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Tracks across a multilingual world, featuring this, that, and not infrequently the other
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Artist | Track | Album | Year | Comments | Approx. start time | |||||
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Continental Subway | Intro | |||||||||
Lisette Jambel & Jean-Pierre Dujay | Le petit chemin de fer | Les Chansons de Bob et Bobette | 1955 | 0:00:18 (Pop-up) | ||||||
The Steneboofs | Simigwado | 1974 | 0:02:50 (Pop-up) | |||||||
Guelewar | Cilss | Halleli N'Dakarou | 1982 | 0:07:24 (Pop-up) | ||||||
Music behind DJ: Los Holy's |
El Gran Chaparral / Show Me |
1967 |
0:16:32 (Pop-up) |
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Roud 26: The Cruel Brother / Three Maidens / The Rose and the Lily |
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Steeleye Span | Cruel Brother | Dodgy Bastards | 2016 | 0:24:11 (Pop-up) | ||||||
Eliza Carthy & Norma Waterson | The Rose and the Lily | Gift | 2010 | 0:31:57 (Pop-up) | ||||||
The Crucible | Three Maidens | Love & Money | 2008 | 0:38:09 (Pop-up) | ||||||
Archie Fisher | The Cruel Brother | The Man with a Rhyme | 1976 | 0:43:44 (Pop-up) | ||||||
Steeleye Span | Gulliver Gentle and Rosemary | Dodgy Bastards | 2016 | 0:49:17 (Pop-up) | ||||||
Music behind DJ: Los Robbin’s |
Copán Galel |
1968 |
0:53:58 (Pop-up) |
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Tomorrow | My White Bicycle | 1967 | 1:04:28 (Pop-up) | |||||||
The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 1:07:42 (Pop-up) | |||||||
Twink | Tiptoe on the Highest Hill | Think Pink | 1970 | 1:11:00 (Pop-up) | ||||||
Music behind DJ: Wolfgang Riechmann |
Himmelblau |
Wunderbar |
1978 |
1:16:13 (Pop-up) |
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Twink | Mexican Grass War | Think Pink | 1970 | 1:20:13 (Pop-up) | ||||||
The Pink Fairies | Say You Love Me | Never-Neverland | 1971 | 1:25:30 (Pop-up) | ||||||
The Rings | I Wanna Be Free | 1977 | 1:29:16 (Pop-up) | |||||||
Music behind DJ: Tartan Amoebas |
Reggaelypso |
Evolution |
1997 |
1:32:03 (Pop-up) |
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Mal Evans Memorial Band | Taksman | Help! De Beatles In Het Nederlands | 2007 | 1:34:48 (Pop-up) | ||||||
Asha Bhosle | Hamne Kabhi Socha Nahin | Jeevan Mukt | 1977 | Norwegian Wood | 1:37:39 (Pop-up) | |||||
Los Fabulosos Cadillacs | Strawberry Fields Forever | 1995 | 1:40:50 (Pop-up) | |||||||
Clifters | Fiilis | Pirun Kaunis Nainen | 1992 | Something | 1:44:53 (Pop-up) | |||||
Eero Raittinen | Viidakko-Jim | 1969 | The Continuing Story Of Bungalow Bill | 1:47:46 (Pop-up) | ||||||
Assagai | Hey Jude | Assagai | 1971 | 1:51:11 (Pop-up) | ||||||
Gerry Tenney & The Lost Tribe | Shvere togndike nakht | Heart Will Carry On | 1985 | A Hard Day's Night | 1:54:49 (Pop-up) | |||||
Music behind DJ: Max Greger & Orchester |
Soul Breeze |
1970 |
1:57:07 (Pop-up) |
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Noura Mint Seymali | Richa | Arbina | 2016 | 2:03:14 (Pop-up) | ||||||
T.K. Ramamoorthy | Udaya Ravu Chandrika | Fabulous Notes & Beats of the Indian Carnatic-Jazz | 1969 | 2:08:22 (Pop-up) | ||||||
Dieter Rumstig & Barbara Richter | Paul-Heinz Dittrich: Motet for Two Guitars & Electronic Sounds | Musik in der DDR Vol.3 | 1986/1995 | (Composed in 1980) | 2:13:33 (Pop-up) | |||||
Music behind DJ: Manière des Bohémiens |
Blue Drag |
Manière des Bohémiens |
2:27:33 (Pop-up) |
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Irving Fine (December 3, 1914 – August 23, 1962) |
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Ida Kavafian & Vivian Fine | Irving Fine: Sonata for Violin and Piano | Irving Fine: Chamber and Vocal Works | 1992 | I. Moderato; Allegro moderato, giusto / II. Lento con moto / III. Vivo (1946) | 2:33:44 (Pop-up) | |||||
Gregg Smith Singers | Irving Fine: Three Choruses from Alice in Wonderland (first series) | Irving Fine: Chamber and Vocal Works | 1992 | I. The Lobster Quadrille / II. Lullaby of The Duchess / III. Father William (1953) | 2:54:41 (Pop-up) | |||||
Boston Modern Orchestra Project, Gil Rose | Irving Fine: Symphony | Irving Fine: Complete Orchestral Works | 2015 | I. Intrada / II. Capriccio / III. Ode (1962) | 3:04:07 (Pop-up) | |||||
Music behind DJ: Stewy von Wattenwyl |
Amsterdam After Dark |
Wabash |
2008 |
3:24:49 (Pop-up) |
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Jesus and Mary Chain | Darklands | Darklands | 1987 | 3:28:48 (Pop-up) | ||||||
Ton Steine Scherben | Durch die Wüste | Wenn die Nacht am tiefsten... | 1975 | 3:34:06 (Pop-up) | ||||||
The Pink Fairies | Tomorrow Never Knows (Live in Finland 1971) | Finland Freakout 1971 | 1971 | 3:38:38 (Pop-up) | ||||||
Ensemble Micrologus - Daniele Sepe und Rote Jazz Fraktion | Norwegiae lignum | Kronomakia | 2008 | 3:44:47 (Pop-up) | ||||||
Pepe Willberg | Ovensuu | Sinulle | 1976 | The Long and Winding Road | 3:51:03 (Pop-up) | |||||
Music behind DJ: Duke Ellington |
Take the "A" Train |
1941/1962 |
3:54:12 (Pop-up) |
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Listener comments!
Martinibomb:
βrian:
Yvang:
Phillippe Bastille:
Listening Out There:
Yvang:
Wolfgang:
greetings from West Germany...
Stork
Carmichael:
David Dichelle:
Carmichael:
David Dichelle:
Carmichael:
doctorjazz:
Hi!
David Dichelle:
Stanley:
And hello.
David Dichelle:
Cmurtha:
David Dichelle:
Stanley:
Have you seen it David?
coelacanth∅:
Sem:
spodiodi:
Webhamster Henry:
coelacanth∅:
that windmill is beautiful!
(the background is depressing though -needs some digital meddling)
βrian:
coelacanth∅:
...could be i suppose
Stanley:
'According to the Census of India of 2001, India has 122 major languages and 1599 other languages.'
Sem:
Greets, cool cat.
David Dichelle:
Webhamster Henry:
Stanley:
David Dichelle:
coelacanth∅:
&
external-content.duckduckgo.com...
& external-content.duckduckgo.com...
& external-content.duckduckgo.com...
David Dichelle:
coelacanth∅:
but upon closer look i think they just used the same design in that area.
they're all supposedly in the saxony area.
David Dichelle:
chresti:
David Dichelle:
coelacanth∅:
David Dichelle:
.
Jan Turkenburg:
David Dichelle:
βrian:
fred:
How nice to be able to take a subway. I'll sure miss that when the big transit strike starts on Thursday
David Dichelle:
fred:
coelacanth∅:
βrian:
Gary via app:
Stanley:
Martinibomb:
βrian:
Jan Turkenburg:
βrian:
Jan Turkenburg:
David Dichelle:
David Dichelle:
βrian:
Stanley:
David Dichelle:
coelacanth∅:
Sem:
Well, The Nickle Boys was neither an allegory nor a polemic, not a whimper nor a bang. Workman-like. Not a Capotesque non-fiction novel. Solidly told, but a true story w/ that kind of visceral detail has a power a writer needn't embellish. In sum, glad I read it in order to compare and contrast with the rest of Whitehead's work.
What else have you read lately?
Stanley:
Same for David Bowie a year earlier (believe it or not)
coelacanth∅:
Stanley:
Stanley:
Copies of Oz magazine went round, too.
It all came to an end, though.
fred:
Cmurtha:
Webhamster Henry:
Stanley:
coelacanth∅:
to be honest i couldn't take it and turned away!
so far today we've got 2 of George's and of 2 John's.
David Dichelle:
Sem:
Have a first (and only) edition of his collected letters. How he could turn out such brilliance in his usual besotted state is truly a miracle of human adaptability.
One man's opinion.
fred:
Sem:
David Dichelle:
coelacanth∅:
i still have to check the archive.
and some others - here comes the sun; come together...
i take it back there were some good John AND good Paul songs in there; i just didn't like the cheese treatment...but i may have left too soon
coelacanth∅:
(and i love Wilson Pickett's version, Duane Allman on guitar and arrangement)
coelacanth∅:
Stanley:
Sem:
David Dichelle:
Webhamster Henry:
David Dichelle:
Phillippe Bastille:
coelacanth∅:
Carmichael:
David Dichelle:
David Dichelle:
Sem:
David Dichelle:
Stanley:
Wake me when it's my stop.
Night all
David Dichelle:
WR:
Sem:
G'night, David, and all board.
I'll mind the gap.
David Dichelle:
David Dichelle:
fred:
fred:
David Dichelle:
northguineahills:
David Dichelle:
Webhamster Henry:
WR:
doctorjazz:
WR:
David Dichelle:
David Dichelle:
David Dichelle:
Cmurtha:
David Dichelle:
David Dichelle:
WR:
coelacanth∅:
WR:
Webhamster Henry:
doctorjazz:
David Dichelle: