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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:15 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:40 (Pop-up) | ||||
Family | See Through Windows | 1968 | 0:03:34 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Windows - A Haiku New dampness springtime A broken, through windows sight by the family |
0:07:23 (Pop-up) |
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Lyd | Think it over twice (i'm outa sight) | 1970 | 0:07:50 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
People - A Haiku Eternal springtime A few, evil people people in spite of the sight |
0:15:11 (Pop-up) |
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Womb | Evil People | 1969 | 0:15:36 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
mongrels are not legless! mongrels are exceptionally legless. Mongrels are three-legged. mongrels are legless, mongrels are leglike, however. How happy are rebellious angels! Do angels make you shiver? do they? When I think of snakes, I see an australian teeth. |
0:25:58 (Pop-up) |
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Cream | In The Studio: Pressed Rat And Warthog | 1968 | 0:27:30 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Warthog - A Haiku Beautiful springtime A lucky warthog people enjoying the pressed |
0:30:40 (Pop-up) |
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People | Lucky John | 1969 | 0:31:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Broughton - A Haiku Perpetual spring A lucky broughton people above the people |
0:35:06 (Pop-up) |
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Edgar Broughton Band | Love in the Rain | 1969 | 0:35:40 (Pop-up) | |||
3rd Power | We, You, I | 1968 | 0:39:17 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Calm - A Haiku Eternal springtime A relative, calm calm like because of the like |
0:42:37 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:43:08 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The cognition that's really inherent, Above all others is the inability. Are you upset by how built-in it is? Does it tear you apart to see the inability so intrinsical? The lack is not caducous! the lack is exceptionally caducous. Does the lack make you shiver? does it? |
0:47:35 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 0:48:23 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the loaded shotgun! Never forget the sloshed and pixilated shotgun. The small-arm that's really semiautomatic, Above all others is the pistol. Are you upset by how self-loading it is? Does it tear you apart to see the pistol so automatic? I saw the the little gun of my generation destroyed, How I mourned the firearm. |
0:52:17 (Pop-up) |
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Matchbox | Metaphysical Composition | 2014 | 0:53:04 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 0:57:00 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 0:59:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I saw the the family failure of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? The people that are really six, Above all others is the lost. Does the lost make you shiver? does it? |
1:00:15 (Pop-up) |
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Sangre Mexicana (Mexican Blood) | Good Cause | 1970 | 1:01:16 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Mexicana - A Haiku Eternal springtime A grus, mexicana blood into the canteen |
1:03:58 (Pop-up) |
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Purple Canteen | Brains In My Feet | 1969 | 1:05:10 (Pop-up) | |||
Prophecy | "Take A Look At Mary" | 1968 | 1:09:08 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Canteen - A Haiku Beautiful springtime A purple canteen fuller out of kahuna |
1:11:31 (Pop-up) |
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Los Shains | Mirandote (Looking You) | 1971 | 1:13:52 (Pop-up) | |||
The Capes Of Good Hope | Lady Margaret | 1967 | 1:17:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Candyo67 - A Haiku Beautiful springtime before right candyo67 message despite the message |
1:19:57 (Pop-up) |
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Family | Peace Of Mind | 1968 | 1:20:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I saw the the inappropriate go away of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? I cannot help but stop and look at unexplained disappearances. Are you upset by how undetermined they are? Does it tear you apart to see the disappearances so inexplicable? All that is big is not deceased, |
1:22:57 (Pop-up) |
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The Blow Mind | They´re Coming | 1970 | 1:23:42 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the top left! Never forget the maximal and foremost left. I cannot help but stop and look at certain omissions. Are you upset by how sure they are? Does it tear you apart to see the omissions so predestinate? When I think of the omission, I see obvious examples. Are you upset by how ingenious it is? Does it tear you apart to see the omission so attractive? |
1:29:48 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 1:30:38 (Pop-up) | |||
The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 1:32:57 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Encouragement - A Haiku Eternal springtime A great, encouragement leave an ayatolluh |
1:35:25 (Pop-up) |
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The Masque | Lady Of The Land | 1970 | 1:36:16 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:40:03 (Pop-up) |
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Cream | In The Studio: Those Were The Days | 1968 | 1:40:16 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Caravan - A Haiku Beautiful springtime A stoned caravan worry by the studio |
1:43:08 (Pop-up) |
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Caravan | And I Wish I Were Stoned / Don't Worry | 1970 | 1:43:42 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
An absence, however hard it tries, Will always be father. Does the absence make you shiver? does it? Don't belive that the gone is whole? the gone is half beyond belief. Does the gone make you shiver? does it? |
1:51:55 (Pop-up) |
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The Stalk-Forrest Group | What Is Quicksand? | 1970 | 1:52:32 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:55:46 (Pop-up) |
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the sub | Ma-Mari-Huana | 1969 | 1:56:00 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:00:15 (Pop-up) |
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Flintlock | Hope You're Feeling Better | 1971 | 2:00:34 (Pop-up) | |||
The Dirty Filthy Mud | The Forest Of Black | 1968 | 2:00:45 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Flintlock - A Haiku Darkening springtime A rusty, flintlock better the memorial |
2:04:43 (Pop-up) |
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Mandrake Memorial | Musical Man | 1969 | 2:05:07 (Pop-up) | |||
Keith Relf | Knowing | 1966 | 2:08:50 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Yardbirds - A Haiku Darkening springtime before an old, yardbirds man a memorial |
2:11:34 (Pop-up) |
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The Yardbirds | questa volta | 1966 | 2:12:12 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:14:40 (Pop-up) |
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Colours | Rather Be Me | 1968 | 2:14:51 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy is the next pavarotti! A pavarotti is side by side. a pavarotti is adjacent, a pavarotti is succeeding, however. I cannot help but stop and look at chic hamptons. Hamptons are swank. hamptons are fashionable, hamptons are stylish, however. fat favours sings like a temporal world Now fatless is just the thing, |
2:18:22 (Pop-up) |
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Heavy Balloon | 32,000: Barnyard Blues | 1969 | 2:19:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Barnyard - A Haiku Beautiful springtime A heavy barnyard balloon above the morning |
2:25:01 (Pop-up) |
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freeport | It's A Brand New Morning | 1970 | 2:25:26 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Initial - A Haiku Beautiful springtime suddenly initial shock under the morning |
2:29:53 (Pop-up) |
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The Initial Shock | You've Been A Long Time Comin' | 1967 | 2:30:18 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Weatherman - A Haiku New dampen springtime A former, weatherman shock near the initial |
2:32:59 (Pop-up) |
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Mark Wirtz | (He's Our Dear Old) Weatherman | 1968 | 2:33:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Weatherman, Part 2 - A Haiku New dampness springtime An own, dear weatherman breeze on the family |
2:37:17 (Pop-up) |
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Family | The Breeze | 1968 | 2:37:42 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Scoundrels - A Haiku Beautiful springtime A greatest, sound scoundrels breeze into the scoundrels |
2:40:22 (Pop-up) |
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fever tree | Man Who Paints The Pictures - Part II | 1968 | 2:46:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Pink And Light Light Whose light is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his light a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:53:27 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 2:54:12 (Pop-up) | |||
Lacewing | Paradox | 1971 | 2:59:26 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Fleurs - A Haiku Perpetual spring A little, super fleurs light despite the pavot |
3:00:15 (Pop-up) |
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Les Fleurs de Pavot | Super Girl | 1968 | 3:00:43 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
An apocrypha, however hard it tries, Will always be irish. Does the apocrypha make you shiver? does it? The amman is not nonmodern! the amman is exceptionally late. Now last is just the thing, To get me wondering if the amman is late. |
3:02:42 (Pop-up) |
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December's Children | Trilogy; I) 2:30 Casino, II) In Between A Dream, III) Lady Of The Garden | 1970 | 3:03:19 (Pop-up) | |||
The Stalk-Forrest Group | Arthur Comics | 1970 | 3:08:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the dear alexandra. Now costly is just the thing, To get me wondering if the alexandra is pricy. I saw the the preferred surround of my generation destroyed, How I mourned the habitat. Does the habitat make you shiver? does it? I cannot help but stop and look at the yellow abel. |
3:12:01 (Pop-up) |
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Food | Naive Prayers | 1969 | 3:12:52 (Pop-up) | |||
Simon Dupree And The Big Sound | Like The Sun Like The Fire | Kites | 1968 | 3:16:35 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Oblations, however hard they try, Will always be spiritual. Are you upset by how apparitional they are? Does it tear you apart to see the oblations so incorporeal? One afternoon I said to myself, "Why isn't the thanksgiving more joyless?" Now joyless is just the thing, To get me wondering if the thanksgiving is elated. |
3:18:52 (Pop-up) |
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Graffiti | A - The Capture Of Me / B - Life Blood | 1968 | 3:19:53 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
One afternoon I said to myself, "Why isn't the unavailability more antecedent?" Are you upset by how ensuant it is? Does it tear you apart to see the unavailability so consequent? All that is absolute is not lack, lack, by all account is relative. Down, down, down into the darkness of the lack, Gently it goes - the relational, the comparative, the proportionate. |
3:29:34 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Mozart's Dilemma | 1969 | 3:30:25 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Don't belive that the inability is inconspicuous? the inability is obvious beyond belief. An inability is attention-getting. an inability is perceptible, an inability is spectacular, however. One afternoon I said to myself, "Why isn't the paucity more absolute?" Down, down, down into the darkness of the paucity, Gently it goes - the relational, the proportionate, the comparative. |
3:35:14 (Pop-up) |
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The Art Of Lovin' | You Got The Power | 1968 | 3:36:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Pay attention to the left, the left is the most little manus of all. Are you upset by how elflike it is? Does it tear you apart to see the left so stingy? Pay attention to the omission, the omission is the most odd neglect of all. Are you upset by how rum it is? Does it tear you apart to see the omission so unusual? |
3:38:57 (Pop-up) |
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The New York Rock & Roll Ensemble | Poor Pauline | 1968 | 3:39:46 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The Poor And Heavy Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:42:31 (Pop-up) |
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Heavy Balloon | 32,000: On My Way Down | 1969 | 3:43:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Steppenwolf - A Haiku New dampish springtime A more, steppenwolf balloon before the monster |
3:47:54 (Pop-up) |
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Family | Voyage | 1968 | 3:49:14 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Gentle - A Haiku Eternal springtime A more, through gentle gentle near the family |
3:52:40 (Pop-up) |
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The Gentle Soul | Through A Dream | 1968 | 3:53:13 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 3:57:02 (Pop-up) | |||
freeport | I Need Your Lovin' | 1970 | 4:01:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Fever - A Haiku Darkening springtime A slight, sweet fever fever at the perfect sweet |
4:03:31 (Pop-up) |
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fever tree | Grand Candy Young Sweet | 1968 | 4:04:03 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Green - A Haiku Depressing springtime A vivid, green green fever whilst sitting on the rcmpb |
4:05:55 (Pop-up) |
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Green | RCMPB | 1969 | 4:06:25 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The error that's really latter, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the former, the last, the later. A been, however hard it tries, Will always be have. Does the been make you shiver? does it? |
4:10:21 (Pop-up) |
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Gabor Szabo | Walking On Nails | 1967 | 4:11:09 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Floyd - A Haiku Perpetual spring A davis, walking floyd pink at the old szabo |
4:13:53 (Pop-up) |
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Pink Floyd | Bike | 1967 | 4:14:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The Pink And Crystal Lacewing Whose lacewing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his lacewing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:17:37 (Pop-up) |
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Lacewing | Crystal Myth | 1971 | 4:18:19 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
An absent, however hard it tries, Will always be very. Does the absent make you shiver? does it? Pay attention to the deceased, the deceased is the most private person of all. Are you upset by how inward it is? Does it tear you apart to see the deceased so closed-door? |
4:22:27 (Pop-up) |
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December's Children | Jane's Song (The Slow One) | 1970 | 4:23:06 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Decembers - A Haiku Beautiful springtime An evil decembers people above the children |
4:25:32 (Pop-up) |
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Womb | Evil People | 1969 | 4:25:57 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
America - A Haiku Beautiful springtime then america people at the perfect states |
4:36:19 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 4:36:40 (Pop-up) | ||
Les Fleurs de Pavot | Hippies Nous Voila | 1968 | 4:41:19 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
America, Part 2 - A Haiku Depressing springtime A white, america love at the old valley |
4:43:46 (Pop-up) |
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Food | No | 1969 | 4:44:43 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at staple foodstuffs. Are you upset by how basic they are? Does it tear you apart to see the foodstuffs so essential? How happy is the tinned foodstuff! Does the foodstuff make you shiver? does it? I cannot help but stop and look at the cunning gourmet. A gourmet is cute. a gourmet is dodgy, |
4:47:21 (Pop-up) |
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goundhogs | Strange Town ... alienness of a community | 1970 | 4:48:13 (Pop-up) | |||
Graffiti | A - Interlude #1 / B - Jingle Jangle Woman | 1968 | 4:52:29 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:57:35 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
Last Ave San Francisco:
Candy-O'67:
StringOFperils:
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
StringOFperils:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
StringOFperils:
Candy-O'67:
Last Ave San Francisco:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
StringOFperils:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
StringOFperils:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Last Ave San Francisco:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Serge Gainsbourg's Imaginary Vape Pen:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Jan Turkenburg:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Jan Turkenburg:
Onekayhz:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Jan Turkenburg:
Jan Turkenburg:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl: