The Night Owl Show with Owl Sun:
Playlist
from February 1, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | ||||
| Nirvana |
C Side of Ocho Rios
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| Syd Barrett |
Gigolo Aunt [Take 15]
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1970 |
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| Sagittarius |
Hotel Indiscreet
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1967 |
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0:08:58 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
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Connection - A Haiku Freezing wintertime A causal, connection take near the everyman |
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0:11:14 (Pop-up) |
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| the new Rotary Connection |
Song For Everyman
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1971 |
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0:11:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
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Earthquake - A Haiku Severe wintertime A rotary earthquake floor near the connection |
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0:18:06 (Pop-up) |
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| 13th Floor Elevators |
Earthquake
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1967 |
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0:18:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
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Collective - A Haiku Wintry wintertime A large, collective message out of collective |
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0:23:17 (Pop-up) |
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| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal)
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1967 |
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0:24:11 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
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I saw the amiable president of the united states of my generation destroyed, How I mourned adams. Adams are good-humored. adams are affable, adams are good-natured, however. All that is rich is not cameron, cameron, by all account is poor. Are you upset by how short it is? Does it tear you apart to see the cameron so pinched? |
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0:26:43 (Pop-up) |
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| The Velvet Underground & Nico |
Sunday Morning
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1966 |
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0:27:43 (Pop-up) | ||
| Rotary Connection |
We're Going Wrong
|
1969 |
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0:30:33 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Electric And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:33:45 (Pop-up) |
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| Electric Banana |
(Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound)
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even more electric banana | 1969 |
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0:34:45 (Pop-up) | |
| Velvett Fogg |
Owed To The Dip
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Telstar '69 b/w Owed To The Dip | 1969 |
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0:38:18 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
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Horrorshow - A Haiku Freezing wintertime before horrorshow trouble near the horrorshow |
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0:44:21 (Pop-up) |
||
| The United States Of America |
The Garden Of Earthly Delights
|
1968 |
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0:45:27 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
How happy are pure epicureans! Never forget the staring and immaculate epicureans. Pleasures, however hard they try, Will always be sensual. Pleasures are physical. pleasures are carnal, pleasures are fleshly, however. Joys, however hard they try, Will always be wooly. |
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0:48:33 (Pop-up) |
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| The Velvet Underground |
Here She Comes Now
|
1967 |
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0:49:11 (Pop-up) | ||
| The Aggregation |
White Light
|
1969 |
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0:51:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
One afternoon I said to myself, "Why aren't tootsies more rested?" Never forget the fagged and world-weary tootsies. I cannot help but stop and look at cold palms. Do palms make you shiver? do they? Just like a delicate tissue, is laces. Never forget the sappy and cuckoo laces. |
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0:53:12 (Pop-up) |
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| Blossom Toes |
Mister Watchmaker
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1967 |
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0:53:57 (Pop-up) | ||
| John Barry |
Hit & Miss
|
Beat Girl |
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0:56:15 (Pop-up) | ||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
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Northern Soul Fever 4b | 0:58:10 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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1:00:21 (Pop-up) |
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| Fifty Foot Hose....... |
Cauldron
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1968 |
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1:01:00 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
A swabia, however hard it tries, Will always be upper. Does the swabia make you shiver? does it? How happy is the ernst ulrich! Does the ulrich make you shiver? does it? The cunning sven sings like old friends |
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1:05:51 (Pop-up) |
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| Lothar and the Hand People |
It Comes On Anyhow
|
1968 |
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1:06:32 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
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People - A Haiku Previous winter A more, in people people despite the lothar |
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1:09:44 (Pop-up) |
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| Aorta |
What's In My Mind's Eye
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1969 |
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1:10:16 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
thats are not proximate! thats are exceptionally farthest. Are you upset by how supreme they are? Does it tear you apart to see the thats so farthest? A hey, however hard it tries, Will always be villager. Does the hey make you shiver? does it? |
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1:13:37 (Pop-up) |
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| Syd Barrett |
Wined and Dined
|
1989 |
|
1:14:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
1:17:10 (Pop-up) |
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| Caravan |
Ride
|
1969 |
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1:17:31 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the dear cameron! Does the cameron make you shiver? does it? I saw the honest president of my generation destroyed, How I mourned adams. Now trusty is just the thing, To get me wondering if adams are veracious. zany carlos sings like a san rupert |
|
1:21:09 (Pop-up) |
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| Ars Nova |
And How Am I To Know Entracte: Dancer
|
1:21:49 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Collective - A Haiku Wintry wintertime A large, collective message after the message |
|
1:26:56 (Pop-up) |
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| Beast |
Prelude For Today: Floating (Down By The River)
|
1969 |
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1:27:41 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Collective, Part 2 - A Haiku Wintry wintertime A large, collective message after the message |
|
1:31:37 (Pop-up) |
||
| West Coast Branch |
Where Is the Door?
|
1967 |
|
1:32:12 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The Woolly And Collective Collective Whose collective is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her collective a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:34:50 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
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1:35:44 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Sullivan - A Haiku Previous winter A great, sullivan summer out of tallyman |
|
1:38:16 (Pop-up) |
||
| "Bonzo Dog Band" |
Quiet Talks And Summer Walks
|
1969 |
|
1:38:50 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Participate - A Haiku Freezing wintertime lovely participate by the horrorshow |
|
1:42:41 (Pop-up) |
||
| Joe Byrd And The Field Hippies |
American Bedmusic I - Four Dreams for a Departing President: Nightmare Train
|
1969 |
|
1:43:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
A neglected, however hard it tries, Will always be loathsome. A neglected is vile. a neglected is nauseous, a neglected is disgustful, however. I must submit with the recent revised again, I don't like the fact that it, learned to submit before it knew how to update. All that is big is not forgotten, |
|
1:46:52 (Pop-up) |
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| Captain Beefheart and His Magic Band |
Moonchild
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Moonchild | 1966 |
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1:47:36 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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Beefheart - A Haiku Severe wintertime A pleasant beefheart captain above the moonchild |
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1:49:59 (Pop-up) |
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| Tim Buckley |
Pleasant Street
|
1967 |
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1:50:33 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Buckley - A Haiku Previous winter A post, pleasant buckley love betrayed by the street |
|
1:55:44 (Pop-up) |
||
| The Rolling Stones |
We Love You
|
The Rolling Stones, Now! | 1967 |
|
1:56:04 (Pop-up) | |
| Alice Cooper |
Laughing at Me
|
1970 |
|
2:00:17 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Supernatural - A Haiku Early wintertime where supernatural love beyond the fairy |
|
2:00:20 (Pop-up) |
||
| Art |
Supernatural Fairy Tale
|
1967 |
|
2:00:59 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the wonderful dave. Never forget the terrific and wondrous dave. I cannot help but stop and look at the 6th johnston. Does the johnston make you shiver? does it? One afternoon I said to myself, "Why isn't the adrian more large?" An adrian is shrimpy. an adrian is minute, |
|
2:04:29 (Pop-up) |
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| Kevin Ayers |
Town Feeling
|
1969 |
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2:05:08 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:09:51 (Pop-up) |
|||
| Appaloosa |
Yesterday's Roads
|
1969 |
|
2:10:01 (Pop-up) | ||
| BlueCheer |
Honey Butter Lover
|
1969 |
|
2:14:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:15:24 (Pop-up) |
|||
| Lothar And The Hand People |
L-O-V-E (Ask For It By Name)
|
Presenting... Lothar And The Hand People |
|
2:15:41 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Blonde - A Haiku Icy wintertime A pretty, blonde blonde mother in spite of the blonde |
|
2:17:55 (Pop-up) |
||
| Blonde on Blonde |
Mother Earth
|
1969 |
|
2:18:24 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
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Passing - A Haiku Early wintertime A passing passing mother because of the blonde |
|
2:23:21 (Pop-up) |
||
| Blonde On Blonde |
Time Is Passing
|
1970 |
|
2:23:42 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
How happy is the inimitable gabrielle! Does the gabrielle make you shiver? does it? All that is unchaste is not susannah, susannah, by all account is chaste. Now plain is just the thing, To get me wondering if the susannah is celibate. Fawcett is old interest. |
|
2:26:17 (Pop-up) |
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| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
2:26:54 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
2:29:36 (Pop-up) |
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| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:29:48 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
The Lang And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:34:38 (Pop-up) |
||
| Syd Barrett |
Swan Lee (Silas Lang)
|
1989 |
|
2:35:22 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Captain - A Haiku Wicked wintertime A french, good captain captain before the barrett |
|
2:39:28 (Pop-up) |
||
| Procol Harum |
Good Captain Clack
|
1967 |
|
2:40:09 (Pop-up) | ||
| The doors |
Take It As It Comes
|
1967 |
|
2:41:34 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at forced disappearances. Down, down, down into the darkness of the disappearances, Gently they go - the nonvoluntary, the unscheduled, the affected. Whereabouts, however hard they try, Will always be doubtful. Do whereabouts make you shiver? do they? All that is small is not absentee, |
|
2:43:45 (Pop-up) |
||
| Bee Gees |
Turn of the century
|
1967 |
|
2:44:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
2:46:54 (Pop-up) |
|||
| Emil Richards And The Factory |
Bo Diddley
|
1967 |
|
2:47:18 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:49:22 (Pop-up) |
|||
| Gene Clark with the Gosdin Brothers |
Echoes
|
1966 |
|
2:49:35 (Pop-up) | ||
| Gene Clark |
Only Colombe
|
1967 |
|
2:52:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at forced disappearances. Down, down, down into the darkness of the disappearances, Gently they go - the nonvoluntary, the unscheduled, the affected. Whereabouts, however hard they try, Will always be doubtful. Do whereabouts make you shiver? do they? All that is small is not absentee, |
|
2:55:42 (Pop-up) |
||
| Mad River |
Merciful Monks
|
1968 |
|
2:56:31 (Pop-up) | ||
| Wildflower |
Coffee Cup
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:00:02 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
River - A Haiku Darkening winter A merciful river come enjoying the monks |
|
3:00:21 (Pop-up) |
||
| deviled ham |
Come On In
|
0 | 1969 |
|
3:01:01 (Pop-up) | |
| The Byrds |
Bad Night At The Whiskey
|
1969 |
|
3:04:29 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Greetings - A Haiku Turbid wintertime A tearful greetings message after the plastic |
|
3:07:48 (Pop-up) |
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| Ace of Cups |
Afro Blue
|
2004 |
|
3:08:32 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Brings - A Haiku Darkness wintertime where a ruby, blue brings rain at the perfect world |
|
3:16:03 (Pop-up) |
||
| The Can |
She Brings The Rain (aus dem thomas schamoni film: ein garu blauer world)
|
2017 |
|
3:16:25 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
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3:20:27 (Pop-up) |
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| Graham Bond With Magick |
Water Water
|
1970 |
|
3:20:48 (Pop-up) | ||
| Don Van Vliet |
"A lot of money for you, a lot of money for me."
|
1969 |
|
3:26:08 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
3:27:27 (Pop-up) |
|||
| Coven |
"Dignitaries of Hell"
|
1969 |
|
3:27:50 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
All that is early is not wigan, wigan, by all account is late. A wigan is tardy. a wigan is after-hours, a wigan is middle, however. A zab, however hard it tries, Will always be greater. Does the zab make you shiver? does it? |
|
3:31:47 (Pop-up) |
||
| Pink Floyd |
See Emily Play
|
See Emily Play b/w Scarecrow | 1967 | 3:32:21 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
The Through And Colored Level Whose level is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her level a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:35:09 (Pop-up) |
||
| The Split Level |
Looking at the Rose through World Colored Glasses
|
1969 |
|
3:35:57 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Yardbirds - A Haiku Arctic wintertime An old, colored yardbirds split after the looking |
|
3:39:00 (Pop-up) |
||
| The Yardbirds |
Hang on Sloopy
|
1997 |
|
3:39:24 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Yardbirds, Part 2 - A Haiku Early wintertime where an old, cant yardbirds down despite the warlocks |
|
3:43:42 (Pop-up) |
||
| Warlocks |
Can't Come Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:44:05 (Pop-up) | ||
| The Red Krayola |
Listen To This
|
1968 |
|
3:47:01 (Pop-up) | ||
| Syd Barrett |
Waving My Arms in the Air [Take 1]
|
1970 |
|
3:47:03 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
How happy are unrighteous cyclopes! Now unjust is just the thing, To get me wondering if cyclopes are wicked. I cannot help but stop and look at the voracious minotaur. Down, down, down into the darkness of the minotaur, Gently it goes - the ravenous, the edacious, the ravening. Why would you think the bestiary is fatless? the bestiary is the most fat book of all. |
|
3:49:12 (Pop-up) |
||
| featuring John Zacherle |
Gravy (With Some Cyanide)
|
Monster Mash |
|
3:50:29 (Pop-up) | ||
| Dave Clark Five |
Come Home
|
2000 |
|
3:52:46 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:55:32 (Pop-up) |
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The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Night Owl:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
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Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
The Night Owl:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Night Owl:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
The Collective Cult of Woolly Lydia / CCoWL:
The Night Owl:
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Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
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Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
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The Collective Cult of Woolly Lydia / CCoWL:
Mr. R.L. Horrorshow:
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Mr. R.L. Horrorshow:
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Plastic Tearful:
The Night Owl:
The Night Owl:
The Night Owl: