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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:25 (Pop-up) | ||||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:03:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
The On And Crystal Joyride Whose joyride is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his joyride a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:05:57 (Pop-up) |
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The Joyride | The Crystal Ship | 0 | 1967 | 0:06:57 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
The Crystal And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:09:18 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 0:10:06 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
The West And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:13:56 (Pop-up) |
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West Coast Branch | Where Is the Door? | 1967 | 0:14:45 (Pop-up) | |||
Alice Cooper | Titanic Overture | Pretties For You | 1969 | 0:17:22 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
An absent, however hard it tries, Will always be respiratory. Does the absent make you shiver? does it? The attendance that's really immediate, Above all others is the presence. Does the presence make you shiver? does it? |
0:18:31 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 0:19:14 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Encouragement - A Haiku Indian summer A strong, encouragement rock watching the greetings |
0:21:32 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 0:22:15 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the kan mitchell! Does the mitchell make you shiver? does it? hayes are not comparable! hayes are exceptionally all-time. Never forget the nonpareil and all-time hayes. I cannot help but stop and look at the zany joan. Down, down, down into the darkness of the joan, |
0:24:37 (Pop-up) |
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The Monkees | Star Collector | Pisces, Aquarius, Capricorn & Jones Ltd. [1995 Reissue] | 1967 | 0:25:19 (Pop-up) | ||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:29:37 (Pop-up) | |||
The Fun and Games | Close To Carmel | 1968 | 0:34:27 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
One afternoon I said to myself, "Why isn't the supergroup more specific?" A supergroup is universal. a supergroup is undiversified, a supergroup is imprecise, however. A rock, however hard it tries, Will always be sedimentary. Does the rock make you shiver? does it? |
0:36:58 (Pop-up) |
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The West Coast Pop Art Experimental Band | Transparent Day | 1967 | 0:38:59 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Instant Request |
0:41:11 (Pop-up) |
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The Jimi Hendrix Experience | Moon, Turn The Tides...gently gently away | 1968 | For: The Ayatolluh of Rock n' Rolluh | 0:41:15 (Pop-up) | ||
Popera Cosmic | Aurore Cosmic | 1969 | 0:50:02 (Pop-up) | |||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 0:57:18 (Pop-up) | |||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 0:59:40 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Canterbury - A Haiku Wicked summertime A mid, canterbury coast in spite of the coast |
1:00:04 (Pop-up) |
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Canterbury Fair | Days I Love | 0 | 1967 | 1:01:14 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Connection - A Haiku Glooming summertime A causal, connection love a canterbury |
1:03:08 (Pop-up) |
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Brother Love | Rotary Connection | The Listening Post | 1:03:28 (Pop-up) | |||
The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 1:04:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Merchandise - A Haiku Darkness summertime An english, merchandise worth near the connection |
1:07:23 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 1:09:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The Through And Colored Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:12:12 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Afternoon: Forever Afternoon (Tuesday?) : Time to get away | 1967 | 1:13:11 (Pop-up) | |||
lee hazlewood | You Look Like A Lady | 1972 | 1:21:29 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Brotherhood - A Haiku Previous summer A cosmic brotherhood knight near the orchestra |
1:23:33 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 1:24:06 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Brotherhood, Part 2 - A Haiku Darkness summertime A holy, brotherhood love above the sunshine |
1:26:46 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:27:29 (Pop-up) | ||
The 5th Dimension | California My Way | 1967 | 1:32:08 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
America - A Haiku Indian summer A white, america love under the ramsey |
1:34:53 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:35:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
A suzy, however hard it tries, Will always be old. Never forget the moth-eaten and grey-haired suzy. The maxine is not young! the maxine is exceptionally aged. Now rusty is just the thing, To get me wondering if the maxine is aged. Just like wert 1970s, is the messer. |
1:38:52 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 1:39:31 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
The paucity is not uncharacteristic of! the paucity is exceptionally uncharacteristic of. Down, down, down into the darkness of the paucity, Gently it goes - the diagnostic, the uncharacteristic of, the uncharacteristic. How happy is the usual lack! Does the lack make you shiver? does it? The big inability sings like an obvious increase |
1:42:18 (Pop-up) |
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Cruciferius! | A Nice Way Of Life | 1970 | 1:43:19 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the subsequent inability! Does the inability make you shiver? does it? An unavailability, however hard it tries, Will always be consequent. Does the unavailability make you shiver? does it? Lack is conspicuous day. |
1:45:53 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:46:27 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Sullivan - A Haiku Gloomy summertime A poor, sullivan silver out of tallyman |
1:48:59 (Pop-up) |
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Silver Apples | I Have Known Love | 1969 | 1:49:36 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Finding - A Haiku Early summertime A silver finding silver into the apples |
1:53:22 (Pop-up) |
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Hat & Tie | Finding It Rough | Hat (2) | 1967 | 1:53:46 (Pop-up) | ||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 1:56:28 (Pop-up) | ||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:58:22 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The Pink And Rough Finding Whose finding is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her finding a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:04 (Pop-up) |
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Pink Floyd | Arnold Layne | Arnold Layne b/w Candy And A Currant Bun | 1967 | 2:01:13 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Brainticket - A Haiku Depressing summer before black brainticket black into the arnold |
2:04:04 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:04:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Brainticket, Part 2 - A Haiku Gloomy summertime before black brainticket black the funkadelic |
2:08:48 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 2:09:10 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
The Crazy And Brown Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:14:18 (Pop-up) |
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The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 2:15:12 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Brown And Sensational Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:18:28 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | The Bat Cave | 1966 | 2:19:18 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
clarinets are not nonclassical! clarinets are exceptionally greco-roman. Never forget the hellenic and greco-roman clarinets. Why would you think the percussion is soft? the percussion is the most loud detonation of all. Never forget the fortemente and deafening percussion. Banjos are few wine. few wine are banjos. |
2:22:03 (Pop-up) |
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Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 2:22:47 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy is the basic revised! Now first is just the thing, To get me wondering if the revised is essential. I cannot help but stop and look at the five forgotten. Never forget the 5 and cardinal forgotten. yellow prefaces sings like laudatory years Never forget the lily-livered and chromatic prefaces. Refresh until you're happy with your poem. |
2:25:57 (Pop-up) |
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The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 2:26:40 (Pop-up) | ||
Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 2:29:12 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the enough left. Does the left make you shiver? does it? I cannot help but stop and look at conspicuous omissions. Now bold is just the thing, To get me wondering if omissions are unconcealed. When I think of the absent, I see a more cost. Are you upset by how elephantine it is? |
2:31:38 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:32:42 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Why would you think the bitterness is sour? the bitterness is the most sweet gustatory sensation of all. Are you upset by how honeyed it is? Does it tear you apart to see the bitterness so mellisonant? I cannot help but stop and look at paranoid anxieties. Do anxieties make you shiver? do they? Why would you think the grief is small? |
2:38:45 (Pop-up) |
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Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 2:39:37 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Moods, however hard they try, Will always be romantic. Are you upset by how romanticistic they are? Does it tear you apart to see the moods so quixotic? I cannot help but stop and look at the affective tone. A tone is affectional. a tone is emotional, a tone is emotive, however. Don't belive that the belief is nonfat? |
2:42:20 (Pop-up) |
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The Byrds | Child Of The Universe | 1969 | 2:43:05 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy is the witty sydenham! Does the sydenham make you shiver? does it? The support column that's really fated, Above all others is the lally. A lally is certain. a lally is sure, a lally is doomed, however. How happy is the wooly milly! |
2:46:11 (Pop-up) |
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The Golden Dawn | My Time | 1967 | 2:46:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The time of day that's really nigh, Above all others is the midnight. A midnight is nearly. a midnight is close, a midnight is most, however. Don't belive that the sundown is true? the sundown is false beyond belief. Are you upset by how sour it is? Does it tear you apart to see the sundown so sham? |
2:50:46 (Pop-up) |
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Le Cirque | Land Of Oz | Land Of Oz / Ill Be Thinking Of You | 1967 | 2:51:28 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Invention - A Haiku Indian summer A mere, slick invention slick watching the mothers |
2:54:20 (Pop-up) |
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Grace Slick with The Mothers of invention | Would You Like a Snack | 1968 | 2:54:58 (Pop-up) | |||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 2:57:32 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 2:59:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Invention, Part 2 - A Haiku Previous summer A mere, slick invention slick into the beatles |
3:00:04 (Pop-up) |
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The Beatles | Baby, You're A Rich Man | 1967 | 3:00:46 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Country - A Haiku Previous summer An open, rich country man on the october |
3:03:43 (Pop-up) |
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The October Country | October Country | October Country | 1968 | 3:04:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:06:49 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:07:05 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Pretty And Burning Burning Whose burning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his burning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:11:16 (Pop-up) |
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Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 3:12:00 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Deviants - A Haiku Wicked summertime A non, deviants balloon watching the burning |
3:15:43 (Pop-up) |
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The Deviants | Child Of The Sky | 1967 | 3:16:10 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 3:20:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
One afternoon I said to myself, "Why isn't the forgotten more whole?" Does the forgotten make you shiver? does it? Pay attention to the absent, the absent is the most upper disappear of all. Never forget the superior and high absent. Been is poor resource. |
3:23:03 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 3:23:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the coral forgotten. Now colored is just the thing, To get me wondering if the forgotten is chromatic. A revised, however hard it tries, Will always be achievement. Revised, revised, every where, Yet not a drop to submit. Don't belive that omissions are big? |
3:27:07 (Pop-up) |
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Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | 3:27:48 (Pop-up) | ||
The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 3:32:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
3:34:52 (Pop-up) |
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Burt Ward | Boy Wonder I Love You | Boy Wonder I Love You b/w Orange Colored Sky | 1966 | 3:35:15 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:37:53 (Pop-up) |
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Kaleidoscope | Holiday Maker | Tangerine Dream | 1967 | 3:38:06 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:40:27 (Pop-up) |
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Kraftwerk | Stratovarius | 1970 | 3:40:40 (Pop-up) | |||
Simon Dupree And The Big Sound | Kites | Kites | 1967 | 3:52:44 (Pop-up) | ||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:56:20 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin eating an apple:
Jane Birkin eating an apple:
The Night Owl:
Jane Birkin eating an apple:
The Night Owl: