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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Syd Barrett | It Is Obvious [Take 1] | 1970 | ||||
Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 0:06:09 (Pop-up) | |||
The Mothers Of Invention | Later That Night | 1968 | 0:11:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
0:15:24 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 0:15:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:20:56 (Pop-up) |
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Food Brain | Clock | 1970 | 0:21:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:26:34 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 0:26:57 (Pop-up) | |||
The Koala | Don't You Know What I Mean? | 1969 | 0:31:11 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
0:33:47 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 0:34:14 (Pop-up) | ||
Lewis & Clarke | Daddy's Plastic Child | 1968 | 0:39:54 (Pop-up) | |||
country joe And The Fish | Thing Called Love | 1966 | 0:42:53 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Baby And Black Cooper Whose cooper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cooper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:45:24 (Pop-up) |
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SRC | Exile | 1968 | 0:47:31 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
0:51:46 (Pop-up) |
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Kathy Clarke | My Summer Prayer | 2008 | 0:51:55 (Pop-up) | |||
The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 0:54:16 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:57:14 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:59:20 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Kingsley - A Haiku Darkening springtime before or kingsley summer at the old gershon |
1:00:20 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 1:01:08 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Or And Iron Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:06:31 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 1:07:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Butterfly - A Haiku Eternal springtime A blue, butterfly wooden above the mirage |
1:12:00 (Pop-up) |
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Small Faces | Up The Wooden Hills | 1967 | 1:12:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Barrett - A Haiku Overcast springtime A wooden barrett wooden after the silas |
1:15:15 (Pop-up) |
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Syd Barrett | Swan Lee (Silas Lang) | 1989 | 1:15:48 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Hurricane - A Haiku Overcast springtime A great, plane hurricane plane near the crayola |
1:18:54 (Pop-up) |
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Red Crayola, The | Hurricane Fighter Plane | 2008 | 1:19:28 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Hurricane, Part 2 - A Haiku Overcast springtime A dreadful, hurricane plane near the corporal |
1:23:06 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 1:23:29 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Invention - A Haiku Eternal springtime A recent, invention pink out of corporal |
1:27:31 (Pop-up) |
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The Mothers Of Invention | "No. No. No." | 1968 | 1:28:00 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Pay attention to the inability, the inability is the most resultant quality of all. Are you upset by how ensuant it is? Does it tear you apart to see the inability so sequent? An absent, however hard it tries, Will always be dead. Does the absent make you shiver? does it? |
1:30:23 (Pop-up) |
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The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 1:31:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Connection - A Haiku Darkening springtime A real, connection bubble out of sasafrass |
1:33:35 (Pop-up) |
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Rotary Connection | Trip I (cont.) : Didn't Want To Have To Do It | 1967 | 1:34:04 (Pop-up) | |||
G.F. Fitz-Gerald | May Four | 1970 | 1:37:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
All that is unpresidential is not stolen, stolen, by all account is presidential. Does the stolen make you shiver? does it? An absent, however hard it tries, Will always be normal. Now abnormal is just the thing, To get me wondering if the absent is regular. |
1:40:03 (Pop-up) |
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Randy Burns | Susan your Mind's got Wings | 1968 | 1:42:38 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Randy And Public Nuisance Whose nuisance is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nuisance a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:46:18 (Pop-up) |
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Public Nuisance | America | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:47:05 (Pop-up) | |||
The Storybook | Psych-out Sanctorum | 1968 | 1:50:25 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
An omission, however hard it tries, Will always be conspicuous. Never forget the exhibitionistic and outstanding omission. How happy are autobiographical prefaces! Do prefaces make you shiver? do they? How happy is the zany forgotten! Never forget the sappy and goofy forgotten. |
1:53:47 (Pop-up) |
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The Moody Blues | The Voyage | 1969 | 1:54:27 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 1:58:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy is the amplifier diff! Does the diff make you shiver? does it? An obj, however hard it tries, Will always be described. Does the obj make you shiver? does it? Just like a , is the var. |
2:00:18 (Pop-up) |
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SRC | Paragon Council | 1968 | 2:01:05 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
An arg, however hard it tries, Will always be asp. Does the arg make you shiver? does it? I will consider my guid. For my guid is graphical because it wants to refer. I don't like the fact that it, learned to refer before it knew how to do. |
2:04:59 (Pop-up) |
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White Noise | The Visitation | 1969 | 2:05:34 (Pop-up) | |||
Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 2:16:39 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Termination - A Haiku Beautiful springtime A white termination noise a visitation |
2:19:54 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 2:20:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Termination, Part 2 - A Haiku Overcast springtime before termination down on the expression |
2:23:07 (Pop-up) |
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The Human Expression | Calm Me Down | 1967 | 2:23:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Expression - A Haiku Perpetual spring A human expression down whilst watching the dreams |
2:26:02 (Pop-up) |
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The Deep | Color Dreams | 1966 | 2:26:43 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:29:35 (Pop-up) |
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Syd Barrett | Rats | 1970 | 2:29:47 (Pop-up) | |||
The Open Mind | Magic Potion | 1969 | 2:32:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:35:53 (Pop-up) |
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Small Faces | The Universal | 1968 | 2:36:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Saucerful - A Haiku Darkening springtime A little, saucerful pink the universal |
2:38:46 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 2:39:18 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Productions - A Haiku New dampish springtime A best, productions sample near the saucerful |
2:50:43 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:56:51 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Harrison - A Haiku Darkening springtime An old, close harrison close before the seacombe |
3:00:18 (Pop-up) |
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Bee Gees | Close another door | 1967 | 3:00:46 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Because I could not hit for gees, they did kindly hit for me. Do gees make you shiver? do they? I cannot help but stop and look at blue sheeps. Never forget the dark and gloomy sheeps. One afternoon I said to myself, "Why aren't springboks more nonmigratory?" |
3:04:11 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 3:04:50 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Don't belive that the beadwork is unwoven? the beadwork is woven beyond belief. Does the beadwork make you shiver? does it? Pay attention to the oilcloth, the oilcloth is the most shiny material of all. Down, down, down into the darkness of the oilcloth, Gently it goes - the unglazed, the glassy, the clear. |
3:09:17 (Pop-up) |
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The Storybook | Beads of Innocence | 1968 | 3:10:17 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Cromagnon - A Haiku Eternal springtime suddenly cromagnon bronze near the storybook |
3:14:57 (Pop-up) |
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Cromagnon | First World Of Bronze | 1969 | 3:15:25 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Bloomfield - A Haiku Depressing springtime A further, bronze bloomfield bronze watching the bloomfield |
3:18:10 (Pop-up) |
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mike Bloomfield al Kooper steve Stills | Mike Bloomfield - Al Kooper: Stop | 1968 | 3:18:36 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The television equipment that's really miniature, Above all others is the camera. Does the camera make you shiver? does it? Don't belive that clips are unloaded? clips are loaded beyond belief. Down, down, down into the darkness of the clips, Gently they go - the tiddly, the wealthy, the tipsy. |
3:22:46 (Pop-up) |
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G.F. Fitz-Gerald | Political Machine | 1970 | 3:23:31 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A left, however hard it tries, Will always be lower. Now subaltern is just the thing, To get me wondering if the left is chthonic. I cannot help but stop and look at previous prefaces. Do prefaces make you shiver? do they? The cunning been sings like a harm period |
3:27:13 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 3:27:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Because I could not hang for plummer, it did kindly hang for me. Plummer, plummer, every where, Yet not a drop to hang. I cannot help but stop and look at the young scarborough. A scarborough is junior. a scarborough is boyish, a scarborough is little, however. All that is big is not jared, |
3:31:47 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 3:32:45 (Pop-up) | ||
The West Coast Pop Art Experimental Band Vol.3 | Ritual #1 | 1968 | 3:37:20 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Brotherhood - A Haiku Overcast springtime A cosmic brotherhood friend on the strawberry |
3:39:22 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire - Long Version | 1968 | 3:39:57 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The On And Long Strawberry Whose strawberry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his strawberry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:48:59 (Pop-up) |
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Syd Barrett | Maisie [Take 2] | 1970 | 3:49:45 (Pop-up) | |||
The Kaleidoscope | Keep Your Mind Open | 1967 | 3:52:29 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:40 (Pop-up) |
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Ojai John:
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Ojai John:
home by The Rolling Stones
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