The Night Owl Show with Owl Sun:
Playlist
from June 21, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | ||||
| Nirvana |
C Side of Ocho Rios
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| The Kaleidoscope |
Little Orphan Nannie
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1967 |
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Music behind DJ: Velvett Fogg |
Owed To The Dip
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The Pink And Little Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:05:41 (Pop-up) |
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| The Pink Floyd |
Paint Box
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1967 |
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0:06:26 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
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The tyson is not amateur! the tyson is exceptionally anti. Never forget the con and anti tyson. I cannot help but stop and look at old spinks. Spinks are young. spinks are overage, spinks are grey, however. I cannot help but stop and look at the fat stevenson. Are you upset by how gross it is? |
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0:10:05 (Pop-up) |
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| Eric Burdon And The Animals |
Sky Pilot Part 2
|
1968 |
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0:10:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
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Sagittarius - A Haiku Inclement springtime For new sagittarius out of animals |
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0:14:34 (Pop-up) |
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| Sagittarius |
I Guess The Lord Must Be In New York City
|
1969 |
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0:15:00 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
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Sagittarius, Part 2 - A Haiku Perpetual spring when sagittarius york after the prudence |
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0:17:29 (Pop-up) |
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| Ramsey Lewis |
Dear Prudence
|
1968 |
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0:17:54 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
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Prudence - A Haiku Beautiful springtime A human, pink prudence pink despite the ramsey |
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0:22:44 (Pop-up) |
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| Pink Floyd |
Julia Dream
|
1968 |
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0:23:10 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Connection - A Haiku Inclement springtime A causal, connection pink by the everyman |
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0:25:36 (Pop-up) |
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| the new Rotary Connection |
Song For Everyman
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1971 |
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0:26:05 (Pop-up) | ||
| George Harrison |
Ski-ing
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Wonderwall Music | 1968 |
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0:31:26 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
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0:33:15 (Pop-up) |
|||
| lee hazlewood |
Ten Or 11 Towns Ago
|
1972 |
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0:33:35 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
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0:36:03 (Pop-up) |
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| The United States Of America |
The American Metaphysical Circus
|
1968 |
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0:36:30 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Instant Request |
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0:41:20 (Pop-up) |
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| Montage |
I Shall Call Her Mary
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1969 | Requested by: The Ayatolluh of Rock n' Rolluh |
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0:41:23 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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0:44:35 (Pop-up) |
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| The Velvet Underground & Nico |
Femme Fatale
|
1966 |
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0:45:02 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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Underground - A Haiku Perpetual spring A dutch, underground magic out of explosive |
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0:47:34 (Pop-up) |
||
| Explosive |
Hey Presto, Magic Man
|
2009 |
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0:48:09 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
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Aphrodites - A Haiku Perpetual spring when aphrodites magic near the explosive |
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0:51:08 (Pop-up) |
||
| Aphrodite's Child |
Rain And Tears
|
1968 |
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0:51:29 (Pop-up) | ||
| The Beach Boys |
Wild Honey
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Wild Honey | 1968 |
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0:54:35 (Pop-up) | |
| Ramsey Lewis |
Uptight (Everything's Alright)
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Hang On Ramsey / Wade in the Water | 2002 |
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0:57:06 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
How happy is the dwelling fritillary! Does the fritillary make you shiver? does it? How happy is the bright venus! Down, down, down into the darkness of the venus, Gently it goes - the intelligent, the lurid, the blazing. How happy are little nymphs! Do nymphs make you shiver? |
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1:00:12 (Pop-up) |
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| Procol Harum |
Lime Street Blues
|
1967 |
|
1:01:15 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
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Pay attention to the omission, the omission is the most inadvertent neglect of all. Are you upset by how unintended it is? Does it tear you apart to see the omission so accidental? I cannot help but stop and look at the total absent. An absent is complete. an absent is overall, an absent is unconditioned, however. When I think of the neglected, I see loathsome diseases. |
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1:04:01 (Pop-up) |
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| William Sheller |
She Opened The Door
|
1970 |
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1:04:49 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
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1:07:42 (Pop-up) |
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| daughters of albion |
hey, you, wait, stay
|
1968 |
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1:07:54 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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Harrisson - A Haiku Eternal springtime before sound harrisson sound at the old monkees |
|
1:10:51 (Pop-up) |
||
| The Head Shop |
Heaven Here We Come
|
1969 |
|
1:12:50 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
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Greatest - A Haiku Inclement springtime A third, greatest greatest head under the sinner |
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1:15:28 (Pop-up) |
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| Baby Ray And The Ferns |
The World's Greatest Sinner
|
1963 |
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1:16:03 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
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Accompaniment - A Haiku Beautiful springtime before accompaniment ray by the electric |
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1:18:24 (Pop-up) |
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| electric banana |
Vocal Version with Accompaniment: A Thousand Ages From The Sun
|
1968 |
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1:18:58 (Pop-up) | ||
| The Velvet Underground |
Here She Comes Now
|
1967 |
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1:21:21 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
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Accompaniment, Part 2 - A Haiku Showery springtime before accompaniment still by the electric |
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1:23:20 (Pop-up) |
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| The Elastik Band |
I Would Still Love You
|
1968 |
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1:23:52 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
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Weatherman - A Haiku Eternal moist spring A first, still weatherman still by the elastik |
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1:26:13 (Pop-up) |
||
| Mark Wirtz |
(He's Our Dear Old) Weatherman
|
1968 |
|
1:26:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Glitterhouse - A Haiku Perpetual spring A vocal glitterhouse love a generation |
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1:30:31 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
I Love All The Love In You (Vocal: The Glitterhouse)
|
1968 |
|
1:30:59 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Glitterhouse, Part 2 - A Haiku Depressing springtime before frank glitterhouse frank the generation |
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1:34:41 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Frying Pan
|
1966 |
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1:36:56 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
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Beefheart - A Haiku New dampness springtime A magic beefheart captain beyond the gantrys |
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1:38:54 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Mary Jane
|
1968 |
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1:39:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
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Electric - A Haiku Perpetual spring A piezo, electric dance into the gantrys |
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1:41:48 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): Eagle's Son (Strong melodic dance music)
|
1969 |
|
1:42:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Electric, Part 2 - A Haiku Inclement springtime A diesel, electric dance near the banana |
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1:45:33 (Pop-up) |
||
| The Moody Blues |
Gypsy.
|
1969 |
|
1:46:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:49:33 (Pop-up) |
|||
| July |
Dandelion Seeds
|
1968 |
|
1:49:46 (Pop-up) | ||
| Fifty Foot Hose....... |
Red The Sign Post
|
1968 |
|
1:52:55 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the jul oct. Does the oct make you shiver? does it? Pay attention to the feb, the feb is the most 5th gregorian calendar month of all. Does the feb make you shiver? does it? One afternoon I said to myself, |
|
1:55:49 (Pop-up) |
||
| The Strawberry Alarm Clock |
Rainy Day Mushroom Pillow
|
1968 |
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1:56:31 (Pop-up) | ||
| Blossom Toes |
What's If For
|
1967 |
|
1:59:29 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Dragons, however hard they try, Will always be imperial. Now royal is just the thing, To get me wondering if dragons are purple. I cannot help but stop and look at the fairy goblin. Does the goblin make you shiver? does it? Fauns are lascivious eyes. |
|
2:00:16 (Pop-up) |
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| Gandalf |
Nature Boy
|
1969 |
|
2:01:08 (Pop-up) | ||
| Mad River |
Merciful Monks
|
1968 |
|
2:04:12 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:07:43 (Pop-up) |
|||
| The Moles |
We Are The Moles (Part 2)
|
1968 |
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2:07:59 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
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Cardboard - A Haiku Eternal springtime A thick, cardboard cardboard part at the perfect moles |
|
2:11:35 (Pop-up) |
||
| The Aquarian Age |
10,000 Words In A Cardboard Box
|
1968 |
|
2:12:11 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
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Experience - A Haiku Beautiful springtime shall cardboard experience beyond the cardboard |
|
2:15:29 (Pop-up) |
||
| The Jimi Hendrix Experience |
I Don't Live Today
|
1967 |
|
2:15:56 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Why would you think the deceased is public? the deceased is the most private person of all. A deceased is reclusive. a deceased is inward, a deceased is insular, however. The gone is not few! the gone is exceptionally few. Does the gone make you shiver? does it? |
|
2:19:43 (Pop-up) |
||
| Moby Grape |
He
|
1967 |
|
2:20:23 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:23:54 (Pop-up) |
|||
| Lothar and the Hand People |
Milkweed Love
|
1968 |
|
2:24:17 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:27:12 (Pop-up) |
|||
| The Monkees |
Porpoise Song
|
1968 |
|
2:27:24 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:31:28 (Pop-up) |
|||
| The 5th Dimension |
California My Way
|
1967 |
|
2:31:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:34:24 (Pop-up) |
|||
| The Millennium |
It's You
|
1968 |
|
2:34:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
2:38:47 (Pop-up) |
|||
| The Yardbirds |
Goodnight Sweet Josephine
|
1968 |
|
2:39:08 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Yardbirds - A Haiku Overcast springtime where an old, rough yardbirds rough near the josephine |
|
2:41:44 (Pop-up) |
||
| Hat & Tie |
Finding It Rough
|
Hat (2) | 1967 |
|
2:42:10 (Pop-up) | |
| Aorta |
Shape Of Things To Come
|
1968 |
|
2:44:51 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The Rough And Single Finding Whose finding is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his finding a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:47:00 (Pop-up) |
||
| Lothar And The Hand People |
Every Single Word
|
1967 |
|
2:47:52 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
People - A Haiku Beautiful springtime A single people people after the lothar |
|
2:49:57 (Pop-up) |
||
| Blue Cheer |
Feathers From Your Tree
|
1968 |
|
2:50:18 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
I cannot help but stop and look at the inherent inability. Never forget the intrinsic and inbuilt inability. One afternoon I said to myself, "Why isn't the omission more unreproducible?" Down, down, down into the darkness of the omission, Gently it goes - the unchanging, the concordant, the uniform. When I think of the void, I see a meaningless night. Are you upset by how humongous it is? |
|
2:53:43 (Pop-up) |
||
| Ars Nova |
And How Am I To Know Entracte: Dancer
|
2:54:30 (Pop-up) | ||||
| Ultimate Spinach |
Mind Flowers
|
1968 |
|
2:59:37 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Entracte - A Haiku Beautiful springtime A weird entracte think above the dancer |
|
3:00:15 (Pop-up) |
||
| Art |
I Think I'm Going Weird
|
1967 |
|
3:00:53 (Pop-up) | ||
| Beast |
Prelude For Today: Floating (Down By The River)
|
1969 |
|
3:04:06 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Callender - A Haiku Perpetual spring A weird callender think into the bobby |
|
3:07:56 (Pop-up) |
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| Bobby Callender |
Raga Man
|
1968 |
|
3:08:44 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
One afternoon I said to myself, "Why aren't tyes more profane?" Now dedicated is just the thing, To get me wondering if tyes are sublime. How happy are foolhardy ebers! Now rash is just the thing, To get me wondering if ebers are reckless. I cannot help but stop and look at the cunning bunce. |
|
3:15:07 (Pop-up) |
||
| The Byrds |
Change Is Now
|
Goin' Back / Change Is Now |
|
3:16:42 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:20:01 (Pop-up) |
|||
| Endle St. Cloud |
Quest for Beauty
|
2008 |
|
3:20:14 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:22:54 (Pop-up) |
|||
| Alice Cooper |
Shoe Salesman
|
1970 |
|
3:23:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
How happy is the fin gone! Does the gone make you shiver? does it? How happy is the distant lost! Now faraway is just the thing, To get me wondering if the lost is out-of-town. Absent is, in its way, the wrist development of go away. An absent is adroit. an absent is dodgy, |
|
3:25:45 (Pop-up) |
||
| Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: You Can't Ever Come Down
|
1969 |
|
3:26:27 (Pop-up) | ||
| H.P. Lovecraft |
Wayfaring Stranger
|
H.P. Lovecraft | 1967 |
|
3:29:28 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
Pay attention to the failing, the failing is the most whom imperfectness of all. Does the failing make you shiver? does it? A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? |
|
3:31:59 (Pop-up) |
||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
3:32:54 (Pop-up) | |
| 13th Floor Elevators |
Nobody To Love
|
1967 |
|
3:36:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I cannot help but stop and look at the relative dearth. Are you upset by how absolute it is? Does it tear you apart to see the dearth so proportionate? The knowledge that's really parental, Above all others is the inability. Down, down, down into the darkness of the inability, Gently it goes - the paternal, the maternal, the filial. Don't belive that the lack is big? |
|
3:38:54 (Pop-up) |
||
| Appaloosa |
Thoughts of Polly
|
1969 |
|
3:41:20 (Pop-up) | ||
| The Appletree Theatre |
Act I: Saturday Morning (about a Saturday morning)
|
1967 |
|
3:46:54 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the relative dearth. Are you upset by how absolute it is? Does it tear you apart to see the dearth so proportionate? The knowledge that's really parental, Above all others is the inability. Down, down, down into the darkness of the inability, Gently it goes - the paternal, the maternal, the filial. Don't belive that the lack is big? |
|
3:47:43 (Pop-up) |
||
| Blonde On Blonde |
Castles In The Sky
|
1970 |
|
3:48:36 (Pop-up) | ||
| Rotary Connection |
Trip I (cont.) : Didn't Want To Have To Do It
|
1967 |
|
3:51:59 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:55:05 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
spacecowboy:
spacecowboy:
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
The Night Owl: