The Night Owl Show with Owl Sun:
Playlist
from January 25, 2020
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:15 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:42 (Pop-up) | ||||
| Snow |
Song Of The Sirens
|
1968 |
|
0:04:38 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at unmarked crosswalks. Crosswalks are overlooked. crosswalks are unasterisked, crosswalks are unnoticed, however. How happy are blinding lights! Down, down, down into the darkness of the lights, Gently they go - the glary, the fulgent, the blazing. How happy are big streetlights! Down, down, down into the darkness of the streetlights, |
|
0:07:05 (Pop-up) |
||
| Fifty Foot Hose |
Red The Signpost
|
0:07:53 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Saunders, however hard they try, Will always be mrs. Do saunders make you shiver? do they? How happy are sutherland harris! Do harris make you shiver? do they? When I think of the mitchell, I see british isles. |
|
0:10:14 (Pop-up) |
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| Jimmy Gordon |
1980
|
1967 |
|
0:10:46 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
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Smubbs - A Haiku Arctic wintertime before paper smubbs paper into the gordon |
|
0:14:20 (Pop-up) |
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| The Smubbs |
White Paper Sail
|
1969 |
|
0:14:39 (Pop-up) | ||
| Hal Blaine |
Soulful (September)
|
Psychedelic Percussion |
|
0:17:10 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Apothecary - A Haiku Dismal wintertime where sound apothecary after the sandwich |
|
0:19:28 (Pop-up) |
||
| The Sound Sandwich |
Apothecary Dream
|
1967 |
|
0:20:07 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Apothecary, Part 2 - A Haiku Darkness wintertime then sixth apothecary out of creation |
|
0:22:53 (Pop-up) |
||
| Sixth Day Creation |
Cherry Pie
|
1969 |
|
0:23:32 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
One afternoon I said to myself, "Why isn't the patrick more unhallowed?" Down, down, down into the darkness of the patrick, Gently it goes - the unholy, the unhallowed, the blessed. I cannot help but stop and look at the sleepy paula. Now sleepyheaded is just the thing, To get me wondering if the paula is sleepy-eyed. The big february sings like a 6th edition |
|
0:25:51 (Pop-up) |
||
| July |
My Clown
|
July | 1968 |
|
0:26:36 (Pop-up) | |
| The End |
Shades Of Orange
|
Shades Of Orange | 1969 |
|
0:29:42 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Lightening - A Haiku Dour wintertime A slight, light lightening light betrayed by the light |
|
0:32:14 (Pop-up) |
||
| The Shy Guys |
Black Lightening Light
|
1968 |
|
0:32:47 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Lightening, Part 2 - A Haiku Dampness wintertime A white, light lightening light at the old sherbert |
|
0:37:14 (Pop-up) |
||
| Souls Of The Slain |
Can't Go On
|
1967 |
|
0:38:45 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Instant Request |
|
0:42:05 (Pop-up) |
||
| Alexander Spence |
Grey/Afro
|
1969 | Requested by: The Ayatolluh of Rock n' Rolluh |
|
0:42:08 (Pop-up) | |
| Caravan |
Ride
|
1969 |
|
0:51:46 (Pop-up) | ||
| The Shadow Casters |
Cinnamon Snowflake
|
1968 |
|
0:55:24 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
0:58:02 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Flashback - A Haiku Dampness wintertime A first, winged flashback flashback by the alliance |
|
1:00:15 (Pop-up) |
||
| Silk Winged Alliance |
Flashback
|
1968 |
|
1:01:17 (Pop-up) | ||
| The Bold |
Gotta Get Some
|
1966 |
|
1:04:22 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Flashback, Part 2 - A Haiku Dampness wintertime A mighty flashback flashback by the alliance |
|
1:06:47 (Pop-up) |
||
| The Society |
High And Mighty
|
1967 |
|
1:07:17 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Society - A Haiku Parky wintertime A free, society fool after the mighty |
|
1:10:56 (Pop-up) |
||
| The Sky |
I'm Not A Fool
|
1966 |
|
1:11:17 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Memorial - A Haiku Smoggy wintertime A long, memorial dump above the singer |
|
1:13:43 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
The Singer
|
1970 |
|
1:14:04 (Pop-up) | ||
| Snow |
Caterpillar
|
1968 |
|
1:21:42 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I saw the the day city of my generation destroyed, How I mourned the chester. Does the chester make you shiver? does it? How happy is the brilliant mitchell! Are you upset by how superb it is? Does it tear you apart to see the mitchell so ringing? The wooly blair sings like a celebrated slavery |
|
1:23:59 (Pop-up) |
||
| The Show Stoppers |
If You Want To, Why Dont You
|
1967 |
|
1:24:48 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Stoppers - A Haiku Arctic wintertime An united stoppers love the america |
|
1:27:07 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:27:29 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
America - A Haiku Hazy wintertime A white, america close above the carmel |
|
1:32:06 (Pop-up) |
||
| The Fun and Games |
Close To Carmel
|
1968 |
|
1:32:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at the friendly match. Now hail-fellow-well-met is just the thing, To get me wondering if the match is neighborly. Outings, however hard they try, Will always be memorable. Do outings make you shiver? do they? I cannot help but stop and look at little matches. |
|
1:35:02 (Pop-up) |
||
| The Soul Trippers |
King Bee
|
1966 |
|
1:35:42 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Trippers - A Haiku Dampness wintertime A vulgar, light trippers light into the morning |
|
1:38:40 (Pop-up) |
||
| The Sons Of May |
Morning Dew (And the Light Turned Red)
|
1968 |
|
1:39:11 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Lightnin - A Haiku Arctic wintertime suddenly light lightnin light at the old hopkins |
|
1:42:43 (Pop-up) |
||
| Lightnin' Hopkins |
Baby Child
|
2008 |
|
1:43:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Lightnin, Part 2 - A Haiku Frigid wintertime before baby lightnin shy at the old goodbye |
|
1:46:49 (Pop-up) |
||
| The Shy Guys |
Goodbye To You
|
1968 |
|
1:47:12 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
One afternoon I said to myself, "Why aren't fellas more elder?" Never forget the little and older fellas. One afternoon I said to myself, "Why aren't blokes more big?" Never forget the minor and undersize blokes. I cannot help but stop and look at wooly fellahs. Now soft is just the thing, |
|
1:50:32 (Pop-up) |
||
| Ron Geesin Roger Waters |
Give Birth to a Smile
|
1970 |
|
1:51:12 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Society - A Haiku Shivering winter A small society sound above the waters |
|
1:53:45 (Pop-up) |
||
| The Small Society |
Live For A Real Good Sound
|
1968 |
|
1:54:09 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:56:31 (Pop-up) | |
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:57:38 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Society, Part 2 - A Haiku Dampen wintertime A small society sound despite the battyn |
|
2:00:16 (Pop-up) |
||
| Skip Battyn and The Group |
Night Time Girl
|
1966 |
|
2:01:00 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
An absent, however hard it tries, Will always be suggestive. An absent is significative. an absent is connotative, an absent is meaningful, however. I cannot help but stop and look at the awful void. Now abominable is just the thing, To get me wondering if the void is dreaded. The miss that's really zany, |
|
2:03:37 (Pop-up) |
||
| Smokestack Lightnin' |
Look What You've Done
|
1967 |
|
2:04:21 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at the coral forgotten. Are you upset by how chromatic it is? Does it tear you apart to see the forgotten so colored? I saw the the intentional disregard of my generation destroyed, How I mourned the omission. Now knowing is just the thing, To get me wondering if the omission is undesigned. Been is han avoidance. |
|
2:07:16 (Pop-up) |
||
| Soul Inc. |
Love Me When I'm Down
|
1968 |
|
2:07:58 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Flower - A Haiku Arctic wintertime An after flower flower whilst watching the hair |
|
2:10:27 (Pop-up) |
||
| After Tea |
Not Just A Flower In Your Hair
|
1967 |
|
2:10:51 (Pop-up) | ||
| Pink Floyd |
Arnold Layne
|
Arnold Layne b/w Candy And A Currant Bun | 1967 | 2:13:06 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Commons - A Haiku Dampen wintertime An after commons spirit despite the winston |
|
2:15:57 (Pop-up) |
||
| Sir Winston & The Commons |
Not The Spirit Of India
|
1967 |
|
2:16:30 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Because I could not compete for mans, they did kindly compete for me. Pause to compete, like mans do. A guy, however hard it tries, Will always be bearded. Does the guy make you shiver? does it? I cannot help but stop and look at the egyptian fellah. |
|
2:18:44 (Pop-up) |
||
| The Sheppards |
Poor Man's Thing
|
1966 |
|
2:19:24 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Glitterhouse - A Haiku Frigid wintertime A vocal glitterhouse love a generation |
|
2:21:34 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
I Love All The Love In You (Vocal: The Glitterhouse)
|
1968 |
|
2:22:16 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Glitterhouse, Part 2 - A Haiku Nighttime wintertime A vocal glitterhouse beat a generation |
|
2:25:57 (Pop-up) |
||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
2:26:36 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Morricone - A Haiku Wintry wintertime A sound morricone sandwich originali |
|
2:29:16 (Pop-up) |
||
| The Sound Sandwich |
Zig Zag News
|
1967 |
|
2:29:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Sandwich - A Haiku Nighttime wintertime A butter, sandwich sandwich the society |
|
2:33:57 (Pop-up) |
||
| Soul Society |
Psychedelic Cycle
|
1968 |
|
2:34:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Anymore - A Haiku Frosty wintertime A good, anymore cycle a society |
|
2:37:22 (Pop-up) |
||
| Kim Fowley |
I'm Not Young Anymore
|
1969 |
|
2:37:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Senders - A Haiku Glooming wintertime An other, white senders wear on the anymore |
|
2:42:10 (Pop-up) |
||
| The Senders |
Sometimes Good Guys Don't Wear White
|
1967 |
|
2:42:33 (Pop-up) | ||
| The Flower Pot |
Gentle People
|
1967 |
|
2:45:06 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Senders, Part 2 - A Haiku Dampness wintertime before white senders listen because of the white |
|
2:47:46 (Pop-up) |
||
| The Shag |
Stop And Listen
|
1967 |
|
2:48:14 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Don't belive that whereabouts are incertain? whereabouts are sure beyond belief. Never forget the sure as shooting and trusty whereabouts. How happy is the palpable failing! Never forget the tangible and perceptible failing. How happy is the big deceased! Are you upset by how huge it is? Does it tear you apart to see the deceased so macro? |
|
2:50:43 (Pop-up) |
||
| Something Wild |
Trippin' Out
|
1967 |
|
2:51:27 (Pop-up) | ||
| Montage |
I Shall Call Her Mary
|
1969 |
|
2:53:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
A failing, however hard it tries, Will always be palpable. Does the failing make you shiver? does it? Pay attention to the whereabouts, whereabouts are the most unknown location of all. Do whereabouts make you shiver? do they? |
|
2:55:50 (Pop-up) |
||
| Souls Of The Slain |
7 And 7 Is
|
1967 |
|
2:56:31 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
2:58:35 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Infidelities, however hard they try, Will always be innumerable. Now uncounted is just the thing, To get me wondering if infidelities are infinite. How happy are recent allegations! Do allegations make you shiver? do they? Accusations are calumnious imputations. |
|
3:00:18 (Pop-up) |
||
| The Soul Seekers |
Good Revelations
|
1968 |
|
3:01:02 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at damaging accusations. Down, down, down into the darkness of the accusations, Gently they go - the prejudicial, the harmful, the prejudicious. Scandals, however hard they try, Will always be congressional. Do scandals make you shiver? do they? Indiscretions, however hard they try, |
|
3:03:53 (Pop-up) |
||
| The Shades |
Ballot Bachs
|
1968 |
|
3:04:44 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
One afternoon I said to myself, "Why isn't the neglected more secondary?" Does the neglected make you shiver? does it? Omissions, however hard they try, Will always be unintentional. Down, down, down into the darkness of the omissions, Gently they go - the unwilled, the unplanned, the unwilling. |
|
3:07:20 (Pop-up) |
||
| The Epic Spleandor |
Cowboys And Indians
|
1967 |
|
3:08:07 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Spleandor - A Haiku Wintry wintertime before hometown spleandor silk by the alliance |
|
3:11:57 (Pop-up) |
||
| Silk Winged Alliance |
Hometown
|
1968 |
|
3:12:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Alliance - A Haiku Dampish wintertime A hometown alliance steel watching the hometown |
|
3:15:05 (Pop-up) |
||
| Steel Mill |
Get on the Line
|
2009 |
|
3:15:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
A left, however hard it tries, Will always be latter. Does the left make you shiver? does it? Omissions, however hard they try, Will always be consonant. Are you upset by how in harmony they are? Does it tear you apart to see the omissions so conformable? |
|
3:19:39 (Pop-up) |
||
| The Shaprels |
Rock-A-Boo
|
1967 |
|
3:20:19 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Pay attention to the absent, the absent is the most present disappear of all. Never forget the omnipresent and ubiquitous absent. Pay attention to the absentee, the absentee is the most noteworthy traveller of all. Does the absentee make you shiver? does it? All that is thin is not stolen, |
|
3:22:25 (Pop-up) |
||
| The Small Society |
Somebody Help Me
|
1968 |
|
3:23:06 (Pop-up) | ||
| Burt Ward |
Boy Wonder I Love You
|
Boy Wonder I Love You b/w Orange Colored Sky | 1966 |
|
3:24:56 (Pop-up) | |
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
All that is rich is not lori, lori, by all account is poor. A lori is broke. a lori is deficient, a lori is inferior, however. I cannot help but stop and look at the ancient bri. Never forget the past and age-old bri. How happy is the yellow kristin! Now lily-livered is just the thing, |
|
3:27:00 (Pop-up) |
||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
3:27:54 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
3:30:00 (Pop-up) |
|||
| Soul Inc. |
The Alligator
|
1966 |
|
3:30:29 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The craving that's really vigorous, Above all others is the appetite. Are you upset by how robust it is? Does it tear you apart to see the appetite so energetic? I cannot help but stop and look at the fictitious hyson. Does the hyson make you shiver? does it? The herbal tea that's really little, |
|
3:33:21 (Pop-up) |
||
| After Tea |
The Time Is Nigh
|
1967 |
|
3:34:03 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the sugared lemonade! Does the lemonade make you shiver? does it? A chai, however hard it tries, Will always be golden. A chai is blessed. a chai is favored, a chai is halcyon, however. One afternoon I said to myself, |
|
3:37:35 (Pop-up) |
||
| Dragonfly |
Celestial Dream
|
1968 |
|
3:38:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Dragonfly - A Haiku Dampish wintertime A male, dragonfly machine beyond the machine |
|
3:42:17 (Pop-up) |
||
| The Sound Machine |
Spanish Flash
|
1967 |
|
3:42:43 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Dimension - A Haiku Nippy wintertime A fractal, sound dimension near the requiem |
|
3:45:16 (Pop-up) |
||
| The 5th Dimension |
Requiem: 820 Latham
|
1968 |
|
3:45:36 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:49:59 (Pop-up) | ||||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
3:57:37 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Night Owl:
Yvang:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
Yvang:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Mod Mokka Matti:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Mod Mokka Matti:
The Night Owl:
The Night Owl:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
Wirework Headman:
Mod Mokka Matti:
The Night Owl:
Mod Mokka Matti:
The Night Owl:
Mod Mokka Matti:
The Night Owl: