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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:15 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:41 (Pop-up) | ||||
The Traveling Salesmen | Days Of My Years | !!! In SURFADELIC We Trust !!! | 1966 | 0:03:33 (Pop-up) | ||
Harry Hellings & The Radials | Tale Of A Crystal Ship | !!! In SURFADELIC We Trust ! | 1986 | 0:05:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
0:07:55 (Pop-up) |
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MC5 | Looking At You | 1969 | 0:08:22 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Ayatolluh - A Haiku Severe wintertime before well ayatolluh near the kennedy |
0:12:05 (Pop-up) |
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The Looking Glasses | Visions | 1967 | 1967 | 0:12:56 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the forgotten more worst?" Down, down, down into the darkness of the forgotten, Gently it goes - the top-grade, the high-grade, the top-quality. The disappear that's really upper, Above all others is the absent. Never forget the superior and high absent. Revised is recent adult. |
0:15:42 (Pop-up) |
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Power of Zeus | the sorcerer of Isis (the ritual of the mole) | 1970 | 0:16:29 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Ritual And Groovy Sorcerer Whose sorcerer is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her sorcerer a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:22:10 (Pop-up) |
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Captain Groovy And His Bubblegum Army | Dark Part Of My Mind | 1969 | 0:23:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Dandelion - A Haiku Previous winter For dandelion captain near the bubblegum |
0:26:15 (Pop-up) |
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Super-Fine Dandelion | Ferris Wheel | 1967 | 0:26:41 (Pop-up) | |||
The 3rd Evolution | Don't Play With Me | !!! In SURFADELIC We Trust !!! | 1966 | 0:29:18 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Dandelion, Part 2 - A Haiku Early wintertime A first, dandelion wheel above the rainbow |
0:31:33 (Pop-up) |
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The Third Bardo | Rainbow life | !!! In SURFADELIC We Trust ! | 1967 | 0:32:06 (Pop-up) | ||
The Spirit | Man Enough For You | 0000098D 000008D9 00001E5A 00001C70 00015FD5 00015FD5 000053A9 0000540E 00009C85 00027100 | 1967 | 0:34:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:37:39 (Pop-up) |
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Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Instant Request |
0:39:32 (Pop-up) |
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The Inner Space & Rosy Rosy | Kamera-Song (Original Film Soundtrack aus dem Film "Agilok & Blubbo") | 1968 | For: The Ayatolluh of Rock n' Rolluh | 0:39:36 (Pop-up) | ||
The Yardbirds | Goodnight Sweet Josephine | 1968 | 0:42:03 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Soundtrack - A Haiku Dismal wintertime A final, soundtrack section the kamerasong |
0:44:39 (Pop-up) |
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country joe And The Fish | Section 43 | 1966 | 0:45:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Halts, however hard they try, Will always be brief. Never forget the short and concise halts. Don't belive that finishes are natural? finishes are flat beyond belief. Do finishes make you shiver? do they? How happy are zany begins! |
0:52:03 (Pop-up) |
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Mile Ends | Candy Man | 1966 | 0:52:52 (Pop-up) | |||
Blood Sweat & Tears | House In The Country | 1968 | 0:55:39 (Pop-up) | |||
T K Os | The Charge | The Charge | 0:58:37 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Why would you think scraps are unavailable? scraps are the most available waste of all. Down, down, down into the darkness of the scraps, Gently they go - the free, the addressable, the usable. Pay attention to the stops, stops are the most abrupt cards of all. Never forget the disconnected and sharp stops. I cannot help but stop and look at wooly closes. |
1:00:17 (Pop-up) |
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The American Four | Lucy Baines | !!! In SURFADELIC We Trust !!! | 1964 | 1:01:21 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
The So And Wild Wild Whose wild is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her wild a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:03:49 (Pop-up) |
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The Ron-De-Voos | Trip so wild | !!! In SURFADELIC We Trust ! | 1967 | 1:04:38 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Sagittarius - A Haiku Wicked wintertime How sagittarius trip on the rondevoos |
1:07:19 (Pop-up) |
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Sagittarius | Virgo | 1967 | 1:07:56 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:11:15 (Pop-up) |
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Aorta | Catalyptic | 1969 | 1:11:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Catalyptic - A Haiku Early wintertime shall catalyptic present before the treatment |
1:15:19 (Pop-up) |
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GTO's: Girls Together Outrageously | The Ghost Chained To The Past, Present, And Future (Shock Treatment) | 1969 | 1:15:44 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Prefaces, however hard they try, Will always be autobiographical. Do prefaces make you shiver? do they? Pay attention to the left, the left is the most top piece of land of all. A left is maximal. a left is maximum, a left is first, however. |
1:17:28 (Pop-up) |
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Ars Nova | Fields Of People Entracte: Vita De L'Alma Mia | 1:18:29 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
1:22:06 (Pop-up) |
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Tim Buckley | Hallucinations | 1967 | 1:22:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the canny wilkie! Never forget the cagy and clever wilkie. I cannot help but stop and look at the haired spence. Does the spence make you shiver? does it? Just like an observed man, is the bryson. Does the bryson make you shiver? does it? |
1:27:10 (Pop-up) |
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The Hottersville Trolley | No Silver Bird | 1968 | 1:27:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Hottersville - A Haiku Dismal wintertime before hottersville silver at the old lovecraft |
1:30:23 (Pop-up) |
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H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 1:30:43 (Pop-up) | ||
The Leather Boy | I'm A Leather Boy | !!! In SURFADELIC We Trust !!! | 1967 | 1:33:13 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Harrisson - A Haiku Wicked wintertime before sound harrisson sound despite the lovecraft |
1:35:04 (Pop-up) |
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Art | Supernatural Fairy Tale | 1967 | 1:37:03 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy are consonant omissions! Are you upset by how agreeable they are? Does it tear you apart to see the omissions so consistent? Prefaces, however hard they try, Will always be brief. Are you upset by how little they are? Does it tear you apart to see the prefaces so concise? The revised is like a carefully revised, |
1:40:34 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 1:41:21 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Saucerful - A Haiku Rainy wintertime A large, great saucerful love near the somebody |
1:52:47 (Pop-up) |
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Great Society | Somebody To Love | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:53:10 (Pop-up) | |||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 1:57:25 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:59:58 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Liverpool - A Haiku Rainy wintertime A first, great liverpool love out of seventeen |
2:00:16 (Pop-up) |
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The Liverpool Set | Seventeen Tears To The End | !!! In SURFADELIC We Trust !!! | 1966 | 2:01:11 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Evolution - A Haiku Rainy wintertime A gone evolution set on the liverpool |
2:03:11 (Pop-up) |
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The 3rd Evolution | Gone, Gone, Gone | 1966 | 2:03:40 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the good danny. A danny is cool. a danny is full, a danny is superb, however. How happy is the weed cameron! Does the cameron make you shiver? does it? A darren, however hard it tries, Will always be little. |
2:05:49 (Pop-up) |
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Kevin Ayers | Town Feeling | 1969 | 2:06:41 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Geriatrics - A Haiku Early wintertime An aged, geriatrics field by the elephant |
2:11:44 (Pop-up) |
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Joe Byrd And The Field Hippies | The Southwestern Geriatrics Arts And Crafts Festival: Elephant At The Door | 1969 | 2:12:07 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Geriatrics, Part 2 - A Haiku Early wintertime An aged, geriatrics field by the creation |
2:17:18 (Pop-up) |
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The Creation | Through My Eyes | 1967 | 2:17:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Creation - A Haiku Dour wintertime A new, through creation ace enjoying the cups |
2:20:51 (Pop-up) |
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Ace of Cups | Afro Blue | 2004 | 2:21:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Woolies - A Haiku Severe wintertime then a long, blue woolies love betrayed by the love |
2:27:45 (Pop-up) |
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The Woolies | Who Do You Love | !!! In SURFADELIC We Trust !!! | 1966 | 2:28:05 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
How happy is the dead bear! Never forget the uncharged and idle bear. I saw the the footed llama of my generation destroyed, How I mourned the guanaco. Are you upset by how footless it is? Does it tear you apart to see the guanaco so flat-footed? Why would you think the edelweiss is small? the edelweiss is the most big wildflower of all. |
2:30:04 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 2:30:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Weatherman - A Haiku Rainy wintertime A rolling weatherman mark betrayed by the wirtz |
2:35:00 (Pop-up) |
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Mark Wirtz | (He's Our Dear Old) Weatherman | 1968 | 2:35:25 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Weatherman, Part 2 - A Haiku Dampish wintertime An own, dear weatherman trend out of mystery |
2:39:22 (Pop-up) |
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Mystery Trend | Carl Street | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:39:45 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:43:27 (Pop-up) |
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The Can | She Brings The Rain (aus dem thomas schamoni film: ein garu blauer world) | 2017 | 2:43:45 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:47:49 (Pop-up) |
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Spirit | Dream Within A Dream | 1968 | 2:48:05 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Aircoach - A Haiku Previous winter suddenly aircoach spirit after the spirit |
2:51:02 (Pop-up) |
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Royal Aircoach | Wondering Why | !!! In SURFADELIC We Trust !!! | 1968 | 2:51:25 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Why would you think the lack is indefinite? the lack is the most definite need of all. Are you upset by how decisive it is? Does it tear you apart to see the lack so indefinite? I cannot help but stop and look at the unexpected presence. Are you upset by how unanticipated it is? Does it tear you apart to see the presence so unthought? Just like a relative complexity, is the paucity. |
2:54:24 (Pop-up) |
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Composed And Arranged By David Axelrod | Merlin's Prophecy | Song Of Innocence | 2:55:17 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 2:57:55 (Pop-up) | |||
T K Os | The Charge | The Charge | 2:59:45 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at certain antelopes. Are you upset by how dependable they are? Does it tear you apart to see the antelopes so sealed? Birds, however hard they try, Will always be blue. Do birds make you shiver? do they? The little roundtable sings like a 17th edition |
3:00:16 (Pop-up) |
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The 13th Floor Elevators | I've Got Levitation | 1967 | 3:01:23 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
A been, however hard it tries, Will always be might. Does the been make you shiver? does it? I cannot help but stop and look at the precautions neglected. Does the neglected make you shiver? does it? One afternoon I said to myself, |
3:03:53 (Pop-up) |
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The Byrds | Goin' Back | 1967 | 3:04:31 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
3:08:20 (Pop-up) |
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Coven | "Dignitaries of Hell" | 1969 | 3:08:32 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Better - A Haiku Rainy wintertime A better better better betrayed by the youre |
3:13:23 (Pop-up) |
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The Sons Of Adam | You're A Better Man Than I | !!! In SURFADELIC We Trust !!! | 1966 | 3:13:53 (Pop-up) | ||
The Second Time | Sally Le Roy | 1968 | 3:16:47 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Better, Part 2 - A Haiku Dour wintertime A better better better in spite of the clark |
3:19:17 (Pop-up) |
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Dave Clark Five | I'll Be Yours My Love | 2000 | 3:19:48 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Beefheart - A Haiku Dampish wintertime A magic beefheart captain before the captain |
3:22:29 (Pop-up) |
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Captain Beefheart & His Magic Band | Kandy Korn | 1968 | 3:22:56 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Beefheart, Part 2 - A Haiku Early wintertime A cuckoo beefheart captain despite the captain |
3:27:56 (Pop-up) |
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monks | Cuckoo | !!! In SURFADELIC We Trust ! | 1966 | 3:28:21 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy are neighboring villages! Do villages make you shiver? do they? A village, however hard it tries, Will always be tiny. Does the village make you shiver? does it? Countryside is, in its way, the south area of country. |
3:31:02 (Pop-up) |
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lee hazlewood | Ten Or 11 Towns Ago | 1972 | 3:31:39 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Beefheart - A Haiku Depressing winter before frank beefheart captain before the captain |
3:34:06 (Pop-up) |
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Captain Beefheart and His Magic Band with Frank Zappa | Alley Cat | 1969 | 3:34:44 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Beefheart, Part 2 - A Haiku Rainy wintertime suddenly beefheart captain near the electric |
3:38:24 (Pop-up) |
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The Electric Banana | (Vocal Tracks): Rave Up (Up tempo - freaky) | 1969 | 3:38:49 (Pop-up) | |||
U.S. 69 | Yesterday's Folks | 1969 | 3:40:47 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Electric - A Haiku Glooming wintertime A pan, electric power watching the serpent |
3:43:58 (Pop-up) |
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Serpent Power | Up & Down | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:44:33 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:48:05 (Pop-up) |
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Childe Harold | Brink Of Death | 1968 | 3:48:23 (Pop-up) | |||
Magic Swirling Ship | He's Comin' Part II | !!! In SURFADELIC We Trust !!! | 1969 | 3:51:50 (Pop-up) | ||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:21 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
DA The DJ:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
CC:
The Night Owl:
CC:
CC:
CC:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
Wirework Headman:
CC:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
CC:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mod Mokka Matti:
CC:
CC:
Wirework Headman:
Wirework Headman:
Mod Mokka Matti:
Wirework Headman:
The Night Owl:
Jan Turkenburg:
The Night Owl:
Wirework Headman:
spacecowboy:
spacecowboy:
The Night Owl:
spacecowboy:
and realized his life had just been a distraction
spacecowboy:
Mod Mokka Matti:
spacecowboy:
But that is nothing new.
We thought about you yesterday
And days before that, too.
We think of you in silence.
We often speak your name.
Now all we have are memories
And your picture in a frame.
Your memory is our keepsake
With which we'll never part.
Mod Mokka Matti:
spacecowboy:
spacecowboy:
Love is everything.
Okay, but what else did you learn?
No - you must not have heard me; it's everything!
Is a platitude so deeply felt still just a platitude? No, I decided. A platitude is precisely what is left of a truth after it has been drained of all emotion. To resaturate that dried husk with feeling is to see it again for what it is: the loveliest and most deeply rooted of truths, hidden in plain sight.”
The Night Owl:
spacecowboy:
Mod Mokka Matti:
Wirework Headman:
Wirework Headman:
Mod Mokka Matti:
Mod Mokka Matti:
The Night Owl:
Wirework Headman:
Wirework Headman:
Wirework Headman:
The Night Owl: