice | 1968 | 4:25:08 (Pop-up) | |||
The Elastik Band | Spazz | 1967 | 4:28:55 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
4:31:36 (Pop-up) |
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Indian Puddin' & Pipe | Beyond This Place | 1968 | 4:31:51 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
4:34:39 (Pop-up) |
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The Apple Pie Motherhood Band | Ice | 1968 | 4:35:01 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:37:26 (Pop-up) |
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Gandalf | Nature Boy | 1969 | 4:37:36 (Pop-up) | |||
The Garden Of Eden | Flower Man | 1967 | 4:40:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Gandalf - A Haiku Dampish summertime A tall, rolling gandalf light before the nature |
4:42:39 (Pop-up) |
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The Rolling Stones | 2000 Light Years From Home | 1967 | 4:43:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
4:47:28 (Pop-up) |
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The Greatful Dead | Caution (Do Not Stop On Tracks) | 1966 | 4:47:36 (Pop-up) | |||
Public Company | Hearts And Flowers | 1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun - The Night Owl:
onekayhz:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
onekayhz:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Ojai John:
onekayhz:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
DA The DJ:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
DA The DJ:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
DA The DJ
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Bri The Beatnik
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Bri The Beatnik
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Yvang:
Candy-O'67:
Yvang:
Candy-O'67:
Yvang:
Candy-O'67:
Yvang:
Bri The Beatnik:
Yvang:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Yvang:
Candy-O'67:
Yvang:
Yvang:
Owl Sun - The Night Owl:
Candy-O'67:
Yvang:
Owl Sun - The Night Owl:
Yvang:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Yvang:
Bri The Beatnik:
Owl Sun - The Night Owl:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
Candy-O'67:
Candy-O'67:
Yvang:
.....' /
---' (___________
......... ((___(____(__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
Jacques Dutronc's Cirque des succulentes:
Candy-O'67:
Yvang:
Jacques Dutronc's Cirque des succulentes:
Yvang:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Yvang:
Candy-O'67:
Jacques Dutronc's Cirque des succulentes:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Yvang:
Yvang:
Bri The Beatnik:
Yvang:
Owl Sun - The Night Owl:
Yvang:
Candy-O'67:
Jacques Dutronc's Cirque des succulentes:
Candy-O'67:
Yvang:
Candy-O'67:
Yvang:
Jacques Dutronc's Cirque des succulentes:
Candy-O'67:
Jacques Dutronc's Cirque des succulentes:
Yvang:
Candy-O'67:
Jacques Dutronc's Cirque des succulentes:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Bri The Beatnik:
Jacques Dutronc's Cirque des succulentes:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Jacques Dutronc's Cirque des succulentes:
Yvang:
Yvang:
Owl Sun - The Night Owl:
Bri The Beatnik:
Jacques Dutronc's Cirque des succulentes:
Jacques Dutronc's Cirque des succulentes:
Jacques Dutronc's Cirque des succulentes:
Yvang:
Owl Sun - The Night Owl:
Bri The Beatnik:
Yvang:
Yvang:
Bri The Beatnik:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl: