WFMU: Ridgewood Radio with David Weinstein: Playlist from April 17, 2019

Listener comments!
	🥁 3:00pm listener james from westwood: Afternoon, David and Ruth!
	🥁 3:01pm david w: Heya james, welcome!
	3:04pm Michael Schell: Dead air?
	3:04pm Michael Schell: There it goes.
	3:09pm geezerette: My ears are dancing! Oh no! :)
	🥁 3:09pm david w: Prof. Schell! What a coincidence! I just processed a 77 Hz recordiing from the Roulette archive. How are ya?
	🥁 3:10pm david w: Geez, this trio is hopping!
	3:10pm doctorjazz: Hi folks! Great drumming!
	3:11pm geezerette: Howdy, David, Ruth, L. James , Michael, Doc and all who follow!
	3:11pm doctorjazz: Hi Geez!
	🥁 3:12pm david w: djazz, some good stuff for you today.
	3:18pm fred: Good afternoon David, Ruth, and listeners
	3:18pm northguineahills: Got here in time for Triptych Myth!
	🥁 3:19pm david w: fred, ngh! more of my comrades!
	3:20pm doctorjazz: Great, looking forward to hearing it (not that I don't alwayslook forward to the show, mind you...)
	🥁 3:21pm david w: aw, shucks.
	3:21pm Michael Schell: I'm well, and newly retired from a daytime gig that kept me occupied most Wednesday afternoons.
	🥁 3:22pm david w: Well Schell swell!
	3:23pm Michael Schell: There are some perks to being in Seattle, this past weekend we had what is likely the last ever world premiere of a Partch composition (on the original instruments).
	3:25pm northguineahills: Awesome, Michael!
	🥁 3:25pm david w: Very cool. Who oversees those instruments nowadays?
	3:27pm northguineahills: Havnen't they moved them to the University of California - San Diego, somewhat lately?
	3:28pm Michael Schell: They're still owned by Danlee Mitchell. Oversight has passed to Charles Corey, who was Dean Drummond's student. They've been housed at University of Washington the past five years. I'll be writing up the event in the next week or two. The premiere was of the first (chamber) version of The Bewitched. It's the last surviving Partch music manuscript that had never been performed before.
	3:28pm Sem: Don't mind me, just sitting in my orgone box, speakers set for the heart of the sun.
	3:30pm Michael Schell: northguineahills, might you be thinking of a partial replica set that is used by the (confusingly named) Partch ensemble in San Diego?
	3:30pm northguineahills: Ahh, I remember Irwin having an interview w/ one of curators of his collection about a decade ago.... @Sem: Don't worry, it's the (Wilhelm) Reich thing to do!
	3:31pm Michael Schell: There is also a complete set of replica instruments in Europe that was commissioned by musikFabrik in 2013 for their Goebbels production of Delusion of the Fury. There's some uncertainty over the future of the Partch instrumentarium at UW though, something I'll be reporting on in the review.
	🥁 3:32pm david w: Sem always comes prepared.
	3:32pm northguineahills: I think originally, they were kept at Montclair State (NJ).
	🥁 3:33pm david w: I think you all have sorted this Partch thing out pretty well. Michael tell us where we can read your piece.
	3:33pm Sem: :-D
	🥁 3:34pm Granny Spicy Tuna: what in the hootenanny is going on around here?
	🥁 3:34pm david w: As we listen to Cooper-Moore, another wonderful instrument builder!
	3:35pm geezerette: Saw a gorgeous, inspiring film called "Mali Blues", think you'll all love it www.nytimes.com... Check out link after show. Mentioning because this music reminded me. Michael & all, thanks for Partch info!
	🥁 3:35pm david w: Hey Granny, maybe I should do an avant-hootenany episode?
	3:36pm Michael Schell: northguineahills, they were at Montclair State during Dean's guardianship, concurrent with all those great Newband concerts. Alas, his death basically ended that arrangements, and the instruments became homeless until they came to UW. Before NJ, the instruments were with Danlee Mitchell, who inherited them from Partch. They spent most of their time in storage in San Diego, being unveiled from time to time for specific productions (e.g., Gaburo's The Bewitched ca. 1983 and Revelation in the Courthouse Park a few years later). I don't know yet where the piece will appear, but probably at Second Inversion or Sequenza 21. I'll get the word out on my Web page (www.schellsburg.com) and on Twitter (@cribbageforum).
	🥁 3:37pm david w: Nice tip, geez. will peek.
	🥁 3:41pm Granny Spicy Tuna: i am ready for avant-hootenanny!
	3:47pm fred: Drums and Drones sounds like my kind of live music. This Fire Over Heaven series is amazing, judging by the excerpts that have been played on this show. I'd probably be a regular there if it wasn't across an ocean
	🥁 3:47pm david w: Everybody's tweeters humming?
	🥁 3:49pm david w: Fred, you would be guest of honor. Greg Fox started the project and Che Chen (of 75 Dollar Bill) inherited it and is doing a stellar job.
	3:52pm northguineahills: Thanks, Michael!
	4:01pm geezerette: Intensely beautiful!
	🥁 4:01pm chresti: Hello!
	🥁 4:02pm david w: chresti! gotcha!
	4:04pm fred: This was great! And I'm sure it's even better being in the room
	🥁 4:09pm david w: Yes, Fred. Those overtones bouncing around the room is unrecordable, and Chase is a delight to watch.
	4:24pm doctorjazz: This isgreat (Parker/Rothenberg)!
	🥁 4:26pm david w: A Drummer always pays their debts.
	4:40pm Stanley: Late but here. Feeling a bit prickhairyarse, myself.
	🥁 4:41pm david w: Sorry, Stanley. Maybe a little noise will calm you.
	4:51pm geezerette: Happy Passover / Easter !
	4:51pm geezerette: David, Ruth & buddies, always a pleasure.
	4:53pm fred: Thanks David!
	🥁 4:54pm david w: Love to Paris, Fred. Thanks, geez and all. Delighted.
	4:55pm Mary Wing: Love Carsick Cars!
	🥁 4:56pm david w: Thought you might like it, for a long day at work!
	4:57pm Sem: Thank you so much for this program. See you and all again next time.
	🥁 4:57pm david w: You can take that shower now, Sem.
	4:58pm doctorjazz: Great stuff! (carsick cars is also very cool)
	🥁 4:58pm david w: djazz, my pleasure.

Ridgewood Radio with David Weinstein: Playlist from April 17, 2019

View David Weinstein's profile

Ridgewood Radio features concert recordings by adventurous bands and experimental musicians and restored archival tapes from private and institutional collections captured at venues large and small across the five boroughs of New York. It is produced by David Weinstein and Outpost Artists Resources operating out of the Ridgewood section of Queens, NY, where you'll find more yellow bricks than on the road to Oz and the cemetery of your choice is never more than a few blocks from home.

Wednesday 5 - 7pm (EST) | On WFMU's Give the Drummer Radio
Give the Drummer Radio LIVE Audio Streams (Get help): Pop-up | 128k MP3

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April 17, 2019: Edges

Listen to this show: Pop-up listen Pop-up player!

Precarious

Edges, concert and studio musicians working at the teetering brink of the impossible,
with music by Triptych Myth (Tom Abbs, Chad Taylor, Cooper-Moore), Brian Chase’s Drums & Drones,
Evan Parker & Ned Rothenberg, Macula Dog, Carsick Cars, and other global daredevils.

Artist	Track	Album	Label	Year	Comments
Macula Dog	Looking for a Body on the Weekend	Why Do You Look Like Your Dog?	Wharf Cat Records	2016	Matthew Cutler & Ben Mendelewicz, out of Brooklyn/Queens.
Malawi Mouse Boys	Kulira Kwambewa (The Crying of the Mouse)	Forever is 4 U	Omnivore Records	2016	Ridgewood Radio Theme https://lovesupportunite.org
Music behind DJ: David W	Oops "Oops" by "David W"	Ridgewood Radio Noise Library	Beautiful Drummer	2019	That was close.
	a song
Triptych Myth	Concert Recording (excerpt)	Roulette Concert Series	Roulette Archives	3 March 2005	Tom Abbs on double bass, cello, violin, didgeridoo; Chad Taylor on drum set and percussion; and Cooper-Moore performing on a multitude of self made and traditional musical instruments, piano, flute, bamboo flutes, ashimba, diddley-bo, mouth-bow, horizontal-hoe-handle harp, teze, wooden three string banjo and electronics.
Brian Chase	Drums and Drones (Concert Recording excerpt)	Fire Over Heaven Concert Series	Outpost Artists Resources	21 March 2019	Chase has released a 144 page book and triple album that covers the first ten years of the project (Chaikin Records).
Evan Parker & Ned Rothenberg	Concert Recording (excerpt)	Roulette Concert Series	Roulette Archives	10 Oct 2006	Parker, soprano and tenor saxophones; Rothenberg, alto saxophone and bass clarinet. Rothenberg has released the entire unedited concert on his Animul Records label.
Evan Parker & Ned Rothenberg	Concert Recording (excerpt)	Roulette Concert Series	Roulette Archives	10 Oct 2006	Parker, soprano and tenor saxophones; Rothenberg, alto saxophone and bass clarinet. Rothenberg has released the entire unedited concert on his Animul Records label.
Spaza	Stametta Spuit/Invocations "Stametta Spuit/Invocations" by "Spaza"	Spaza	Mushroom Hour Half Hour	2019	Afro-Futurist musicians from Johannesburg’s jazz, afro funk, and experimental electro scenes. Spaza not only refers to an interdisciplinary art gallery in Johannesburg, where the music was recorded, but to South Africa’s thousands of informal neighborhood stores.
CVN	Snippets of Heaven "Snippets of Heaven" by "CVN"	CVN - i.c.	Orange Milk Records	2019	Japan’s Nobuyuki Sakuma, formerly of the Jesse Ruins duo, and curator of the mix series Grey Matter Archive.
Macula Dog	Tone Pig "Tone Pig" by "Macula Dog"	Why Do You Look Like Your Dog?	Wharf Cat Records	2016	The group's newest collection, Natural Dog, is available on Bandcamp.
Michael Winograd	Brooklyn Pursuit	Kosher Style	OU People	2019	Klezmer for Notre Dame.
Carsick Cars	Zhong Nan Hai "Zhong Nan Hai" by "Carsick Cars"	Carsick Cars	Maybe Mars	2007	The Chinese indie rock trio's anthem for the Beijing underground music scene.

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Listener comments!
	🥁 3:00pm listener james from westwood: Afternoon, David and Ruth!
	🥁 3:01pm david w: Heya james, welcome!
	3:04pm Michael Schell: Dead air?
	3:04pm Michael Schell: There it goes.
	3:09pm geezerette: My ears are dancing! Oh no! :)
	🥁 3:09pm david w: Prof. Schell! What a coincidence! I just processed a 77 Hz recordiing from the Roulette archive. How are ya?
	🥁 3:10pm david w: Geez, this trio is hopping!
	3:10pm doctorjazz: Hi folks! Great drumming!
	3:11pm geezerette: Howdy, David, Ruth, L. James , Michael, Doc and all who follow!
	3:11pm doctorjazz: Hi Geez!
	🥁 3:12pm david w: djazz, some good stuff for you today.
	3:18pm fred: Good afternoon David, Ruth, and listeners
	3:18pm northguineahills: Got here in time for Triptych Myth!
	🥁 3:19pm david w: fred, ngh! more of my comrades!
	3:20pm doctorjazz: Great, looking forward to hearing it (not that I don't alwayslook forward to the show, mind you...)
	🥁 3:21pm david w: aw, shucks.
	3:21pm Michael Schell: I'm well, and newly retired from a daytime gig that kept me occupied most Wednesday afternoons.
	🥁 3:22pm david w: Well Schell swell!
	3:23pm Michael Schell: There are some perks to being in Seattle, this past weekend we had what is likely the last ever world premiere of a Partch composition (on the original instruments).
	3:25pm northguineahills: Awesome, Michael!
	🥁 3:25pm david w: Very cool. Who oversees those instruments nowadays?
	3:27pm northguineahills: Havnen't they moved them to the University of California - San Diego, somewhat lately?
	3:28pm Michael Schell: They're still owned by Danlee Mitchell. Oversight has passed to Charles Corey, who was Dean Drummond's student. They've been housed at University of Washington the past five years. I'll be writing up the event in the next week or two. The premiere was of the first (chamber) version of The Bewitched. It's the last surviving Partch music manuscript that had never been performed before.
	3:28pm Sem: Don't mind me, just sitting in my orgone box, speakers set for the heart of the sun.
	3:30pm Michael Schell: northguineahills, might you be thinking of a partial replica set that is used by the (confusingly named) Partch ensemble in San Diego?
	3:30pm northguineahills: Ahh, I remember Irwin having an interview w/ one of curators of his collection about a decade ago.... @Sem: Don't worry, it's the (Wilhelm) Reich thing to do!
	3:31pm Michael Schell: There is also a complete set of replica instruments in Europe that was commissioned by musikFabrik in 2013 for their Goebbels production of Delusion of the Fury. There's some uncertainty over the future of the Partch instrumentarium at UW though, something I'll be reporting on in the review.
	🥁 3:32pm david w: Sem always comes prepared.
	3:32pm northguineahills: I think originally, they were kept at Montclair State (NJ).
	🥁 3:33pm david w: I think you all have sorted this Partch thing out pretty well. Michael tell us where we can read your piece.
	3:33pm Sem: :-D
	🥁 3:34pm Granny Spicy Tuna: what in the hootenanny is going on around here?
	🥁 3:34pm david w: As we listen to Cooper-Moore, another wonderful instrument builder!
	3:35pm geezerette: Saw a gorgeous, inspiring film called "Mali Blues", think you'll all love it www.nytimes.com... Check out link after show. Mentioning because this music reminded me. Michael & all, thanks for Partch info!
	🥁 3:35pm david w: Hey Granny, maybe I should do an avant-hootenany episode?
	3:36pm Michael Schell: northguineahills, they were at Montclair State during Dean's guardianship, concurrent with all those great Newband concerts. Alas, his death basically ended that arrangements, and the instruments became homeless until they came to UW. Before NJ, the instruments were with Danlee Mitchell, who inherited them from Partch. They spent most of their time in storage in San Diego, being unveiled from time to time for specific productions (e.g., Gaburo's The Bewitched ca. 1983 and Revelation in the Courthouse Park a few years later). I don't know yet where the piece will appear, but probably at Second Inversion or Sequenza 21. I'll get the word out on my Web page (www.schellsburg.com) and on Twitter (@cribbageforum).
	🥁 3:37pm david w: Nice tip, geez. will peek.
	🥁 3:41pm Granny Spicy Tuna: i am ready for avant-hootenanny!
	3:47pm fred: Drums and Drones sounds like my kind of live music. This Fire Over Heaven series is amazing, judging by the excerpts that have been played on this show. I'd probably be a regular there if it wasn't across an ocean
	🥁 3:47pm david w: Everybody's tweeters humming?
	🥁 3:49pm david w: Fred, you would be guest of honor. Greg Fox started the project and Che Chen (of 75 Dollar Bill) inherited it and is doing a stellar job.
	3:52pm northguineahills: Thanks, Michael!
	4:01pm geezerette: Intensely beautiful!
	🥁 4:01pm chresti: Hello!
	🥁 4:02pm david w: chresti! gotcha!
	4:04pm fred: This was great! And I'm sure it's even better being in the room
	🥁 4:09pm david w: Yes, Fred. Those overtones bouncing around the room is unrecordable, and Chase is a delight to watch.
	4:24pm doctorjazz: This isgreat (Parker/Rothenberg)!
	🥁 4:26pm david w: A Drummer always pays their debts.
	4:40pm Stanley: Late but here. Feeling a bit prickhairyarse, myself.
	🥁 4:41pm david w: Sorry, Stanley. Maybe a little noise will calm you.
	4:51pm geezerette: Happy Passover / Easter !
	4:51pm geezerette: David, Ruth & buddies, always a pleasure.
	4:53pm fred: Thanks David!
	🥁 4:54pm david w: Love to Paris, Fred. Thanks, geez and all. Delighted.
	4:55pm Mary Wing: Love Carsick Cars!
	🥁 4:56pm david w: Thought you might like it, for a long day at work!
	4:57pm Sem: Thank you so much for this program. See you and all again next time.
	🥁 4:57pm david w: You can take that shower now, Sem.
	4:58pm doctorjazz: Great stuff! (carsick cars is also very cool)
	🥁 4:58pm david w: djazz, my pleasure.

Ridgewood Radio with David Weinstein: Playlist from April 17, 2019

Listener comments!

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