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Three hours of adventurous jazz drawing on the Destination: Out archives and other planes of there.
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Artist | Track | Album | Label | Year | Comments | Approx. start time |
---|---|---|---|---|---|---|
The Roscoe Mitchell Art Ensemble | Tatas-Matoes | Congliptious | Nessa | 1968 | 0:00:00 (Pop-up) | |
Music behind DJ: Sun Ra |
The Perfect Man |
My Brother The Wind, Vol. I |
Saturn Research |
1970 |
0:02:06 (Pop-up) |
|
The Clarinets | No Pressure | No Pressure | Skirl Records | 2019 | 0:04:20 (Pop-up) | |
Alexey Kruglov & Anna Chekasina | New Blood | Metonymy | Fancymusic | 2018 | 0:12:59 (Pop-up) | |
Ingrid Laubrock & Aki Takase | Kasumi | Kasumi | Intakt Records | 2019 | 0:32:35 (Pop-up) | |
Ben Perowsky / John Medeski / Chris Speed | Love and the Apocalypse | Upstream | Ben Perowsky | 2019 | 0:35:04 (Pop-up) | |
Music behind DJ: Booker T. & The MGs |
Melting Pot |
0:41:34 (Pop-up) |
||||
Ka Safar | Pyramid | Pyramid | Ka Safar | 2019 | 0:47:40 (Pop-up) | |
Christoph Erb | For Canaries, Career Opportunities in the Mining Industry | ...Don't Buy Him a Parrot... | hatOLOGY | 2017 | 0:58:23 (Pop-up) | |
TOKK-Ensemble Tokyo | Music for Living Process | Music For Living Process / Strömung / Nucleus / Munari By Munari – Corona For Pianist | Victor | 1976 | (comp. Toshi Ichiyanagi) | 1:09:37 (Pop-up) |
Pat Thomas | Come Sunday | Plays Ellington | Otoroku | 2019 | 1:23:26 (Pop-up) | |
Music behind DJ: Mouse on Mars |
Fantastic Analysis |
1:29:30 (Pop-up) |
||||
Nate Wooley | Seven Storey Mountain V | Seven Storey Mountain V | Pleasure of the Text | 2016 | 1:35:35 (Pop-up) | |
Music behind DJ: Chaz Jankel |
To Woo Lady Kong |
2:24:42 (Pop-up) |
||||
Maximum Ernst with Daniel Carter | 16:21 | Live at Legion Hall | ever/never | 2019 | 2:30:25 (Pop-up) | |
Bushman's Revenge | No Time This Time | Never Mind the Botox | Rune Grammofon | 2012 | 2:45:06 (Pop-up) | |
Julianna Hatfield | Rehumanize Yourself | Juliana Hatfield Sings The Police | 2019 | 2:48:43 (Pop-up) | ||
Anna Zgambo | Tikuthutha | 2:51:58 (Pop-up) | ||||
The Mountain Goats | Letter from Belgium | We Shall All Be Healed | 2:56:05 (Pop-up) | |||
Music behind DJ: Dudu Pukwana & Spear |
Flute Music |
Flute Music |
Caroline |
1975 |
2:58:56 (Pop-up) |
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Listener comments!
ljfw on laptop:
Listener Gregory:
Scяaps:
i’m awake still — saturday, i mean — so cheers, Jeff, ev’ry body. lie down as usual, probably mostly not commenting. love d:o !
Jeff Golick:
holland oats:
Jeff Golick:
WR:
Jeff Golick:
ParUbi:
Andrew Waterloo:
Mayuko:
WR:
ParUbi:
Jeff Golick:
Wassup, @Andrew Waterloo!
@Mayuko!!!!!
ParUbi:
Jeff Golick:
hyde:
Jeff Golick:
ParUbi:
Jeff Golick:
Jeff Golick:
ParUbi:
ParUbi:
Doug Schulkind:
Jeff Golick:
Jeff Golick:
App ParUbi:
duke:
WR:
holland oats:
Sem:
WR:
Scяaps:
Jeff Golick:
Hello, @Sem!
Jeff Golick:
Jeff Golick:
Scяaps:
ParUbi:
ParUbi:
ParUbi:
Scяaps:
ParUbi:
Jeff Golick:
Scяaps:
Stanley:
Dig.
And hello everyone
Jeff Golick:
Scяaps:
Brian in UK:
Jeff Golick:
App ParUbi:
Listener Gregory:
Jeff Golick:
Jeff Golick:
Jeff Golick:
hyde:
doctorjazz:
Jeff Golick:
Listener Gregory:
fleep:
Jeff Golick:
doctorjazz:
Jeff Golick:
doctorjazz:
Wolfgang on the Stork:
Listener Gregory:
Jeff Golick:
Jeff Golick:
Go easy on the back, @LG.
doctorjazz:
Going to see Petra Haden/Bill Frisell tonight, looking forward to it.
Jeff Golick:
Mayuko:
Jeff Golick:
Phillippe Bastille:
fleep:
Phillippe Bastille:
Jeff Golick:
Jeff Golick:
Jeff Golick:
doctorjazz:
Jeff Golick:
holland oats:
Jeff Golick:
Reading from last night's program: the first two iterations of SSM were for trio, plus tape piece. It's expanded considerably from there, though each version includes "a recording of Wooley's domestic environment--initially his air conditioner and refrigerator" and also has Wooley reading excerpts from writers like Herman Melville, Jim Harrison, and Wallace Stevens though his amplified trumpet."
doctorjazz:
Allison Moorer Boom Chik Boom
Is playing in NYC (I think at Birdland) early next year ,(I think February). Got tix already.
Listener Gregory:
WR:
hyde:
Jeff Golick:
doctorjazz:
WR:
Jeff Golick:
WR:
Jeff Golick:
Jeff Golick:
Jeff Golick:
northguineahills:
doctorjazz:
Jeff Golick:
Revolution Rabbit Nov63:
...let that boy make Free Noize
...cuz it in him - & it gotta come out...
Revolution Rabbit Nov63:
WR:
Jeff Golick:
Revolution Rabbit Nov63:
Scяaps:
Jeff Golick:
ParUbi:
Listener Gregory:
I like the music a lot, too.
Revolution Rabbit Nov63:
Scяaps:
ParUbi:
fleep:
Doug Schulkind:
The reason I mention this is Wholey is actually pronounced Wooley. As in, Nate Wooley.
Yep. That's why I mentioned it.
Listener Gregory:
davefromtoronto:
northguineahills:
Jeff Golick:
Hi, @davefromtoronto!
Listener Gregory:
Scяaps:
davefromtoronto:
ParUbi:
Jeff Golick:
Doug Schulkind:
It was surreal and ecstatic. The show was hardly publicized. A quarter of the maybe 40 people in the crowd was just sitting there eating their fried halibut sandwiches, having no clue what was going on. (I can only speculate that) Rzewski must have appreciated the deeply proletarian setting. (The next day, he performed in a grand concert hall.)
WR:
hyde:
coelacanth∅))):
Doug Schulkind:
I often hear about some great shows from another FMU/Drummer Stream fan who lives in Pittsburgh and has better anttenae than me. He's the one who tipped me off to the Rzewski performance.
Listener Gregory:
Jeff Golick:
@WR: I'm sure you're right. It wasn't religious in any specific sense, but I still found it a prayerful, powerful experience.
coelacanth∅))):
ParUbi:
Jeff Golick:
Here's the password: wfmu.org...
coelacanth∅))):
WR:
Jeff Golick:
coelacanth∅))):
well, yes i might choose a different fish in my sandwich.
...boy am i hungry.
ParUbi:
Listener Gregory:
Jeff Golick:
Listener Gregory:
coelacanth∅))):
doctorjazz:
ParUbi:
ParUbi:
doctorjazz:
hyde:
Listener Gregory:
ParUbi:
coelacanth∅))):
fleep:
ParUbi:
Listener Gregory:
WR:
ParUbi:
Jeff Golick: