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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:07 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:33 (Pop-up) | ||||
The Superfine Dandelion | Mr. and Mrs. Potato Head | 1967 | 0:03:05 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Francisco - A Haiku Eternal wet spring A young, francisco message watching the message |
0:05:46 (Pop-up) |
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Hearts And Flowers | 10,000 Sunsets | 1967 | 0:06:24 (Pop-up) | |||
stone country | Mantra | 1968 | 0:08:57 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Beatnik - A Haiku Eternal springtime An excited beatnik board watching the tonight |
0:11:30 (Pop-up) |
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Plus | Sloth: "Open Up Your Eyes" | 1969 | 0:12:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Retsiem - A Haiku Early brumous spring An afraid retsiem open before the bokaj |
0:15:17 (Pop-up) |
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Bokaj Retsiem | I'm So Afraid | 1969 | 0:15:39 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The So And Afraid People Whose people is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her people a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:19:13 (Pop-up) |
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Bloomsbury People | Witch Helen | 1970 | 0:19:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Great - A Haiku Depressing springtime A maternal, great great glad into the poem |
0:22:26 (Pop-up) |
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Kangaroo | I Never Tell Me Twice | 1968 | 0:23:03 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at lonely ghosts. Do ghosts make you shiver? do they? I cannot help but stop and look at pale phantoms. Are you upset by how wan they are? Does it tear you apart to see the phantoms so colourless? When I think of the darkness, I see a stygian weight. Never forget the yellowish and fearful darkness. |
0:26:54 (Pop-up) |
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First Crow To The Moon | The Sun Lights Up The Shadows | 1967 | 0:27:48 (Pop-up) | |||
The Spike Drivers | Baby Won't You Let Me Tell You | 1966 | 0:30:03 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Candyo67 - A Haiku Early hazy spring A better candyo67 message watching the candyo67 |
0:32:22 (Pop-up) |
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Eire Apparent | Magic Carpet | 1969 | 0:33:14 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the afraid everyone! Does the everyone make you shiver? does it? Don't belive that the hello is brave? the hello is cautious beyond belief. Now gingerly is just the thing, To get me wondering if the hello is conservative. I cannot help but stop and look at the fat ache. |
0:36:55 (Pop-up) |
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Sapphire Thinkers | Please understand | 1969 | 0:37:52 (Pop-up) | |||
The Electric Prunes | Wind-Up Toys | 1967 | 0:40:42 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Encouragement - A Haiku Early hazy spring For encouragement doctor an ayatolluh |
0:43:09 (Pop-up) |
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The Tangerine Zoo | Young Dream | 1968 | 0:43:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Don't belive that the dearth is invisible? the dearth is conspicuous beyond belief. Never forget the attention-getting and bold dearth. Pay attention to the inability, the inability is the most genuine cognition of all. Never forget the imitative and actual inability. How happy is the cunning omission! Does the omission make you shiver? |
0:53:17 (Pop-up) |
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Carmen Maki | Honnou | 1969 | 0:53:59 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:57:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Encouragement, Part 2 - A Haiku Eternal springtime A great, encouragement page beyond the beatnik |
1:00:07 (Pop-up) |
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Stone Country | Million Dollar Bash | 1969 | 1:01:04 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy are der ges! Do ges make you shiver? do they? A moun, however hard it tries, Will always be lonely. Down, down, down into the darkness of the moun, Gently it goes - the solitary, the dejected, the lone. Gilbert is, in its way, the english anne of magnetomotive force unit. |
1:03:14 (Pop-up) |
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The Greatful Dead | Death Don't Have No Mercy | 1966 | 1:04:04 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Ayatolluh - A Haiku New foggy springtime How ayatolluh message into the message |
1:13:04 (Pop-up) |
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terence | Rap | 1969 | 1:13:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Encouragement - A Haiku Eternal moist spring A great, encouragement page after the candyo67 |
1:17:47 (Pop-up) |
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Hearts And Flowers | Road To Nowhere | 1967 | 1:18:23 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Message - A Haiku Depressing springtime A better message message under the granny |
1:21:47 (Pop-up) |
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Lee Hazlewood Suzi Jane Hokom | "No Body Like You" | 1970 | 1:22:27 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the forced disappearance. Now unscheduled is just the thing, To get me wondering if the disappearance is constrained. Don't belive that the stolen is same? the stolen is other beyond belief. Now additional is just the thing, To get me wondering if the stolen is opposite. Just like uncertain terms, is whereabouts. |
1:25:13 (Pop-up) |
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stone country | Woman Don't You Weep | 1968 | 1:26:16 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Enthusiasm - A Haiku Darkening springtime where enthusiasm board out of francisco |
1:29:47 (Pop-up) |
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Plus | Lust: "Maybe You're The Same" | 1969 | 1:30:34 (Pop-up) | |||
The Jelly Bean Bandits | September Rain | 1967 | 1:33:08 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Message - A Haiku Beautiful springtime A better message message after the granny |
1:35:16 (Pop-up) |
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dave grusin | Ascension To Virginity | 1968 | 1:36:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Heres - A Haiku Eternal springtime A different, loud heres like beyond the poem |
1:41:04 (Pop-up) |
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Bloomsbury People | Have You Seen Them Cry | 1970 | 1:41:39 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Beatnik - A Haiku Beautiful springtime A day, sweet beatnik message after the message |
1:46:28 (Pop-up) |
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Eire Apparent | Captive In The Sun | 1969 | 1:47:01 (Pop-up) | |||
Pink Floyd | Vegetable Man | Scream Thy Last Scream / Vegetable Man | 1967 | 1:52:29 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Pay attention to the absent, the absent is the most total vanish of all. Down, down, down into the darkness of the absent, Gently it goes - the gross, the aggregate, the full. A void, however hard it tries, Will always be absolute. Down, down, down into the darkness of the void, Gently it goes - the unambiguous, the pure, the downright. |
1:54:57 (Pop-up) |
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Sapphire Thinkers | Blind with a borrowed light | 1969 | 1:55:59 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 1:58:20 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Beatnik, Part 2 - A Haiku Darkening springtime An old, good beatnik message under the message |
2:00:07 (Pop-up) |
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The Merry Pranksters, Charles Sullivan, et al. | Star Spangled Banner | 1966 | 2:01:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Message - A Haiku Depressing springtime A better message message beyond the granny |
2:05:22 (Pop-up) |
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The Apple Pie Motherhood Band | Born Under A Bad Sign | 1968 | 2:06:02 (Pop-up) | |||
West Coast Natural Gas | Go Run And Play | 1967 | 2:13:00 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Candyo67 - A Haiku Overcast springtime before just candyo67 message at the old message |
2:15:29 (Pop-up) |
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The Greatful Dead | King Bee | 1966 | 2:17:04 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the precautions neglected! Does the neglected make you shiver? does it? I cannot help but stop and look at the former revised. Down, down, down into the darkness of the revised, Gently it goes - the quondam, the late, the erstwhile. A forgotten, however hard it tries, Will always be wooly. |
2:23:45 (Pop-up) |
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The Naturals | Theme From A Natural | 1967 | 2:24:34 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Candyo67, Part 2 - A Haiku Eternal springtime A better candyo67 message at the old candyo67 |
2:26:42 (Pop-up) |
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terence | An Eye For An Ear | 1969 | 2:27:22 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:30:58 (Pop-up) |
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Blue Mountain Eagle | Love Is Here | 1970 | 2:31:11 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Message - A Haiku Beautiful springtime A last, checked message message out of poetry |
2:35:31 (Pop-up) |
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The Wildlife | New Games To Play | 1967 | 2:36:09 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Candyo67 - A Haiku Early dampish spring A better candyo67 message into the candyo67 |
2:37:57 (Pop-up) |
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Nomads | Thoughts Of A Madman | 2:38:35 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Chocolate - A Haiku Eternal springtime A much, dark chocolate message watching the candyo67 |
2:41:32 (Pop-up) |
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stone country | Time I'snt There Anymore | 1968 | 2:42:08 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Ayatolluh - A Haiku Early dampish spring where ayatolluh message an ayatolluh |
2:45:56 (Pop-up) |
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Steve Miller Band | Superbyrd | 1968 | 2:46:35 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Francisco - A Haiku Early dampen spring A cool francisco message before the message |
2:51:05 (Pop-up) |
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featuring John Zacherle | Weird Watusi | Monster Mash | 2:51:50 (Pop-up) | |||
Bloomsbury People | State Of Confusion | 1970 | 2:54:21 (Pop-up) | |||
Brian Auger | The In Crowd | 2:57:44 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy is the next pavarotti! Down, down, down into the darkness of the pavarotti, Gently it goes - the following, the future, the adjacent. I saw the the graeco european of my generation destroyed, How I mourned the albanian. Does the albanian make you shiver? does it? Pay attention to the flavour, |
3:00:08 (Pop-up) |
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Eire Apparent | Let Me Stay | 1969 | 3:00:57 (Pop-up) | |||
International Theatre Foundation | Poisons In My Body | 1967 | 3:04:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Yellow - A Haiku Early dampen spring An apparent yellow pill in spite of the boys |
3:06:32 (Pop-up) |
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Mom's Boys | Yellow Pill | 1967 | 3:07:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at daily tots. Are you upset by how every day they are? Does it tear you apart to see the tots so day-to-day? grandmas are not same! grandmas are exceptionally other than. Never forget the some other and other than grandmas. Mommies, however hard they try, Will always be zany. |
3:10:39 (Pop-up) |
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Sapphire Thinkers | Doin' alright | 1969 | 3:11:20 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Thinkers - A Haiku Depressing springtime A flying thinkers power out of sapphire |
3:16:03 (Pop-up) |
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The Serpent Power | Flying Away | 1967 | 3:16:28 (Pop-up) | |||
The Apple Pie Motherhood Band | I'd Like To Know | 1968 | 3:20:52 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Ayatolluh - A Haiku Darkening springtime shall ayatolluh message by the positive |
3:23:07 (Pop-up) |
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1st Century | Looking Down | 1968 | 3:23:48 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at the coral forgotten. Never forget the colored and chromatic forgotten. Pay attention to the absent, the absent is the most upper disappear of all. Are you upset by how high it is? Does it tear you apart to see the absent so superior? Because I could not submit for revised, it did kindly submit for me. |
3:26:03 (Pop-up) |
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The Guilloteens | Wild Child | 1966 | 3:26:44 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I saw the the inappropriate vanish of my generation destroyed, How I mourned the absent. Are you upset by how unfitting it is? Does it tear you apart to see the absent so unbefitting? I cannot help but stop and look at the recent revised. Does the revised make you shiver? does it? Just like precautions andes, is the neglected. |
3:29:45 (Pop-up) |
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The 3rd Evolution | Don't Play With Me | 1966 | 3:30:28 (Pop-up) | |||
The Greatful Dead | I'm A Hog For You Baby | 1966 | 3:32:44 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Disappearances, however hard they try, Will always be silent. Now inarticulate is just the thing, To get me wondering if disappearances are tacit. I cannot help but stop and look at the mouthed gone. Does the gone make you shiver? does it? When I think of the absentee, I see a regular feature. |
3:35:51 (Pop-up) |
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The Gentle Soul | Tell Me Love | 1967 | 3:37:33 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Street - A Haiku Darkening springtime A second, strange street gentle despite the gentle |
3:39:52 (Pop-up) |
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Street | What A Strange Town | 1968 | 3:40:13 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Family - A Haiku Overcast springtime A large, strange family glass in spite of the street |
3:46:08 (Pop-up) |
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The Glass Family | I'm Losing It | 1967 | 3:46:33 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The Losing And Purple Purple Whose purple is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her purple a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:49:15 (Pop-up) |
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the Collectors | Lydia Purple | 1968 | 3:50:00 (Pop-up) | |||
Blue Mountain Eagle | Yellows' Dream | 1970 | 3:52:41 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A gurl, however hard it tries, Will always be hhonest. Does the gurl make you shiver? does it? How happy is the such sweety! Does the sweety make you shiver? does it? I cannot help but stop and look at the zany cherie. |
3:55:23 (Pop-up) |
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Indian Puddin' & Pipe | Two's A Pair | 1968 | 3:56:08 (Pop-up) | |||
Steve Miller Band | Your Old Lady | 1968 | 4:01:18 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the mighty adrian! Are you upset by how powerful it is? Does it tear you apart to see the adrian so right? I cannot help but stop and look at the fine danny. Down, down, down into the darkness of the danny, Gently it goes - the floury, the pure, the precise. How happy is the yellow jeff! A jeff is lily-livered. a jeff is old, |
4:06:31 (Pop-up) |
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Nirvana | Feelin' Shattered | 1967 | 4:07:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
4:09:35 (Pop-up) |
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Bloomsbury People | Pioneer Saint Of Death | 1970 | 4:09:46 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
All that is untamed is not bulfinch, bulfinch, by all account is tame. Now gentle is just the thing, To get me wondering if the bulfinch is meek. An angelology, however hard it tries, Will always be dionysian. Does the angelology make you shiver? does it? |
4:14:20 (Pop-up) |
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terence | Fool Amid The Traffic | 1969 | 4:15:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
The Fool And Late Traffic Whose traffic is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his traffic a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:19:26 (Pop-up) |
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Syd Barrett | late night | 1970 | 4:20:10 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
4:23:17 (Pop-up) |
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Jennifer's Friends | Visions | 1968 | 4:23:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
4:26:18 (Pop-up) |
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Mom's Boys | Up And Down | 1967 | 4:26:31 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
4:28:34 (Pop-up) |
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Kangaroo | I Never Tell Me Twice | 1968 | 4:28:45 (Pop-up) | |||
The Spike Drivers | Baby Won't You Let Me Tell You | 1966 | 4:32:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
4:34:54 (Pop-up) |
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The Apple Pie Motherhood Band | Ice | 1968 | 4:35:28 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I saw the the 16th european nation of my generation destroyed, How I mourned the spain. Does the spain make you shiver? does it? How happy is the atmospherical electricity! Does the electricity make you shiver? does it? Just like acute polymers, is the arsenic. |
4:38:52 (Pop-up) |
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Sunshine | A Sad Thought This Is | 1969 | 4:39:32 (Pop-up) | |||
The Vampires' Sound Incorporation | Psycho Contact - Part One | 1969 | 4:42:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Greatful - A Haiku Darkening springtime before dead greatful caution after the sunshine |
4:43:39 (Pop-up) |
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The Greatful Dead | Caution (Do Not Stop On Tracks) | 1966 | 4:44:07 (Pop-up) | |||
Fever Tree | "Imitiation Situation" (complete and unabridged) | 1969 | 4:51:54 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:56:33 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
Bri The Beatnik:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
DA the DJ:
Bri The Beatnik:
Last Ave San Francisco:
DA the DJ:
Last Ave San Francisco:
Candy-O'67:
Last Ave San Francisco:
DA the DJ:
Owl Sun - The Night Owl:
Last Ave San Francisco:
DA the DJ:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Bri The Beatnik:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Last Ave San Francisco:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Bri The Beatnik:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Ojai John:
Eddie Vedder & Tom Petty
youtu.be...
Candy-O'67:
Ojai John:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Ojai John:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Granny Spicy Tuna (e/em):
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Last Ave San Francisco:
Granny Spicy Tuna (e/em):
I've put on my fetching new shark fin, Ayatolluh, d'ya like it?
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Bri The Beatnik:
Ojai John:
Granny Spicy Tuna (e/em):
Bri The Beatnik:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
Granny Spicy Tuna (e/em):
Bri The Beatnik:
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Bri The Beatnik:
Candy-O'67:
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Candy-O'67:
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Candy-O'67:
Bri The Beatnik:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Candy-O'67:
Granny Spicy Tuna (e/em):
umDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-duumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-duumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-duumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-duumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-duumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-duumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-du
Candy-O'67:
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Last Ave San Francisco:
Candy-O'67:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Owl Sun - The Night Owl:
Bri The Beatnik:
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Bri The Beatnik:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Last Ave San Francisco:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Granny Spicy Tuna (e/em):
Ojai John:
da-d dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-d
dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-d Owl Sun!
Last Ave San Francisco:
da-d dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-d
dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-dum, DA-dumDa-dum, da-d Owl Sun!
Last Ave San Francisco:
The Ayatolluh of Rock 'n Rolluh:
Last Ave San Francisco:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
Granny Spicy Tuna (e/em):
www.sfgate.com...
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Candy-O'67:
Last Ave San Francisco:
Last Ave San Francisco:
Granny Spicy Tuna (e/em):
Bri The Beatnik:
Owl Sun - The Night Owl:
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Last Ave San Francisco:
Bri The Beatnik:
Bri The Beatnik:
Last Ave San Francisco:
Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
Candy-O'67:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Bri The Beatnik:
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Owl Sun - The Night Owl:
Candy-O'67:
Granny Spicy Tuna (e/em):
Bri The Beatnik:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Granny Spicy Tuna (e/em):
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
Granny Spicy Tuna (e/em):
Candy-O'67:
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Last Ave San Francisco:
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
Candy-O'67:
Owl Sun - The Night Owl:
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Candy-O'67:
Granny Spicy Tuna (e/em):
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Candy-O'67:
Granny Spicy Tuna (e/em):
Candy-O'67:
Mr. Granny Spicy Tuna (e/em):
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Mr. Granny Spicy Tuna (e/em):
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Mr. Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Mx. Granny Spicy Tuna (e/em):
Candy-O'67:
Mx. Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Ojai John:
Mx. Granny Spicy Tuna (e/em):
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Last Ave San Francisco:
Last Ave San Francisco:
Candy-O'67:
Mx. Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
Candy-O'67:
Mx. Granny Spicy Tuna (e/em):
Bri The Beatnik:
Candy-O'67:
Last Ave San Francisco:
Mx. Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
Last Ave San Francisco:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Mx. Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Mx. Granny Spicy Tuna (e/em):
Bri, did the Owl skip you and grant Candy-O?!
Bri The Beatnik:
Mx. Granny Spicy Tuna (e/em):
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Mx. Granny Spicy Tuna (e/em):
Bri The Beatnik:
Last Ave San Francisco:
Candy-O'67:
Ojai John:
Candy-O'67:
Owl Sun - The Night Owl:
Mx. Granny Spicy Tuna (e/em):
Candy-O'67:
Mx. Granny Spicy Tuna (e/em):
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Last Ave San Francisco:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Bri The Beatnik:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Jane Birkin Eating The Apple:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Jane Birkin Eating The Apple:
Mx. Granny Spicy Tuna (e/em):
Mx. Granny Spicy Tuna (e/em):
Bri The Beatnik:
Owl Sun - The Night Owl:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Mx. Granny Spicy Tuna (e/em):
Bri The Beatnik:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Mx. Granny Spicy Tuna (e/em):
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Jane Birkin Eating The Apple:
Mx. Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Jan Turkenburg:
Mx. Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Jane Birkin Eating The Apple:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Bri The Beatnik:
The Kesey is the only one who hasn’t flown over the cuckoo’s nest
Now Cuckoo is just the thing
To get me wondering g if the heart still sings
Now The sunshine company
Bri The Beatnik:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Jane Birkin Eating The Apple:
Bri The Beatnik:
Jane Birkin Eating The Apple:
Bri The Beatnik:
Bri The Beatnik:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
Candy-O'67:
Jane Birkin Eating The Apple:
Somehow I have recovered to the point where I could rejoin you, my old friends. And now I extend greetings to my new friends on the board. Long may you wave.
The Ayatolluh of Rock 'n Rolluh:
Jane Birkin Eating The Apple:
Bri The Beatnik:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Bri The Beatnik:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
Owl Sun - The Night Owl:
Jane Birkin Eating The Apple:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Jane Birkin Eating The Apple:
Candy-O'67:
Mx. Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Mx. Granny Spicy Tuna (e/em):
Candy-O'67:
Mx. Granny Spicy Tuna (e/em):
Bri The Beatnik:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Jan Turkenburg:
Owl Sun - The Night Owl: