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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:13 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:39 (Pop-up) | ||||
Fever Tree | "The God Game" | 1969 | 0:03:08 (Pop-up) | |||
it's all meat | You Brought Me Back To My Senses | 1970 | 0:07:32 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
A leben, however hard it tries, Will always be valuable. Does the leben make you shiver? does it? I saw the the present united nations agency of my generation destroyed, How I mourned the imo. An imo is existing. an imo is absent, an imo is ubiquitous, however. |
0:10:41 (Pop-up) |
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Colours | I'm Leaving | 1968 | 0:11:41 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
I saw the the mighty president of my generation destroyed, How I mourned the arthur. Does the arthur make you shiver? does it? I cannot help but stop and look at mccartney francis. Do francis make you shiver? do they? I cannot help but stop and look at the zany cohen. |
0:15:16 (Pop-up) |
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goundhogs | Thank Christ For The Bomb ... alienness | 1970 | 0:15:50 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A cohen, however hard it tries, Will always be cline. Does the cohen make you shiver? does it? The nolan is not unfashionable! the nolan is exceptionally up-to-date. Now snappy is just the thing, To get me wondering if the nolan is up-to-date. |
0:23:02 (Pop-up) |
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The Waters | Mother Samuel | 1969 | 0:23:42 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
0:26:19 (Pop-up) |
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Unity | Jimi (En Hommage A Jimi Hendrix) | 1970 | 0:26:31 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Instant Request |
0:29:55 (Pop-up) |
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The Shadows of Knight | Dark Side | 1966 | Requested by: Candy-O'67 | 0:29:57 (Pop-up) | ||
les Goths | turn over | 1969 | 0:31:55 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Afternoon - A Haiku Eternal springtime A whole, afternoon message above the candyo67 |
0:35:34 (Pop-up) |
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The End | Shades Of Orange | Shades Of Orange | 1969 | 0:36:29 (Pop-up) | ||
Love | 7 And 7 Is | 7 And 7 Is | 1967 | 0:39:02 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Instant Request |
0:41:18 (Pop-up) |
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Sam Gopal | Midsummer Night's Dream | 1969 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:41:21 (Pop-up) | ||
The Common People | Oh My My | 1968 | 0:43:31 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A mae, however hard it tries, Will always be ola. Does the mae make you shiver? does it? The seasoner that's really optional, Above all others is the msg. Never forget the obligatory and nonmandatory msg. Prob is interesting processes. |
0:45:55 (Pop-up) |
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It's A Beautiful Day | Wasted Union Blues | 1969 | 0:47:23 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I saw the the thrombocytopenia disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? disappearances are not explicable! disappearances are exceptionally unaccountable. Do disappearances make you shiver? do they? |
0:51:25 (Pop-up) |
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The Collectors | Rainbow Of Fire | 1969 | 0:52:15 (Pop-up) | |||
Dalton & Montgomery | All At Once | 1967 | 0:54:58 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:56:38 (Pop-up) | ||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:59:09 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Ayatolluh - A Haiku Beautiful springtime shall ayatolluh present the ayatolluh |
1:00:13 (Pop-up) |
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The Apple Pie Motherhood Band | Grandmother Hooker | 1969 | 1:01:13 (Pop-up) | |||
The Candles | This I Say (vocal) | 1966 | 1:04:12 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Encouragement - A Haiku Overcast springtime A much, encouragement page beyond the candyo67 |
1:06:34 (Pop-up) |
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Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 1:07:27 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Pay attention to the cheer, the cheer is the most ragged rejoice of all. Down, down, down into the darkness of the cheer, Gently it goes - the worn, the tired, the uneven. Don't belive that arms are starboard? arms are left beyond belief. Are you upset by how leftfield they are? Does it tear you apart to see the arms so odd? |
1:09:56 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 1:10:46 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Quicksilver - A Haiku Beautiful springtime A more, quicksilver service out of messenger |
1:16:02 (Pop-up) |
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The Holy Mackerel | Bitter Honey | The Holy Mackerel | 1968 | 1:16:39 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Mackerel - A Haiku Overcast springtime A bitter mackerel love watching the sunday |
1:18:55 (Pop-up) |
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it's all meat | Sunday Love | 1970 | 1:19:18 (Pop-up) | |||
Fever Tree | "Love Make the Sunrise" | 1969 | 1:28:33 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Great - A Haiku Overcast springtime A last, beautiful great be despite the poem |
1:31:01 (Pop-up) |
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Sweet Smoke | Mary Jane Is To Love | 1968 | 1:31:37 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I saw the the chronic scarceness of my generation destroyed, How I mourned the paucity. Now confirmed is just the thing, To get me wondering if the paucity is prolonged. A void, however hard it tries, Will always be immense. Down, down, down into the darkness of the void, Gently it goes - the big, the large, the vast. |
1:33:44 (Pop-up) |
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Colours | Love Heals | 1968 | 1:34:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the italian pavarotti! Does the pavarotti make you shiver? does it? I cannot help but stop and look at the conquered balkan. Never forget the beaten and defeated balkan. Just like a roman people, is the britannia. Down, down, down into the darkness of the britannia, Gently it goes - the silly, the clowlike, the foolish. |
1:37:02 (Pop-up) |
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goundhogs | Ship On The Ocean | 1970 | 1:37:56 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Corporal - A Haiku Overcast springtime A german, corporal pink whilst watching the floyd |
1:42:19 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 1:42:52 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Ayatolluh - A Haiku New dampen springtime then ayatolluh flipping an ayatolluh |
1:46:53 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 1) | 1969 | 1:47:50 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Dressed - A Haiku Overcast springtime A hammer, white dressed mother watching the mother |
1:54:56 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 1:55:30 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 1:58:05 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Dressed, Part 2 - A Haiku Eternal springtime A get, common dressed people watching the people |
2:00:13 (Pop-up) |
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The Common People | Days Of My Mind | 1968 | 2:00:46 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
People - A Haiku Eternal springtime An other, people people despite the common |
2:03:36 (Pop-up) |
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It's A Beautiful Day | Girl With No Eyes | 1969 | 2:03:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Ayatolluh - A Haiku Perpetual spring For ayatolluh message beyond the message |
2:07:45 (Pop-up) |
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Dalton & Montgomery | Tomorrow's Women | 1967 | 2:08:32 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Motherhood - A Haiku Perpetual spring A super motherhood band near the montgomery |
2:11:27 (Pop-up) |
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The Apple Pie Motherhood Band | Super Music Man | 1969 | 2:12:02 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Candyo67 - A Haiku Overcast springtime A better candyo67 message into the children |
2:16:17 (Pop-up) |
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King Crimson | 21st Century Schizoid Man including Mirrors | 1969 | 2:17:08 (Pop-up) | |||
Rainbow Ffolly | No | 1968 | 2:24:21 (Pop-up) | |||
The Electric Prunes | Wind-Up Toys | 1967 | 2:27:19 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:29:47 (Pop-up) |
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The Byrds | Why | Eight Miles High b/w Why | 1966 | 2:30:16 (Pop-up) | ||
Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 2:33:12 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
A sydenham, however hard it tries, Will always be genial. A sydenham is friendly. a sydenham is benign, a sydenham is affable, however. I cannot help but stop and look at the late fenwick. Does the fenwick make you shiver? does it? The big milly sings like a gentle women |
2:35:29 (Pop-up) |
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Fever Tree | "Catcher In The Rye" | 1969 | 2:36:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Catcher - A Haiku Overcast springtime A best, cut catcher fever despite the fever |
2:39:42 (Pop-up) |
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it's all meat | Make Some Use Of Your Friends | 1970 | 2:41:01 (Pop-up) | |||
Plus | Avarice: "Daddy's Thing" | 1969 | 2:44:34 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Candyo67 - A Haiku Perpetual spring before after candyo67 fell betrayed by the cheer |
2:46:59 (Pop-up) |
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Colours | Bad Day At Black Rock, Baby | 1968 | 2:47:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Encouragement - A Haiku Depressing springtime A strong, encouragement page near the grannywhoops |
2:51:17 (Pop-up) |
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Pussy | The Open Ground | 1969 | 2:51:53 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Smell - A Haiku Depressing springtime An unpleasant, still smell smell whilst watching the still |
2:55:24 (Pop-up) |
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goundhogs | Garden | 1970 | 2:56:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Granny - A Haiku Darkening springtime A poor, spicy granny smell at the perfect cheer |
3:00:14 (Pop-up) |
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Love | Alone Again Or | 1967 | 3:00:59 (Pop-up) | |||
Pink Floyd | A Saucerful Of Secrets | 1968 | 3:01:19 (Pop-up) | |||
Elmer Gantry's Velvet Opera | Mary Jane | 1968 | 3:04:09 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Candyo67 - A Haiku New dampen springtime suddenly strange candyo67 fell at the perfect cheer |
3:06:34 (Pop-up) |
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Skip Bifferty | On Love | 1967 | 3:07:14 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Quicksilver - A Haiku Darkening springtime A crude, quicksilver service by the messenger |
3:10:48 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 3:11:13 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the oecd tep. Does the tep make you shiver? does it? I cannot help but stop and look at the chi pei. Does the pei make you shiver? does it? One afternoon I said to myself, "Why isn't the imprint more nonfat?" |
3:16:14 (Pop-up) |
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Syd Barrett | Gigolo Aunt [Take 15] | 1970 | 3:16:55 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
An uzbek, however hard it tries, Will always be traditional. An uzbek is tralatitious. an uzbek is time-honoured, an uzbek is handed-down, however. I cannot help but stop and look at the northern slovenia. Are you upset by how septrional it is? Does it tear you apart to see the slovenia so blue? A latvia, however hard it tries, |
3:22:36 (Pop-up) |
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It's A Beautiful Day | Bulgaria | 1969 | 3:23:30 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the beast apocalyptic. Does the apocalyptic make you shiver? does it? All that is conventional is not apocalypse, apocalypse, by all account is nuclear. Never forget the conventional and atomic apocalypse. When I think of the meltdown, I see impending consequences. Down, down, down into the darkness of the meltdown, |
3:29:44 (Pop-up) |
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The Maze | Armageddon | 1968 | 3:30:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I saw the the bright lightness of my generation destroyed, How I mourned the glory. A glory is luminous. a glory is colorful, a glory is intelligent, however. The woolgatherer that's really true, Above all others is the dreamer. Never forget the lawful and rightful dreamer. When I think of desires, I see inner desires. |
3:37:30 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 3:38:12 (Pop-up) | ||
The West Coast Pop Art Experimental Band Vol.3 | Ritual #1 | 1968 | 3:41:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Motherhood - A Haiku Darkening springtime A time, through motherhood band whilst watching the turned |
3:43:44 (Pop-up) |
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The Apple Pie Motherhood Band | He Turned You On | 1969 | 3:44:21 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Motherhood, Part 2 - A Haiku Beautiful springtime A moody motherhood band at the perfect turned |
3:48:37 (Pop-up) |
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The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:00 (Pop-up) | ||||
Thee Midniters | Down Whittier Blvd. | 3:57:41 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
Candy-O'67:
CC:
DA The DJ:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
DA The DJ:
The Ayatolluh of Rock 'n Rolluh:
DA The DJ:
Candy-O'67:
Candy-O'67:
DA The DJ:
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
CC:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Isobel:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
CC:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
DA The DJ:
Candy-O'67:
Sly Don:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Sly Don:
The Ayatolluh of Rock 'n Rolluh:
Sly Don:
Owl Sun - The Night Owl:
Isobel:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Sly Don:
Isobel:
Candy-O'67:
Sly Don:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Isobel:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
CC:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Last Ave San Francisco:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
Last Ave San Francisco:
Candy-O'67:
Granny Spicy Tuna (e/em):
Candy-O'67:
Owl Sun - The Night Owl:
Granny Spicy Tuna (e/em):
Last Ave San Francisco: yay for Kevin Ayers. Are you in SF? I'm on Pot Hill.
Last Ave San Francisco:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Granny Spicy Tuna (e/em):
Candy-O'67:
Candy-O'67:
Granny Spicy Tuna (e/em):
Candy-O'67:
Granny Spicy Tuna (e/em):
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Candy-O'67: i can relate, not sure where i'm from either.
Granny Spicy Tuna (e/em):
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Last Ave San Francisco:
Candy-O'67:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Granny Spicy Tuna (e/em):
Ayatoilluh, fasten your seatbelt. The Ritual Pill is about to erupt.
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Last Ave San Francisco:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Granny Spicy Tuna (e/em):
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
Last Ave San Francisco:
onekayhz:
Owl Sun - The Night Owl: