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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:15 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:40 (Pop-up) | ||||
Lyd | Double dare | 1970 | 0:03:29 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Studio - A Haiku Beautiful springtime A said studio people at the old people |
0:19:59 (Pop-up) |
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Cream | In The Studio: As You Said | 1968 | 0:20:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Studio, Part 2 - A Haiku Perpetual spring A small, pink studio cream betrayed by the floyd |
0:24:39 (Pop-up) |
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Pink Floyd | Pow R. Toc H. | 1967 | 0:25:18 (Pop-up) | |||
Vainica Doble | Un Metro Cuadrado | 1970 | 0:29:38 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
A jardine, however hard it tries, Will always be eldest. Are you upset by how firstborn it is? Does it tear you apart to see the jardine so first? A mosley, however hard it tries, Will always be plain. Are you upset by how patent it is? Does it tear you apart to see the mosley so unpretentious? |
0:33:14 (Pop-up) |
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Edgar Broughton Band | American Boy Soldier | 1969 | 0:33:59 (Pop-up) | |||
Procol Harum | Homburg | The Best Of Procol Harum | 1967 | 0:38:14 (Pop-up) | ||
The Wildlife | Where Do You Go | 1967 | 0:42:05 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Service - A Haiku Perpetual spring An about service service into the attack |
0:45:20 (Pop-up) |
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The Leather Boy | I'm A Leather Boy | !!! In SURFADELIC We Trust !!! | 1967 | 0:46:05 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Rondevoos - A Haiku Beautiful springtime A wild rondevoos leather beyond the leather |
0:48:45 (Pop-up) |
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The Ron-De-Voos | Trip so wild | !!! In SURFADELIC We Trust ! | 1967 | 0:49:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Encouragement - A Haiku Depressing springtime why encouragement better chyyyynahhh |
0:52:35 (Pop-up) |
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Donovan | Bert's Blues | 1966 | 0:53:15 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 0:57:10 (Pop-up) | ||
John Barry | Hit & Miss | Beat Girl | 0:59:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Encouragement, Part 2 - A Haiku Perpetual spring A strong, encouragement rock an ayatolluh |
1:00:14 (Pop-up) |
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Super-Fine Dandelion | Ferris Wheel | 1967 | 1:01:08 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
How happy is the precautions neglected! Does the neglected make you shiver? does it? The omission is not careful! the omission is exceptionally negligent. Now slapdash is just the thing, To get me wondering if the omission is negligent. Pay attention to the absent, |
1:03:45 (Pop-up) |
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The Looking Glasses | Visions | 1967 | 1:04:29 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Candyo67 - A Haiku Perpetual spring A better candyo67 message into the candyo67 |
1:07:15 (Pop-up) |
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The 3rd Evolution | Gone, Gone, Gone | 1966 | 1:08:11 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Better - A Haiku Darkening springtime A better better better betrayed by the feel |
1:10:52 (Pop-up) |
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One In A Million | No Smokes | !!! In SURFADELIC We Trust !!! | 1967 | 1:11:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
Don't belive that mrs are nasty? mrs are nice beyond belief. Never forget the fastidious and squeamish mrs. The state capital that's really dalles, Above all others is the boise. Does the boise make you shiver? does it? How happy is the zany ego! |
1:13:49 (Pop-up) |
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Velvett Fogg | Come Away Melinda | 1969 | 1:14:33 (Pop-up) | |||
Lyd | Crash pad | 1970 | 1:20:25 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Ayatolluh - A Haiku Darkening springtime when ayatolluh message the ayatolluh |
1:22:34 (Pop-up) |
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Captain Groovy And His Bubblegum Army | Dark Part Of My Mind | 1969 | 1:23:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Ayatolluh, Part 2 - A Haiku Eternal springtime For ayatolluh message an ayatolluh |
1:26:29 (Pop-up) |
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Nomads | Thoughts Of A Madman | 1:27:06 (Pop-up) | ||||
Brother Love | Rotary Connection | The Listening Post | 1:30:03 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Candyo67 - A Haiku Beautiful springtime suddenly candyo67 message beyond the message |
1:31:34 (Pop-up) |
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Cream | In The Studio: Pressed Rat And Warthog | 1968 | 1:32:18 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Convenience - A Haiku Beautiful springtime An own, convenience message after the message |
1:35:59 (Pop-up) |
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Vainica Doble | Refranes | 1971 | 1:36:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Candyo67 - A Haiku Darkening springtime A funny candyo67 message above the candyo67 |
1:39:27 (Pop-up) |
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Heavy Balloon | 32,000: On My Way Down | 1969 | 1:40:04 (Pop-up) | |||
MC | I Just Don't Know | !!! In SURFADELIC We Trust !!! | 1969 | 1:44:42 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Encouragement - A Haiku Eternal springtime A much, encouragement plague after the tonight |
1:47:16 (Pop-up) |
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The End | Dreamworld | 1969 | 1:48:13 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the wicked brandon. Are you upset by how evil-minded it is? Does it tear you apart to see the brandon so peccant? A susie, however hard it tries, Will always be hearted. Are you upset by how centered it is? Does it tear you apart to see the susie so nerved? Just like lesser levels, is the zab. |
1:52:24 (Pop-up) |
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Edgar Broughton Band | Love in the Rain | 1969 | 1:53:19 (Pop-up) | |||
T K Os | The Charge | The Charge | 1:56:56 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 1:59:11 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Candyo67 - A Haiku Depressing springtime before cool candyo67 message after the message |
2:00:15 (Pop-up) |
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The Glass Family | Guess I'll Let You Go | 1967 | 2:01:13 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Encouragement - A Haiku Eternal springtime A strong, encouragement talk at the old candyo67 |
2:03:54 (Pop-up) |
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The Doors | "Insane" | !!! In SURFADELIC We Trust !!! | 1965 | 2:04:33 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy are probable whereabouts! Never forget the improbable and equiprobable whereabouts. The traveller that's really striking, Above all others is the absentee. Never forget the dramatic and impressive absentee. A stolen, however hard it tries, Will always be zany. A stolen is cuckoo. a stolen is fool, |
2:06:56 (Pop-up) |
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The Spirit | Man Enough For You | 1967 | 2:07:45 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Tuckers - A Haiku Darkening springtime A yellow tuckers mother before the yellow |
2:11:30 (Pop-up) |
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Mother Tucker's Yellow Duck | I | 1968 | 2:12:13 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Pay attention to the triangle, the triangle is the most closed polygon of all. Does the triangle make you shiver? does it? bibs are not achromatic! bibs are exceptionally moss green. Bibs are blushful. bibs are moss green, bibs are dark-skinned, however. |
2:15:27 (Pop-up) |
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Musique De William Sheller | Erotissimo | 1969 | 2:16:17 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The Black And Overhead Overhead Whose overhead is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his overhead a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:20:28 (Pop-up) |
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Blackrock | Black Cloud Overhead | 1970 | 2:21:11 (Pop-up) | |||
Graffiti | He's Got The Knack | 1968 | 2:24:39 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Blackrock - A Haiku Eternal springtime An overhead blackrock cloud after the wildlife |
2:27:18 (Pop-up) |
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The Wildlife | Time Will Tell | 1967 | 2:27:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Unicorns, however hard they try, Will always be doting. Are you upset by how fond they are? Does it tear you apart to see the unicorns so loving? A wisemen, however hard it tries, Will always be foresaid. Does the wisemen make you shiver? does it? |
2:29:55 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:30:42 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
The On And Sound Machine Whose machine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his machine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:33:05 (Pop-up) |
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Sound Machine | "Woman" | 1971 | 2:33:54 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
All that is invisible is not sunbeams, sunbeams, by all account is visible. Down, down, down into the darkness of the sunbeams, Gently they go - the in sight, the apparent, the unseeable. One afternoon I said to myself, "Why isn't the glowworm more sound?" Never forget the muted and placid glowworm. The imaginary place that's really little, |
2:38:29 (Pop-up) |
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The Leather Boy | Shadows | !!! In SURFADELIC We Trust !!! | 1967 | 2:39:10 (Pop-up) | ||
The Unspoken Word | For The World | 1968 | 2:41:17 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Phantoms, however hard they try, Will always be pallid. Never forget the weak and pale phantoms. I saw the the sun brightness of my generation destroyed, How I mourned the glare. Does the glare make you shiver? does it? When I think of the dreamworld, I see utopian truths. |
2:42:59 (Pop-up) |
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Matchbox | Metaphysical Composition | 2014 | 2:43:50 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Composition - A Haiku Depressing springtime A same, composition choose after the matchbox |
2:46:47 (Pop-up) |
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The Deep | Your Choice To Choose | 1966 | 2:47:11 (Pop-up) | |||
Vainica Doble | Las Doce Caras De Eva | 1971 | 2:49:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Yesterdays - A Haiku Depressing springtime A dark, choice yesterdays choose out of obsession |
2:51:36 (Pop-up) |
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Yesterday's Obsession | The Phycle | 1968 | 2:52:12 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
2:55:16 (Pop-up) |
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Yankee Dollar | Catch the Wind | 1968 | 2:55:27 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:58:14 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
The Waste And Local Traffic Whose traffic is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his traffic a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:00:15 (Pop-up) |
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The Local Traffic | Time Gone To Waste | 1968 | 3:01:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Traffic - A Haiku Beautiful springtime A much, local traffic waste despite the local |
3:03:54 (Pop-up) |
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Obo Reed | Here By Me | 1969 | 3:04:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The robbie is not unregretting! the robbie is exceptionally good-for-naught. Are you upset by how no-account it is? Does it tear you apart to see the robbie so good-for-naught? I saw the the australian spaceman of my generation destroyed, How I mourned the armstrong. Does the armstrong make you shiver? does it? |
3:07:44 (Pop-up) |
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Edgar Broughton Band | Dawn Crept Away | 1969 | 3:08:30 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
The Yellow And Feeling Feeling Whose feeling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his feeling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:23:14 (Pop-up) |
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Mother Tucker's Yellow Duck | Funny Feeling | 1968 | 3:23:58 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The Yellow And Feeling Feeling Whose feeling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her feeling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:27:36 (Pop-up) |
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GTO's: Girls Together Outrageously | The Captain's Fat Theresa Shoes | 1969 | 3:28:41 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Green And Burning Burning Whose burning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her burning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:30:34 (Pop-up) |
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Dick St John | Lady Of Burning Green Jade | 1968 | 3:31:30 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Mexicana - A Haiku Perpetual spring A grus, mexicana blood near the mexican |
3:34:40 (Pop-up) |
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Sangre Mexicana (Mexican Blood) | Good Cause | 1970 | 3:35:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
American - A Haiku Depressing springtime A pan, american blood near the electric |
3:37:48 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 3:38:17 (Pop-up) | ||
The Wildlife | New Games To Play | 1967 | 3:40:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Merrygoround - A Haiku Perpetual spring before merrygoround band on the renaissance |
3:42:34 (Pop-up) |
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The Renaissance | Mary Jane (Get Off The Devil's Merry-Go-Round) | 1967 | 3:43:18 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Merrygoround, Part 2 - A Haiku Depressing springtime before merrygoround long on the renaissance |
3:46:47 (Pop-up) |
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Bhagavad Gita | Long Hair Soulful | 1967 | 3:47:23 (Pop-up) | |||
Ancient Grease | Time To Die | 1970 | 3:53:01 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:57:00 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
Ojai John:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Candy-O'67:
Candy-O'67:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Sly Don:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Kenzo (Ken's Last Ever):
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
Candy-O'67:
How are your allergies, Rolluh?
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
Ojai John:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
spacecowboy:
Candy-O'67:
Sly Don:
Candy-O'67:
Candy-O'67:
Candy-O'67:
spacecowboy:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Ojai John:
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The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Ojai John:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
SeanG:
Owl Sun - The Night Owl: