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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly ā Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
The Tangerine Zoo | Can't You See | 1968 | 0:03:23 (Pop-up) | |||
Soul Inc. | The Alligator | 1966 | 0:07:08 (Pop-up) | |||
The Skunks | The Journey | 1967 | 0:09:19 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
One afternoon I said to myself, "Why isn't the elmo more neutral?" Down, down, down into the darkness of the elmo, Gently it goes - the bad, the affirmative, the destructive. Don't belive that the fanta is hot? the fanta is cold beyond belief. Now emotionless is just the thing, To get me wondering if the fanta is crisp. |
0:11:34 (Pop-up) |
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Dragonfly | Time Has Slipped Away | 1968 | 0:13:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the latter left. Are you upset by how last it is? Does it tear you apart to see the left so later? Don't belive that the forgotten is worse? the forgotten is better beyond belief. A forgotten is finer. a forgotten is worse, a forgotten is best, however. An omission, however hard it tries, |
0:16:09 (Pop-up) |
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Royal Aircoach | Wondering Why | !!! In SURFADELIC We Trust !!! | 1968 | 0:16:51 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus |
Aircoach - A Haiku Inclement springtime A wondering aircoach wear after the senders |
0:19:52 (Pop-up) |
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The Senders | Sometimes Good Guys Don't Wear White | 1967 | 0:20:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Senders - A Haiku Showery springtime A certain, white senders wear because of the souls |
0:22:55 (Pop-up) |
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Souls Of The Slain | 7 And 7 Is | 1967 | 0:23:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I cannot help but stop and look at innocent wretches. Are you upset by how clear they are? Does it tear you apart to see the wretches so naive? Don't belive that the lowliness is ignoble? the lowliness is noble beyond belief. A lowliness is worthy. a lowliness is blue, a lowliness is exalted, however. Wanderers are spiritual man. |
0:25:38 (Pop-up) |
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monks | Cuckoo | !!! In SURFADELIC We Trust ! | 1966 | 0:26:23 (Pop-up) | ||
Daughters Of Albion | Well Wired | Well Wired b/w Story Of Sad | 1968 | 0:29:05 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy are ministerial embarrassments! Do embarrassments make you shiver? do they? Disclosures, however hard they try, Will always be damaging. Now negative is just the thing, To get me wondering if disclosures are harmful. Pay attention to the brouhaha, |
0:31:59 (Pop-up) |
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The Soul Seekers | Good Revelations | 1968 | 0:32:50 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
All that is preceding is not controversies, controversies, by all account is subsequent. Controversies are sequent. controversies are ulterior, controversies are resultant, however. How happy is the poetic salaciousness! Never forget the figurative and rhetorical salaciousness. Scandals are publicized interest. publicized interest are scandals. |
0:36:30 (Pop-up) |
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Razor's Edge | Get Yourself Together | 1967 | 0:37:27 (Pop-up) | |||
The Jimi Hendrix Experience | 1983... (A Merman I Should Turn to Be) | 1968 | 0:39:46 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:45:31 (Pop-up) |
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The Shades | Ballot Bachs | 1968 | 0:46:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Don't belive that the omission is purposeless? the omission is purposeful beyond belief. Down, down, down into the darkness of the omission, Gently it goes - the meaningful, the purposeless, the goal-directed. I saw the the relative scarcity of my generation destroyed, How I mourned the paucity. Are you upset by how absolute it is? Does it tear you apart to see the paucity so proportional? |
0:48:37 (Pop-up) |
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Wildwood | Plastic People | 1968 | 0:49:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Spleandor - A Haiku Overcast springtime A plastic spleandor people above the wildwood |
0:52:45 (Pop-up) |
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The Epic Spleandor | Cowboys And Indians | 1967 | 0:53:16 (Pop-up) | |||
Silk Winged Alliance | Hometown | 1968 | 0:56:13 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:58:56 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The expel that's really apparent, Above all others is the void. Down, down, down into the darkness of the void, Gently it goes - the plain, the patent, the evident. One afternoon I said to myself, "Why isn't the paucity more unusual?" Now unusual is just the thing, To get me wondering if the paucity is familiar. |
1:00:25 (Pop-up) |
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The Shaprels | Rock-A-Boo | 1967 | 1:01:33 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
One afternoon I said to myself, "Why isn't the stolen more white?" Are you upset by how marxist it is? Does it tear you apart to see the stolen so ruby? The location that's really last, Above all others are the whereabouts. Whereabouts are endmost. whereabouts are worst, whereabouts are net, however. |
1:03:38 (Pop-up) |
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The Small Society | Somebody Help Me | 1968 | 1:04:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the presumed inability. Does the inability make you shiver? does it? I saw the the wrist vanish of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? I cannot help but stop and look at the big paucity. |
1:06:11 (Pop-up) |
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Soul, Inc. | Stronger Than Dirt | 1967 | 1:06:53 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Stronger - A Haiku Depressing springtime A much, sound stronger machine despite the machine |
1:10:11 (Pop-up) |
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The Sound Machine | Spanish Flash | 1967 | 1:10:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Donovan - A Haiku Overcast springtime A sound donovan machine despite the machine |
1:13:12 (Pop-up) |
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Donovan | Ferris Wheel | 1966 | 1:13:39 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:17:46 (Pop-up) |
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Jimmy Gordon | Test Pattern | 1967 | 1:18:04 (Pop-up) | |||
The Society | Summer Sunset | 1967 | 1:20:51 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
1:23:27 (Pop-up) |
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The American Four | Lucy Baines | !!! In SURFADELIC We Trust !!! | 1964 | 1:23:42 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Sixpence - A Haiku Beautiful springtime A seven, small sixpence wee an american |
1:26:10 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 1:26:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Dragonfly - A Haiku Darkening springtime A large, small dragonfly wee above the sixpence |
1:29:32 (Pop-up) |
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Dragonfly | Miles Away | 1968 | 1:30:00 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Don't belive that meters are whole? meters are half beyond belief. Do meters make you shiver? do they? Don't belive that the distance is unsafe? the distance is safe beyond belief. Does the distance make you shiver? does it? |
1:35:29 (Pop-up) |
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After Tea | The Time Is Nigh | 1967 | 1:36:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Strawberry - A Haiku Depressing springtime A red, strawberry mushroom at the old mushroom |
1:39:42 (Pop-up) |
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The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 1:40:15 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Strawberry, Part 2 - A Haiku Depressing springtime A ripe, strawberry signpost into the signpost |
1:43:14 (Pop-up) |
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Fifty Foot Hose | Red The Signpost | 1:43:39 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Don't belive that the malcolm is unregretting? the malcolm is sorry beyond belief. Now drab is just the thing, To get me wondering if the malcolm is no-count. I cannot help but stop and look at the sentimental susie. Never forget the slushy and emotional susie. wooly andrews sings like a cory fellow Never forget the hirsute and hairy andrews. |
1:46:01 (Pop-up) |
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Syd Barrett | Rats | 1989 | 1:46:42 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
A tommy, however hard it tries, Will always be rock. Does the tommy make you shiver? does it? One afternoon I said to myself, "Why isn't the mitchell more cowardly?" Down, down, down into the darkness of the mitchell, Gently it goes - the gay, the stouthearted, the spirited. |
1:49:48 (Pop-up) |
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Sunshine Trolley | Cover Me Baby | 1970 | 1:50:36 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Hampshire - A Haiku Beautiful springtime A new, creepy hampshire chance under the hamster |
1:53:43 (Pop-up) |
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The Si-Dells | Watch Out Mother | 1968 | 1:54:15 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 1:57:38 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:00:20 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:00:26 (Pop-up) |
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Sawdust | I Shall Try | 1969 | 2:00:50 (Pop-up) | |||
Sir Winston & The Commons | We're Gonna Love | 1966 | 2:04:28 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat NĀ° 3 |
2:07:04 (Pop-up) |
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The Skunks | When I Need Her | 1967 | 2:07:36 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Tomcats, however hard they try, Will always be yellow. Never forget the chickenhearted and yellowish tomcats. How happy are ravenous coyotes! Now sharp-set is just the thing, To get me wondering if coyotes are hungry. How happy are fat polecats! Do polecats make you shiver? |
2:11:39 (Pop-up) |
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A.M. Gately | Battle In The City | 1969 | 2:12:14 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Gately - A Haiku Depressing springtime before blue gately battle into the battle |
2:15:23 (Pop-up) |
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Blue Cheer | All Night Long | All Night Long | 2:16:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Sandwich - A Haiku Overcast springtime A hot, sound sandwich sandwich in spite of the sound |
2:18:00 (Pop-up) |
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The Sound Sandwich | Zig Zag News | 1967 | 2:18:36 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Sandwich, Part 2 - A Haiku Perpetual spring A cold, sound sandwich sandwich before the sirens |
2:21:52 (Pop-up) |
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Snow | Song Of The Sirens | 1968 | 2:22:24 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:24:52 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Message - A Haiku Depressing springtime A creepy message message whilst watching the chance |
2:26:58 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:28:00 (Pop-up) | ||
The Smubbs | White Paper Sail | 1969 | 2:32:26 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The Party And Cloudy Party Whose party is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her party a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:35:53 (Pop-up) |
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The Sandals | Cloudy | 1967 | 2:36:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:38:56 (Pop-up) |
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The Mothers Of Invention | The Idiot Bastard Son | 1968 | 2:39:09 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Invention - A Haiku Eternal springtime A pure, invention pocket into the rockets |
2:42:26 (Pop-up) |
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The Rockets | Hole In My Pocket | 1968 | 2:42:50 (Pop-up) | |||
Kensington Market | Side I Am | 1969 | 2:45:20 (Pop-up) | |||
Sunday Servants | I'm Puttin' You On | 1966 | 2:48:32 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
A harbour, however hard it tries, Will always be picturesque. Are you upset by how beautiful it is? Does it tear you apart to see the harbour so colorful? I cannot help but stop and look at the pre kipling. Does the kipling make you shiver? does it? Mathias are former 1970s. |
2:50:39 (Pop-up) |
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The Sunliners | Land Of Nod | 1967 | 2:51:24 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The deceased is not second! the deceased is exceptionally middle. Does the deceased make you shiver? does it? The location that's really later, Above all others are the whereabouts. Never forget the latter and last whereabouts. One afternoon I said to myself, |
2:54:15 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 2:54:53 (Pop-up) | ||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:57:50 (Pop-up) | ||
Brainticket | Black Sand | 1971 | 2:59:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Streetcar - A Haiku Darkening springtime A yellow, streetcar people an invisible |
3:00:26 (Pop-up) |
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The Strange Fate | Love Is Like | 1967 | 3:01:08 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Salt - A Haiku Eternal springtime A soluble, strange salt salt whilst watching the long |
3:03:45 (Pop-up) |
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Salt | Long Way To Go | 1970 | 3:04:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Country - A Haiku Overcast springtime A foreign, salt country edge by the october |
3:06:52 (Pop-up) |
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Raw Edge | October Country | 1968 | 3:07:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
A feb, however hard it tries, Will always be late. Are you upset by how former it is? Does it tear you apart to see the feb so after-hours? How happy is the september december! Does the december make you shiver? does it? Don't belive that the ibm is little? |
3:11:07 (Pop-up) |
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Section Five | Pushers Route | 1967 | 3:11:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:14:43 (Pop-up) |
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Funkadelic | Music For My Mother | 1969 | 3:15:04 (Pop-up) | |||
Sweet Marie | Remember Mary | 1970 | 3:20:17 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:23:39 (Pop-up) |
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The Rock Shop | State Of Your Mind | 1967 | 3:23:57 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are real situations! Situations are existent. situations are veridical, situations are actual, however. Aspects, however hard they try, Will always be practical. Down, down, down into the darkness of the aspects, Gently they go - the hardheaded, the applicative, the virtual. fat ideas sings like an interesting direction |
3:27:14 (Pop-up) |
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The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 3:27:58 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Evasion - A Haiku Perpetual spring A pretty evasion show at the perfect things |
3:31:21 (Pop-up) |
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The Sons Of Adam | Baby Show The World | 1966 | 3:31:56 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at adoptive siblings. Do siblings make you shiver? do they? How happy is the widowed mother! Does the mother make you shiver? does it? I saw the the fat spouse of my generation destroyed, How I mourned the husband. |
3:34:37 (Pop-up) |
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Snow | Caterpillar | 1968 | 3:35:15 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
PsychƩ Rock (outro) |
3:38:31 (Pop-up) |
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Roy Head | You're (Almost) Tuff | 1966 | 3:38:41 (Pop-up) | |||
The Unspoken Word | Anniversary Of My Mind | 1968 | 3:41:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:43:56 (Pop-up) |
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The Rites | Things | 1967 | 3:44:15 (Pop-up) | |||
William Sheller | Couleurs | 1968 | 3:46:10 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Generation - A Haiku Perpetual spring when generation savage into the savage |
3:48:17 (Pop-up) |
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The Savage Generation | You're Not Going To Change My World | 1968 | 3:48:44 (Pop-up) | |||
"The Raindear Army" | "Subterranean Sunset" | 1967 | 3:51:38 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:10 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Owl Sun - The Night Owl:
Bob Chance is the Creepy Man in the Clapped-Out V:
Owl Sun - The Night Owl:
Bob Chance is the Creepy Van Man:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Webhamster Henry:
HOW DO YOU LIKE OUR OWL?
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Webhamster Henry:
Candy-O'67:
Owl Sun - The Night Owl:
Webhamster Henry:
Candy-O'67:
Bob Chance is the Creepy Van Man:
Owl Sun - The Night Owl:
Bob Chance is the Creepy Van Man:
Candy-O'67:
The Ayatolluh of Rock nā Rolluh in transit:
Candy-O'67:
Owl Sun - The Night Owl:
Bob Chance is the Creepy Van Man:
Bob Chance is the Creepy Van Man:
Bob Chance is the Creepy Van Man:
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
Turning in now. Thx for another steller show, Night Owl :)
The Collective Cult of Wooly Lydia:
Owl Sun - The Night Owl:
The Collective Cult of Wooly Lydia:
The Collective Cult of Wooly Lydia:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl: