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DIY music for the spirit; bummer jams for happy people; terrestrial music for space travelers; punchy, post-punk jitters, synth drones for the mindful; fuzz-drenched, basement rock to sooth the soul...
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Artist | Track | Album | Label | Year | Format | Comments | New | Approx. start time |
---|---|---|---|---|---|---|---|---|
Massacre | Corridor/Lost Causes/Not The Person We Knew | Killing Time | Celluloid | 1981 | 0:00:00 (Pop-up) | |||
Metabolist | Curly Wall | Hansten Klork | Drömm Records | 1980 | 0:07:55 (Pop-up) | |||
Tachycardie | 1000 Fois bonjour depuis le vignemale (excerpt) | Probables | Unjenesaisquoi | 2019 | * | 0:16:29 (Pop-up) | ||
Nico | Win A Few | Behind the Iron Curtain | Dojo | 1986 | live from 1985 | 0:23:30 (Pop-up) | ||
Delphine Dora | Erklar Mir Liebe | Dunkles Zu Sagen | Fort Evil Fruit | 2019 | * | 0:32:50 (Pop-up) | ||
Music behind DJ: Illitch |
0:36:56 (Pop-up) |
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Inturist (Интурист) | О Чем Ты Мне Говорила Вчера | Economy | Nisha | 2019 | * | 0:42:01 (Pop-up) | ||
Vision 3D | Party | Vision 3D | Six Tonnes de Chair | 2019 | * | 0:48:50 (Pop-up) | ||
Battles | Ambulance | Juice B Crypts | Warp Records | 2019 | * | 0:50:54 (Pop-up) | ||
Ricardo Dias Gomes and Star Rover | Excuse Me | This Whole Emptiness | Timballo | 2019 | * | 0:55:00 (Pop-up) | ||
Parasites of the Western World | Flying | Parasites Of The Western World | Beatles cover from 1978 | 0:59:13 (Pop-up) | ||||
The Stars | 2000 Light Years From Home | DeathGuard Records | 1975 | 7" | Todd Tamanend Clark - Stones Cover | 1:02:26 (Pop-up) | ||
GR & Full-Blown Expansion | The Metal Spike | GR & Full-Blown Expansion | Lesdisque Blasphematoires Du Palatin | 2008 | 1:05:40 (Pop-up) | |||
Lightning Bolt | All Insane | Sonic Citadel | Thrill Jockey | 2019 | * | 1:09:20 (Pop-up) | ||
The Dead C | Bad Politics Baby | 1:14:16 (Pop-up) | ||||||
Music behind DJ: Ilitch |
1:16:37 (Pop-up) |
|||||||
Qa'a | Sang | Sang | Màgia Roja | 2013 | 1:22:56 (Pop-up) | |||
Jamael Dean | Akamara (remix) | Black Space Tapes | Stones Throw | 2019 | * | 1:29:07 (Pop-up) | ||
Sam Wilkes | Sivaya | Live On the Green | Leaving | 2019 | Alice Coltrane | * | 1:33:04 (Pop-up) | |
Olo Walicki/Jacek Proscisnki | Katorga | Llovage | Gusstaff Records | 2019 | * | 1:38:26 (Pop-up) | ||
Idea Fire Company | Is It Love? | The Light that Never Ceases to Fail | Feeding Tube | 2019 | * | 1:45:11 (Pop-up) | ||
Älgarnas Trädgård | Almond Raga | Delayed | Silence | 2001 | CD | previously unreleased 2nd LP circa 1974-75 | 1:50:11 (Pop-up) | |
Music behind DJ: Ilitch |
1:57:04 (Pop-up) |
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Victory Acres | Let's Just Lounge | 1988 | 2:03:32 (Pop-up) | |||||
Ultravox | I can't Stay Long | Systems of Romance | Island Records | 1978 | 2:06:45 (Pop-up) | |||
The Velvet Monkeys | World Of... | Future | Fountain of Youth | 1983 | 2:10:49 (Pop-up) | |||
Chandra | Day Without Success | Blue Stage Sessions | Third Man Records | 2019 | 7" | new Chandra recordings...live at Third Man | * | 2:15:26 (Pop-up) |
Easter and the Totem | Days After | The Sum Is Greater Than Its Parts | S-S Records | 2015 | orig 1986 | 2:20:51 (Pop-up) | ||
Caspar Brötzmann Massaker | Böhmen | Black Axis | 1989 | CD | 2:26:22 (Pop-up) | |||
Music behind DJ: Peter Michael Hamel |
2:35:01 (Pop-up) |
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Popul Vuh | Oh Wie Weit Ist Der Weg Hinauf | Letzte Tage - Letzte Nächte | 2:37:50 (Pop-up) | |||||
John Ellis | Photostadt | Babies In Jars single | Rat Race Records | 1979 | 7" | 2:43:09 (Pop-up) | ||
Electric Funeral | War Funeral Song | The Wild Performance | Guerssen Records | 2019 | Unreleased from 1970 | * | 2:46:27 (Pop-up) | |
Igra Staklenih Perli | Soft Explosion | Soft Explosion Live | Kalemegdan Disk | 1991 | Live at Belgrade University 1978 | 2:51:26 (Pop-up) |
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Listener comments!
ultradamno:
Scяaps:
Scяaps:
malherbo:
coelacanth∅))):
chris_in_space:
Scяaps:
Scяaps:
TomDash:
BH:
rw:
Scяaps:
rw:
Scяaps:
rw:
mariano:
TomDash:
rw:
Scяaps:
rw:
TomDash:
TomDash:
coelacanth∅))):
rw:
Coel, I was trying to remember what Frith I discovered from there. Could have been I bought the Guitar Solos LP. Those Eno records introduced me to SO MANY great artists back then!
Scяaps:
choggie:
coelacanth∅))):
i even learned about roxy music by Phil Manzanera by Brian Eno, working backward
choggie:
Scяaps:
Scяaps:
rw:
Frith and Fripp seem to get mixed up a lot! choggie, that sounds like a damn cool show.
rw:
choggie:
rw:
coelacanth∅))):
very different
coelacanth∅))):
...and Rodelius and Möbius.
coelacanth∅))):
Scяaps:
coelacanth∅))):
was that a hallucination?
mariano:
rw:
mariano:
coelacanth∅))):
mariano:
johnzo:
johnzo:
johnzo:
johnzo:
mariano:
TomDash:
mariano:
rw:
Scяaps:
rw:
coelacanth∅:
def known several x more people who didn't like the 'stones.
then again many people "don't like" things because they're not open to liking them.
- and yet others say they don't like something because they're so insecure that they're afraid they'll be considered part of "the masses" if they like the beatles...or the 'stones...
coelacanth∅:
johnzo:
johnzo:
coelacanth∅:
i don't even care what the rational is for that one!
johnzo:
mariano:
coelacanth∅:
i like the 'stones a lot...most of what they did up until the absurdly overrated exile on main st. then that album and goats head soup are good but not great. after that it gets very patchy.
mariano:
johnzo:
Scяaps:
johnzo:
johnzo:
mariano:
Thanks Tom - I actually found the album on YouTube from the info you gave me: www.youtube.com...
johnzo:
coelacanth∅:
i cannot be objective because that was my introduction to rock & roll at the age of 4-5 and our family sat around and sang along with the whole album on weekends.
i do know they were extraordinary though.
johnzo:
johnzo:
johnzo:
coelacanth∅:
mariano:
rw:
johnzo:
johnzo:
johnzo:
Scяaps:
johnzo:
johnzo:
mariano:
johnzo:
johnzo:
BH:
mariano:
johnzo:
coelacanth∅:
just very VERY highly hyped when i think it was a turn toward stale for the band.
the first record is mostly great. the 2nd one? eh. too much piano. too much overproduction and melodrama. that gospelly crap is crap. sorry! then they drag out that Robert Johnson song and don't even do anything with it. happy is good, not great. "sweet black angel" -patronizing, anyone?
etc.
it's like they had this amazing musician in the band who had so much to do with their best album,sticky fingers, and the 2's egos were like "oh no we don't need him we got this" but they'd already begun to dry up by then. they should've let Mick Taylor move in to a songwriting/arrangement role. (instead of ripping him off and not giving him songwriting credits)
johnzo:
Scяaps:
coelacanth∅:
rw:
johnzo:
BH:
coelacanth∅:
Geoff Emerick really deserves at least as much credit as Martin for all the innovations.
TomDash:
johnzo:
coelacanth∅:
mariano:
coelacanth∅:
rw:
rw:
Scяaps:
TomDash:
Scяaps:
rw:
mariano:
mariano:
coelacanth∅:
...and i'm amending my assessment! (and not assuming anyone cares!)
- all 5 songs on side 1 are great; then sweet virginia & torn and frayed from side 2; then turd on the run on side 3. that's about it for great songs on exile!
happy and all down the line are good. (not great)
mariano:
mariano:
mariano:
coelacanth∅:
she's from australia and claimed the beatles copied everything they did from others before them -many from australia. she made many mixtapes for me, which i still love. one is called "stuff to make you hate the beatles"
bands that she figured the beatles stole from.
...i think she 1) wanted to be contrary 2) was a bit nationalistic
johnzo:
rw:
rw:
Scяaps:
yolacrary.blogspot.com...
Scяaps:
coelacanth∅:
by most (all?) accounts by the band and others Emerick, once he came on board, was the one who came up with the solutions most of the time. John never knew technical stuff, but he knew what he wanted; so he'd say things like "i want to sound like i'm under water" or "...on a windy mountain" and Geoff would figure out how to get the sound. Geoff's the one who close-miced the strings on elenor rigby. Martin never would've done that because classical music was his main interest and his main job at emi, and close-micing strings would be like bowing an electric guitar.
but Martin got all the credit.
coelacanth∅:
fred:
mariano:
rw:
coelacanth∅:
rw:
rw:
coelacanth∅:
coelacanth∅:
fred:
mariano:
Scяaps:
TomDash:
Scяaps:
coelacanth∅:
coelacanth∅:
it wasn't satisfactory so he described what he wanted to Geoff and that's when his voice was run through a lesley speaker -which is how we got the sound we all know in that song.
mariano:
Scяaps:
Scяaps:
coelacanth∅:
but it's cool he was doing that.
...both he and George played lead guitar on tnk so they're both in the mix
Paul did play lead on taxman though. George's song but apparently he wasn't happy with anything he was coming up with and handed it to Paul!
- but then on old brown shoe (one of my faves) George plays all guitars AND bass -and listen to that bass!
coelacanth∅:
mariano:
coelacanth∅:
mariano:
TomDash:
mariano:
coelacanth∅:
fred:
coelacanth∅:
coelacanth∅:
coelacanth∅:
vyser:
https://drift-boss.io