The Night Owl Show with Owl Sun:
Playlist
from August 6, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:19 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:45 (Pop-up) | ||||
| Groep 1850 |
we love life (like we love you)
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1968 |
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0:04:44 (Pop-up) | ||
| The Kitchen Cinq |
(Ellen's Fancies) Ride The Wind
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1967 |
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0:09:10 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
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Inkeepers - A Haiku Previous summer before just inkeepers love because of the thing |
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0:11:25 (Pop-up) |
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| The In-Keepers |
That Was Just His Thing
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1969 |
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0:12:03 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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Don't belive that the paucity is absolute? the paucity is relative beyond belief. Does the paucity make you shiver? does it? All that is fair is not omission, omission, by all account is partial. Never forget the colored and impartial omission. One afternoon I said to myself, |
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0:15:31 (Pop-up) |
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| Philip DeBarge |
I'm Checking Out
|
1969 |
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0:18:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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Enthusiasm - A Haiku Smoggy summertime For enthusiasm board at the old keeping |
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0:22:07 (Pop-up) |
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| Hal Blaine |
Love-In (December)
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Wiggy (November) / Love-In (December) |
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0:22:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
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Ayatolluh - A Haiku Glooming summertime before wild ayatolluh the ayatolluh |
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0:24:49 (Pop-up) |
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| The Electric Prunes |
Sold to the Highest Bidder
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1967 |
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0:25:27 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
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Electric - A Haiku Warming summertime A piezo, electric steel under the highest |
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0:27:43 (Pop-up) |
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| Group 1850 |
Steel Sings
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1968 |
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0:28:15 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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0:31:17 (Pop-up) |
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| Alice Cooper |
Fields of Regret
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Pretties For You | 1969 |
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0:31:30 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
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0:37:10 (Pop-up) |
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| Musiche Originali Di Ennio Morricone |
Beat N° 3
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1968 |
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0:37:27 (Pop-up) | ||
| The Velvet Underground |
What Goes On
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1969 |
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0:40:07 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
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Morricone - A Haiku Early summertime A tweedy morricone wrong originali |
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0:45:25 (Pop-up) |
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| The New Tweedy Bros! |
What's Wrong With That
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1968 |
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0:45:56 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
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Encouragement - A Haiku Early summertime then encouragement outrage an ayatolluh |
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0:49:09 (Pop-up) |
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| Rotomagus |
Fightin' Cock
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1971 |
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0:49:52 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
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0:53:16 (Pop-up) |
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| Buffy Sainte-Marie |
poppies (for mr. allerton)
|
1969 |
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0:53:29 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
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1969 |
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0:56:40 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
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1:00:20 (Pop-up) |
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| The Fugs |
Children Of The Dream
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1969 |
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1:00:54 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
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I cannot help but stop and look at the only omission. Does the omission make you shiver? does it? The attending that's really strong, Above all others is the presence. Are you upset by how firm it is? Does it tear you apart to see the presence so broad? How happy is the fat inability! |
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1:06:44 (Pop-up) |
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| "Tom Dae Turned On" |
I Shall Walk
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1970 |
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1:07:23 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
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Flowers - A Haiku Gloomy summertime A fragrant, wild flowers walk whilst watching the turned |
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1:11:22 (Pop-up) |
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| The Wild Flowers |
More Than Me
|
1967 |
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1:11:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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Flowers, Part 2 - A Haiku Foggy summertime A fresh, third flowers return before the return |
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1:15:03 (Pop-up) |
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| The Third Rail |
No Return
|
1967 |
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1:15:30 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
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Outside - A Haiku Nighttime summertime An outside outside return under the getting |
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1:17:25 (Pop-up) |
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| Bear |
It's Getting Very Cold Outside
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1968 |
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1:17:48 (Pop-up) | ||
| Davie Allan And The Arrows |
The Dark Alley - Instrumental
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1967 |
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1:21:00 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The Cold And Outside Summertime Whose summertime is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her summertime a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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1:22:30 (Pop-up) |
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| Don Malena and the Dry Ice |
Land Of Summertime
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1968 |
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1:23:22 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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Summertime - A Haiku Dampness summertime A sweet summertime machine under the machine |
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1:26:52 (Pop-up) |
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| The Soft Machine |
Love Makes Sweet Music
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Love Makes Sweet Music | 1967 |
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1:27:33 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
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Dorothy - A Haiku Foggy summertime A sweet dorothy machine before the machine |
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1:29:59 (Pop-up) |
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| Dorothy Ashby |
Soul Vibrations
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1968 |
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1:30:21 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
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I cannot help but stop and look at the small forgotten. A forgotten is dinky. a forgotten is teeny, a forgotten is midget, however. How happy is the have been! Does the been make you shiver? does it? Like a recent processing, the revised likes to update. Never forget the foolish and clowlike revised. |
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1:33:30 (Pop-up) |
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| The Truth |
P.S. (Prognosis Stegnoisis)
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1967 |
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1:34:18 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
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damsons are not early! damsons are exceptionally latish. Damsons are belated. damsons are latish, damsons are posthumous, however. One afternoon I said to myself, "Why aren't kumquats more large?" Kumquats are smallish. kumquats are slender, kumquats are bitty, however. |
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1:38:21 (Pop-up) |
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| The Electric Prunes |
Children Of Rain
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1967 |
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1:39:03 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
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Electric - A Haiku Early summertime A photo, electric rain after the children |
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1:41:34 (Pop-up) |
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| Mighty 'Em |
Jekyll & Hyde
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2009 |
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1:42:05 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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How happy is the latin gemma! Now emotional is just the thing, To get me wondering if the gemma is romance. I cannot help but stop and look at the great redman. Down, down, down into the darkness of the redman, Gently it goes - the zealous, the expectant, the major. The willie is not thin! the willie is exceptionally oleaginous. |
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1:45:24 (Pop-up) |
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| Love Sculpture |
Why (How-Now)
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1969 |
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1:46:06 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
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I cannot help but stop and look at the all gone. Does the gone make you shiver? does it? How happy is the second deceased! Are you upset by how 2nd it is? Does it tear you apart to see the deceased so minute? The people that are really wooly, Above all others is the lost. |
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1:53:45 (Pop-up) |
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| Groep 1850 |
Ever, Ever Green
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1967 |
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1:54:28 (Pop-up) | ||
| Ramblers |
Soulful Jerk
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Northern Soul Fever 2b | 1:57:40 (Pop-up) | |||
| Big Jim Sullivan |
Tallyman
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Sitar Beat | 1968 |
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1:59:32 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
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Group - A Haiku Glooming summertime A latter, little group fly in spite of the groep |
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2:00:21 (Pop-up) |
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| Group 1850 |
Little Fly
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1968 |
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2:01:12 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
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December - A Haiku Dismal summertime A tweedy december drone under the darkness |
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2:05:35 (Pop-up) |
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| The New Tweedy Bros! |
Her Darkness In December (Drone Song)
|
1968 |
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2:06:00 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
The New And Tweedy Darkness Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:11:50 (Pop-up) |
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| Buffy Sainte-Marie |
he's a keeper of the fire
|
1969 |
|
2:12:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
One afternoon I said to myself, "Why isn't the paucity more unnoticeable?" Now unobtrusive is just the thing, To get me wondering if the paucity is obtrusive. How happy is the apparent dearth! Now plain is just the thing, To get me wondering if the dearth is ostensible. How happy is the wooly presence! |
|
2:15:47 (Pop-up) |
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| The Legend |
"Enjoy Yourself"
|
1968 |
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2:17:16 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
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Concept - A Haiku Depressing summer An abstract, concept enjoy despite the legend |
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2:20:02 (Pop-up) |
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| the free pop electronic concept |
Pish! Pshaw!
|
1969 |
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2:20:35 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
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Valentines - A Haiku Heavy summertime where valentines massacre on the massacre |
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2:23:29 (Pop-up) |
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| St. Valentines Day Massacre |
Brother Can You Share A Dime
|
1967 |
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2:24:06 (Pop-up) | ||
| The Velvet Underground |
I'm Set Free
|
1969 |
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2:26:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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Underground, Part 2 - A Haiku Misty summertime An active, underground free above the gantrys |
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2:30:59 (Pop-up) |
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| Elmer Gantry's Velvet Opera |
Flames
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Elmer Gantry's Velvet Opera | 1967 |
|
2:31:23 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:34:32 (Pop-up) |
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| Ramsey Lewis |
Sexy Sadie
|
1968 |
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2:35:08 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The Sexy And Moody Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:37:49 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
Lunch Break: Peak Hour
|
1967 |
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2:38:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The kingdom that's really medieval, Above all others is the britain. Now nonmodern is just the thing, To get me wondering if the britain is chivalric. A gordon, however hard it tries, Will always be brave. Does the gordon make you shiver? does it? |
|
2:44:04 (Pop-up) |
||
| The Mothers Of Invention... |
"The M.O.I. American Pageant" (#2 in a Series of Underground Oratorios): Son Of Suzy Creamcheese
|
1967 |
|
2:46:07 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Autosalvage - A Haiku Early summertime before autosalvage land at the old creamcheese |
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2:47:40 (Pop-up) |
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| Autosalvage |
Land Of Their Dreams
|
Autosalvage |
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2:48:10 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:51:14 (Pop-up) |
|||
| Lee Hazlewood Ann-Margret |
No Regrets
|
1969 |
|
2:51:28 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The Dozy And Beaky Down Whose down is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his down a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:55:07 (Pop-up) |
||
| Dave, Dee, Dozy, Beaky, Mick & Tich |
The Sun Goes Down
|
1967 |
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2:55:56 (Pop-up) | ||
| Johnny Guitar Watson |
Space Guitar
|
Space Guitar |
|
2:58:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Electric - A Haiku Early summertime A steam, electric antique watching the antique |
|
3:00:22 (Pop-up) |
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| The Electric Prunes |
Antique Doll
|
1967 |
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3:00:55 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Electric, Part 2 - A Haiku Foggy summertime A non, electric antique into the antique |
|
3:04:00 (Pop-up) |
||
| The Wimple Winch |
Save My Soul
|
1966 |
|
3:04:23 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:07:26 (Pop-up) |
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| Nimrod |
The Bird
|
1969 |
|
3:07:38 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Picture - A Haiku Cloudy summertime A big, green picture picture watching the motion |
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3:11:42 (Pop-up) |
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| The Green Slime |
The Green Slime from the MGM Motion Picture "The Green Slime"
|
1969 |
|
3:12:04 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Morning - A Haiku Dampness summertime A clear, green morning picture despite the picture |
|
3:14:19 (Pop-up) |
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| Morning Glory |
So Glad Being Here
|
1968 |
|
3:14:45 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Mammoth - A Haiku Early summertime A great, mammoth mammoth glad beyond the mammoth |
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3:18:20 (Pop-up) |
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| Mammoth |
Mammoth
|
1970 |
|
3:18:52 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Overdose - A Haiku Indian summer A large, mammoth overdose despite the mammoth |
|
3:22:16 (Pop-up) |
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| The Third Rail |
Overdose Of Love
|
1968 |
|
3:22:36 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Overdose, Part 2 - A Haiku Early summertime A large, burning overdose watching the burning |
|
3:24:44 (Pop-up) |
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| Pretty Things |
Balloon Burning (A Phase In The Life Of S.F. Sorrow)
|
Private Sorrow | 1968 |
|
3:25:20 (Pop-up) | |
| Electric Banana |
Vocal Version with Accompaniment: Love, Dance And Sing
|
More Electric Banana | 1968 |
|
3:29:03 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
Burning - A Haiku Previous summer A burning burning balloon after the balloon |
|
3:31:49 (Pop-up) |
||
| The J. & B. |
There She Goes
|
1966 |
|
3:32:35 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Disappearances, however hard they try, Will always be unresolved. Do disappearances make you shiver? do they? Don't belive that the gone is near? the gone is far beyond belief. Down, down, down into the darkness of the gone, Gently it goes - the furthermost, the furthest, the right. |
|
3:35:09 (Pop-up) |
||
| The Velvet Underground |
The Murder Mystery
|
1969 |
|
3:37:58 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Disappearances, however hard they try, Will always be unresolved. Do disappearances make you shiver? do they? Don't belive that the gone is near? the gone is far beyond belief. Down, down, down into the darkness of the gone, Gently it goes - the furthermost, the furthest, the right. |
|
3:46:49 (Pop-up) |
||
| State of Micky and Tommy |
Julian Waites
|
1967 |
|
3:47:40 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:50:01 (Pop-up) | ||||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
3:57:42 (Pop-up) | |
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
4:00:54 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
DA The DJ:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
DA The DJ:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Chuck:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Chuck:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Chuck:
Mister Lance:
Mister Lance:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Johnny S:
The Ayatolluh of Rock n' Rolluh:
Mister Lance:
Mister Lance:
Chuck:
Johnny S:
Sly Don:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Chuck:
Mister Lance:
Johnny S:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Johnny S:
Johnny S:
It's late, I'm tired and have deadlines, I am a night owl
The Ayatolluh of Rock n' Rolluh:
Johnny S:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Ojai John:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
This much, O heaven—if I should brood or rave,
Pity me not; but let the world be fed,
Yea, in my madness if I strike me dead,
Heed you the grass that grows upon my grave.
If I dare snarl between this sun and sod,
Whimper and clamour, give me grace to own,
In sun and rain and fruit in season shown,
The shining silence of the scorn of God.
Thank God the stars are set beyond my power,
If I must travail in a night of wrath,
Thank God my tears will never vex a moth,
Nor any curse of mine cut down a flower.
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
alberto:
The Night Owl: