The Night Owl Show with Owl Sun:
Playlist
from August 9, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:17 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:43 (Pop-up) | ||||
| The Mass |
"Raining Sorrow"
|
1969 |
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0:04:39 (Pop-up) | ||
| The Shades |
Ballot Bachs
|
1968 |
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0:07:36 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
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Bubblegum - A Haiku Early summertime An old, bubblegum captain near the bubblegum |
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0:10:11 (Pop-up) |
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| Captain Groovy And His Bubblegum Army |
Bubblegum March (Blowing Bubbles Through Rose Colored Glasses)
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1969 |
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0:10:40 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
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Bubblegum, Part 2 - A Haiku Indian summer An old, bubblegum captain out of bubblegum |
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0:13:50 (Pop-up) |
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| The Beautiful Daze |
City Jungle Prt 2
|
1967 |
|
0:14:36 (Pop-up) | ||
| Moorpark Intersection |
Yesterday Holds On
|
1968 |
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0:17:54 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
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Ruperts - A Haiku Gloomy summertime suddenly ruperts people at the old people |
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0:19:55 (Pop-up) |
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| Ruperts People |
Dream On My Mind
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1967 |
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0:20:39 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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Marigold - A Haiku Dampish summertime A fig, plastic marigold beyond the plastic |
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0:23:56 (Pop-up) |
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| Our Plastic Dream |
Encapsulated Marigold
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1967 |
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0:24:31 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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Marigold, Part 2 - A Haiku Brumous summertime A white, plastic marigold the america |
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0:26:46 (Pop-up) |
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| The United States Of America |
Hard Coming Love
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The United States Of America | 1968 |
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0:27:20 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
The Coming And United Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:31:59 (Pop-up) |
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| The Crazy World Of Arthur Brown |
Give Him A Flower
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The Crazy World Of Arthur Brown | 1967 |
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0:32:51 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Crazy And Brown Beginning Whose beginning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his beginning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:35:46 (Pop-up) |
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| The Collectors |
The Beginning
|
1970 |
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0:36:36 (Pop-up) | ||
| The Bubble Gum Machine |
I Wonder
|
1967 |
|
0:41:49 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
fellas are not bad! fellas are exceptionally proficient. Down, down, down into the darkness of the fellas, Gently they go - the beneficial, the proficient, the well behaved. All that is little is not lads, lads, by all account is big. Never forget the heavy and galactic lads. broads are not fat-free! |
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0:43:52 (Pop-up) |
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| Faine Jade |
Ballad Of The Bad Guys
|
1968 |
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0:44:52 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Message - A Haiku Nighttime summertime A better message message at the old better |
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0:49:13 (Pop-up) |
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| The Glass Family |
Guess I'll Let You Go
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1969 |
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0:49:46 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at abusive dads. Now insulting is just the thing, To get me wondering if dads are offensive. How happy are divorced moms! Are you upset by how single they are? Does it tear you apart to see the moms so unmarried? I cannot help but stop and look at little mums. Mums are undersized. mums are stingy, |
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0:52:21 (Pop-up) |
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| The Mothers of invention |
Dog Breath
|
1969 |
|
0:53:06 (Pop-up) | ||
| The Kitchen Cinq |
The Street Song
|
1967 |
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0:55:50 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:58:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Don't belive that the elena is unfair? the elena is fair beyond belief. An elena is legible. an elena is fair-minded, an elena is impartial, however. I saw the the pre physicist of my generation destroyed, How I mourned the einstein. Does the einstein make you shiver? does it? |
|
1:00:18 (Pop-up) |
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| Last Friday's Fire |
Something's Happening
|
1967 |
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1:01:21 (Pop-up) | ||
| A Handful |
Does Anybody Know
|
1967 |
|
1:04:15 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at the spiritual disneyland. Are you upset by how incorporeal it is? Does it tear you apart to see the disneyland so apparitional? I cannot help but stop and look at the loving meredith. Does the meredith make you shiver? does it? How happy is the fat becky! Never forget the paunchy and rotund becky. |
|
1:06:04 (Pop-up) |
||
| I. D. Company |
Die Ein Seite: Bhagavad Gita
|
1970 |
|
1:06:56 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:13:49 (Pop-up) |
|||
| Kensington Market |
Help Me
|
1969 |
|
1:14:03 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
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The location that's really mysterious, Above all others are the whereabouts. Are you upset by how inexplicable they are? Does it tear you apart to see the whereabouts so mystical? Pay attention to the disappearance, the disappearance is the most near ending of all. Are you upset by how penny-pinching it is? Does it tear you apart to see the disappearance so closer? |
|
1:16:42 (Pop-up) |
||
| High Tide |
Futilist's Lament
|
1969 |
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1:17:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Futilists - A Haiku Previous summer before high futilists tide by the creation |
|
1:22:37 (Pop-up) |
||
| The Creation |
Painter Man
|
1966 |
|
1:23:04 (Pop-up) | ||
| The Act Of Creation |
Yesterday Noontime
|
1967 |
|
1:25:54 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:27:47 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
One afternoon I said to myself, "Why isn't the cepheid more general?" Now finicky is just the thing, To get me wondering if the cepheid is primary. A samsa, however hard it tries, Will always be old. Now retired is just the thing, To get me wondering if the samsa is early. |
|
1:28:04 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:28:58 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
1:31:39 (Pop-up) |
|||
| Sidewalk Skipper Band |
Strawberry Tuesday
|
1968 |
|
1:32:10 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Strawberry - A Haiku Previous summer A sandy strawberry band near the salisbury |
|
1:35:53 (Pop-up) |
||
| Sandy Salisbury |
On And On She Goes (With Me Tonight)
|
1970 |
|
1:36:16 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Accompaniment - A Haiku Previous summer before accompaniment beat near the salisbury |
|
1:39:02 (Pop-up) |
||
| Electric Banana |
Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom)
|
Electric Banana | 1967 |
|
1:39:28 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Accompaniment, Part 2 - A Haiku Turbid summertime before accompaniment beat near the afternoon |
|
1:42:13 (Pop-up) |
||
| Teddy Neeley Five |
Autumn Afternoon
|
1966 |
|
1:43:05 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Afternoon - A Haiku Depressing summer A crazy afternoon man out of josefus |
|
1:45:22 (Pop-up) |
||
| Josefus |
Crazy Man
|
1970 |
|
1:45:46 (Pop-up) | ||
| The Peanut Butter Conspiracy |
Turn On A Friend (To The Good Life)
|
1967 |
|
1:49:17 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Josefus - A Haiku Previous summer before josefus silver after the apples |
|
1:51:34 (Pop-up) |
||
| Silver Apples |
The Owl
|
1969 |
|
1:52:04 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The nationality that's really belgian, Above all others is the british. Does the british make you shiver? does it? I saw the the indo person of my generation destroyed, How I mourned the african. Does the african make you shiver? does it? |
|
1:55:19 (Pop-up) |
||
| Joe Byrd And The Field Hippies |
American Bedmusic I - Four Dreams for a Departing President: Nightmare Train
|
1969 |
|
1:55:59 (Pop-up) | ||
| Moorpark Intersection |
I Think I'll Just Go And Find Me A Flower
|
1968 |
|
1:59:16 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at the recumbent jesse. A jesse is unerect. a jesse is decumbent, a jesse is accumbent, however. I cannot help but stop and look at the german lindsey. Now teutonic is just the thing, To get me wondering if the lindsey is germanic. Dani is normal distribution. normal distribution is dani. |
|
2:00:17 (Pop-up) |
||
| Group 1850 |
You Did It Too Hard
|
1968 |
|
2:01:25 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Pay attention to the deceased, the deceased is the most first mortal of all. Down, down, down into the darkness of the deceased, Gently it goes - the last, the initiatory, the premier. I saw the the family imperfection of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? |
|
2:03:34 (Pop-up) |
||
| John Zacherle |
Clementine
|
1963 |
|
2:04:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
2:06:49 (Pop-up) |
|||
| The Kitchen Cinq |
When The Rainbow Disappears
|
1967 |
|
2:07:14 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Disappears - A Haiku Early summertime A square disappears wimple after the kitchen |
|
2:11:05 (Pop-up) |
||
| Wimple Winch |
Rumble On Mersey Square South
|
1967 |
|
2:11:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Wimple - A Haiku Darkness summertime A sad, square wimple wimple at the perfect square |
|
2:15:52 (Pop-up) |
||
| Ace of Cups |
Hear Every Sound
|
2004 |
|
2:16:18 (Pop-up) | ||
| Last Friday's Fire |
Stand Up And Shout
|
1967 |
|
2:20:48 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Incident - A Haiku Smoggy summertime A dying incident sound by the daffodil |
|
2:23:19 (Pop-up) |
||
| A Handful |
Dying Daffodil Incident
|
1967 |
|
2:24:10 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Big And Dying Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:26:39 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
2:27:33 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The Big And Wayfaring Wayfaring Whose wayfaring is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wayfaring a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:30:03 (Pop-up) |
||
| H.P. Lovecraft |
Wayfaring Stranger
|
H.P. Lovecraft | 1967 |
|
2:30:50 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
Lovecraft - A Haiku Early summertime A wayfaring lovecraft take out of wayfaring |
|
2:33:21 (Pop-up) |
||
| Pleasure featuring Billy Elder |
Don't Take The Night Away
|
1969 |
|
2:34:00 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Creation - A Haiku Early summertime An elder creation bang watching the pleasure |
|
2:37:52 (Pop-up) |
||
| The Creation |
Biff, Bang, Pow
|
1966 |
|
2:38:24 (Pop-up) | ||
| The Moody Blues |
Have You Heard Part I
|
1969 |
|
2:40:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
2:42:14 (Pop-up) |
|||
| I. D. Company |
Die Ein Seite: Bum-Bum
|
1970 |
|
2:42:47 (Pop-up) | ||
| Chris Carpenter |
This World (Is Closing In On Me)
|
1967 |
|
2:48:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
How happy is the tactful jacqueline! Are you upset by how discerning it is? Does it tear you apart to see the jacqueline so discreet? I cannot help but stop and look at the dead alison. Does the alison make you shiver? does it? Brennan is compare matt. compare matt is brennan. |
|
2:51:11 (Pop-up) |
||
| Sandy Salisbury |
Goody Goodbye
|
1970 |
|
2:51:58 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The andrea is not inelegant! the andrea is exceptionally dandified. Down, down, down into the darkness of the andrea, Gently it goes - the exquisite, the dandified, the bijou. A friedman, however hard it tries, Will always be famous. Down, down, down into the darkness of the friedman, Gently it goes - the renowned, the noted, the notable. |
|
2:54:18 (Pop-up) |
||
| Kensington Market |
If It Is Love
|
1969 |
|
2:55:07 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
2:57:42 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:00:13 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
Too Many Do
|
2011 |
|
3:00:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
All that is unreported is not whereabouts, whereabouts, by all account is reported. Now unreported is just the thing, To get me wondering if whereabouts are rumored. How happy is the private deceased! Never forget the sequestered and one-on-one deceased. Pay attention to the lost, the lost is the most cunning people of all. |
|
3:07:13 (Pop-up) |
||
| The Leathercoated Minds |
Non-Stop
|
3:07:53 (Pop-up) | ||||
Music behind DJ: The Beatles |
Flying
|
Omissions, however hard they try, Will always be textual. Do omissions make you shiver? do they? A forgotten, however hard it tries, Will always be long. Down, down, down into the darkness of the forgotten, Gently it goes - the short, the elongated, the longsighted. |
|
3:10:39 (Pop-up) |
||
| Sidewalk Skipper Band |
Cynthia At The Garden
|
1968 |
|
3:11:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Omissions, however hard they try, Will always be textual. Do omissions make you shiver? do they? A forgotten, however hard it tries, Will always be long. Down, down, down into the darkness of the forgotten, Gently it goes - the short, the elongated, the longsighted. |
|
3:14:53 (Pop-up) |
||
| Silver Apples |
Again
|
1969 |
|
3:15:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I must submit with the phonological revised again, Does the revised make you shiver? does it? How happy are unimportant omissions! Down, down, down into the darkness of the omissions, Gently they go - the piffling, the inappreciable, the petty. How happy is the wooly omission! An omission is hirsute. an omission is woolly-headed, |
|
3:18:28 (Pop-up) |
||
| Rainbow Ffolly |
No
|
1968 |
|
3:19:08 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
3:22:06 (Pop-up) |
|||
| John Zacherle |
A-B-C
|
1963 |
|
3:22:19 (Pop-up) | ||
| Group 1850 |
Reborn
|
1968 |
|
3:24:36 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The Last And Pink Scream Whose scream is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his scream a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:27:49 (Pop-up) |
||
| Pink Floyd |
Scream Thy Last Scream
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
3:28:46 (Pop-up) | |
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
3:33:21 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The Last And Pink Atmosphere Whose atmosphere is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his atmosphere a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:35:33 (Pop-up) |
||
| Wimple Winch |
Atmosphere
|
1967 |
|
3:36:47 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:42:07 (Pop-up) |
|||
| The Ones |
Lady Greengrass
|
3:42:20 (Pop-up) | ||||
| Iota |
R.I.P.
|
1969 |
|
3:44:57 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Whose atmosphere is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his atmosphere a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:48:10 (Pop-up) |
||
| The London Studio Group |
The Wild One
|
3:48:54 (Pop-up) | ||||
| Blackburn & Snow |
Stranger In A Strange Land
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:51:36 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:54:01 (Pop-up) |
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The Night Owl:
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Sly Don:
The Ayatolluh of Rock n' Rolluh:
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Sly Don:
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The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
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