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Tracks across a multilingual world, featuring this, that, and not infrequently the other
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Artist | Track | Album | Year | Comments | Approx. start time | |||||
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Continental Subway | Intro | |||||||||
The Washingtonians | Choo Choo (Gotta Hurry Home) | 1924 | 0:00:20 (Pop-up) | |||||||
Marion Harris | Tea for Two | 1924 | 0:03:31 (Pop-up) | |||||||
Joséphine Baker | Blue Skies | 1927 | 0:06:34 (Pop-up) | |||||||
Gertrude Lawrence | Someone to Watch Over Me | 1926 | 0:09:27 (Pop-up) | |||||||
Music behind DJ: King Oliver's Creole Jazz Band |
Froggie Moore |
1923 |
0:12:56 (Pop-up) |
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Ruth Etting | Ain't Misbehavin | 1929 | 0:17:25 (Pop-up) | |||||||
Vaughn de Leath, Paul Whiteman Concert Orchestra | The Man I Love | 1928 | 0:20:33 (Pop-up) | |||||||
Ethel Waters and Her Ebony Four | Sweet Georgia Brown | 1925 | 0:24:58 (Pop-up) | |||||||
Sol Hoopii and His Hawaiian Trio | Oh! Lady Be Good | 1925 | 0:28:05 (Pop-up) | |||||||
Music behind DJ: Bar Harbor Society Orchestra |
Vamp Me |
1921 |
0:31:16 (Pop-up) |
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Alexander Vertinsky | Dorogoi dlinnoyu | 1926 | Дорогой длинною | 0:36:48 (Pop-up) | ||||||
Ludwig Rüth und sein Tanzorchester | Man kann beim Tango sich so schöne Dinge sagen | 1929 | 0:39:37 (Pop-up) | |||||||
Künstler-Orchester Dajos Béla | Liebesleid | 1926 | 0:42:55 (Pop-up) | |||||||
Ben Berlin | Wings (Fliegerlied) | 1928 | 0:46:02 (Pop-up) | |||||||
Comedian Harmonists | Puppenhochzeit | 1929 | 0:48:42 (Pop-up) | |||||||
Berthe Sylva | Les roses blanches | 0:52:03 (Pop-up) | ||||||||
Music behind DJ: Haller-Revue-Jazz Orchester |
Komm Ins Grüne, Karoline |
1927 |
0:55:27 (Pop-up) |
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Fréhel | Ou Est-il Donc ? | 1926 | 1:03:10 (Pop-up) | |||||||
Hiski Salomaa | Häät Remulassa | 1929 | 1:06:18 (Pop-up) | |||||||
Rosina Trubia Gioiosa | Lu Fistinu di Palermo | Hot Women - Women Singers from the Torrid Regions of the World | 1927 | 1:09:16 (Pop-up) | ||||||
Julie Marsellaise | Yama N'Chauf Haja Tegennen | Hot Women - Women Singers from the Torrid Regions of the World | 1929 | 1:11:43 (Pop-up) | ||||||
Music behind DJ: King Oliver's Creole Jazz Band |
Froggie Moore |
1923 |
1:14:45 (Pop-up) |
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Josiah Ransome-Kuti | Bi E O Le E Le | 192X | 1:21:53 (Pop-up) | |||||||
Nicholas de Heer | Osibonibom | 192X | 1:24:33 (Pop-up) | |||||||
Simon Sibiya | Tina Si Nga Ba Sembawuleni | 1929 | 1:27:35 (Pop-up) | |||||||
Teiichi Futamura | Arabiya no Uta | 1928 | 二村定一 / アラビヤの唄 | 1:30:26 (Pop-up) | ||||||
Chiyako Satō | Tōkyō kōshinkyoku | 1929 | 東京行進曲 / 佐藤千夜子 | 1:33:08 (Pop-up) | ||||||
Li Minghui | Máomaoyǔ | 1927 | 毛毛雨 / 黎明暉 | 1:35:42 (Pop-up) | ||||||
Music behind DJ: King Oliver's Creole Jazz Band |
I Ain't Gonna Tell Nobody |
1924 |
1:38:33 (Pop-up) |
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Rita Montaner | El Manisero | 1928 | 1:44:40 (Pop-up) | |||||||
José Barbosa Da Silva (Sinhô) | Chékéré | 1929 | 1:47:29 (Pop-up) | |||||||
Antonis Dalgas | I Nei Hassiklides | 1928 | Αντώνης Νταλγκάς / Οι Νέοι Χασικλήδες | 1:50:24 (Pop-up) | ||||||
Otto Reutter | Alles weg'n de Leut' | 1926 | 1:53:39 (Pop-up) | |||||||
Polyphon Orchester mit Gesang | Ausgerechnet Bananen | 1923 | 1:56:34 (Pop-up) | |||||||
Music behind DJ: Tanz-Orchester Efim Schachmeister |
Ausgerechnet Bananen (Yes! We Have No Bananas) |
1924 |
1:58:52 (Pop-up) |
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Juan Guido y su Orquesta | Uruguaya | 1927 | 2:05:47 (Pop-up) | |||||||
Carlos Gardel | Soy Una Fiera | 1926 | 2:08:27 (Pop-up) | |||||||
Julio de Caro y su Orquesta Típica | Mala Junta | 1927 | 2:10:47 (Pop-up) | |||||||
Juan Pulido, Orquesta Típica Argentina | Todo por ti | 1926 | 2:14:00 (Pop-up) | |||||||
Orquesta Típica Victor | Viejo Rincón | 1926 | 2:17:17 (Pop-up) | |||||||
La Niña de los Peines with Niño Ricardo | Sevillanas No. 2 | 1927 | 2:20:14 (Pop-up) | |||||||
Music behind DJ: King Oliver's Creole Jazz Band |
King Porter |
2:22:29 (Pop-up) |
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Dave Tarras | Duvid, shpiel dus noch amul | 1929 | 2:27:49 (Pop-up) | |||||||
Israel J. Hochman's Jewish Orchestra | Bessarabier Chosid'l | 1923 | 2:30:50 (Pop-up) | |||||||
Joe Feldman | Vi zwee bin ikh a driter | 1922 | וואו צוויי בין איך א דריטער | 2:33:55 (Pop-up) | ||||||
Naftule Brandwein Orchestra | Doina | 1923 | 2:36:52 (Pop-up) | |||||||
Mishka Tsiganoff | Grichisher Tantz (Greek Dance) | 1929 | 2:43:21 (Pop-up) | |||||||
Irma Yaunzem | Teshchenka | 1928 | Ирма Яунзем / Тещенка (Shviger) | 2:46:27 (Pop-up) | ||||||
Music behind DJ: Haller-Revue-Jazz Orchester |
Komm Ins Grüne, Karoline |
1927 |
2:49:08 (Pop-up) |
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Pierre-Octave Ferroud (6 January 1900 – 17 August 1936) |
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Orchestre National de Lyon, Emmanuel Krivine | Pierre-Octave Ferroud: Foules | Ferroud : Symphonie en La, Types, Foules, Serenade | 1998 | (1922-1924) | 2:56:02 (Pop-up) | |||||
Württemberg Philharmonic Orchestra, Patrick Davin | Pierre-Octave Ferroud: Serenade | Ferroud: Orchestral Works | 2009 | I. Berceuse / II. Pavane / III. Spiritual (1927) | 3:06:59 (Pop-up) | |||||
Music behind DJ: Clarence Williams' Blue Five |
Texas Moaner Blues |
1924 |
3:15:59 (Pop-up) |
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Dranem | Henri, pourquoi n'aimes tu pas les femmes | 1929 | 3:21:02 (Pop-up) | |||||||
Sophie Tucker with Miff Mole's Molers | I Ain't Got Nobody | 1927 | 3:23:51 (Pop-up) | |||||||
Lillie Delk Christian | Ain't She Sweet | 1927 | 3:26:17 (Pop-up) | |||||||
Lucille Hegamin and Her Blue Flame Syncopators | Wabash Blues | 1921 | 3:29:07 (Pop-up) | |||||||
Katherine Adkins | Individual Blues | 1926 | 3:32:20 (Pop-up) | |||||||
Bennie Moten's Kansas City Orchestra | 18th Street Strut | 1925 | 3:35:08 (Pop-up) | |||||||
Max Hansen | Gehst du mit nach Honolulu, geh ich auch nach Honolulu | 1928 | 3:38:06 (Pop-up) | |||||||
Jazz-Sinfonie-Orchester Efim Schachmeister | Ich steh mit Ruth gut | 1929 | 3:40:13 (Pop-up) | |||||||
Lloyd Scott & His Orchestra | Symphonic Scronch | 1927 | 3:42:55 (Pop-up) | |||||||
Duke Ellington and His Orchestra | East St. Louis Toodle-Oo | 1927 | 3:45:46 (Pop-up) | |||||||
Duke Ellington & His Kentucky Club Orchestra | Hop Head | 1927 | 3:49:21 (Pop-up) | |||||||
Music behind DJ: Duke Ellington |
Take the "A" Train |
1941/1962 |
3:52:16 (Pop-up) |
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Listener comments!
Yvang:
monkeyz:
Cmurtha:
Carmichael:
David Dichelle:
Phillippe Bastille:
Webhamster Henry:
Sem:
Webhamster Henry:
doctorjazz:
Carmichael:
Jan Turkenburg:
Phillippe Bastille:
David Dichelle:
Cmurtha:
Webhamster Henry:
Carmichael:
David Dichelle:
Carmichael:
Webhamster Henry:
While in Chicago, Youmans developed the idea into "a song that the hero could sing to the heroine" for the musical No, No, Nanette. He soon after played his composition for Irving Caesar and insisted he write the lyrics then and there. Caesar quickly jotted down a mock-up lyric, fully intending to revise it later on. Youmans, though, loved the mock-up and convinced Caesar it was just right for the melody.
Irving Caesar lived for a long time and I think was interviewed by WFMU DJ Dave The Spazz.
Webhamster Henry:
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chresti:
David Dichelle:
chresti:
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Listening Out There:
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Listening Out There:
Dean:
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Listening Out There:
Carmichael:
chris:
Sem:
chris:
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Jan Turkenburg:
David Dichelle:
Jan Turkenburg:
TDK60:
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TDK60:
chresti:
chresti:
chresti:
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βrian:
Yvang:
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βrian:
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fred:
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TDK60:
northguineahills:
David Dichelle:
northguineahills:
fred:
Phillippe Bastille:
Cmurtha:
Dean:
Webhamster Henry:
βrian:
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David Dichelle:
Stanley:
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dutchtheo:
David Dichelle:
Carmichael:
Phillippe Bastille:
David Dichelle:
dutchtheo:
David Dichelle:
Sem:
chris:
David Dichelle:
Carmichael:
David Dichelle:
fred:
doctorjazz:
David Dichelle:
David Dichelle:
doctorjazz:
βrian:
David Dichelle:
David Dichelle:
chresti:
βrian:
βrian:
David Dichelle:
doctorjazz:
βrian:
David Dichelle:
doctorjazz:
northguineahills:
βrian:
northguineahills:
βrian:
βrian:
Webhamster Henry:
chresti:
Brian, my son took to spicy food at a young age, too,
βrian:
Webhamster Henry:
David Dichelle:
Yvang:
Listening Out There:
Webhamster Henry:
wfmu.org...
monkeyz: