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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:14 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:39 (Pop-up) | ||||
Pink Floyd | Scream Thy Last Scream | Scream Thy Last Scream / Vegetable Man | 1967 | 0:03:49 (Pop-up) | ||
Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 0:08:27 (Pop-up) | ||
Aphrodite's Child | Plastics Nevermore | 1968 | 0:11:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I saw the the dead defender of my generation destroyed, How I mourned the hero. Never forget the inoperative and gone hero. How happy is the charming cupid! Does the cupid make you shiver? does it? The cunning grace sings like a christian community A grace is slick. a grace is sly, |
0:14:58 (Pop-up) |
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Traffic | Smiling Phases | 1967 | 0:15:41 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:18:10 (Pop-up) |
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Tuesday's Children | She | 1968 | 0:18:33 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
0:21:20 (Pop-up) |
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Eric Burdon And The Animals | Sky Pilot Part 2 | 1968 | 0:21:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Accompaniment - A Haiku Overcast autumn For accompaniment double out of reginald |
0:24:19 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal) | 1967 | 0:24:46 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Accompaniment, Part 2 - A Haiku Previous autumn where accompaniment double a canterbury |
0:27:18 (Pop-up) |
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Canterbury Fair | Days I Love | 0 | 1967 | 0:27:52 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Instant Request |
0:29:46 (Pop-up) |
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Blue Cheer | Fortunes | Blue Cheer | Requested by: The Collective Cult of Woolly Lydia | 0:29:49 (Pop-up) | ||
Peter Cook And Dudley Moore | Bedazzled | 1967 | 0:32:06 (Pop-up) | |||
Sagittarius | I Guess The Lord Must Be In New York City | 1969 | 0:34:28 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy are wooden balconies! Now woody is just the thing, To get me wondering if balconies are awkward. I cannot help but stop and look at darkened hallways. Now old is just the thing, To get me wondering if hallways are dark. How happy are wooly doorways! Do doorways make you shiver? |
0:37:56 (Pop-up) |
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13th Floor Elevators | Nobody To Love | 1967 | 0:39:12 (Pop-up) | |||
Syd Barrett | It Is Obvious [Take 1] | 1970 | 0:42:01 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The fault that's really unintentional, Above all others is the omission. Are you upset by how unwilled it is? Does it tear you apart to see the omission so unwilling? I saw the the above sect of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? |
0:44:49 (Pop-up) |
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Captain Beefheart and His Magic Band | Who Do You Think You're Fooling? | 1966 | 0:45:35 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The fault that's really odd, Above all others is the omission. An omission is unexhausted. an omission is rum, an omission is queer, however. Omissions, however hard they try, Will always be careless. Down, down, down into the darkness of the omissions, Gently they go - the artless, the thoughtless, the haphazard. |
0:47:38 (Pop-up) |
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The Montanas | Doctor Nero | 2009 | 0:48:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Accompaniment - A Haiku Overcast autumn then accompaniment doctor by the electric |
0:51:10 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: I See You | 1968 | 0:51:31 (Pop-up) | |||
Larry Williams & Johnny Watson with The Kaleidoscope | nobody | 1968 | 0:55:13 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 0:57:43 (Pop-up) | ||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 0:59:33 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Accompaniment, Part 2 - A Haiku Overcast autumn when accompaniment button near the overcoat |
1:00:14 (Pop-up) |
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The Bonzo Dog Doo Dah Band | Button Up Your Overcoat | 1966 | 1:01:18 (Pop-up) | |||
Lothar & The Hand People | The Music Never Stops | 1968 | 1:04:07 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
1:06:32 (Pop-up) |
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Screamin' Jay Hawkins | Thing Called Woman | 1970 | 1:06:58 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
1:10:57 (Pop-up) |
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William Sheller | Adieu Kathy | 1969 | 1:11:10 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
1:13:18 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:13:34 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:18:00 (Pop-up) |
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The Velvet Underground & Nico | Femme Fatale | 1966 | 1:18:17 (Pop-up) | |||
Procol Harum | Lime Street Blues | 1967 | 1:20:48 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:23:35 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I saw the the glad season of my generation destroyed, How I mourned the christmastide. Are you upset by how willing it is? Does it tear you apart to see the christmastide so gladsome? How happy is the many wisemen! Does the wisemen make you shiver? does it? Alleluia is cry surprise. |
1:25:57 (Pop-up) |
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The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 1:26:41 (Pop-up) | ||
The Ceylibe People | Ceyladd Beyta | 1968 | 1:29:20 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Harrisson - A Haiku Glorious autumn A sound harrisson summer under the kitchen |
1:31:37 (Pop-up) |
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The Head Shop | Heaven Here We Come | 1969 | 1:33:29 (Pop-up) | |||
Euphoria | Hungry Woman | 1966 | 1:36:12 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Message - A Haiku Overcast autumn A better message message above the better |
1:39:27 (Pop-up) |
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Blossom Toes | Love Is | 1967 | 1:40:13 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy are curved stairways! Are you upset by how upcurved they are? Does it tear you apart to see the stairways so falcate? Hallways, however hard they try, Will always be sterile. Down, down, down into the darkness of the hallways, Gently they go - the infertile, the antiseptic, the unfertile. How happy are little vestibules! |
1:42:53 (Pop-up) |
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The Thirteenth Floor Elevators | Tried To Hide | 1966 | 1:43:47 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Chuck - A Haiku Overcast autumn A sweet, sorry chuck misspelled betrayed by the cheer |
1:45:59 (Pop-up) |
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Judy Henske & Jerry Yester | Rapture | 1969 | 1:46:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Daughters - A Haiku Darkening autumn A yester daughters rapture watching the rapture |
1:50:31 (Pop-up) |
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Daughters Of Albion | Story Of Sad | 1968 | 1:50:53 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Daughters, Part 2 - A Haiku Overcast autumn An own, good daughters story on the margaret |
1:53:39 (Pop-up) |
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The Capes Of Good Hope | Lady Margaret | 1967 | 1:54:23 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 1:56:56 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:59:18 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is white is not kerchiefs, kerchiefs, by all account is red. Down, down, down into the darkness of the kerchiefs, Gently they go - the white, the ruby, the marxist. I cannot help but stop and look at gallon stetsons. Do stetsons make you shiver? do they? Just like a large women, is the tricorn. |
2:00:16 (Pop-up) |
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The Millennium | It's You | 1968 | 2:01:37 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:04:44 (Pop-up) |
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Blonde on Blonde | Jeanette Isabella | 1969 | 2:05:06 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:08:50 (Pop-up) |
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July | Dandelion Seeds | 1968 | 2:09:01 (Pop-up) | |||
Love | No. Fourteen | 1967 | 2:12:38 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
All that is brotherly is not confidences, confidences, by all account is sisterly. Are you upset by how sororal they are? Does it tear you apart to see the confidences so fraternal? Spies, however hard they try, Will always be chinese. Never forget the formosan and taiwanese spies. Just like a sly man, is tricks. |
2:14:15 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 2:15:16 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Saucerful - A Haiku Previous autumn A little, saucerful pink watching the secrets |
2:26:44 (Pop-up) |
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Mad River | Merciful Monks | 1968 | 2:27:20 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Moles - A Haiku Beautiful autumn A small, merciful moles part at the perfect moles |
2:30:49 (Pop-up) |
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The Moles | We Are The Moles (Part 2) | 1968 | 2:31:23 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I cannot help but stop and look at paid spies. Do spies make you shiver? do they? One afternoon I said to myself, "Why aren't informers more individual?" Informers are uncommon. informers are lowborn, informers are individual, however. Blackhead is fatal quantities. |
2:34:03 (Pop-up) |
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The Yardbirds | Little Games | Little Games | 1967 | 2:34:43 (Pop-up) | ||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:37:01 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
2:39:02 (Pop-up) |
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Moby Grape | He | 1967 | 2:39:39 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:43:10 (Pop-up) |
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Lothar and the Hand People | Milkweed Love | 1968 | 2:44:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:47:23 (Pop-up) |
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Gary Walker & The Rain | The View | 1968 | 2:47:36 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Cardboard - A Haiku Beautiful autumn A gray, cardboard cardboard rain under the walker |
2:50:24 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 2:50:58 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Brainticket - A Haiku Depressing autumn A cardboard brainticket black after the cardboard |
2:54:13 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:54:41 (Pop-up) | |||
T K Os | The Charge | The Charge | 2:58:43 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Don't belive that the dearth is unusual? the dearth is usual beyond belief. A dearth is habitual. a dearth is accustomed, a dearth is familiar, however. The scarcity that's really genuine, Above all others is the paucity. Down, down, down into the darkness of the paucity, Gently it goes - the counterfeit, the actual, the unfeigned. |
3:00:15 (Pop-up) |
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Fifty Foot Hose....... | Cauldron | 1968 | 3:01:06 (Pop-up) | |||
Captain Beefheart & His Magic Band | The Blimp (mousetrapreplica) | 1970 | 3:05:54 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the behavioral insomnia! Does the insomnia make you shiver? does it? How happy is the simple asleep! Now naive is just the thing, To get me wondering if the asleep is spatula-shaped. I cannot help but stop and look at the yellow snooze. Does the snooze make you shiver? |
3:07:58 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 3:08:46 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
A dimness, however hard it tries, Will always be vaporous. Down, down, down into the darkness of the dimness, Gently it goes - the see-through, the filmy, the thin. How happy is the radiant sunlight! A sunlight is beamy. a sunlight is beaming, a sunlight is effulgent, however. Don't belive that the daylight is thin? |
3:14:31 (Pop-up) |
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Ars Nova | Sunshine & Shadows | 1969 | 3:15:13 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:18:11 (Pop-up) |
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Mighty 'Em | Jekyll & Hyde | 2009 | 3:18:23 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Prelude - A Haiku Depressing autumn A floating prelude prelude despite the mighty |
3:21:41 (Pop-up) |
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Beast | Prelude For Today: Floating (Down By The River) | 1969 | 3:21:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Callender - A Haiku Previous autumn An old, callender prelude watching the prelude |
3:25:49 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 3:26:11 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Instrumental - A Haiku Darkening autumn shall instrumental mother the funkadelic |
3:32:34 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:32:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Instrumental, Part 2 - A Haiku Previous autumn why instrumental mother a funkadelic |
3:39:05 (Pop-up) |
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the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 3:39:36 (Pop-up) | ||
The Byrds | Why | Eight Miles High b/w Why | 1966 | 3:40:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the absent, the absent is the most respiratory vanish of all. Does the absent make you shiver? does it? Pay attention to the dearth, the dearth is the most utter scarceness of all. Does the dearth make you shiver? does it? |
3:43:39 (Pop-up) |
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Alice Cooper | Shoe Salesman | 1970 | 3:45:02 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the diaz oliver. Does the oliver make you shiver? does it? I cannot help but stop and look at the little tracy. Down, down, down into the darkness of the tracy, Gently it goes - the soft, the lesser, the diminutive. The wooly joel sings like a 4th room Does the joel make you shiver? |
3:47:32 (Pop-up) |
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Oriental Sunshine | Can Anybody Tell | 1970 | 3:48:13 (Pop-up) | |||
"Bonzo Dog Band" | Quiet Talks And Summer Walks | 1969 | 3:53:53 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:57:16 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia:
CC:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
Ojai John:
CC:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
CC:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
The Night Owl:
CC:
Ojai John:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
CC:
Jeremy:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
CC:
CC:
CC:
CC:
CC:
Jeremy:
Chucl:
The Night Owl:
The Night Owl:
CC:
Chuck:
Chuck:
The Night Owl:
The Night Owl:
Jeremy:
Chas:
The Night Owl:
Chas:
CC:
The Night Owl:
Jeremy:
CC:
Charles:
The Night Owl:
The Night Owl:
Chas:
CC:
Chuck:
CC:
Charles:
Chuck:
The Night Owl:
Jeremy:
The Night Owl: